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Lot 299
DAME LUCIE RIE D.B.E. (AUSTRIAN/BRITISH 1902-1995) AND HANS COPER (GERMAN/BRITISH 1920-1981) POURING VESSEL, c. 1950-55 impressed maker's seals, stoneware, with manganese and white glazed top 11.5cm high, 19.2cm wide (4 ½in high, 7 ½in wide) Purchased directly from Lucie Rie, circa 1951-55, and by direct descent to the present owner;Private Collection, U.K. This pouring vessel was made during the period that Rie and Coper shared her London studio, and is impressed with both maker's marks. It is a rare model, and it is thought that Rie designed models from this set, whilst Coper glazed them, as Rie stated she would have applied a narrower cream band to the rim. The V&A; Museum hold a jug and two beakers of a similar design.
Lot 9134
DAME LUCIE RIE (1902-1995) and HANS COPER (1920-1981) (ARR) : A studio pottery stoneware pourer, side handle (handle restored) in a pitted white glaze, ochre interior, impressed seals of both potters, 10.2cm high As described, the handle has been restored, probably a little too short but there are no other signs of any damage or restoration.
Lot 178
Isabella Pope, Studio Pottery Agate Glaze Bowl. Base is inscribed 'August 31 1997 Princess Diana Dies Paris Car Crash'. Pope was a Master Potter and teacher who created these forms inspired by Chinese and Korean historical examples together with modernist potters such as Hans Coper. Diameter: 19.5cm
Lot 1282
Deirdre Burnett (1939-2022), A Studio Pottery Stoneware hand built vessel of organic form with frilled layers in spherical composition on cylinder stem, 24cm, raised DB mark to inside of stemDeirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts
Lot 54
Dame Lucie Rie DBE (Austrian/British, 1902-1995) A stoneware coffee service for four, circa 1955, impressed LR seal marks, glazed to the exterior in manganese and incised with fine sgraffito bands, comprising: four tapering conical cups, four saucers, a baluster coffee pot and cover with knop finial 19cm high, a baluster milk jug 12cm high and a sugar-bowl, the interiors and undersides of each piece glazed in white (coffee pot with hairline crack, the hairline crack is approx 3cm long, small chip to edge of one saucer) (11) Provenance: Acquired by the present owner's parents in the mid 1950s, while they were touring with Sadlers Wells Theatre Ballet, in the Corp de Ballet and subsequently as principal dancers. Thence by descent to the present owners. Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule. She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and winning a gold medal at the Brussels International Exhibition in 1935. Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938. She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism. She continued to experiment with glazes, enamel colours and forms throughout her long career. Provenance: Acquired by the present owner's parents in the mid 1950s, while they were touring worldwide, with Sadlers Wells Ballet Company, in the Corp de Ballet and subsequently as principal dancers. Thence by descent to the present owners. Provenance: Acquired by the present owner's parents in the mid 1950s, while they were touring worldwide, with Sadlers Wells Ballet Company, in the Corp de Ballet and subsequently as principal dancers. Thence by descent to the present owners. Condition Report Coffee pot with hairline crack (the hairline crack is approx 3cm long), small chip to edge of one saucer.
Lot 619
Lucie Rie (1902-1995) Early glazed bowlwith banded decoration to the exterior, circa 1955impressed potter's seal mark to the base6.5cm high x 10.5cm wide. Reference:A similar bowl is shown in the Essentials Potness Lucie Rie on Hans Coper, page 72-73. Condition appears good with no sign of damage or restoration. Some small firing marks as you'd expect. Some blue flecks in the glaze.
Lot 218
Hans Coper*, The Powell Duffryn Mural, 16-teilige Installation, 1961Hans CoperSteinzeug, einige ineinander greifende, unterschiedlich strukturierte Oberflächen, mit Glasuren von Manganschwarz und -braun, bis hin zu satten geschichteten sandfarbenen und cremefarbenen Nuancen.650 x 300 cm gesamt Größe, D. 60 cm größte Keramik, D. 30 cm kleinste Keramik.Das Powell Duffryn Mural befindet sich seit Februar 1985 im Privatbesitz eines bedeutenden deutschen Keramiksammlers. Die Neuhängung der Wandinstallation wurde Mitte der 1990er Jahre persönlich von der Keramikerin Beate Kuhn und Dr. Paul Köster (Kunstkammer Köster) geplant, arrangiert und durchgeführt.Der Aufenthaltsort der sechzehn beeindruckend kraftvollen Keramikscheiben war seit 1985 unbekannt und somit blieb der Zugang der Öffentlichkeit verwehrt. Tony Birks, Hans Coper, London, 1983, S. 43-45. (beschreibt die ursprüngliche und spätere Anordnung des Mural)
Lot 141
'Studio Pottery', a presentation pack of four stamps designed by Tony Evans featuring works by Bernard Leach, Elizabeth Fritsch, Lucie Rie and Hans Coper, pack no. 184, October 1987. Provenance: Andy & Di McInnes collection. Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 449
†LUCIE RIE (1902-1995) & HANS COPER (1920-1981); a stoneware cup and saucer partially covered in manganese glaze with sgraffito decoration and kintsugi repair to the rims, impressed LR and HC marks, made 1950s, cup height 7cm, saucer diameter 14cm.For similar examples, see 'Lucie Rie: The Adventutre of Pottery' edited by Andrew Nairne and Eliza Spindel (Kettle's Yard, University of Cambridge, 2023), p. 56. Condition Report: There are short very tight hairlines extending from the kintsugi repairs to exterior of cup and underside of saucer, otherwise appears good with no further signs of faults, damage or restorations.
Lot 450
†LUCIE RIE (1902-1995); a set of six stoneware cups and saucers partially covered in manganese glaze with sgraffito decoration, impressed LR marks, made circa 1958, cup height 6cm, saucer diameter 12.5cm (6).For similar examples, see 'Modern Pots: Hans Coper, Lucie Rie & their Contemporaries - The Lisa Sainsbury Collection' by Cyril Frankel (Thames & Hudson, 2000), p. 97. Provenance: Purchased from Galerie Besson, London, mid 1980s. Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 142
'Studio Pottery', a presentation pack of four stamps designed by Tony Evans featuring works by Bernard Leach, Elizabeth Fritsch, Lucie Rie and Hans Coper, pack no. 184, October 1987.Provenance: Andy & Di McInnes collection.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 133
Lucie Rie (1902-1995, Austrian/British) Stoneware composite vase (circa 1979) Of compressed globular form, with tall neck and flared rim, in a spiralling olive green and beige pitted glaze, LR seal mark, 25.5cm high From the collection of the late Maurice Costley Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule. She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and wining a gold medal at the Brussels International Exhibition in 1935. Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938. She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism. She continued to experiment with glazes, enamel colours and forms throughout her long career. Provenance Acquired from Peter Dingley Gallery, Stratford-upon-Avon, United Kingdom, with paper label. Condition ReportOverall in good order. The upper rim is undulating and the globular shape is somewhat uneven in potting. There are some remnants of what is probably glaze to the underside of the foot, visible under UV, although the footrim surface is solid and does not appear to have been restored. The provenance label is faded and worn.
Lot 132
Lucie Rie (1902-1995, Austrian/British) Large porcelain footed bowl (circa 1982) Porcelain bowl, of flared conical form, in matt white glaze, decorated with bands of pink double concentric lines inside and out, raised on a high foot, with LR seal mark, 21 cm. diam. From the collection of the late Maurice Costley See the similar bowl in the sale: Lucie Rie and Hans Coper, Exceptional Ceramics: Selections from the Estate of Jane Coper and the former Collection of Cyril Frankel, Phillips, London, 1 November 2023, lot 404. Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule. She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and wining a gold medal at the Brussels International Exhibition in 1935. Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938. She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism. She continued to experiment with glazes, enamel colours and forms throughout her long career. Provenance Acquired from Peter Dingley Gallery, Stratford-upon-Avon, United Kingdom. Condition ReportOverall in good order. There is a very minor, shallow footrim chip at the edge of the footim and a very minute footrim chip beside this, please see additional image. There is some typical and relatively minor pitting and sanding to the glaze, the pink bands have bled somewhat, as is the case with other bowls with this type of decoration. This has been inspected under UV light and there is no restoration or damage is visible.
Lot 134
Lucie Rie (1902-1995, Austrian/British) Porcelain vase (circa 1960) Of cylindrical form, with tall neck and flared rim, with bronzed manganese body above bands of sgraffito white and blue bands, the flared rim and underside of the base with radiating sgraffito lines, with LR seal mark, 22.3cm high The upper rim with restored break From the collection of the late Maurice Costley See the similar vase from the Shipley Collection, sold MAAK, London, 11 May 2023, lot 11. Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule. She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and wining a gold medal at the Brussels International Exhibition in 1935. Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938. She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism. She continued to experiment with glazes, enamel colours and forms throughout her career.Condition ReportApproximately 14 cm of the circumference of the upper rim has been cracked into three sections and restuck, with some small old areas of in-filling to the enamels. The glue has yellowed at the breaks. This could be cleaned and professionally restored. Some very minor footrim chipping, possibly occurring in the making.
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