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James Abbott McNeill Whistler PRBA (American 1834-1903) Drypoint etching 'Billingsgate', signed and dated 1859 within plate, framed and glazed, mount aperture 15.5cm x 22cm

George Soper (1870-1942) Drypoint etching "Mangels", rural scene with horse and cart in field with workers harvesting mangels, signed in pencil within margin, framed and glazed, mount aperture14.5cm x 21.5cm, together with another etching by the same hand 'The Blacksmith's Forge', scene with blacksmith shoeing a heavy horse, signed within margin, framed and glazed, mount aperture19.5cm x 13.5cm (2)

Augustus John OM RA (1878-1961) Drypoint etching Self-portrait wearing a hat, signed in pencil lower right and within plate, framed and glazed, mount aperture 16cm x 10.5cm

Arthur Boris Klein (Boris O'Klein) (1893-1985) Etching and aquatint Seven etchings from the 'Dirty Dogs of Paris' series, to include "W.C. Privie!", "Sus Aux Curieux", "A La Queue", "Tu Viens Beau Blond", "Eternal Enemies", "Comme Nos Maitres" and "Chacun Son Tour", each signed and titled in pencil within margin, framed and glazed, image size 20.5cm x 48.5cm (7)

† VIVIENNE KATTAN (born 1945); a signed limited edition woodcut print, 'Visions', signed and dated 1968 lower right and numbered 1/1, 32.5 x 25cm, framed and glazed, a signed limited edition etching, 'The Spell', signed in pencil and dated 1969 lower right and numbered 4/4, 32 x 32cm, framed and glazed, a further signed limited edition etching, 'Transition', signed in pencil and dated 1970 lower right and numbered 1/8, 42 x 51cm, framed and glazed, and a signed limited edition print, 'Entre Nous', signed in pencil and dated 1970 lower right and numbered 8/12, 32 x 31.5cm, framed and glazed (4).

Claire Winsten (1894-1989) Etching, musical ensemble, 20 x 28cm, glazed frame

Julian Matcham etching, reclining cat

Arthur J F Bond (1888-1958) etching, marine scene, and two others by the same hand, all signed, largest 23 x 35cm (plate), all framed

Boris O'Klein, etching, dogs behaving badly, signed

Henry R Jones - etching, Fleet Street, two works, 32 x 12cm, signed, glazed frame

Timothy Greenwood (b. 1947) etching - peregrine falcon, signed and numbered 33 x 23cm, glazed frame

Timothy Greenwood (b. 1947) etching - Mountain Hare, signed and numbered, plate 27 x 20cm, Mall Galleries label verso, glazed frame, together with six further etchings by thw

Signed limited edition etching, 'Passing Storm', signed, and an annotated watercolour of moths, both framed (2)

Picturesque Views of the Principal Seats of the Nobility and Gentry in England and Wales. By the most eminent British Artists. With a Description of each Seat. Harrison & Co. N.D. C1788 (Plates dated 1786-88). After two counts, I can only find 99 plates of the 100, Hence missing one plate. Oblong 4to. Later half leather; light damp staining; Jones' Views of the Seats, Mansions, Castles, & c. of Noblemen & Gentlemen in England, Wales, Scotland & Ireland. Forming part of the general Series of Jones' Great Britain Illustrated. L, Jones & Co. 1829, 1st. Edn. Engraved title page with vignette plus 298 engraved views on 149 Plates. 4to. Near cont. half leather over marbled boards and marbled endpapers. With the bookplate of 'Martin Drury' to front pastedown. VG Joseph Pannell: The Work of Charles Keene With an Introduction and Comments on the Drawings.. New York, R H Russell, 1897, 1st. Edn. With an Original Etching by Keene, mounted & bound in at the front, together with an autograph letter sent from 55 Baker Street, to S Read (10 lines), Signed is full & tipped-in to the front blank. Folio, original cloth gilt; rubbed and with tears to the spine; Edward Horswell: Sculpture of Les Animaliers 1900-1950. Scala Arts and Heritage Publishers Ltd, 2019, Title page Inscribed and signed by Edward. VG+ (4)

After William Henry Tuck (1840-1922) 'A Day with the Harriers' Hand coloured etching, pub. 1884 29½ x 21½ in. (75 x 55 cm)

After William Henry Tuck (1840-1922) 'Coaching' Hand coloured etching, pub. 1884 29 x 20¼ in. (73.5 x 52 cm)

Two prints, comprising - 1. Neil Bousfield, RE (British, contemporary), 'Eccles Sunrise', colour etching, signed, numbered 34/40 and inscribed in pencil to lower margin, 11.9 x 19.2cm, antiqued gilt bevelled frame (32 x 38.5cm) 2. After Valerie Davide (1938-2017), Portrait of a dog, lithograph, 9.5 x 13cm, painted frame (32 x 32cm)

After Sydney Wombill (1857-1916) 'The Derby Finish 1886' Hand coloured etching 20½ x 27½ in. (52.5 x 69.5 cm)

Patrick Procktor RA (1936-2003) Woman reading 'D'où venons nous?' etching with aquatint signed and numbered 32/35 in pencil, with elephant over CN blind stamp 14½ x 19½ (36.5  x 49.5cm). Frame size 60 x 69cm.

Susie Perring (British, contemporary) 'Home Comforts' etching, signed, inscribed and numbered 85 from an edition of 175 to lower margin 9 3/8 x 9in (23.8 x 22.8cm), stained wooden frame (55.5 x 48.7cm)

Four pieces, comprising - 1. Andrew Watson Turnbull (1874-1957), 'Fir and mountain top (Loch Long)', etching, signed and inscribed in pencil, 6¾ x 9¾in (17.1 x 24.8cm), gilt frame 2. William S. Laidlaw, The Laughing Cavalier, after Frans Hals, signed in pencil, 9¾ x 6 7/8in (24.8 x 17.5cm), gilt frame 3. Two 18th century botanical prints of red roses after Annica Bricogne, in Hogarth frames, overall 28.75 x 21.3cm

Ian Ritchie CBE RA (British, b.1947) 'Stretchy Cat' monochrome etching, signed, dated 2019, inscribed and numbered 77/100 to lower margin 14.75 x 23.25cm, black stained wooden frame (28.75 x 36.75cm)

WILLIAM LIONEL WYLLIE (1851-1933) Yachts at sea with fortifications and coastlinesigned in pencil lower left margin, etching on paper, 16cm x 37cm; together with another similar (2)

*VALERIE THORNTON (1931-1991) 'Capitals'signed, titled and numbered 80/150 in pencil to the margin, etching and aquatint, 38.3cm x 29cm (sheet)

*GLYNN THOMAS (b. 1946) 'Opposite banks of the Stour'signed, titled and numbered 62/150 in pencil to the margin, etching and aquatint, 65cm x 52.5cm (sheet)

*VALERIE THORNTON (1931-1991) 'San Martin'signed, titled and numbered 80/150 in pencil to the margin, etching and aquatint, 38.3cm x 29cm (sheet)

Allom etching of Levens Hall Westmorland, collection of ceramic pin cushion ladies and quantity of Hummel figures (some AF)

John Speed, “Yorkshire”,engraving, Sudbury and Humble, 39 x 51cm; Robert Morden: The West Riding of Yorkshire, 37 x 44cm; and Samuel and Nathanial Buck: “The South Prospect of Scarborough in the county of York"; etching, hand coloured, 31.5 x 83cm (3) Dimensions with frames -Yorkshire - 56cm x 45cm The West Riding - 47cm x 41cm Scarborough - 87cm x 35cm Yorkshire - discoloured/time stained.  Glazed. With centre fold.  Otherwise ok. West Riding - slightly discoloured, otherwise ok, with any holes or tears etc. Scarborough - some faint foxing, some thunder bugs beneath glass right lower corner.  Light surface dirt to outer edges, and outer borders.  Has two folds running from north to south, these around 15cm in from outer edges.  

The Tern Press - 'The Book of Ruth, A Pastoral Idyll', Nicholas Parry Illus. 1994oblong in slip case with m/s letter from N.P. and etching proof, plusTHE GRAFTON PRESS, Chaucer (Godfrey)...The Cok & Hen, New York, 1902 (+2) March 1994 ? See photo.

Rembrandt Van Rijn (1609-1669) Beggar man and women conversing, etching 8cm x 7cm Provenance: From an east Oxfordshire country house This is on laid paper. Time stained.  The sheet is folded at three edges.  Foxed spots at the back.  Margins uneven thus may have possibly been trimmed. Please see new photos.

Giovanni Battista Piranesi (Italian,1720-1778), Veduta del Porto di Ripa Grande, etching, 38 by 60cm, framed

Christopher Deakin (British, 1946-2007), Dark Wood, Mt Edgecombe, signed l.r., monochrome etching, Artist Proof No.2/10, 44 by 35cm, and another, Edge of the Wood Mt Edgecombe, signed l.r., monochrome etching, No.5/60, 30 by 40cm, unframed (2)

Henri Martin (French, 1860-1943), Bassin aux Cypres, signed l.r., etching, 39 by 46cm, gilt frame

Fred Cuming R.A. (British, 1930-2022), Standing Female Nude, signed l.r., etching, 11.5 by 7cm, framed. Note: Artist Resale Rights apply

▲ Bryan Pearce (1929-2007) 'The Stone Boat at Newlyn'etching, signed and dated 'Bryan Pearce/72' in pencil l.r., and numbered '7/30', also signed, inscribed with title and dated versoplate 11.5 x 14cmCondition ReportFramed: 28 x 31cmDiscolouration and foxing. Undulations to the left side. Not viewed out of glazed frame.

Jules DE BRUYCKER (1870-1945), etching Jour de marché à Gand, signedJules DE BRUYCKER (1870-1945), ets Jour de marché à Gand, getekend31.5 x 40.5 cm

Jules DE BRUYCKER (1870-1945), etching from the folder L'église St Nicolas Gand in 1938, numbered B and signed in pencilJules DE BRUYCKER (1870-1945), ets uit de map L'église St Nicolas Gand in 1938, genummerd B en gesigneerd met potlood10.5 x 15 cm

Jules DE BRUYCKER (1870-1945), bound folder L'Eglise St Nicolas Gand with 10 original etchings and 20 reproductions, 1938, numbered 249 of 270 copies and with the etching L'aquafortiste from 1925, signed, titled and dated, leather cover with relief print J. DE BRUYCKERJules DE BRUYCKER (1870-1945), ingebonden map L'Eglise St Nicolas Gand met 10 originele etsen en 20 reproducties, 1938, genummerd 249 op 270 exemplaren en met de ets L'aquafortiste van 1925, getekend, getiteld en gedateerd, lederen kaft met reliëf opdruk J. DE BRUYCKER50 x 40 cm

Jules DE BRUYCKER (1870-1945), etching The house of Jan Palfijn in Ghent, signedJules DE BRUYCKER (1870-1945), ets La maison Jan Palfijn à Gand, getekend60.5 x 48 cm

Jules DE BRUYCKER (1870-1945), etching Jour de Marché à Gand 1906, signed in the plate and signed lower left in Chinese inkJules DE BRUYCKER (1870-1945), ets Jour de Marché à Gand 1906, getekend in de plaat en getekend linksonder in Chinese inkt31.5 x 41 cm

Jules DE BRUYCKER (1870-1945), etching from the folder L'église St Nicolas Gand in 1938, numbered B and signed in pencilJules DE BRUYCKER (1870-1945), ets uit de map L'église St Nicolas Gand in 1938, genummerd B en getekend in potlood10.5 x 13.5 cm

Jules DE BRUYCKER (1870-1945), etching Marchande, titled and signed in pencilJules DE BRUYCKER (1870-1945), ets Marchande, getiteld en getekend in potlood43.5 x 37 cm

Henri THOMAS (1930-2016), etching Now in the armchair, signed in pencil and red stampHenri THOMAS (1930-2016), ets Nu au fauteuil, getekend in potlood en met rode stempel33.5 x 25 cm

Jakob SMITS (1855/56-1928), pencil drawing Josine, his wife, not signed and etching Landscape with large white clouds, signed in pencilJakob SMITS (1855/56-1928), potloodtekening Josine, zijn vrouw, niet getekend en ets Landschap met grote witte wolken, getekend in potlood15 x 18 & 15 x 12.5 cm

Jules DE BRUYCKER (1870-1945), etching from the folder L'église St Nicolas Gand in 1938, 1st state and signed in pencilJules DE BRUYCKER (1870-1945), ets uit de map L'église St Nicolas Gand in 1938, 1e staat en gesigneerd met potlood16 x 12 cm

Jules DE BRUYCKER (1870-1945), etching from the folder L'église St Nicolas Gand in 1938, numbered 226/260 and signed in pencilJules DE BRUYCKER (1870-1945), ets uit de map L'église St Nicolas Gand in 1938, genummerd 226/260 en gesigneerd met potlood18 x 20.5 cm

Jules DE BRUYCKER (1870-1945), etching from the folder L'église St Nicolas Gand in 1938, numbered B and signed in pencilJules DE BRUYCKER (1870-1945), ets uit de map L'église St Nicolas Gand in 1938, genummerd B en gesigneerd met potlood14 x 11 cm

Simon Bull, a pair: stylised study of poppies, titled 'Song' A/P (Artist's Proof) 4/35, signed in pencil below and stylised study of yellow flowers, titled 'Friends', limited edition 327/350, signed in pencil below, each coloured etching heightened with gold, artist's information attached verso, 24 x 10cm, framed and glazed (2)

Early 20th century photographic print of boy in period sailor outfit H 49.5cm x W 39cm together with a beach sea scape watercolour by A.D Reid, H 35cm, W 52cm and a Wendron Forge, Cornwall metal etching of a Cornish Mine, 1872, H 40cm x 56cm (3)

After Allin Pethal (20th century), a pair: Brugge scenes, each hand-coloured etching, labels verso for Staples Dealer in Fine Art, 20 High Street, Bromley, 17 x 21cm, framed and glazed (2)

Graham Clarke (British 20th century), 'Cornish Haven', signed in pencil by the Artist. Limited edition uncoloured etching No. 43/150. 27x41cm approx. Framed and glazed. (B.P. 21% + VAT) Good original condition.

Framed decoupage print of a river scene, a signed etching of a foal and a group of other framed and unframed studies of horses, flowers and Oriental scenes, various. (B.P. 21% + VAT)

George Wallace (Irish, 1920-2009) - Modernist geometric design (1955/56), etching, signed and indistinctly dated lower right, plate dimensions: 30 x 18.5 cm, frame dimensions: 64 x 48 cm, glazed and framed

Arthur Boris Klein (1893-1985) - 'Comme nos Maîtres', hand-coloured etching, signed and titled in pencil below, frame dimensions: 59 x 33 cm

Pieter Van Der Westhuisen (1931-2008) - Etching in colours (1990), signed and numbered 4/100 below, 28 x 33 cm, framed

Maria Biljan Bilger (1912-1997)-graphic, Judith , etching on paper. Described in passepartout . 38 x 42 cm . The hammer price will go directly to the social help of the Caritas of Vienna, Provenance; estate found Erzdiozese Wien.

After James Alphege Brewer (British 1881-1946). Venice, The Bridge of Sighs, and Rio di Grecei, pair of etchings, signed, 24cm x 14cm, together with After J M Bull, St Paul's, Watling Street, etching, signed, 27.5cm x 23cm. (3)

LEIDEN -- HAVERKAMP, Gerhard Christiaan ('Gerrit') (1872-1926). (Academiegebouw). N.d. Etched view from the south. 213 x 163 mm. Signed in pencil. -- Id. (Gezicht op de Zijlpoort). N.d. Etching. 273 x 395 mm. Signed in pencil. -- Id. (Molen in Leiden (molen De Valk?)). N.d. Etching. 305 x 222 mm. -- And 1 o. by the same. (4).

HUNDERTWASSER -- SCHMIED, W. & A.C. FÜRST. Hundertwasser 1928-2000. Werkverzeichnis. Catalogue raisonné. Cologne, Taschen, 2000. 2 vols. Prof. ill. & cold. etching loosely added. Text in English. 4°. Ocl. w. cold. felt lettering and decoration. In ocl. felt dec. slipcase w. velcro fasteners.NOTE: Still in the original wrapping paper and shipping box.

OPSOMER, Isidore (1888-1941). (Portrait of Felix Timmermans). N.d. (c. 1925?). Etching. 290 x 225 mm. Signed in pencil, no edition stated.NOTE: Piron p. 1025.