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Harvey, William. Robert Burns as a Freemason; Bruce, Wallace. Robert Burns. Poet Laureate of Lodge Canongate Kilwinning; Shinton, John. Burns Excise Officer and Poet; Smith, Graham. Robert Burns the Excise Man; Will, William. Robert Burns as a Volunteer, signed copy; Weir, John. {editor}. Robert Burns the Freemason.
THE DOORS - "Bill Graham Presents" The Doors Cow Palace Concert Poster (BG-186) - A "Bill Graham Presents" The Doors poster promoting a concert at the Cow Palace in San Francisco, which took place on 25 July 1969. The gig took place a week after The Doors' fourth studio album, The Soft Parade, was released, and the lineup also featured the artists Lonnie Mack and Elvin Bishop. This is a first printing of the BG-186 poster featuring a design centred around an image of the band by Randy Tuten. The number "187" is incorrectly printed below the "L" in the word "Palace" and there is some minor creasing near the right edge.Dimensions: 55 cm x 14 cm (21.5" x 5.5")Condition: Near MintArtist: Randy TutenVAT Status: M
JOHN GILBERT GRAHAM (SCOTTISH 1794-1866) PORTRAIT OF MRS. OSWALD OF SCOTSTON Oil on canvas Signed and dated '1855' (lower left) 126.5 x 102cm (49¾ x 40 in.) Unframed Condition Report: Canvas has been relined and presents a subtle craquelure across. UV light reveals an unevenly applied varnish infilling to the craquelure in the upper right corner and right edge. Slight retouching to the neck of the sitter as well as a few on the eyebrows and eyes. Further restoration is also present to the right sleeve of sitter. Further restoration might be concealed by a thick varnish in the background area. Finally a few superficial scratches in the varnish most notably to the edges.Condition Report Disclaimer
*Wilhelmina Barns-Graham (1912-2004) oil and pencil and panel - Glacier Abstraction, circa 1950s and probably painted following a trip to the Grindelwald Glacier, signed in pencil lower right, 45.5cm x 63.5cm, in painted frame.Exhibited: Sheffield Museums, Graves Gallery, Sheffield, December 2018 - March 2019 'Sea, Rock, Earth and Ice'. Included is a letter of thanks to the lender from the curator of the museums. (This lot may be subject to Artist's Resale Right) There is no apparent reference number verso, although it is evident there was a label in place at one time. Basically good original condition, some surface dust and dirt but nothing serious. The frame is very much a home-made affair and almost certainly original. The last few images illustrate the work hanging when in the Sheffield Museums exhibition
Vinyl - 7 Rock and Pop 10” and 12” singles to include: David Bowie – Sue (Or In A Season Of Crime) (Parlophone – 10RDB2014 2014 10”), The Rolling Stones – Doom And Gloom (Universal Music – 3723278 2012 etched 10”), The Honeydrippers – Volume One (10”) VG / EX+, Ronnie McNeir – Keep On Giving Me Love (12”), Buckwheat Zydeco – Make A Change (12”), Neville Brothers – A Change Is Gonna Come (12”), Graham Parker – Guardian Angels (12”). Condition at least EX overall apart from where mentioned
Vinyl - 6 Beat / Mod / Pop UK 1960’s demo promo 7” singles on Decca Records to include: The Checkmates (F 12114), Marianne Faithfull (F 12162), Joan Sutherland (F 12284), Jacqueline Moore (F 12165), Chick Graham And The Coasters (F 11859), The Johnny Howard Band (F 12065 edge heat warp). Condition VG overall with centres removed
WILLIAM GRAHAM TAYLOR; a set of three Victorian hallmarked silver tablespoons, Glasgow 1855, a further set of three Victorian hallmarked silver tablespoons, also Glasgow 1855, by a different silversmith, and a George IV hallmarked silver Kings pattern tablespoon, London 1823, combined approx 16.92ozt/526.3g (7).
oil on board, signed and dated '02 and titled mounted, framed and under glass image size 31cm x 91cm, overall size 48cm x 108cm Note: David M Graham lives and works in Scotland. He holds a Masters Degree from Edinburgh College of Art and a teaching qualification from Moray House School of Education. In addition to paintings he has lectured at Honours Degree level for most of his career but he has also enjoyed teaching short courses in visual communication and water colour painting. Working in a variety of mediums, at times, the imagery in David?s painting borders on abstraction while retaining intriguing yet recognisable elements that relate to the subject matter. The landscape provides the inspiration for much of his work, some of which is expressed in bold statements of colour and texture. David Graham is represented in a number of prominent art galleries in Scotland and England. His work is included in many private collections at home and abroad.
oil on canvas, signed, titled verso framed image size 50cm x 30cm, overall size 68cm x 48cm Note: In 1996, after 17 years as a graphic designer, Graham McKean decided to commit himself totally to producing his oil paintings. Graham McKean?s paintings have featured in numerous exhibitions and are increasingly appearing at the U.K.?s leading auction houses. His work has now become highly collectible and is held in prestigious private and public collections worldwide. Graham also supports a number of charities through events and auctions. A review by the late W. Gordon Smith (Art Critic, The Scotsman), described the work of Graham McKean as a cross between the painters John Byrne and Stanley Spencer, but with an ?interesting bite?. Graham McKean needs little introduction to our buyer audience having been consistently one of our most popular and best selling artists since the inaugural Scottish Contemporary Art Auction in November 2008. Known commissions & collections include: Aberdeen Asset Management 2017, to produce a series of original paintings inspired by the whisky making process; Buzzworks Holdings Ltd 2017, Commissioned to produce a large scale oil of the ancient "King Malcolm of Scotland"; Commissioned by William Grant & Sons Ltd to produce a painting and statement to be incorporated onto their bottles of Glenfiddich single malt whisky.; Commissioned by Bayard Partners Ltd, Investment Fund Managers, London to produce a large scale painting for their company reception.; Commissioned by "Scottish Opera" to produce five large paintings depicting all aspects of Opera and Theatre. Images were used as boardings on the exterior of The Theatre Royal, Glasgow.; Commissioned by Celtic FC to produce a painting to mark the 40th anniversary of their 1967 European Cup winning team known as "The Lisbon Lions". A limited edition print of the painting was published each with a certificate signed by Graham McKean along with signatures from all the surviving team members. The finished painting was presented to Billy McNeill MBE, Captain of the cup winning team.; 2009, Portrait to celebrate the life of Michael Jackson received worldwide press coverage. Uri Geller, close friend of Michael Jackson, commented "McKean's painting of Michael is a truly fantastic piece and is amazingly powerful."; 2011, A new oil painting of the Scottish cartoon character "Oor Wullie" was unveiled at McTear's (Glasgow) receiving wide acclaim and coverage on national television and news media.; 2013, Commissioned by North Ayrshire Council to produce a painting to mark the 50th anniversary of Irvine being officially designated as a Scottish New Town and the regeneration and redevelopment of much of the old town. The painting was also produced to portray the influx during this period of many families from Glasgow and the surrounding areas who resettled in Irvine.; 2013, Commissioned by Bentley Motors, Glasgow to stage a major exhibition of new work for display at their main Scottish dealership in Hamilton. A number of new "automobile inspired" paintings were produced for this show.; Commissioned by Scottish Art Direct to produce a large scale painting inspired by Scotland's so called "tartan army". The finished work, titled "Flower of Scotland" was unveiled at The Scottish Football Museum in Hampden Park Stadium attracting national TV, press and radio coverage.; 2015, The Danforth Art Museum, Framington, Massachusetts, USA acquired a large scale painting titled "Desperados" which is now part of their permanent collection.; Standard Life, Baillie Gifford, Black Appointments, The Scottish Arts Council, Roycec, William Grant & Sons Ltd, The Ralli Museum (Switzerland and Israel), Glasgow Celtic Football Club, Daniel Stewart & Company, North Ayrshire Heritage Centre, Aberdeen Asset Management, Sir Tom Hunter, Demontfort Fine Art and private and public collections worldwide.
Westminster Collection Autograph Editions, Football Greats comprising: Gordon Banks, Peter Bonetti, Roger Hunt, Norman Hunter, Geoff Hurst, Martin Peters, Nobby Stiles, Ray Wilson, Sporting Greats comprising: Ian Botham, Graham Gooch, Fred Trueman, Frank Bruno, Bill Beaumont, Daley Thompson, Lester Piggott, all with photographs and autographs, in plastic sleeves in foder
Graham Wildridge (British, 20th century), A group of six original landscape studies, watercolours and ink on Saunders Waterford watercolour paper including, Burnham Overy, Burrow Mump, Somerset, Bromholm Priory, Bacton (preparatory pencil sketch of an eagle on verso), Egmere, Beacham Well St. John Church Ruins, near Swaffham, Hangman's Hill, signed, 76x56cm, unframed (6)
ARR AFTER GRAHAM CLARKE (b.1941) *ARR'Summer Passengers', etching, number 291 of a limited edition of 400, signed in pencil in the margin, with certificate44.5 x 64cm.Another, by the same artist, 'Haddocks End', 139/250, signed in pencil in the margin,21 x 41cm. (2) Small watermark damage to top left of border of smaller example. Edges of border on larger one are slightly discoloured. Main images appear generally clean.
CIRCLE OF JOHN CONSTABLE (BRITISH, 1776-1837). "Weymouth Bay From Osmington," watercolour 10.5 x 18cm (4.25 x 7.25in) Footnote: Inscribed verso to label "Weymouth Bay From Osmington, Nov 1816. Drawn by Constable during his honeymoon while staying with Rev John Fisher at the vicarage Osmington. See Graham Reynolds catalogue of Constable in the V&A 1960, pp 107-111." Provenance: Appleby Bros Ltd, ref no 1746. 83. George Goyder (1908-1997) Collection Thence By Descent Private Collection UK. CR* mounted behind glass and unexamined out of frame. Slightly lifted at the edges where paper has come away from mount, otherwise in good order.
Seven boxed / cased Graham Farish N gauge rolling stock sets to include 3 x 377-935 Set of PCA Wagons Metalair grey weathered, 2 x 377-336 Set of Conflats BR Bauxite with BD Containers BR Bauxite weathered (one incorrectly boxed), 374-910 Set of SE&CR 60' Birdcage Coaches SE&CR Wellington Brown, 377-337 Triple Pack Conflat Wagons BR Bauxite A Containers and 377-075K5 Plank Wagon Triple Pack
Boxed Graham Farish N gauge 8133 2 Car 57 ft Diesel Motor Unit Class 101 DMBS Motorised & DTC BR green set plus 2 x rolling stock sets featuring 2P-014-010 Maunsell High Window lined olive green 6 coach set #456 and Graham Farish 377-225Z Set of 6 BR 16 Ton Steel Mineral Wagons (no inner packaging to one case) (3 items)
30 Boxed Graham Farish Scenecraft trackside buildings and accessories to include 42-026 Hampton Heath Colliery Winding House, 42-025 Hampton Heath Colliery Pit Head Lift, 42-093 Sheffield Park Footbridge, 42-233 Low Relief Rear of Terraces, 42-127 Covered Bridge, 42-277 Low Relief Factory etc, ex
30 Boxed Graham Farish Scenecraft N gauge trackside buildings to include 42-070 Coaling Tower, 42-204 Low Relief Bonded Warehouse, 42-277 Low Relief Rear of Victorian Tenements, 42-090 Sheffield Park Waiting Room with toilet, 42-093 Sheffield Park Footbridge, 42-089 Sheffield Park Station Company etc, ex
Three cased Graham Farish N gauge locomotives to include 372-177 8P City of Leicester 46252 BR green l/crest, 371-175 Class 40 Diesel D306 Atlantic Conveyor BR green l/crest (no outer box) and 0-6-0 BR black livery (no outer box) plus a Graham Farish Eastnor Castle locomotive within incorrect case (4 items)
* Waugh (Evelyn, 1903-1966). A. E. Housman, A Shropshire Lad, London: Printed by The Riccardi Press for Philip Lee Warner, publisher to the Medici Society, 1914, original grey boards, 8vo, one of 1,000 numbered copies, with signed presentation inscription from Evelyn Waugh to his one-time lover, Alastair Hugh Graham (1904-1982), the principal inspiration for the character of Sebastian Flyte in Brideshead Revisited, inscribed in ink to front endpaper "For Alastair from 'A jonquil, not a Grecian lad.' Evelyn, Christmas 1923", together with a four-legged stool with an embroidered seat (probably made by Alistair Graham, who enjoyed needlepoint) depicting a naked youth with outstretched arms looking back at Graham’s home, Wern Newydd in Cardiganshire, plus a 1930s valet set in leather case, a pack of playing cards in original painted wooden box, two small printed visiting cards for Alastair Graham, as Attaché Honoraire à la Légation de S. M. Britannique, Athènes, and Honorary Attaché, The Residence, CairoQTY: (4)NOTE:Provenance: Purchased by the current owner in Aberystwyth from the daughter of Alistair Graham's housemaid at Wern, Lottie Evans. According to her, these items were gifted to her mother by Alistair Graham when he moved from Wern to New Quay in 1958. Critics and biographers of Evelyn Waugh largely agree that Alastair Graham (1904-1982) was the model for the character Sebastian Flyte in Brideshead Revisited, a claim that was verified by Auberon Waugh. Graham went up to Brasenose College, Oxford in the autumn of 1922 where he met Evelyn Waugh and in early 1923 the two young men began a relationship. Thereafter Waugh was a regular visitor to the Graham family's country house at Barford in Warwickshire. In a diary entry Waugh writes: "Alastair and I had tea together and went back to Barford where we dined in high-necked jumpers and did much that could not have been done if Mrs Graham had been here." After Oxford Graham joined the diplomatic corps and was posted by the Foreign Office to Athens from 1927 to 1929 (where Waugh visited him), and later Cairo until 1933. Graham's homosexual exploits led to his being advised by the police to leave London or risk prosecution, and so he purchased Wern Mansion, set in 40 acres five miles from New Quay, Cardiganshire, in 1936. He became known for his parties to which his glittering friends were invited, including the painter Augustus John, Dylan and Caitlin Thomas, and architect Clough Williams-Ellis. Evelyn Waugh said that Alastair was "the friend of my heart". Waugh's presentation inscription in this copy of Housman's A Shropshire Lad given to Alastair quotes from one of the poems, 'A jonquil, not a Grecian lad', with all its overtones of doomed love. Evelyn subsequently married Evelyn Gardner (the two Evelyns wittily renamed 'Hevelyn' and 'Shevelyn') but the marriage rapidly foundered. The embroidered stool, almost certainly executed by Graham, may have been styled on a nude photograph Graham sent Waugh of himself near a waterfall, asking Waugh to 'Come and drink with me somewhere'. Waugh is known to have kept the photograph of Alistair until the end of his life.
Austen (Jane). Pride and Prejudice. A Novel, London: George Routledge and Co., 1849, bound with Mansfield Park, Simms and M'Intyre, 1851, occasional small marginal water stain and minor spotting, hinges a little tender, previous owner signature, bookplate of Thomas Graham Murray, contemporary half calf, spine a little rubbed with closed tear at foot, light edge wear, 8vo QTY: (1)NOTE:Gilson E13 and E18 respectively.

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42040 item(s)/page