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A PAIR OF VICTORIAN PEDESTALS BY FULHAM POTTERY. CO, SECOND HALF 19TH CENTURY Both stamped 'FULHAM POTTERY COY, FULHAM, LONDON. S. W.' each 50cm high, the bases 56cm wide, 56cm deep Condition Report: Both with weathering, some remnants of green paint to wreaths which is inconsistent from varying exposure. Edge and corner chips throughout with one upper edge chip approximately 18cm long.Condition Report Disclaimer
* Fulham Pottery. Five Winnie the Pooh pottery figures from Fulham Pottery, designed by A.R. White, circa 1934, comprising: Christopher Robin (repair to base, and small loss of paint to top of coat), Tigger (small loss of paint to one of stripes), Eeyore, Piglet (repair to base and neck, with some small losses) and Winnie the Pooh (repair to base), each with title to base in black, tallest 23.5 cmQTY: (5)NOTE:''At the 1934 British Industries Fair, Fulham Pottery introduced its new venture, a range of stoneware garden figures and ornaments designed by A.R. White. This range included the Christopher Robin group based upon E.H. Shephard’s illustrations for A.A. Milne’s Winnie-the-Pooh books. The promotional catalogue noted ‘The whole of the Figures, etc., illustrated… are manufactured entirely at the Fulham Pottery. It was well received by the trade press but from its brief production period one can assume it failed to find much of a commercial market.'' - Tony Peart, The Fulham Pottery 1932-1965.
A William De Morgan Sands End Pottery Raised Lion tile, modelled in low relief with two Heraldic lions on a chequered ground, glazed in blue, gold and bronze lustre, and a William De Morgan Late Fulham Period Tulip & Trellis tile, impressed factory mark, main restored, minor frit chips, second tile chipped rim, 15.8cm. square (2) LiteratureJon Catleugh William De Morgan Tiles, Trefoil, page 144 figure 225 for the original design (Raised Lion tile), page 97 plate IX (Tulip & Trellis tile), for comparable tiles. ProvenancePrivate collection of tiles.
A Fulham Pottery stoneware vase designed by John Pollard Seddon, footed, swollen form, modelled in low relief with flower stems with scrolling foliage, in blue and mushroom on a buff ground, impressed factory mark, JPS monogram presumably John Pollard Seddon, dated 1877, minor glaze chip, 20.5cm. high
William John Marriner inspired by Constance Spry (British, 1886-1960) - Fulham Pottery - A large twin handled Alba flower vase, circa 1936, of footed flared form with serpentine rim and scroll handles, unglazed matt exterior, with wire work stem holder, impressed manufacturer's marks to base and incised FMA1, width 59cm, height 25.5cm.
William John Marriner inspired by Constance Spry (British, 1886-1960) - Fulham Pottery - A large twin handled Alba flower vase, circa 1936, of footed flared form with serpentine rim and scroll handles, unglazed matt exterior, with wire work stem holder, impressed manufacturer's marks to base and incised FMA1, width 51.5cm, height 23cm.
William John Marriner inspired by Constance Spry (British, 1886-1960) - Fulham Pottery - A large twin handled Alba flower vase, circa 1940, of footed flared form with serpentine rim and scroll handles, glazed exterior, printed manufacturer's marks to base and impressed code FMA2, width 19.5cm.
William John Marriner inspired by Constance Spry (British, 1886-1960) - Fulham Pottery - A large twin handled celadon glazed Alba flower vase, circa 1940, of footed flared form with serpentine rim and scroll handles, printed manufacturer's marks to base and impressed FMA1, width 51cm, height 23cm.
Constance Spry (British, 1886-1960) - Fulham Pottery - A footed jug, circa 1935, of bell form with loop handle on cushioned knop and circular domed foot, unglazed exterior, height 23cm, together with a later Alba Ware vase, of footed ovoid form with short drawn collar and flared rim, with applied side loop handles, on circular foot, printed marks and indistinct impressed model number, height 20cm, and a earthenware buff glazed vase, of shell form on square base, painted mark to base, height 15.5cm. (3)
William John Marriner inspired by Constance Spry (British, 1886-1960) - Fulham Pottery - A large twin handled Alba flower vase, circa 1936, of footed flared form with serpentine rim and scroll handles, unglazed matt exterior, impressed manufacturer's marks to base and incised FMC2, width 44cm, height 13.5cm.
A Fulham stoneware flagon or serving bottle, c1830, of four gallon size, impressed in printer's type 552 Benj George Hodges Distiller Church St Lambeth FULHAM STONE POTTERY GLAZED INSIDE, the handle impressed with a 4, 45cm h Provenance: Benjamin George Hodges (1779–1843) is recorded in the 1794 Directory of London Westminster & the Borough of Southwark as a distiller in Millbank in partnership with Benjamin Hodges and Thomas Chamberlain. The Hodges Distillery later moved, and by 1827 was situated on Church Street in Lambeth. In good condition
A rare 19th century Fulham Pottery salt glaze stoneware 'Patent Chronometer' novelty flask, modelled as a clock dial, impressed patent chronometer with Arabic numerals, impressed factory marks, height 17.5cmVery small surface chip on top of the right-hand handle and 1 tiny chip on the side just above the base, no other chips or cracks
QUENTIN BELL (BRITISH, 1910-1996)Mnemosyne signed 'Quentil Bell Fulham Pottery' and with impressed marks for Fulham Pottery and Bell symbol for Quentin Bell (to base) ceramic plate 21cm diameter ARR Provenance Private collection, UKCondition reportNo sign of any cracks, damages or restoration; confirmed by examination under ultraviolet; good, original condition.
A Fulham stoneware flagon or serving bottle, mid 19th c, of 2 gallon size, impressed in printer's type Wm Porter Blind Beggar Whitechapel Road, the handle impressed with a 2 and underneath FULHAM STONE POTTERY GLAZED INSIDE, 37cm h Provenance: William Porter (1779-1834), Publican Licensed Victualler of the 'Blind Beggar'. In good condition
Quentin Bell (1910-1996) for the Fulham Pottery, a glazed earthenware bowl, centred with a silhouette of a female, with a rosette-decorated border, signed 'Quentin Bell Fulham Pottery', 23cm diameterProvenance: The collection of David and Sandy Fuller.Condition ReportStructurally the bowl appears sound. Examination under UV light reveals no fluorescence. Some minor loses to the glaze - notably to the underside near the surname on the signature.
1911 Woolwich Arsenal Football Jug: Excellent condition 3 inches high jug. One side depicts an Arsenal player below the words Woolwich Arsenal and the reverse has the words English League First Division. Maker Grays Sports to base. Please note this was made in 1911 and Grays Sports used number 588114 on all its football pottery and other teams that have been unearthed are Fulham Manchester United Burnley and Gainsborough Trinity.
WILLIAM DE MORGAN (BRITISH, 1839-1917) A VASE, CIRCA 1890 Ruby and silver lustre glazed earthenware, of baluster form, decorated with swans and fishes Impressed Sand's End Pottery (Early Fulham Period) mark, with painted JJ, the decorators initials for Joe Juster 20cm high Condition Report: Multiple small glaze losses to the neck rim, one 2x2mm, two larger material losses at the neck rim (1cmx4mm and 5mmx3mm). All over crazing in line with age, with ingrained dirt. Some (white) surface scratches on and around the shoulder, multiple, light and deeper.Condition Report Disclaimer
Early to mid 20th century art pottery to include a Fulham pottery vase, white glaze, with incised fluted decoration running left to right to the top half, impressed marks to base, 30cms high; a C H Brannum red glazed vase; and a Glyn Colledge for Denby pottery stoneware mug.Location: G 1If there is no condition report shown, please request
Two earthenware vases designed by William John Marriner (1881-1967) for Fulham Pottery, c1935, with scalloped rim and loop handles, 45cm or 24cm w, printed and impressed mark and a set of six Criel creamware plates and a square dish, early 19th c, transfer printed with military, historical and humorous scenes, dish 24cm w, impressed and printed mark (9) The larger vase with chip to glaze on handle and discolouration to interior The smaller vase with some crazing to glaze and mild discolouration
William John Marriner (1881-1967) for Fulham Pottery, c.1930s, an earthenware urn of fluted twin-loop form on a spreading foot, with an unglazed exterior, glazed interior, the underside with impressed stamp 'THE POTTERY FULHAM LONDON' and 'MADE IN ENGLAND', and inscribed shape no. 'FMC2',42cm wide11cm deep13cm highCondition ReportLight general surface wear to include minor marks otherwise in generally good clean condition.
Quentin Bell (1910-1996), a Fulham pottery oblong portrait dish, 1980s, incised and part glazed with the full length portrait of a woman, blue border, incised mark ‘Fulham pottery Quentin Bell’, 23cm x 12.5cm Typical minor manufacturing imperfections, in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Quentin Bell (1910-1996), a Fulham pottery circular portrait dish, 1980s, incised and painted in blue with the portrait of a woman, incised mark ‘Fulham Pottery Quentin Bell’, 21cm, together with a pottery teacup and saucer by another hand (3) The Quentin Bell dish has typical minor manufacturing imperfections, good condition. The cup and saucer has typical minor manufacturing, good conditionPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Quentin Bell (1910-1996), three pottery portrait square tiles, 1980s/1990s, the largest incised and painted in black with a half length portrait of a woman seated at a table, on an H & A Smith tile, inscribed mark verso, 15cm, the second with a nude of a woman holding a red robe on a blue background, inscribed mark the soul, 14cm, the smallest a Fulham pottery tile incised with a portrait of a woman in cream within an ochre scroll incised border, incised ‘bottle kiln’ mark in a seal ‘Fulham Pottery Quentin Bell’, 9.7cm (3) The largest tile has a small chip to the top right corner, otherwise the others are in good condition with typical minor manufacturing imperfections.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
William John Marriner (1881-1967) for Fulham Pottery - an Alberware Range 'FMA' twin handled mantel vase, unglazed earthernware with glazed interior, impressed and incised marks verso, h.19.5cm, w.44.5cmInterior glaze finely crazed throughout.Numerous further scuffs, scratches and general surface grubbiness to all other areas.Approx. 8x3mm oval surface chip to shoulder of footrim.Otherwise good.
Florence Standfast for Constance Spry (1886-1960), produced by Fulham Pottery Large twin handled mantle vase, circa 1930s Unglazed earthenware with glazed interior Stamped maker's marks 20.5cm high, 47cm wide Condition Report: Vase with scuffs, scratches and marks commensurate with age and handling. There are some brown stains around the base, there is a small chip to bottom edge of base with evidence of old glue. There is craquelure throughout interior glaze.
A FULHAM POTTERY TWIN-HANDLED VASE DESIGNED BY CONSTANCE SPRY ( 1886-1960) (2)Model `FMA 2', unglazed exterior and glazed interior, impressed `The Fulham Pottery London' and `Made in England', incised `FMA 2', 44cm wide by 20cm high; together with an exhibition catalogue, `Constance Spry and the Fashion for Flowers', The Garden Museum, 2021Some markings to the unglazed exterior. Some crazing to the glaze in the interior
A rare salt-glazed stoneware chemist jar inscribed 'Turtle' from Fisks, 144 High Street Southampton. (Fisks was a chemist shop in Southampton in the 19th century. Leatherback turtle fat and blood were used for medicinal purposes.) London c1800-1840. 15cm diameter x 16cm high; together with a John Dwight of Fulham salt-glazed pottery jar, c1780, 24cm high. (2)Turtle - has a good ding and no cracks. Circa 1cm indent, to include glaze loss. This to cream coloured section. Natural firing dots.Salt-glazed pottery - hairline crack from base upwards circa 4cm. A few natural firing dots, marks, spots, specks, indents.See new photos.
Two Timothy Whites and Taylors stoneware ceramic bed warmer hot water bottle together with The DBC foot warmer and Old Fulham Pottery example and a Regicor Vat 69 blue liquor pitcher, Hillstonia pottery jug, Dairy Crest vintage advertising cow milk jug and a vintage Thermos wide mouth vacuum jar with handle
Quentin Bell (1910-1996) Painted Dish for Fulham Pottery the centre with an incised design of young girl with parasol within a blue border inscribed "Eurynome" after the ancient Greek deity, impressed marks to base for Fulham pottery and Bell cypher within a circle 28cm diameter28cm diameterrestored
A collection of Hull interest to include a copper tray marked Hammond's Osborne Street, Hull. A second copper tray marked WM. Craft and Sons Beverley Road Hull. A pair or wire rim spectacles by Prout Bros D.B.O.A Opticians, Incidents in the History of Kingston Upon Hull book by C.S. Todd, F.S.A 1869, along with The Old Fulham Pottery adaptable hot water bottle and bed warmer and a Royal Insurance glass wall plaque.

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941 item(s)/page