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A Grandfather clock eight-day Mechanism including weights, pendulum and spare cat-gut, marked "J. Crew, Bramley" to the arched painted face, the arch painted with a pastoral scene with a female figure and her dog on a lane passing a country cottage on a mound and with sheep grazing in a meadow in the distance. (In running order at time of lotting), plus the clock hood.
BEATRIX POTTER - A collection of figures comprising several large limited editions: Beswick 'Mrs Rabbit', 209/1947; 'Foxy Whiskered Gentleman', same number and 'Squirrel Nutkin', 1150/1947; together with Beswick 'Jeremy Fisher Catches a Fish', Royal Albert: 'Peter With Red Pocket Handerkchief'; 'Mrs Tiggywinkle'; 'Jeremy Fisher' and 'Tom Kitten'; a Border Fine Arts 'Timmy Willie and Strawberry'; a Beatrix Potter eggcup with matching spoon; an EM&Co Jemima Puddleduck and a model of a grandfather clock with quartz movement (13)
20th Century Oak French Longcase 'Comtoise' Grandfather Clock. White face with Roman numerals, the case with an arched hood pediment, a waisted shaped case with a large glass opening door showing the decorative brass pendulum. Approx. 7' high. Together with a table canteen of cutlery, setting for six, raised on barley twist legs. 30'' high, 17.5'' wide, 12'' deep. As found.
A sun/moon clock face for a Grandfather clock, framed Dutch Delft tiles depicting sailing boats, a large Japanese Imari porcelain baluster vase and a Royal Hussars regimental replica 1943-45 ice bucket CONDITION REPORT height 36cmrim 14.5cmOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention to showcase the lot in more detail.
Hand decorated mantle or desk clock, modeled as a mini grandfather clock. Featured in blue and brown glaze with incised Art Nouveau style leafage, and raised relief rosettes. Doulton Lambeth impressed stamp. Artists monograms.Artist: Frank ButlerIssued: 1884Dimensions: 4.25"L x 3.25"W x 12.25"HCountry of Origin: EnglandCondition: Age related wear. Not tested, functionality not guaranteed.
A FINE EARLY VICTORIAN WOODEN-DIALLED DROP-DIAL FUSEE WALL TIMEPIECEVULLIAMY, LONDON, No. 1604 CIRCA 1843The four columnar pillar single fusee movement with thick plates measuring 6 by 5.125 inches secured via brackets and thumbscrews through the bottom pillars onto a seatboard forming part of the internal structure of the case, the train terminating with half-deadbeat escapement regulated by heavy steel-rod lenticular bob pendulum with an effective length of approximately 15 inches, incorporating T-bar suspension and stamped with serial number 1604 to the rear of the bob, the backplate engraved VULLIAMY, LONDON over serial number 1604, the 12 inch light cream painted wood Roman numeral dial turned integral to the surround and signed VULLIAMY, LONDON to centre, with steel spade hands set behind hinged glazed cast brass bezel onto the ogee moulded-edge dial panel, secured via pegs to the front of the well-constructed drop-trunk box case with doors to each side behind the dial, over flame-figured front and slender waist moulding, the 'chisel' base with hinged angled cockbeaded flap to front.62cm (24.5ins) high, 38cm (15ins) wide, 16.5cm, (6.5ins) deep. Benjamin Lewis Vulliamy is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as born 1780 to Benjamin Vulliamy and gaining his freedom of the Clockmakers' Company in 1809. He worked from 52 Pall Mall, served as Warden 1821-5 and was appointed Master five times. He was the last of the celebrated dynasty of Royal clockmakers which started with his grandfather, Justin, forming a partnership with George II's clockmaker, Benjamin Gray. Benjamin Lewis Vulliamy was perhaps one of the most influential horologists of his time publishing many works and undertaking numerous high profile public commissions as well as holding the Royal Warrant. He supplied many clocks to the Royal family including the turret clock for Windsor Castle in 1829 (replacing an earlier movement by Joseph Knibb); however his horological legacy is perhaps somewhat slightly blighted by his tendency to undertake controversial alterations to earlier important clocks by makers such as Tompion. The Vulliamys started numbering most of their clocks from 1788 until 1854. Two of the original Vulliamy workbooks still survive in the library of the British Horological Institute at Upton Hall, these often can provide valuable information regarding the manufacture and provenance of many clocks made by the workshop. Unfortunately, the records are incomplete hence only note clocks with serial numbers 296-469 and 746-1067. There is also a third surviving Vulliamy workbook, relating only to repairs and servicing dating to the period 1846-53. Interestingly this volume records at least sixty-five clocks being in the possession of the government 'Office of Works' and another forty being in the possession of Queen Victoria at Buckingham Palace.Roger Smith in his article titled Vulliamy Clock Numbering, A Postscript published in 'Antiquarian Horology' Vol. 21 No. 5 (September 1994), used surviving data in the records of the British Horological Institute at Upton Hall and known documented examples to compile a graph from which unrecorded clocks can be fairly accurately dated. According to this chart number 1604 would date to around 1843; this date is further corroborated by the recent discovery of Vulliamy number 1630 (see Bruun Rasmussen, Copenhagen, sale of Selected furniture, clocks and carpets 15th December 2020 lot 2051/8078) which is dated 1844.
Ɵ HOROLOGICAL REFERENCE BOOKS MAINLY ON ENGLISH CLOCKSTHIRTEEN PUBLICATIONS:Symonds, R.W, THOMAS TOMPION HIS LIFE AND WORK The Hamlyn Publishing Group Limited, London 1969, dj; Cescinsky, Herbert and Webster, Malcolm R. ENGLISH DOMESTIC CLOCKS The Hamlyn Publishing Group Limited, London 1969, dj; Cescinsky, Herbert OLD ENGLISH MASTER CLOCKMAKERS AND THEIR CLOCKS George Routledge and Sons Limited, London 1938; Dawson, P.G., Drover, C.B. and Parkes D.W. Early English Clocks Antique Collectors' Club, Woodbridge 1982, binding incomplete; Royer-Collard, F.B. SKELETON CLOCKS N.A.G. Press Limited, London 1969, dj; Roberts, Derek BRITISH SKELETON CLOCKS Antique Collectors' Club, Woodbridge 1987, dj; Hawkins, J.B. THOMAS COLE & VICTORIAN CLOCKMAKING Published by the author, Sydney 1975; Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their History and development Antique Collectors' Club, Woodbridge 1974, dj; Beeson, C.F.C. ENGLISH CHURCH CLOCKS 1280-1850 Brant Wright Associates Limited, limited first edition numbered 207, Ashford 1977; Edwards, Ernest L. The Grandfather Clock John Sherratt and Son Limited, Altrincham 1974, dj; Clutton, Cecil; Baillie, G.H. and Ilbert, C.A. BRITTEN'S OLD CLOCKS & WATCHES AND THEIR MAKERS ninth edition, Bonanza Books, New York 1956; Howse, Derek THE TOMPION CLOCKS AT GREENWICH AND THE DEAD-BEAT ESCAPEMENT reprint from December 1970 and March 1971 issues of 'Antiquarian Horology', The Antiquarian Horological Society, London undated, staple bound, and Roberts, Derek An Exhibition of:- PRECISION PENDULUM CLOCKS, JUNE 1986 Derek Roberts Antiques, Tonbridge 1986, softbound, (13).
This beautifully rendered oil on canvas painting by Paul Ronne, an alias used by the renowned Danish artist Kai Jeppe Drews, depicts a serene and meticulously detailed rustic interior. The composition features a vibrant green grandfather clock, a wooden chair with a woven cushion, a chest of drawers adorned with candlesticks and ceramics, and an open doorway leading to a sunlit dining area. The interplay of natural light streaming through the doorway and window brings warmth and depth to the scene, enhancing the sense of coziness and tranquility. The artist's precise brushwork captures the textures of the wooden floors, furniture, and soft fabrics, while the muted color palette is accented with pops of green and orange, emphasizing the charm of the setting. This intimate portrayal of a traditional Scandinavian home is a testament to the artist's ability to convey emotion and atmosphere through careful attention to detail. Kai Jeppe Drews was a Danish artist celebrated for his evocative landscapes and intimate depictions of rural and domestic life. Drews captured the natural beauty of Denmark and the quiet simplicity of its interiors, often employing subtle impressionistic touches to add depth and warmth to his compositions. Under the alias Paul Ronne, Drews created intimate pieces that continued his focus on the Scandinavian lifestyle and its understated elegance. Housed in a gilded frame. Signature on lower left: Paul Ronne. Artwork dimensions: 19.25"L x 15.25"H. Frame dimensions: 27"L x 23"H x 1.75"W.Artist: Paul Ronne aka Kai Jeppe Drews (Danish, 1884-1964)Issued: Early 20th centuryDimensions: See DescriptionCountry of Origin: DenmarkCondition: Age related wear.
A 1940's Oak Grandfather Clock, arched hood with split balusters, trunk with applied panel, base on bracket feet, brass dial with a silver chapter ring, 198cm high.Brass roundel to the top of clock face is missing, no makers name, no key for trunk case, trunk case is locked, It has a pendulum, eight gong rods present, clocks works in need of a goo clean, the type of clock does not have weights.

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3668 item(s)/page