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Lot 440

Grayson Perry (British, b.1960): A framed printed tote bag of the etching titled 'Our Town', in red and blue, 64cm x 44cm

Lot 8

A majestic cockatoo figurine by Lalique, France, showcasing the house's hallmark combination of frosted and clear crystal. The bird is rendered in exquisite detail, with a proud crest, textured feathers, and a strong curved beak. Elegant in posture, the cockatoo perches on a polished clear crystal base, turning its head with lifelike presence. Signed Lalique France in script etching beneath the tail. A beautiful and substantial decorative piece, standing approximately 11.5"H.Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

Lot 256

This 3-piece lot includes a signed Lalique France Gerardmer crystal vase and 2 unmarked round glass disesh with Art Nouveau-style etching. The Lalique vase stands 9.5 inches tall and features an intricate design of alternating frosted and polished leaf-like panels in a rhythmic vertical pattern. The circular dish measures 5 inches in diameter and showcases a raised relief of a woman's profile surrounded by windswept hair and floral accents. While the vase bears the etched Lalique France signature on the base, the dish is unsigned. Please note: the vase has several visible chips along the rim and body. An elegant pairing of French crystal artistry with decorative flair - ideal for collectors of Lalique or Art Nouveau-inspired design. Issued: 20th centuryDimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear. As is, as found - Chips on rim and on raised edges.

Lot 461

William Russell Flint A.R.A Book. Titled "Modern Masters of Etching".

Lot 193A

David Young Cameron Scottish, 1865-1945. Etching Titled "Old Ships Revenge" signed in pencil. 52x64.5cm frame.

Lot 125A

Rembrandt Harmensz. Van Rijn (1606-1669)Small portrait etching. Dated 1646. Fitted within an antique frame. Frame- 12.5x12.5cm

Lot 742

John WELLS (British 1907-2000) Untitled abstract Dry point etching Inscribed P.P. (printer's proof) Framed and glazed Picture size 14 x 12cm Overall size 46 x 38cm

Lot 188

After William Lionel Wyllie, a flotilla of boats, dry point etching, 17 x 25 cm, and its pair (2)

Lot 50

JAMES GILLRAY (BRITISH 1756-1851) BONAPARTE LEAVING EGYPT Etching with original hand-colouring Published by Hannah Humphrey, 1800 Sheet: 36 x 25cm (14 x 9¾ in.)Literature: British Museum Satires 9523 Condition Report: The work has not been taken out of the frame as the mounts are all sellotaped to the glass. The sheet has discoloured overall. There is a crease or tear to the lower left corner and a the lower right corner appears to have been reattached at some point.  Condition Report Disclaimer

Lot 51

JAMES GILLRAY (BRITISH 1756-1851) THE VALLEY OF THE SHADOW OF DEATH Etching and aquatint with original hand-colouring Published by Hannah Humphrey, 1808 Sheet: 27 x 39cm (10½ x 15¼ in.) Condition Report: It is not possible to examine the work out of its frame as the mounts are all sellotaped to the glass, and there is a risk of the glass breaking. It is presumed that the sheet is not laid down but stuck to the mount at the corners. The sheet appears to have been trimmed to the edge of the plate, and as a result is causing some undulation throughout. There is some discolouration to the sheet, however the hand-colouring pigments are still strong. There is some isolated brown staining to the left and right edges. The bottom half of the sheet appears to have some water-staining which is most noticeable to the white bear.  Condition Report Disclaimer

Lot 47

JAMES GILLRAY (BRITISH 1756-1851) PACIFIC-OVERTURES, OR - A FLIGHT FROM ST CLOUD'S 'OVER THE WATER TO CHARLEY' - A NEW DRAMATIC PEACE NOW REHEARSING Etching with original hand-colouring, on wove paper Published by Hannah Humphrey, 1806 Sheet: 28.5 x 37.5cm (11 x 14¾ in.)Together with an etched French satirical print 'Les Politiques en Discussion' with original hand-colouring, 225 x 340 mm (8 ¾ x 13 ¼ in)., unframed, [circa 1814] (2) Literature: British Museum Satires 10549 Condition Report: The sheet has discoloured overall from acidic housing. It is trimmed within the platemark to image, lacking lettered margin, repaired tears, centre of the upper edge. The print is not taken out of the frame as the mounts are all sellotaped to the glass. .  Condition Report Disclaimer

Lot 49

JAMES GILLRAY (BRITISH 1756-1851) THE SPANISH BULL FIGHT OR THE CORSICAN MATADOR IN DANGER Etching with original hand-colouring Published by Humphrey, London, 1808 Sheet: 25.5 x 35cm (10 x 13¾ in.) Literature: British Museum Satires 10997 Condition Report: The sheet is not laid down but stuck to the mount at the corners. The sheet has discoloured overall from acidic housing. The work has been trimmed to beyond the plate mark. Condition Report Disclaimer

Lot 107

Refined clear crystal trumpet vase by Lalique Paris, showcasing a flared form with a tapered stem and broad circular base. Retains the original "Cristal Lalique Paris" sticker and etching on base.Issued: 20th centuryDimensions: 10.25"HCountry of Origin: FranceCondition: Age related wear.

Lot 1308

*William Wynne Ryland (1732-1783) etching after Angelica Kauffman - Ode to Venus, dedicated to Her Highness Princess of Anhalt- Dessau, 37cm x 31cm, pub. London 1778, in glazed Hogarth frame

Lot 1431

*Barbara Rae (b.1943) signed limited edition etching - Downpatrick Storm, 47/75, 62.5cm x 61cm, in glazed frameVery good condition throughout, ready to hang.

Lot 1393

*Frank Auerbach (1931-2024) limited edition etching - Julia Sleeping, signed and dated '98, numbered 32/35, 25.5cm x 20cm, glazed frameVery good original condition, it has been very professionally mounted and framed. A couple of bugs/marks under the glass but basically ready to hang.

Lot 1225

William Lionel Wyllie (1851-1931) signed etching - London Bridge and Southwark Cathedral, 29 x 21cm, glazed frameBasically very good condition and ready to hang. It has not been exmanined out of the frame but does not appear to be laid down. Some time staining to the paper but nothing serious.

Lot 1066

Rare Karl Gerich etching pages of Cueieuse KG17, believed to be a double-ended version of KG3, from an abandoned project, two sheets

Lot 1437

James Abbot McNeil Whistler (1834-1903) etching - Millbank, 12cm x 14cm, in glazed frame

Lot 1226

William Lionel Wyllie (1851-1931) signed etching - Down Stream from London Bridge, 18 x 27cm, original label verso, glazed frame

Lot 1068

Karl Gerich Paris pattern 'Hall of Mirrors' handcoloured sheet etching plate sheet, signed and dated 1982

Lot 1067

Karl Gerich etching sheet of playing cards, trial design, circa 1983, 'Gerich' the courts with modern accruments - Rubik's cube, can of lager, etc

Lot 988

Thomas Rowlandson (1756-1827) etching - The Chamber of Genius Etching, 1812, with hand colouring, on wove, published April 2nd by the artist, glazed mahogany frameThe work has not been removed from the frame and looks undisturbed for decades. We are unable to state if it has been laid down or not, it is possible that there are more of the margins hidden beneath the frame. A few staining/foxing marks but not serious or to the detriment of the work.

Lot 376

AFTER FRANK PATON "Every dog has his day" black and white etching, signed in pencil lower left, 21 cm x 26 cm together with another "Not at home" signed in pencil lower left, 21 cm x 26 cm (2)

Lot 5406

James Gillray (British 1756-1815): 'Miss - I Have a Monstrous Crow to Pluck with You!', etching pub. H. Humphrey, London 25.5cm x 31cm

Lot 128

William WYLIE (1851-1931) etching of a fishing fleet signed in pencil, 14.5" x 6.1" image, 17" x 24" frame

Lot 52

KABYLE SWORD FLYSSA | ALGERIA, ALGERIAN | Country: Algeria | Date: 19th century | Condition: very good | Lot information | Originally from Algeria, the Kabyle sword flyssa is a traditional slashing and stabbing weapon used by the Kabyle tribes in the 19th century. The blade is one-sidedly ground, slightly curved with a gradually tapering tip, which enables both slashing and stabbing attacks. The surface of the blade bears the characteristic etching and brass inlay decoration, which often contains geometric and zoomorphic motifs typical of Berber culture. | Dimensions | Length: 110 cm | Blade length: 96 cm | Blade width: 38 mm | Weight: 1 kg***IMPORTANT NOTICE*** | SHIPPING ONLY WITHIN THE EUROPEAN UNION | Bidders are obliged to inform themselves about the condition of the lots before the auction, subsequent complaints will not be taken into account.

Lot 67

DAGGER | CAUCASUS, CAUCASIAN | Country: Caucasus | Date: beginning of the 21st century | Lot information | Double-ground blade with central rib, handle and scabbard decorated with tulle technique - etching and gilding with floral motifs. Massive handle head with rivets, metal scabbard with rich ornamentation. | Dimensions | Length: 39.5 cm | Blade length: 24.5 cm | Blade width: 30 mm***IMPORTANT NOTICE*** | SHIPPING ONLY WITHIN THE EUROPEAN UNION | Bidders are obliged to inform themselves about the condition of the lots before the auction, subsequent complaints will not be taken into account.

Lot 44

CORD FOR AUSTRIAN CIVIL SERVANTS MODEL 1849 | AUSTRIA-HUNGARY, AUSTRO-HUNGARIAN | Model pattern: pattern 1849 | Country: Austria Hungary | Date: 1849 - 1916 | Marking: Viribus Unitis (Handle Sleeve), FJI (Handle Sleeve) | Condition: excellent | Lot information | Kord made for Austrian civil servants model 1849, equipped with scabbard. The upper part of the blade is decorated with fine etching. The handle sleeve is engraved with the signature "Viribus Unitis" and "FJI," referring to the imperial symbolism of the time. | Dimensions | Length: 92.5 cm | Blade length: 80 cm | Blade width: 20 mm | Weight: 670 g***IMPORTANT NOTICE*** | SHIPPING ONLY WITHIN THE EUROPEAN UNION | Bidders are obliged to inform themselves about the condition of the lots before the auction, subsequent complaints will not be taken into account.

Lot 194

HELMET "MORION" | EUROPE, EUROPEAN | Country: Europe | Date: 19th century | Condition: excellent, the stand is not included in the item | Lot information | This morion type helmet was made in the 19th century as part of historicism as a decorative object inspired by original helmets from the Renaissance period (16th-17th centuries). Morions of this type were originally used by infantry, mainly in Spain, Italy and other European countries. The helmet has a tall, slender dome topped by a prominent crest. The surface of the helmet is decorated with rich etching with plant ornaments and emblems. The front features a large lily motif, typical of French royal insignia. Above it is a coat of arms with an ornate crown | Dimensions | Length: 32.6 cm***IMPORTANT NOTICE*** | SHIPPING ONLY WITHIN THE EUROPEAN UNION | Bidders are obliged to inform themselves about the condition of the lots before the auction, subsequent complaints will not be taken into account.

Lot 29

SABER PATTERN 1849 | AUSTRIA, AUSTRIAN | Country: Austria | Date: 1849 - 1918 | Marking: Delael in Wien (blade) | Condition: very good | Lot information | Saber model 1849 intended for Austrian officials in Hungary. Made between 1849 and 1918. With scabbard, trophy and plant etching on blade. The sheath seam is cracked. Signature: Delael in Wien. | Dimensions | Length: 96 cm | Blade length: 79 cm | Blade width: 27.5 mm | Weight: 820 g***IMPORTANT NOTICE*** | SHIPPING ONLY WITHIN THE EUROPEAN UNION | Bidders are obliged to inform themselves about the condition of the lots before the auction, subsequent complaints will not be taken into account.

Lot 119

Original color etching on handmade paper by American artist and Master papermaker Laurence Barker. Pulled in the small edition of 40 and entitled Hedgerows, it depicts the organic shapes of wild shrubs and trees that Laurence colored in blue-browns and light emerald green. Signature in graphite on lower right: Laurence Barker. Edition and title on lower left: 9/40 Hedgerows. Housed in a chestnut brown wooden frame with an ecru mat. Sight dimensions: 12.50"L x 17"H. Frame size: 20.50"L x 25.50"H x 1.50"W. Artwork can be unframed and rolled for shipment.Artist: Laurence Barker (American b. 1930)Issued: c. 1970Dimensions: See DescriptionEdition Number: 9 of 40Country of Origin: United StatesCondition: Age related wear.

Lot 116

This Baccarat crystal figurine features the beloved Peanuts character Snoopy in a charming pose, expertly crafted from clear crystal with sleek, minimalist contours that reflect light beautifully. The figurine bears the Baccarat signature etching on the foot and retains the original red Baccarat label on the front of the body. This licensed collectible is marked with both Baccarat and UFS etching, indicating official collaboration. It comes complete with its original red Baccarat presentation box and authentication card, making it an outstanding gift or collector's piece. A delightful blend of pop culture and luxury crystal craftsmanship.Issued: 21st centuryDimensions: Box size: 5.75"L x 4.25"W x 3.75"HCountry of Origin: FranceCondition: Age related wear.

Lot 116

Mortimer Luddington Menpes RI RBA RE (Australian/British, 1855-1938) Japanese bronze workershand-signed in pencil to marginetching and drypoint20 x 20cm;together with Osaka: The Venice of Japanhand-signed in pencil to marginetching and drypoint19.5 x 20cm (2)

Lot 808

William Walcott RA (1874-1943), etching "Marsham Street Westminster", signed and with label to rear "Commissioned by Sir Valentine Crittall Christmas 1936". 17 x 25 cm, framed and mounted.

Lot 696

Unknown artist etching and aquatint, French village scene with horse and covered wagon. 25 x 13 cm, framed.

Lot 878

Arthus Pausen, an etching "Pastorale Allegro" and another depicting Assisi together with an etching of a horse.  Largest 24 cm x 29 cm, all framed and signed.

Lot 605

Folio Society: A large illustrated volume of 'Gulliver's Travels' limited edition 1000 copies 434/1000. With original pencil signed etching (no cover).

Lot 305

Salvador Dali (1904-1989)-Graphic, Diane de Poitiers,Collour Etching on Paper, possibly hand signed, 57x77 cm

Lot 106

Lot of three Graphics, etching by Johann Stradanus on paper. 21 x 27 cm. Copper print of the Borsa of Amsterdam, 16 x 21 cm and copper print of Jewish Phisiton 17 x 13 cm.

Lot 626

NORTHColor soft ground etching, 1992, on wove paper, signed and numbered 24/60 in pencil, from Geography, published by Lococo Fine Arts, St. Louis, Missouri, with full margins, framed.Plate 19 x 17 7/8 inches; 483 x 454 mm.Sheet 28 1/8 x 24 3/4 inches; 714 x 629 mm.Frame 31 3/4 x 28 1/2 inches; 806 x 724 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Lot 514

NIGHT AND DAY (BLACK/MOORHEAD 203)Color engraving and soft-ground etching, 1952, on BFK Rives paper, signed and numbered 39/50 in pencil, with full margins, unframed.Plate 23 3/4 x 17 3/4 inches; 603 x 451 mm.Sheet 29 7/8 x 22 inches; 759 x 559 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Lot 546

JAPANESE POSESColor etching and aquatint, 1967, on wove paper, signed and numbered 20/40 in pencil, with full margins, framed.Plate 5 1/2 x 16 1/4 inches; 140 x 413 mm.Sheet 12 3/4 x 19 7/8 inches; 324 x 505 mm.Frame 13 x 20 1/8 inches; 330 x 511 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Lot 217

† VIVIENNE KATTAN (born 1945); a signed limited edition etching, 'Easy to Ride', signed in pencil lower right and dated 1970, numbered 10/10, 31.5 x 23cm, framed and glazed, a further signed limited edition etching, 'Four Times', signed in pencil and dated 1969 lower right, numbered 7/8, 27 x 21.5cm, framed and glazed, a signed artist's proof print, signed in pencil lower right and dated 1969 and inscribed in pencil 'artist's proof' lower left, 31.5 x 23.5cm, framed and glazed, a signed monoprint, signed in pencil and dated 1972 lower right, 52 x 75cm, framed and glazed, and a further signed monoprint, signed in pencil lower right and dated 1972, 52.5 x 71cm, framed and glazed (5).

Lot 990

Charles Brooke Bird (1856-1916) - 1904 early 20th century monochrome etching of Bristol Cathedral. Framed and glazed. Measures approx: 65x79cm66cm x 80cm approx.

Lot 416

LeRoy Neiman (1921-2012), a 20th century limited edition etching titled 'Ali-Frazier Suite', signed to the lower right in a glazed frame. H.64 W.55.5cm

Lot 211

FRAMED ETCHING, FRAMED ALPS SCENE PAINTING, STILL LIFE OIL ON BOARD SIGNED A. R CHARLTON, OIL ON CANVAS, OIL ON BOARD STILL LIFE

Lot 1697

William Lionel Wyllie (1851-1931), Forth Bridge, signed in pencil to the margin, etching, 12 x 34cm

Lot 960

A QUANTITY OF ASSORTED PRINTS ETC, to include an original Pears print 'Playmates' - some damage, oak framed prints by Ernest Walbourne, Maude Goodman and Sydney Kendrick etc, three framed Stevengraphs, photographic prints of antique drinking glasses, a monochrome watercolour African landscape in the shape of the country signed Kaziri, a signed humorous Boris O'Klein etching of dogs, a silvered pewter plaque depicting galloping horses, a signed photograph of Frankie Goes to Hollywood, topographical prints, needlework pictures, mirrors and picture frames etc

Lot 979

RALPH COHEN ( 1932-2019) 'ARTIST'S SITTER'; an artist proof etching of a seated female figure after the Modigliani painting 'Germaine Survage with Earrings', signed and titled to lower margin, approximate size 44cm x 32cm, together with another artist proof etching by the same hand, depicting a portrait of a female figure in colours 'A Model Lady', approximate size 31cm x 21cm

Lot 346

Louis Icart (French, 1888 - 1950)"Venus"Aquatint Etching. Pencil signed lower right.Image Size: 13.75 x 19.25 in.Overall Framed Size: 24.25 x 28 in.Framed behind glass.

Lot 81

Jean Francois Millet (France, 1814 - 1875)"Man Leaning on Spade"Etching. Unsigned.Old label verso from original framing.Image Size: 3 3/8 x 2 5/8 in.Overall Framed Size: 12.5 x 11.5 in.Framed behind glass.

Lot 268

Designed by Charles Noke, Mephistopheles and Marguerite is a striking double-sided porcelain figurine produced by Royal Doulton between 1925 and 1949. The figure cleverly depicts two characters in one: the infernal apparition Mephistopheles cloaked in vivid red and black, and the serene Marguerite, adorned in an ivory gown with gilt accents and holding a golden prayer book. This dramatic contrast may have been inspired by the 1928 aquatint etching Faust: Devil and Woman by French artist Louis Icart. This early edition is marked with the green Royal Doulton backstamp and inscribed Potted by Doulton & Co. Measures approximately 8"H.Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.

Lot 15

After Orovida Pissarro (British 1893-1968) a limited edition monochrome etching 'Zebra & Foal' , signed, entitled and numbered 19/50 in pencil to margin, within a card mount and wooden frame under glass 22.5cm x 19.5cm & 38cm x 29.5cm overall. *(born Orovida Camille Pissarro, 1893-1968) was a British painter and printmaker known for her unique style that blended influences from Japanese, Chinese, Persian, and Indian art. She was the first woman in her family to become a professional artist and the first to paint. Orovida was the daughter of artist Lucien Pissarro and granddaughter of Impressionist painter Camille Pissarro. Print attached to mount with single piece of tape, upper centre and is in good condition commensurate with age, with no aparant issues, frame appears later.

Lot 333

ELYSE ASHE LORD (1900-1971). THE JOYFUL RIDE. Etching in Colours, 20cms x 21cms, signed, inscribed and numbered in pencil, Framed.

Lot 305

BETTINA MCMAHON (1930 - 2024). CALLALA BAY HERON. Proof Etching, 33cms x 49cms (plate), signed,, titled and marked A/P in pencil, framed.

Lot 304

BETTINA MCMAHON (1930 - 2024). I AM THE DAMNED I AM THE HOLY. Proof Etching, 32cms x 49cms (plate), signed titled and inscribed in Pencil, Framed.

Lot 336

ELYSE ASHE LORD (1900-1971). NIGHT SCENTED FLOWERS. Etching in Colours, 28cms x 33cms, signed and numbered in pencil, 56/75, Framed.

Lot 220

JOE TILSON (1928-2023). SEA MANTRA. (d) Etching in colours, 106cms x 76cms, signed, dated 79 and marked "AP", framed. (Subject to ARR – see Buyers Conditions).

Lot 362

Jules De Bruycker (1870-1945), etching ‘Le Retoucheur’ (1926), numbered 24/30, signed in pencilJules De Bruycker (1870-1945), ets 'Le Retoucheur' (1926), genummerd 24/30, getekend in potlood15.5 x 12 cm

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