SPODE; a part coffee service, decorated in the 'Queen's Gate' pattern, comprising eight coffee cans, eight saucers and two side plates, also a modern Chinese hand painted six setting tea service, decorated with dragons amongst scrolling foliage, including teapot, lidded sugar bowl, milk jug, five teacups and six saucers.
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A 925 silver gate link bracelet, with padlock clasp, a further white metal belcher link bracelet, with love heart charm, length 20cm, a 925 silver fine link necklace suspending a silver St Christopher pendant, length of necklace approx 40cm, and a large white metal costume jewellery flat Cuban link necklace, length 19cm, combined weighable silver approx 1.05ozt/33.1g.
J. Harris (c.1808-1846) Four coloured engraved plates After paintings by James Pollard, from Scenes on the Road a Trip to Epsom and Back, titled The Cock, At Sutton, Hyde Park Corner, The Lord Nelson Inn, Cheam and Kennington Gate, pub. by Ackermann & Co. 1838, with Ackermann Sporting labels verso, 37.5cm x 52cm
A small collection of wooden ware - including a pipe rack in the form a five bar gate, holding four vintage pipes, two of them novelty examples in the form of a lady's boot and a bull's head, the rack 20.8cm long, 12.8cm high; a 19th century money box of cube form, 8.7cm high; a 1920s-30s mid-oak box, 14.5 x 8.9cm, 9.4cm high; an English cedar turned bowl, 21cm diameter; an Edwardian mahogany box; and a mahogany cased brass Loftus Saccharometer (lacks thermometer).
Mouseman and the Yorkshire Critters: a light oak letter or stationary rack by Bob 'Wrenman' Hunter of Thirlby - the shaped back with chamfered edge, surmounted with his carved wren signature, the front of the rack formed as a five-bar gate the rectangular platform base raised on two sledge supports, 32.7cm wide, 18.3cm high. * Bob Hunter served a five year apprencticeship with Robert 'Mouseman' Thompson's workshops in Kilburn and then worked for Alborough Crafts before its closure in 1976. He then set up his own workshop and adopted the wren as his signature after seeing a pair of wrens building a nest in his workshop. His pieces display exceptional quality carving.
A Bohemian enamelled and etched glass, gilt metal mounted casket, 19th century, cuboid form, decorated with various named topographical landmarks in Germany, Switzerland and Czechoslovakia including the Konigstein, Lilienstein and Pravcicka Gate, in blue enamel, two wire and beaded swing handles, on four knotted wire and ball bracket feet, 17.5cm wide, 13cm high, 11cm deep
A Vienna porcelain Chivalric painted cabinet cup and saucer, circa 1820, the cup decorated in the round with a semi topographical Gothic arcade and figures emerging from a door arch, the saucer with a tournament scene of various pairs or knights in combat within a walled a gate posted arena stationed with equestrian figures, underglaze blue shield marks, impressed numbers 12, 40, 820, 16cm diameter
Otto Heintz for Heintz Art Metal Shop, an American Craftsman style mixed metal smoking companion, circa 1915, in the Secessionist style of Frank Lloyd Wright, patinated copper overlaid with silver, integrated cigar box with hinged lid, removable matchbox holder and two ashtrays, with geometric Torii gate motifs, stamped marks
19th century romantic-realistic landscape painting, oil on panel Peasant figures at a gate with horseman and mill, Dutch Romanticism, circa 1850–1880 in original gilded frame in neoclassical style, with acanthus leaf edges and fluting19e-eeuwse romantisch-realistische landschapsschilderkunst, olie op paneel Boerenfiguren bij een poort met ruiter en molen, Hollandse romantiek, circa 1850–1880 in originele vergulde lijst in neoclassicistische stijl, met acanthusbladranden en cannelures26.5 x 37 cm
Horror themed PlayStation 2 games comprising RESIDENT EVIL CODE VERONICA X, RESIDENT EVIL 4, RESIDENT EVIL DEAD AIM, RESIDENT EVIL 4 LIMITED EDITION STEELBOOK, THE THING, ALONE IN TJE DARK THE NEW NIGHTMARE, BALDUR’S GATE DARK ALLIANCE II, BLOOD OMEN 2 and ALIAS (10) NB: Some games may have smoke damage / smell due to previous storage
AMENDMENT PLEASE NOTE THE DATING OF THIS TILE SHOULD READ 20TH CENTURY A Ka'aba pottery tile, Tekfur Saray with date of 1070AH/1659AD, possibly laterThe cobalt, turquoise, black and bole red decoration depicting the Holy Sanctuary in Mecca marking: the Ka’ba, the Maqams of Ibrahim, Hanafi, Shafi’i, and Hanbali; Gates of: Safa, ‘Umra, al-Salam and Fatima; the qubba of Farrash, Isma’il rock and Ka’ba gate,34.6cm. squareProvenance: Private Collection London acquired in the 1960s-80sCondition Report: The corners chipped or lightly chipped. The edges with minor loss to the paste and larger loss to the glaze. The field in very good condition. Some repaints to the bole red especially the minarets and the minbar. Under U. V some blemishes can be noticed.The department would recommend an inspection of this lot in person before bidding.
A fine Mughal red sandstone Chini Kana panel, North India, first quarter 17th centuryOf rectangular form, the large central niche with cusped foliate arch containing a long-necked flask (surahi) and two covered bowls, with variegated leaves to interstices, large flower blooms to upper corners and smaller ones to lower, 53.7 x 41.9 cm.This revetment compares closely to those on early 17th century buildings such as the Kanch Mahal and Suraj Bhank Ka Bagh at Sikander, near Agra. See Koch, Mughal Architecture, New York, 1991, figs 99 & 100. Provenance:Acquired in the early 1990s from the London art trade Footnotes: This kind of decoration is referred to as chini kana, a term meaning "China room", and applied to small wall-niches in which bottles, vases and other vessels were placed within a domestic interior.Similar flasks, arranged in niches carved in red sandstone, are illustrated in M. Zebrowski, Gold, Silver and Bronze from Mughal India, 1997, p. 185, pl. 269. This decoration can be seen at the Gate Pavilion of the Suraj Bhan ka Bagh at Sikandra near Agra and dates from the early seventeenth century. The exterior walls of another early seventeenth century palace at Sikandra, the Kanch Mahal, are also decorated with similar flasks in niches. According to Zebrowski, these motifs may originally have had a connection with the "waters of fertility" but it seems likely that by the seventeenth century they were appreciated more and simply for their elegant and stylised shapes. A comparable red sandstone chini kana panel was sold; Christie's London, 23 September 2005, lot 81 and Peter Petrou: Tales of the Unexpected 30 January 2019, Lot 31

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