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CLAIRE CROUCHMAN, (BRITISH, CONTEMPORARY), Field, ceramic plaque, mounted on plywood, signed and titled to reverse, 27 cm x 18.5 cm together with an artist resume from the New Ashgate Gallery, Farnham, together with, two porcelain vases by Annette Bugansky, with texture designs, 13.5 and 13 cm high, two Poole pottery plates, a millennium preview edition, circular plate with sang-de-boeuf coloured glaze with blue splash decoration, 27.5 cm diameter, and Uranus, commemorative plate to mark the alignment of the planets, no. 5/52000, 26.5 cm diameter, a Moorcroft circular plate, decorated with a ring of red flowers, on blue ground, impressed mark to base, dated 2002, 25.5 cm diameter and Belleek, Ireland, a porcelain plate with moulded scroll decoration, 39.5 cm diameter (7)
FARNHAM POTTERY; a bowl in the form of a stylised impressed and incised owl face on three sides, height 10cm, diameter 19cm, together with a Wedgwood creamware lattice basket, height 6cm, diameter 22cm (2).Condition Report: Farnham Pottery bowl; no chips, cracks or visible restoration. Ony a small area to the rim where glaze is missing from production process.
2 Farnham pottery earthenware owl jugs, green glaze with incised decoration, unmarked to the base, tallest 30cm, smaller of the two 16.5cmThe large jug has several visible cracks running through the top section, and at the bottom of the handle, all clearly visible, visible glazing loss also around the top edge and bottom edge some crazing, the smaller of the again has visible glazing loss including the top edge and handle and its nose, some crazing
§ Dame Magdalene Odundo O.B.E. (Kenyan 1950-) Early Vessel, 1976 stoneware, with glazed rim and interiorDimensions:23cm high, 23cm diameter (9in high, 9in diameter)Provenance:ProvenanceAcquired directly from the artist by the present owner in September 1976, when they were both working at the Commonwealth Institute in London. The current vessel was made by Odundo in her final year at West Surrey College of Art & Design (now the University for the Creative Arts, Farnham), and is an important transitional work as it marked the beginning of Odundo's desire to make individual work as opposed to production pottery.

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147 item(s)/page