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A spectacular 18-inch sculpture from the Walt Disney Classics Collection, titled Down the Rabbit Hole, capturing the whimsical descent of Alice into Wonderland in rich detail and vibrant color. This limited edition piece (No. 69 of 500) features a spiraling tree trunk diorama with multiple vignettes of Alice falling, each crafted with lifelike expression and motion. The intricately sculpted base and interior showcase key elements from the film, including the iconic furniture and fireplace. Includes original teal Disney box and Certificate of Authenticity. A rare and theatrical collector's piece celebrating the surreal charm of Lewis Carroll's universe through Disney artistry. This item has its original box. Certificate of Authenticity included.Issued: 2008Dimensions: 8.5"L x 18"HEdition Number: 69 of 500Country of Origin: United StatesCondition: Age related wear.
German enamel and gilt-metal mounted rectangular snuff-box, probably late 18th century, the cover finely painted with two Roman soldiers entering an interior with fireplace, before peasants offering food, the sides and base with vignettes of military trophies and encampments, the underside of the cover speckled in dark blue and yellow (slight cracking and small areas of restoration), 9.2cm wide
Dolls House Furniture - A collection of dolls house furniture to include some pub themed items: a pool table with cues, a drum kit, fireplace, pub tables. Drum kit set approx 17 w x 12 d x 14 h cm. Also included is a set of three figures. The majority of the lot appear to be in good to very good condition, with some items having become unstuck from the tables. (This does not constitute a guarantee) [L]
ONE BOX OF ASSORTED METALWARE, to include brass and copper items comprising a vintage tea caddy, jugs, a hammered copper and brass Turkish coffee pot, impressed anchor symbol with LC either side and the number 6, two bottle coasters, four brass fireplace forks, vintage pickle folks etc. (1 box), (sd/af)
λ BRUCE MCLEAN (BRITISH B. 1944) TWO BOYS, ONE FIREPLACE Acrylic and ink on paper Signed and dated 1987 (lower right), titled (along upper edge) 137 x 100cm (53¾ x 39¼ in.)Provenance: Galerie Gmyrek, Dusseldorf Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Executed on white wove paper, the sheet appears to be stuck down to the mount at intervals along each edge. Some undulation to the sheet and one small handling crease to the lower left hand edge and further minor creases to the four corners. Otherwise, appears to be in good original condition. Unexamined out of glazed frame.High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA.Condition Report Disclaimer
MARIE STUANT (19TH/20TH CENTURY) TWO PUGS BY THE FIREPLACE Oil on canvas Signed and dated '1898' (lower right) 36 x 30.3cm (14 x 11¾ in.) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Surface dirt and discolouration throughout. The picture surface is showing craquelure throughout and some minor flaking and minor paint loss, circa 0.5 cm) to the picture's upper centre. Examination under UV light reveals no evidence of restoration or retouching. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
λ BRUCE MCLEAN (BRITISH B. 1944) THE FIREPLACE AND THE LAWN Acrylic and ink on paper Signed and dated 1987 (lower right), titled (upper left) 111 x 99cm (43½ x 38¾ in.)Provenance: Galerie Gmyrek, Dusseldorf Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Executed on white wove paper, the sheet has moved slightly in the mount revealing the backboard and lower edge. Slight undulation to the sheet, most likely caused by the mount. Otherwise, in overall good condition. Unexamined out of glazed frame.High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA.Condition Report Disclaimer
* After Beatrix Potter. A group of 4 earthenware tiles with images from Peter Rabbit and Benjamin Bunny, issued by Frederick Warne & Co. Ltd, circa 1930, together 4 glazed handpainted earthenware tiles, each with a scene from The Tale of Benjamin Bunny and Peter Rabbit, including: Mrs Rabbit tells Peter to behave; Flopsy, Mopsy and Cotton-Tail had bread and milk and blackberries for supper; Peter Rabbit; and Peter asks a mouse the way to the gate, after designs by Beatrix Potter, surfaces crazed, some loss to Mrs Rabbit's blue skirt, Peter Rabbit tile with chip to lower left corner (10 x 27 mm at widest point), remnants of cement to some tile edges, Carter and Made in England to versos, each tile 10 x 10.2 cmQTY: (4)NOTES:Provenance: Removed from around the fireplace of a stately home in West Sussex, when it was converted to apartments in 1990.Scarce. These tiles were commissioned by Frederick Warne & Co. Ltd in 1930. They commissioned two artist's to handpaint the famous illustrations onto blank tiles they purchased from Carter and Co. (Poole Pottery), and Johnson and Minton. The tiles were advertised in Frederick Warne & Co. Ltd flyers as 'Tiles for the bathroom and fire hearth'.
A fine quality 18th Century Carrera marble Fireplace, the heavy moulded top with canted corners, above a frieze with central large panel depicting classical scene of female figure being guided in chariot, each side with Doric column supports and sea creature capitals, approx. 186cms wide x 144cms high x 38cms deep (73" x 57" x 15"). (1) Provenance: By tradition from Castleboro, Co. Wexford..
David Wilkie (1785-1841) (After) “The Blind Fiddler (1806),” a copy made c 1810, O.O.C., approx.. 61cms x 74cms (24” x 29”). (1) This oil on canvas is a superb copy of The Blind Fiddler, a genre painting by the Scottish artist David Wilkie. It was exhibited at the Royal Academy in 1806, to great acclaim, and is now in Tate Britain. Influenced by David Teniers, The Blind Fiddler is well composed and well crafted. In the large kitchen of a cottage, seated on a stool, a fiddler plays a tune in front of a group of women, children and men. While the location of the cottage is not specified, it is probably in Scotland. The audience looks to be an extended family group, ranging from the youngest child to the oldest man. The fiddler’s violin case is at his feet, alongside a travelling bag. Seated closest to him, a woman, wearing a brown cloak and with an infant in her arms, listens attentively. Two men stand in front of the fireplace, the older one regarding the fiddler with admiration, while beside him, a younger man snaps his fingers, attracting the attention of an infant. At the front of the group are two children, one trailing a toy wagon with a broken wheel. On the extreme right, a young lad mimics the fiddler, cheerfully playing a toy violin. In the foreground, beside a cooking pot and a watering can, is a wooden box with vegetables lying on the floor. A knife and a half-peeled potato suggests that the unexpected arrival of the travelling musician has brought everyday activity to a halt in the cottage, as the family gathers to hear him play. Such details are characteristic of Wilkie, a genre painter whose skill in rendering everyday scenes did not stand in the way of his understanding of his medium and its limitations. The man snapping his fingers to entertain the child cannot be heard by the viewer, nor can the music of the fiddler, nor the boy capering about behind the group. Such inferences, left to the imagination of the viewer, are a characteristic of Wilkie’s art. He had a keen eye for everyday details of interiors, including fireplaces, utensils, ornaments and furniture. In his painting Rent Day, a queue of people in a sparsely furnished room wait to pay their rent to the landlord’s agent sitting at a table, while in Reading the Will, the action also centres around a table in a large plain drawing room. Wilkie’s work was immensely popular and several of his paintings, including The Village Politicians, were engraved by Raimbach, and published as prints. The present work is an accurate copy of the original, and was likely painted in the early nineteenth century. Dr. Peter Murray 2025
A Barnard Bishop and Barnard cast iron fireplace designed by Thomas Jeckyll, central panel set with cast rectangular panel of Japanese mon, the side panels with passionflower tile panels, cast mark, 104 x 97cm (3) ProvenanceThe Cornish Collection LiteratureSusan Weber Soros & Catherine Arbuthnott Thomas Jeckyll Architect & Designer, 1827-1881, Yale page 214 figure 6-38 this design illustrated with a wooden mantelpiece.
A collection of four hand-painted Sebastian Miniatures figurines, including Rip Van Winkle and Dame Van Winkle from the American Collectors Series. This lot also features a detailed miniature of a rustic home and a festive scene titled Hanging the Stocking II, depicting a heartwarming holiday moment by the fireplace. Each figurine ranging from 3" to 4"H, showcases meticulous craftsmanship and is mounted on a labeled base. The lot includes the original boxes, showing signs of age-related wear. Issued: 1950 - 1983Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
From the Night Before Christmas Collection by Lladro, this porcelain figurine titled Up the Chimney He Rose depicts a decorated holiday fireplace with festive stockings, wreath, candles, and gifts arranged on the mantle. Sculpted by Joan Coderch, this piece captures the cozy warmth of Christmas Eve. A wonderful seasonal accent, it was handmade in Spain and finished in the brand's signature pastel glaze. The figurine measures approximately 7.5"H. Includes original box measuring 10"L x 12"H.Dimensions: See DescriptionCountry of Origin: SpainCondition: Age related wear.
Crafted by Lladro and sculpted by Juan Huerta, this charming porcelain figurine titled Santa's List captures the holiday spirit with Santa carefully reviewing his list beside a fireplace adorned with pastel-toned stockings, candles, and a wreath. This piece is part of The Night Before Christmas Collection. Figural height is approximately 8.25". Includes original red collection box measuring 6"L x 11"H.Dimensions: See DescriptionCountry of Origin: SpainCondition: Age related wear.
Postcards, Advertising, a UK and foreign product advertising collection of approx. 30 cards, with Gruss Aus style chromos for Amburoux Freres (3), Suchard, rail advert d'Orleans (Lauvergne), Harry Payne Defenders of the Empire (Scotch Whiskies), Dewer's (Tuck), Perth Dye Works, Skippers, Teale Fireplace Co, Birds Custard, Maggi, Peak Freans, BP, Bensdorps Cocoa, Le Soleil Conserves (poster), G.P Gov't Tea, Bazar Minerva (greetings chromo) etc (mainly gd)
A collection of brass fire andirons, dogs and tools,early 20th century, to include a pair modelled as spaniels, another with perched heron, and another of a boy holding a basket, and various fireplace tongs and shovels (12)the largest height 35cm Condition: Wear throughout commensurate with use.
(ar) King Charles III, as The Prince of Wales & Diana, Princess of Wales (1961-1997), a Royal Christmas Card 1986, from the Royal Collection of Squadron Leader D.J. James, MVO, the Christmas Card with two gilt cyphers to cover and colour photograph of the then Prince of Wales and Diana, Princess of Wales, with a young Prince William and Prince Harry , with puppy infront of a fireplace, inscribed in black ink, dedicated to top, and 'from Charles and' in his own hand and 'Diana' in hers, complete with original envelope (2)
Showman's Caravan, c.1950/60, typical three bay layout with adult bedroom to the front, with bed and dressing table, living room with professionally fitted log burner fireplace, seats recently reupholstered, and recent carpets, cupboards and drop down dinning table, rear door to the kitchen with restored coal fired Hostess Range No.3, recent LPG water heater, 240V fridgeand Calor gas cooker, the bathroom (converted from the bunk bed space) has a shower, sink and porta potti, there are 240v electrics throughout with 12v lighting and battery charger.
c.1908 Orton & Sons, Spooner Showman's Living Van. Made for Enoch Farrah, Wakefield. Typical three bay layout with adult bedroom to the front, with bed and dressing table, living room with fireplace, cupboards and drop down dinning table, rear door to the back for winter compartment access, kitchen and double bunk to the rear. In 1928 the van went back to Orton's to be extended by 2 foot to accommodate the bunk beds. The interiors' rare murals are original to c.1928 and unrestored, the van was restored c.2000 and last used c.2015. Originally on artillery wheels (the hubs are still in use) it has upgraded steel wheels, rear handbrake, Mollycroft roof and belly boxes. Farrars Fun Fairs was founded by Enoch Clifford Farrar in 1876. The Farrar family originated in Wakefield, South Yorkshire and presented fairs around the county. In 1905 Enoch Farrar joined other pioneering showmen acquiring his first cinematograph show, which he travelled with his other portfolio of rides and amusements until 1912, when he replaced it for a more impressive one, which became the largest travelling the countryside. After Farrar’s death in the 1930's his sons carried on the business; for most of the twentieth century the business was managed by John Farrar, who lived to be 100 years old. After John’s death Farrar’s Fun Fairs passed to the Percival family, who continue to carry the Farrar name in the twenty first century. George Orton, Sons & Spooner Ltd, was a fairground engineering and finishing company based in Burton-on-Trent, England. Between 1875 and 1954, they produced some of the most advanced and sophisticated equipment in the industry including rides, living wagons, transport and fairground shows for British and international showmen. It is said that the firm would only make wagons for their regular customers as there was no profit margin on them.12 foot high, 8 foot wide, 25 foot length plus 6 1/2 foot drawbar, approximately
c.1935 Hurst's of Retford Showman's living van. Made for Charles Tuby of Doncaster. Typical three bay layout with adult bedroom to the front, with bed and dressing table, living room with fireplace, cupboards and drop down dinning table, rear door to the back for winter compartment access, kitchen and double bunk to the rear. The van was restored c.2000 and last used c.2015. It has twin rear steel wheels, rear handbrake, bathroom, Mollycroft roof and belly boxes. Charles Tuby, part of the 150 year old showman's dynasty, was named as Showman of the Year 2017 by the Showmen’s Guild of Great Britain. The family had many rides that travelled the East of England, today they have an extensive range of Old Tyme rides available for hire as well as modern rides.12 foot high, 8 foot wide, 24 foot length plus 6 1/2 foot drawbar, approximately
A SELECTION OF FIREPLACE FURNITURE 19TH CENTURY Comprising a pair of cast-iron brass fire-dogs, each in the form of a standing classical maiden holding fruit, late 19th century 45.5cm high, 35cm deep, Victorian brass fire implements, approximately 74cm long, 19th century, Dutch a brass cylindrical log bin, 19th century, 44cm high, 38cm diameter TOGETHER WITH a club fender, of recent manufacture, 50cm high, 180cm wide, 66cm deep, the interior measures 155.5cm wide, 53.5cm deep Provenance: The Davies-Cooke Collection from Gwysaney Hall, North Wales For further details about the collection, visit: www.dreweatts.com/news-videos/gwysaney-hall-a-welsh-family-s-portrait-of-british-history-14767/ Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW With marks, knocks, scratches and abrasions commensurate with age and sue The fabric on the fender shows signs of wear, and has a small hole The fire tools, bucket and firedogs with surface patina The stoker has a split in the casing at the centre, please see additional images ADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot.Condition Report Disclaimer
Pedigree Dolls & Toys Ltd of Kent, Sindy 44573 Shower, R44513 Bath, 44505 Dressing Table and Stool, 44442 Fireplace, 44520 Armchair, 44550 Eastham E-Line Wall Oven, 44541 Washbasin, 44515 Vanity Unit, 44767 Hostess Trolley, 44512 Writing Bureau, 44551 Toilet and 44483 Washing Machine, each boxed.
Nigel Lovett (20th century) 'Memories are Made of This'signed and dated 'N LOVETT 84' l.l., oil on canvas66 x 56cmProvenance: Christie's, London, 30 November 2000, lot 97.Condition ReportFramed: 74.5 x 66cmA few light scuffs to the top. A small faint line across the wall and right side of the fireplace. Not examined under UV light, for a full report please contact the department.
Antique dolls house Dark wooden old English styled to include Elgin Enfield and a variety including a piano, a large fireplace with separate Enfield fender and a ladder back chair marked made in Germany -a good selection which includes a dressing table with mirror which requires repair. ( selection as shown good range)

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