We found 752 price guide item(s) matching your search
There are 752 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
752 item(s)/page
Ethnographica: Austral Islands (French Polynesia) paddle, probably mid 19th century, the pommel (hand-carved using shark teeth) with eight stylised nio mango masks, some retaining two short 'horns' to forehead, over pierced openwork scallop and shark tooth frieze above intricately carved shaft with dog tooth and lozenge decoration, flanking a medial frieze of sunburst lozenges, to a fig-shaped oar or paddle, the reverse with further fine bands of x, lozenge, dog tooth and wave decoration flanking a carved central ridge, the face with plainer vertical bands of x and dog tooth decoration, the paddle head 18.5cm wide x 31.5cm high, 98.5cm long overall, 568g approx Local private collection, North Somerset. By repute - brought back from the Austral Islands by the grandfather of the current owner, who served in the Navy. It is thought that these paddles were mainly made for ceremonial dance purposes. For an Austral Islands chieftain's staff (previously used as a curtain pole in a cottage in Frome, Somerset!) exhibiting six nio mango masks, sold in these rooms for £15,500, see 13th June 2024 sale, lot 189, where cited: Literature: Mack, Charles W., 'Polynesian Art at Auction 1965-1980', 1982 Hall, Henry Usher, Woodcarvings of the Austral Islands [Penn Museum Journal] Read, Sir C. H., “On the Origin and Sacred Character of Certain Ornaments of the South-Eastern Pacific” [Journal of the Royal Anthropological Institute, Vol. 21, 1891-1892]
A TIBETAN THANGKA OF TSONGKHAPA AND THE REFUGE FIELD, TSHOGS ZHING18TH CENTURYWith Tsongkhapa seated in the centre wearing a pandita hat, his right hand in vitarkamudra and holding an alms bowl in his left hand, surrounded by a hierarchical arrangement of Buddhas, bodhisattvas, protective deities and other figures, with the Panchen Lama Incarnation Lineage above, Buddha Vajradhara at the top and depictions of Mount Sumeru and the Four Continents and the Seven Jewels of Royal Power to the bottom left and right, with lines of Tibetan inscription below and further to the reverse, 77cm x 47cm.Provenance: from an English private collection, with a copy of an invoice for Fine Antiquities Ethnographica, The Old Drury, 187 Drury Lane, London, dated 20th December 1986.Cf. The Rubin Art Museum, accession no. F1997.41.7 (Himalayan Art Resources no. 571) for a related 18th century example. See also the Tibet House Museum, New Delhi, for an 18th century block print image with the same inscription to the bottom (Himalayan Art Resources no. 74089).The Field of Accumulation or Refuge Field, tshogs zhing is a format of Buddhist painting that arranges all of the teachers and deities of a particular tradition in one single painted composition as formulated by individual religious liturgical texts and traditions. The theme of Tsongkhapa (1357-1419), founder of the Gelug order, surrounded by a hierarchy of the Buddhist pantheon is commonly found in Tibetan painting from the 18th century onwards. The circular design for this style of Refuge Field composition would have likely originated in the Tashi Lhunpo Monastery of Shigatse and would have been based on the artistic and iconographic tradition of Konchog Gyaltsen, student of Panchen Lama Lobsang Chokyi Gyaltsen.十八世紀 宗喀巴大師皈依境唐卡來源: 英國私人收藏, 附倫敦Fine Antiquities Ethnographica 1986年12月20日發票複印件。

-
752 item(s)/page