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William Hogarth (1697-1764) Four coloured engravings from Marriage a la Mode, framed, 32.5cm x 42.5cm, together with an engraving from the Harlot's Progress and another satrical print, with 'Tho  Devil to Play in Heaven', within oval mount, all framed (6)

Two French 19th century brass engraving plates, 9.5cm x 14cm

Herbert Bourne (1825-1907) after Edwin Longsden Long RA (1829-1891) Engraving 'Merab', one of the daughters of King Saul, signed in pencil by the artist and engraver within margin, published by Fairless and Beeforth, New Bond Street, London 1890, framed and glazed, mount aperture 67cm x 45cm, together with a photographic print of a young lady by Braun, Clement & Co., 1898, framed and glazed, mount aperture 48.5cm x 36cm (2)

18th century, Continental school Oil on canvas  Three-quarter length portrait of a lady, wearing a lace-edged red velvet dress applied with pearls, across her forehead are two parchment sheets, one showing an engraving of a traveller in landscape, 70.4cm x 54cm  Provenance  With John Hurst, Pemberton Road, Victoria, British Columbia in circa 1904, where it was probably sold, along with the contents of the house, and acquired by Gottfrey Bjonsfelt in 1922. The painting was known by the family as 'The Mystery Lady', with the puzzling positioning of the engraving, lying across her forehead and what may be a magnifying glass in her right hand.  Condition Report Painting has been extensively restored with large areas of overpainting visible (see images), especially around the edge of the sitter's face, her right arm, around the engraving, to the lace and background, it has also been relined. The engraved parchment appears to be original to the painting, with minimal restoration to the engraved scene. There are two repaired tears/holes to the canvas to the top left and right. Small areas of discolouration to retouching/restoration. Some crazing to paint surface overall. Would benefit from restoration and cleaning. The frame is probably 19th century although has been regilded.With Mackenzie and Co., Toronto, Fine Pictures Restorers and Frame Makers label verso. Please see additional images (supplied by vendor) relating to the 2002 restoration of the picture, with the painting photographed in-situ at Pemberton Road, Victoria, B.C.. See also the report by J. Leger & Son, 1929 where the painting is called 'Dutch Master' and '1720 period'. We do not offer in-house shipping. Please try Mailboxes.com or bidandbox.com

WILLIAM HUTTON & SONS LTD; a pair of George V hallmarked silver coffee spoons, Sheffield 1925, a further Edward VII hallmarked silver teaspoon, Sheffield 1902, a George V hallmarked silver circular pin dish, Chester 1919, diameter 8cm, a George V hallmarked silver square ashtray, Birmingham 1914, 10.5 x 10.5cm, and a further George V hallmarked silver tablespoon, with pierced engraving to the top of the handle, Sheffield 1922, combined weight 5.6ozt/175.5g (6).

1970s silver cigarette box with engine turned decoration and a presentation engraving (Birmingham 1973)

George Hillyard Swinstead, 'Steady! When the boats come in', engraving, artist's proof on vellum, signed; Arthur Elsley, signed engraving of a girl and her pet dog, and a Victorian watercolour (3)

Small Georgian silk and woolwork picture of young girl in field with dog during harvest, together with classical Georgian circular engraving in gilt frame

Coloured engraving of golfers, published 1850, engraved by Wagstaffe after Lees - entitled 'The Golfers - A Grand Match Played over St. Andrew's Links', in Hogarth frame, 85cm x 53cm

A silver cigar box, by William Comyns, London 1901, of plain form, engraved with an armorial and motto 'My Word is my Bond', 21cm wide 12.5cm deep8cm high,Condition ReportWith a later interior. Base loose. Engraving and marks rubbed.

An English Dragoon flintlock pistol circa 1800, with walnut frame, the lockplate with sparse engraving, and GR crown, 22cm barrel Provenance : from the estate of a collector, Hoddesdon, Hertfordshire. Shipping Disclaimer Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition Reportpitted overall, barrel, ramrod, side plates hammer. Action stiff. Brass engraving fair.  the number 2 incised on grip

A English transitional revolver mid 19th century, .30 calibre no visible serial number, having engraved band at muzzle and scroll engraving to top of barrel throat, concave bladed triangular bayonet mounted to barrel, plain six-shot cylinder, with octagonal 9cm barrel Shipping Disclaimer Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition ReportFading and tarnishing to all areas. Some knocks to edges of revolver/cylinder. Screw heads with wear. Action working.

A round framed flintlock pocket pistol Styan, Manchester, 19th century, with folding trigger, engraved lockplate, top safety, turn off barrel, silver escutcheon, 4cm barrel Provenance : from the estate of a collector, Hoddesdon, Hertfordshire. Shipping Disclaimer Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition ReportMissing flint in good condition.Chequering fair - engraving good. Action working. 

A George III silver mug by Hester Bateman, London 1781, of baluster form with acanthus capped handle and stepped circular foot,12cm high 10oztCondition ReportMarks struck clearly.Small dent to one side.Foot slightly mishappen.Knocks, scuffs, surface scratches and tarnishing throughout. Pitting particularly to the handle. Without personal engraving, no apparent erasures. Please see additional images. 

An Ottoman Miquelet pistol circa 1820teak framed with brass inlay33cm barrelProvenance : from the estate of a collector, Hoddesdon, Hertfordshire.Shipping DisclaimerBuyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country.Condition ReportPitted throughout. Splits in the bands and mounts. Action very stiff. Engraving worn.

A percussion pocket pistol English, 19th centurythe rifled barrel with rounded brass frame and folding trigger5.5cm barrelProvenance : from the estate of a collector, Hoddesdon, Hertfordshire.Shipping Disclaimer Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country.Condition ReportScrew heads worn. Rubbing to the engraving. Some knocks dents to brass. Action working, trigger drops.

A silver cigarette case, Birmingham 1915, with engraving to the front, 9x7.5cm, 98gm.

A silver pill box with fairy decoration to the top, Sheffield 1995, together with another silver pill box, London 1929, with West Kent Lodge engraving to the top, two 925 silver pill boxes, and one unmarked, 97gm. (5)

A mixed lot of six prints: 1. after Mark R. Myers, signed and dated in pencil, 'Nelson Joins The Victory' (1983) and 'The Mary Rose off Southsea Castle' (1982); 17 x 20½ in (43 x 52 cm), framed and glazed. 2. after J.L. Agalse 'The Last Journey on the Road', modern reproduction print, 13 x 17 in. (33 x 43 cm), framed and glazed. 3. three smaller prints in mounts to include a hand-coloured engraving, 'Harrowing with Oxen'

Five early 19th century portrait miniature frames - comprising a set of four with rope twist decorated oval frames below bold tied ribbon crestings, 17.25 x 12.5cm (one with loss to one side of ribbon, some insect damage to velvet); together with another similar frame; and a mid-19th century gilt hollow frame with laurel leaf and beaded borders, housing an oval portrait engraving within a verre eglomise mount, 17.8 x 14.5cm. (6)

CHARLES FRODSHAM, LONDON: A MINIATURE WHITE METAL ENGRAVED CARRIAGE CLOCKthe top with acorn finial to each corner, foliate engraving to each metal panel, with a bevelled glass door enclosing a white enamel dial with Roman numerals, 10cm high x 5.5cm long x 5cm deep

WILLIAM KIP (fl.c.1598-1635) A map of Dorsetcoloured engraving, 28cm x 39cm

Danish silver Harlequin 4 piece teaset with similar design but different Master Assay marks and makers marks. The teapot and coffee pot were assayed by Christian F Heise. The teapot has makers mark for Knub Jacobsen. Whilst the cream jug and sugar bowl have the Master assay mark for Simon Groth. All pieces have engraving to the cartouches. Ivory insulators are present, 1419gIvory licence- JTZW87QK

A George III Thomas Wallis II silver milk jug, London 1796, with monogrammed cartouche, floral engraving/decoration, approximately 12cm tall. 140g

BRAYLEY (E. W.) Beauties of England and Wales – A Topographical and Historical Description of the County of Kent, illustrated with engraving, Sherwood, Neely and Jones, London c. 1810, 4 vols, half calf and marbled boards, bumped, chipped, corners bent (4)

John Speed, “Yorkshire”,engraving, Sudbury and Humble, 39 x 51cm; Robert Morden: The West Riding of Yorkshire, 37 x 44cm; and Samuel and Nathanial Buck: “The South Prospect of Scarborough in the county of York"; etching, hand coloured, 31.5 x 83cm (3) Dimensions with frames -Yorkshire - 56cm x 45cm The West Riding - 47cm x 41cm Scarborough - 87cm x 35cm Yorkshire - discoloured/time stained.  Glazed. With centre fold.  Otherwise ok. West Riding - slightly discoloured, otherwise ok, with any holes or tears etc. Scarborough - some faint foxing, some thunder bugs beneath glass right lower corner.  Light surface dirt to outer edges, and outer borders.  Has two folds running from north to south, these around 15cm in from outer edges.  

TROIL (UNO VON) 'Letters on Iceland......' 2nd Edition Robson, Richards and Conant London 1780 with frontispiece engraving of a GEYSER and folding map. 8vo, full tree calf with red label plus. GELL (Sir William) 'Narrative of a Journey in the Morea' Longman et al, London 1823 with engraved frontispiece Monastry of Megaspelia plus 8 plates as by Directions to the Binder, 8vo. full tooled calf, foxing throughout, owners sigs etc. (2)

Jan Pietersz Saenredam (1565 - 1607) Spring, engraving 21cm x 15cm Provenance: From an east Oxfordshire country house

Luigi Rossini, “Veduta dell’Antico Ponte Janiculense Ristaurato da Sisto IV”, engraving 36 x 54; E Walker, after C. Bossoli, “Ponte Sulla Scrivia Vicino a Prarolo”, lithograph, hand-coloured, Day and Sons pubs, 11 x 44cm; and C. Turner after Eckstein “The Recruit”, mezzotint, hand-coloured, 53 x 40cm; in rosewood frame (3)

A pair of 16th century Vento Saracernic gilt metal chargers, each engraved with the blazen of an Italian noble family with later engraving to the verso. A presentaion to ther committee of the Birmingham triennial music festival by the Marchinoness of Hertford, wife of the 4th Marquess Richard Seymore 1879, Wallace collection holds items from Richard Seymore collection, Circa 1550. 40.5cm diameter

A late Georgian Scrap Album, containing original drawings, diary entries, cutouts from newspapers, books, and numerous coloured engravings, also to include a clipped signature, Francis Rawdon Chesney, General and explorer (1789-1872) framing a black and white engraving of his portrait, later speckled brown calf over marbled boards, the ribbed spine impressed 'Scrap Album' with gilt lettering, height 38cm, width 24.5cm

Thomas Woodward of London double barrelled over and under percussion hammer action belt pistol with scrolling engraving to the lock, hammer, trigger guard, top strap and butt plate, chequered grip, vacant wrist cartouche, storage compartment to the butt plate and 3.5 inch smooth bored barrels engraved 'T Woodward 64 St James St London', overall length 23cm. 

A pair of unnamed double barrelled side by percussion hammer action pistols, each with scrolling engraving to the lock, hammers, trigger guard, top strap and butt plate, chequered grip, vacant wrist cartouche, storage compartment to the butt, captive ram-rod and 4 inch smooth bored octagonal barrels, overall length 25cm.

Mary Ann Gallyon & Son of Cambridge 12 bore side by side hammer action shotgun with named and engraved locks, fine engraving of flowers and foliage to the hammers, underside, trigger guard, top plate, thumb lever and fences, chequered grip and horn tipped forend, vacant shield shaped cartouche to the underside of the stock, double trigger and named 30 inch Damascus barrels choked cylinder and improved cylinder, overall length 119cm, length of pull 36.5cm, serial number 14558.  PLEASE NOTE THAT THIS GUN IS BEING SOLD AS STOCK AND ACTION ONLY AND THAT A VALID RELEVANT RFD CERTIFICATE IS REQUIRED TO VIEW OR PURCHASE THIS LOT.

Baikal IJ-58 MAE 12 bore side by side shotgun with deep engraving of of a stag and deer to the locks, chequered semi-pistol grip and beaver tail forend, double trigger and 28.5 inch barrels choked ½ and full, overall length 116cm, length of pull 39cm, serial number C26643. PLEASE NOTE THAT A VALID RELEVANT SHOTGUN CERTIFICATE IS REQUIRED TO VIEW OR PURCHASE THIS LOT AND FOR ALL SHOTGUNS OR RIFLES PLEASE ENSURE YOU HAVE THE RELEVANT CERTIFICATE BEFORE BIDDING.

Baikal IJ-58 MAE 12 bore side by side ejector shotgun with heavy engraving of birds and rabbits to the locks, chequered semi-pistol grip and forend, double trigger and 28.5 inch barrels choked ¾ and full, overall length 114.5cm, length of pull 37.5cm, serial number A00347. PLEASE NOTE THAT A VALID RELEVANT SHOTGUN CERTIFICATE IS REQUIRED TO VIEW OR PURCHASE THIS LOT AND FOR ALL SHOTGUNS OR RIFLES PLEASE ENSURE YOU HAVE THE RELEVANT CERTIFICATE BEFORE BIDDING.

William Evans 12 bore side by side ejector shotgun with named and engraved locks, scrolling engraving to the underside, trigger guard, top plate, thumb lever and fences, chequered grip and forend, inset cartouche to the underside of the stock, double trigger and named 28 inch barrels choked ¾ and improved cylinder, overall length 114cm, length of pull 38cm, serial number 18314 in leather bound case with original labels. Please note this lot and the next lot make up a sequential pair. PLEASE NOTE THAT A VALID RELEVANT SHOTGUN CERTIFICATE IS REQUIRED TO VIEW OR PURCHASE THIS LOT AND FOR ALL SHOTGUNS OR RIFLES PLEASE ENSURE YOU HAVE THE RELEVANT CERTIFICATE BEFORE BIDDING.

William Evans 12 bore side by side ejector shotgun with named and engraved locks, scrolling engraving to the underside, trigger guard, top plate, thumb lever and fences, chequered grip and forend, inset cartouche to the underside of the stock, double trigger and named 28 inch barrels choked ¾ and improved cylinder, overall length 114cm, length of pull 38cm, serial number 18315, in leather bound case with original labels. Please note this lot and the previous lot make up a sequential pair. PLEASE NOTE THAT A VALID RELEVANT SHOTGUN CERTIFICATE IS REQUIRED TO VIEW OR PURCHASE THIS LOT AND FOR ALL SHOTGUNS OR RIFLES PLEASE ENSURE YOU HAVE THE RELEVANT CERTIFICATE BEFORE BIDDING.

Charles Lancaster 'Wrist Breaker' assisted-opening back-action 12 bore side by side ejector shotgun with 'Charles Lancaster London' and 'Charles Lancaster Patent' engraved to the locks, all over fine scrolling engraving, chequered grip and forend, double trigger and named 26.5 inch barrels choked ???, overall length 110.5cm, length of pull 37cm, serial number 7376. PLEASE NOTE THAT A VALID RELEVANT SHOTGUN CERTIFICATE IS REQUIRED TO VIEW OR PURCHASE THIS LOT AND FOR ALL SHOTGUNS OR RIFLES PLEASE ENSURE YOU HAVE THE RELEVANT CERTIFICATE BEFORE BIDDING.

Silver Sabel De Luxe 12 bore sidelock side by side ejector shotgun with rose and scroll engraving to the named locks, underside, trigger guard, top plate, thumb lever and fences, chequered grip and forend, vacant cartouche to the underside of the stock, double trigger and named 27 inch barrels choked improved cylinder and ½, overall length 111.5cm, length of pull 36.5cm, serial number PG93733. PLEASE NOTE THAT A VALID RELEVANT SHOTGUN CERTIFICATE IS REQUIRED TO VIEW OR PURCHASE THIS LOT AND FOR ALL SHOTGUNS OR RIFLES PLEASE ENSURE YOU HAVE THE RELEVANT CERTIFICATE BEFORE BIDDING.

Pair of AYA No 2 12 bore sidelock side by side ejector shotguns each with all over scrolling and floral engraving, gold named underside, chequered grip and forend, carved teardrop to the wrist, engraved gold cartouche to the underside of the stock, double trigger, named and engraved rib and 27 inch barrels choked improved cylinder and cylinder, numbered 1 and 2 in gold to the thumb lever, forend and barrels, overall length 113.5cm, length of pull 38.5cm, serial numbers 436133 and 436134, in fitted leather carry case. PLEASE NOTE THAT A VALID RELEVANT SHOTGUN CERTIFICATE IS REQUIRED TO VIEW OR PURCHASE THIS LOT AND FOR ALL SHOTGUNS OR RIFLES PLEASE ENSURE YOU HAVE THE RELEVANT CERTIFICATE BEFORE BIDDING.

Watson Brothers 12 bore sidelock side by side ejector shotgun with named and engraved locks, scrolling engraving to the underside, trigger guard, top plate, thumb lever and fences, chequered grip and forend, carved teardrop to the wrist, vacant cartouche to the underside of the stock, double trigger and named 30 inch barrels choked improved cylinder and ½, overall length 119cm, length of pull 36cm, serial number 6737. PLEASE NOTE THAT A VALID RELEVANT SHOTGUN CERTIFICATE IS REQUIRED TO VIEW OR PURCHASE THIS LOT AND FOR ALL SHOTGUNS OR RIFLES PLEASE ENSURE YOU HAVE THE RELEVANT CERTIFICATE BEFORE BIDDING.

Holland & Holland Royal 20 bore side by side sidelock ejector shotgun with fine scrolling engraving to the named locks, underside, trigger guard, top plate, thumb lever and fences, chequered grip and forend, carved teardrop to the wrist, vacant gold cartouche to the underside of the stock, single trigger and named 28 inch barrels choked improved cylinder, overall length 113cm, length of pull 35.5cm, serial number 22034. PLEASE NOTE THAT A VALID RELEVANT SHOTGUN CERTIFICATE IS REQUIRED TO VIEW OR PURCHASE THIS LOT AND FOR ALL SHOTGUNS OR RIFLES PLEASE ENSURE YOU HAVE THE RELEVANT CERTIFICATE BEFORE BIDDING.

Browning B25 FCS Diana 12 bore over and under ejector shotgun with engraved scenes of birds to the locks and underside, engraved rabbits to the trigger guard and further engraving to the top plate, thumb lever, safety and mounts, chequered semi-pistol grip and forend, single trigger, vented top rib and 27.5 inch barrels choked ¼ and ½, overall length 113cm, length of pull 36cm, serial number 8H3PT07064, in original fitted case with accessories and related paperwork. PLEASE NOTE THAT A VALID RELEVANT SHOTGUN CERTIFICATE IS REQUIRED TO VIEW OR PURCHASE THIS LOT AND FOR ALL SHOTGUNS OR RIFLES PLEASE ENSURE YOU HAVE THE RELEVANT CERTIFICATE BEFORE BIDDING.

Beretta S687 EELL 20 bore over and under ejector shotgun with Bottega C Giovanelli engraved scenes of birds to the sidelock plates and underside, scrolling engraving to the trigger guard, top plate and thumb lever, chequered semi-pistol grip and forend, vacant cartouche to the underside of the stock, single trigger, vented top rib and 29.5 inch multi-choke barrels, overall length 120cm, length of pull 37.5cm, serial number Z06226S, in original fitted case with three additional chokes, choke key, butt plate, dust covers, accessories and related paperwork. PLEASE NOTE THAT A VALID RELEVANT SHOTGUN CERTIFICATE IS REQUIRED TO VIEW OR PURCHASE THIS LOT AND FOR ALL SHOTGUNS OR RIFLES PLEASE ENSURE YOU HAVE THE RELEVANT CERTIFICATE BEFORE BIDDING.

Beretta S687 EELL Diamond Pigeon 12 bore over and under ejector shotgun with engraved scenes of birds to the sidelock plates, scrolling engraving to the action, underside, trigger guard, top plate and thumb lever, chequered semi-pistol grip and forend, vacant cartouche to the underside of the stock, single trigger, vented top rib and 29.5 inch Teague multi-choke barrels, overall length 119cm, length of pull 36.5cm, serial number N71727B, in original fitted case with additional chokes and choke key. PLEASE NOTE THAT A VALID RELEVANT SHOTGUN CERTIFICATE IS REQUIRED TO VIEW OR PURCHASE THIS LOT AND FOR ALL SHOTGUNS OR RIFLES PLEASE ENSURE YOU HAVE THE RELEVANT CERTIFICATE BEFORE BIDDING.

Approximately three hundred and twenty nine (329) 19thC Chinese engraved mother of pearl gaming counters comprising one hundred fish, sixty circular, forty five oval and one hundred and nine square or oval examples, includes two with deeper and more detailed engraving of court scenes.

[Napoleonic interest] After Richard Ansdell Victorian coloured engraving titled 'Fight For The Standard No1' with Sergeant Ewart of the Scots Greys in a mounted sword fight for the French Standard of the 45th Invincibles, with printed description beneath, 74 x 95cm, mounted and framed

BOROWSKI, GEORG HEINRICH (1746-1801): NATURGESCHICHTE DES TIERREICHS III| 1782 | PUBLISHER: Berlin-Stralsund, G.A. Lange | NUMBER OF PAGES: 224 + index | LANGUAGE: German | DIMENSIONS: 213 x 140 mm | NOTE: Contains 47 hand-colored copper engravings + title copper engraving, missing copper engraving no. 136 and pages 173-174 | CONDITION: Damaged and partially missing spine, scuffed boards, stains on endpaper | Entire title | Gemeinnützige Naturgeschichte des tierreichs.dritter Band: Vögel| Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. |

HARRY WINSTON: A PAIR OF DIAMOND CUFFLINKSOf arched rectangular shape with scalloped borders, set with brilliant-cut diamonds, with reeded gold connector to oval-shaped plaque terminal with 'HW' engraving, mounted in 18K gold, diamonds approximately 1.90cts total, with maker's mark 'HW', with European convention mark for 18K gold, Swiss assay marksCondition Report:Diamonds: approx. 1.90cts total, unable to assess colour due to yellow mount, estimated clarity VSNormal signs of wear, overall in good conditionAs per an email from Harry Winston, the latest retail price for this model €18,600.-Total gross weight approx. 22g

Engraving of a standing male nude engraved by Eugène Copman circa 1861, stamp top left of the Royal Academy of Antwerp, signed in the plateGravure van een staand mannelijk naakt gegraveerd door Eugène Copman circa 1861, stempel linksboven van de Koninklijke Academie van Antwerpen, getekend in de plaat40.5 x 27 cm

19th century Continental school, 'Vue de la Foire de Beaucaire', engraving, 45 x 83cm together with after Horace Vernet (French, 1789 - 1863), a set of six: Mazeppa and other scenes, hand-coloured stipple engravings, 24 x 31.5cm, all framed and glazed (7)

After George Romney (British, 1734 - 1802), Lady Hamilton as a Bacchante, coloured engraving, signed indistinctly in pencil lower right, label verso for Henry Graves & Co., Ltd London and variously inscribed on label verso, 32.5 x 27.5cm, after Simon Drew (British, b. 1952), Puffin Nuffin, signed in pencil lower right, 38 x 50cm overall and after E Piper, a set of six: studies of Harrow and Harrow School, etchings, each signed in pencil, each 32 x 39.5cm and 39.5 x 32cm respectively, all framed and glazed (8)

Set of 6 Military framed prints and an engraving.

Scotch WashingColoured engraving[23x18cm]

A collection of power tools to include a boxed Hilti SB12 12V battery drill with charger and battery, a Hand Tools Sheffield bench vice, a Skil 240v 500w drill, a boxed Black and Decker KS896GT 230v 400w scorpion saw, a boxed Makita 3620 240v 860w router, a Droxxon No 28475 240v grinding/engraving set, a Makita 6510LVR 240v 330w drill and a boxed DeWalt 14.4v battery drill with charger and battery. (8).

Wenceslas Cifka (Tscheraditz, Bohemia, then Austrian Empire, 1811 - Lisbon, 1884)“Portrait of Queen Mary II of England, in royal attire.”Painted in enamel on copper. Signed and titled on the back.20 x 17 cm.Based on the engraving published circa 1689-1694 by Peter Vanderbank (Vandrebanc) after the painting by Sir Godfrey Kneller Bt, kept in the National Portrait Gallery (reference no. NPG D32780).Wenceslau Cifka, also known as Václav Cífka, a versatile artist, arrived in Portugal in 1836 on the occasion of the marriage of Ferdinand of Saxe-Coburg-Gotha to Queen Maria II. He established himself mainly as a landscape painter at the Portuguese royal court.Gifted in the arts, and under Ferdinand's influence, he became a regular at auctions, acquiring important collections for the king's gallery. However, it was above all as an artist that he made his greatest contribution to Portugal. As a draftsman, lithographer, photographer, painter, ceramist and enameler, he left remarkable ceramic pieces and very special lithographs and enamels. He was one of the pioneers of photography in Portugal. He was also a pioneer of photographic techniques, he started using the daguerreotype in the 1840s and set up his studio at Rua Direita das Necessidades, nº 31 in Lisbon.He is the photographer of the first photographs of members of the royal family, who until then had only been portrayed by painters, starting with Ferdinand II, father of Pedro V.He is considered to be the first publisher of stereoscopic views in Portugal. Among his disciples were Carlos Relvas, Francisco Augusto Gomes and João Paulo Cordeiro Júnior. He was appointed photographer to the Royal Household and traveled around Europe with the King, specifically in 1854, to update and perfect his techniques in London, Paris and Berlin. As a friend and protector, King Ferdinand acquired most of his work and is represented in much of it, whether in photography or ceramics. His love of ceramics led Cifka to devote himself almost exclusively to artistic earthenware. At the end of his career he joined the Constância ceramics factory, where he specialized in glazes and ceramics. He participated in several exhibitions, at the Lisbon Industrial Exhibition in 1849, at the Philanthropic Exhibition of the Arsenal of the Navy in 1851, at the Paris Universal Exhibition in 1867 and 1878, among others. He was awarded the Gold Medal at the Portuguese Exhibition in Rio de Janeiro in 1879. He held several royal posts, among them that of Photographer of the Royal Household in 1855, Reporter of the Royal Chamber in 1859 and was named Knight of the Order of Christ in 1864. After his death, the artist's work was auctioned by his son Fernando Augusto Cifka and dispersed among private collections and institutions. A catalog was published for the occasion “ Leilão das Collecções de Gravuras, Livros ilustrados, Louças de faiança e da China, India, etc., etc., do fallecido Sr. Wenceslau Cifka, na Rua 24 de Julho 460, 1º andar (Aterro) a começar em 26 de Junho de 1884. Lisboa”.In the 20th century, there have been several exhibitions dedicated to Cífka held in Portugal, among which we highlight:“Wenceslau Cifka. Ceramist, Lithographer and Enameller”, 1949, National Palace of Pena in Sintra, Portugal. Edited catalog.“9ª Exposição Temporária. Desenhos do Album Cifka”, 1948, Museu Nacional de Arte Antiga. Lisbon. Edited catalog.“Cifka - Obra Cerâmica”, 1993 -1994, Lisbon, Museu Nacional do Azulejo, - Instituto Português de Museus.Reference bibliography:https://arquivomunicipal3.cm-lisboa.pt/x-arqweb/Result.aspx?id=66220&type=Autoridade

Attributed to Angelino Medoro (Rome, circa 1565 - Seville, 1632)"Our Lady of Silence" Oil on copper. With a chased and embossed silver 18th century frame.23 x 19 cm.  Frame measurements: 54,5 x 38 cm. Italian painter who settled in the Viceroyalty of Peru, via Spain. His art was especially influential in that territory, fundamentally in the painting of Cuzco.In 1587 he moved to Santafé where he painted a Virgin of Antigua for the church of Santo Domingo, which was characterized by having a Sevillian style and being accompanied by figures such as San Francisco and the donors Diego Hernández Hervalle and his wife Polonia de Roa. It is one of the first portraits painted in New Granada, a fact that gives it immense value for the history of Colombian art, as noted by the Royal Academy of History. In addition, other important works are attributed to him, such as a Descent from the Cross, inspired by a painting by Pedro Pablo Rubens, and a Lamentation, which belong to the Convent of Santo Domingo de Tunja. He also painted a penitent Mary Magdalene for the church of San Francisco and was master of Fray Pedro Bedón in Tunja. In 1598 he finished his paintings for the chapel of Mancipe and in 1599 he moved to Cali, where he made works for the Franciscans, such as a San Antonio de Padua and a sculpture of Nuestra Señora del Socorro.In 1600, he traveled to Lima, where he made several paintings, including a Señor de la Columna and works for the chapel of the Ánimas in the cathedral.He taught in Lima in 1604 and was appointed painter to the Inquisition. In 1617 he painted the Portrait of Isabel Torres de Oliva, known as Santa Rosa de Lima. After being widowed, Medoro remarried María de Mesta y Pareja. He made several paintings for the Mercedarian Fathers and the Augustinians, some of which are still preserved. In 1623, he painted a Santa Margarita which is now in Bogotá. In 1629, he returned to Spain and settled in Seville. Despite being around seventy years old, he was still examined as a painter. He made a will in 1631 and died on February 22 of the following year. It also has a significant value another portrait made in Lima in 1617, “Portrait of Isabel Torres de Oliva”, who was the first saint of America, Santa Rosa de Lima. “It was widely disseminated not only in the American continent but even in Europe, through engraving.” Reference bibliography:- Fajardo de Rueda, Marta (n.d.). Real Academia de la Historia. https://dbe.rah.es/biografias/52375/angelino-de-medoro

A 20th century engraving After Meissonier depicting a game of boules, signed in pencil below 'Jules Jacque...', published 1907, 35 x 40 cm, framed

19th Century School - 'On the Nile near Siout' (1875), watercolour, monogrammed and dated lower right, 23 x 16 cm; together with a map of Africa by Edward Mogg, published 1813, hand-coloured engraving, both framed (2)