We found 9771 price guide item(s) matching your search

IRELAND. George III, 1801-1820. Copper Penny, 1805. Soho Mint, Handsworth. Obv: GERGIUS III·D:G·REX., laureate and draped bust right. Rev: H I B E R N I A, crowned harp with date below. Edge engrailed.Reference: Sp-6620; KM-148.Diameter: 34 mm.Weight: 16 g.Composition: Copper.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

IRELAND. REPUBLIC. Bronze Penny, 1943. Royal Mint, Tower Hill. Obv: Irish harp flanked by Country in Gaelic and date. Designed by Percy Metcalfe. Rev: hen with chicks, numerical value above; denomination in Gaelic in exergue. Reference: KM-11; Sp-6643.Mintage: 3,360,000.Diameter: 31 mm.Weight: 9.39 g.Composition: Bronze.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Viceregal School. Cuzco. Peru. 17th Century."Isaiah's vision"Oil on canvas. Relined.203,5 x 180 cm. Symbolic and apocalyptic painting about Isaiah's vision of the true God and the seraphim, whose desire is to elevate spirits that are lower in the hierarchy to Him and carry out divine justice.An unusual and curious painting that serves as a biblical and scenographic summary of various texts from the Book of Revelation by John, and others from the prophets Ezekiel or Isaiah. The prophet Isaiah mentions in 6:2: "Above him stood the seraphim. Each had six wings: with two he covered his face, and with two he covered his feet, and with two he flew."In the upper left corner of the painting, we find one of these seraphim, which can only be seen by those who have been elevated to a higher dimension, that is, to a state where heaven opens up to them. Like Isaiah, one of the four Prophets of the Old Testament. The seraphim belong to the highest rank of the angelic hierarchy and are the praisers of God, constantly proclaiming His Holiness.A similar example can be found in Catalonia in the murals of the church of Santa Eulalia at the National Art Museum of Catalonia, where these seraphim, angelic beings that surround God on His throne, are depicted. They can also be found in the art on several Catalan Romanesque apses.Seraphim have the mission of purifying everything around them, so they are destined to protect the holiest places.In the Bible, they are mentioned as a vision of God that Isaiah had in the Temple, where they were singing praise: "Holy, holy, holy is the Lord Almighty; the whole earth is full of his glory."They protect themselves from the light of God by covering their heads with two wings, as they are constantly accompanying the Lord on the throne. For this purpose, and to be able to see the presence of God, they have eyes on their wings and all over their bodies.In the upper right corner, we see Isaiah, who had the vision in which he was taken to the throne of God, where they were (Chapter 6). There, he saw the true King and the seraphim full of ardour and purity, with which they love the divine, desiring to elevate the spirits of lower hierarchy toward God.This seraph with a bull's face (to John, they appear as a lion, a bull, a man, and a flying eagle) "holds a harp" (Revelation 5:8), a symbol of worship and praise in the Old Testament, with which they sing and declare the holiness of God, participating in God's justice, for when He opens the first four seals and unleashes the four horsemen who come to destroy (we see one of these horsemen below in the centre), their voices, powerful as thunder, tell them 'Come' (VENI..., at the beginning of the Latin phylactery lying at the base of the painting) (Revelation 6:1-8). Each rider responds to the call of his seraph, a powerful creature indicating the power he possesses.In summary, this is a painting that symbolically speaks of these beings and Isaiah's vision, an exalted order of angels whose main purpose is worship and who are, in some way, involved in carrying out divine justice.The painting was perhaps created for the refectory or choir of a cloistered religious convent, a place filled with "higher" beings seeking to prostrate and worship the Lamb (Revelation 5:13), beings who cloister their lives to experience the vision of Isaiah up close, to sit on the throne and become the praise, honour, glory, and power of God, forever and ever (Revelation 5:11-12).The painting makes it clear to the beholder that "the Lord is God, and there is no other besides Him.""

MILITARY HISTORY -- VIZETELLY, E. The reminiscences of a Bashi-Bazouk. (1897). Prof. ill. Ocl. (Bind. stained, spine faded). -- N. WEISSMANN. Les Janissaires. Étude de l'organisation militaire des Ottomans. 1964. Owrps. -- K.A.C. CRESWELL. A bibliography of arms and armour in Islam. 1956. Obrds. -- V.J. PARRY & M.E. YAPP, eds. War, technology and society in the Middle East. 1975. Ocl. w. dust-j. (Spine faded). -- M.D. ERMAN. The Turkish war medal. Harp madalyasi (Galipoli Medal - Eiserner Halbmond). -- And 4 o. (9).NOTE: Books from the library of Prof. Dr. A.H. de Groot may contain some annotations in pencil.

STICHTING DE ROOS, UTRECHT -- HAASSE, H.S. Twee verhalen: Genius Loci (&) Het tuinhuis. 1993. Sm-8°. Ocl. -- BELCAMPO. Het grote gebeuren. (1958). W. 7 full-p. woodcuts & typogr. by H.P. Doebele. 4°. Ohcl. -- J.M.A. BIESHEUVEL. Avonturen van Joachim Müller. 1986. W. ill. by M. Kempers. 4°. Ocl. -- J. ENGELMAN, M. NIJHOFF & A ROLAND HOLST, red. De Harp. 1946-48. 2 vols. 4°. W. wood-engr. by D. v. Gelder and etching by C. v.d. Steen. Or. clothbacked brds. (Both vols lack the extra print. Vol. II w. autograph dedication by J. Engelman. -- Th. DEKKER. The guls hornbooke. First published at London, 1609. 1960. W. cold. ill. by J. Bons. Owrps. In or. slipcase. -- And 6 o. (12).NOTE: Printed in 175 numb. copies. - St. de Roos 144, 43, 132, 3, 9, 51, 21, 79, 96, 118, 127, 129.

TIMMERMANS, F. De harp van Sint Franciscus. Mechelen, (etc.), (1932). 200, (4) pp. W. illustr. in text by the author, 2 of which cold. by hand. 4°. Owrps., uncut. (Wrps. browned and a bit dam. in places). Printed in 250 numb. copies, signed by the author. -- J. HENDRICKX. Ode aan Sint Fransiskus. (40 originele houtgravuren). (1973). Sm-8°-obl. Ocl. w. dust-j. Printed in 150 numb. copies. -- And 1 o. on T. (3).

Charming Belleek porcelain figurine depicting a smiling pig, crafted in classic cream with soft yellow accents on the ears and feet. Made in Ireland, this piece features the green Belleek backstamp incorporating the Irish wolfhound, round tower, and harp, along with the phrase "Deanta in Eirinn" and Reg No. 0857, identifying it as a post-1997 production. Belleek, established in 1857 in County Fermanagh, is renowned for its fine parian ware and delicate, translucent craftsmanship. Measures 2.75"H. Issued: 20th century Dimensions: See DescriptionCountry of Origin: IrelandCondition: Age related wear.

An Edwardian Irish-romantic 9 ct gold brooch centred by a harp and shamrocks, 44 mm, 3.2 g

A "Lampe National" hanging harp oil lamp, in cast iron and brass, with a glass shade, height 74 cm

A collection of Royal Worcester, to include a shell dish with printed decoration, a case pair of coffe cups and saucers with gilt Irish Harp decoration, a thimble and a cased pin dish

1903 All-Ireland Football Championship The Kingdom's First Football All-Ireland Medal: G.A.A. 1903, Football, a 9ct gold Celtic Cross design Medal, the obverse with pierced center and harp overlay and 'Eire' across an inscribed 'Cumann Luith Cleas Gaedhail,' the reverse inscribed '1903 - All Ireland Football Championship, won by Kerry,' hallmarked. (1) * In the 17th staging of the competition, Kerry, under the captaincy of Thady O'Gorman, beat London (captained by Sam Maguire) on a score line of 0.11 to 0.3 in front of 10,000 at Jones' Road, to claim their First All-Ireland Title. Note: The First All-Ireland Football Final was played in 1887 but it took sixteen years for Kerry to win their First Title in 1903. By then, Dublin had won eight finals and within forty years Kerry had surpassed them, and now held a comfortable lead. For the first twenty years club teams represented their respective counties after winning the county championship in the All-Ireland series. Kerry's first All-Ireland championship was in 1892 when the Laune Rangers, captained by J.P. O'Sullivan were beaten by Dublin in a controversial final. Football participation in Kerry declined in the 1890s because of economic depression, mass emigration and young men playing "foreign games". But in 1903 an effort was made in the county to revive Gaelic football. Kerry player and secretary of the county board Austin Stack suggested that the county team shouldn't be just club representatives and said they should select the best players in the county. So the 1903 team comprised 8 players from the strong Tralee Mitchels club, 6 from Dr Crokes, 2 Castleisland and 1 from Cahirsiveen. For the 1903 season there were 17 players on a team, whereas before 1892 a team had 21 players and in 1913 the number on a team was reduced to 15 players. Kerry began their championship run in June 1903 by beating Waterford, Clare and Cork to win their second Munster final 1-7 to 0-4 in October. In the semi-final Kerry easily beat Mayo 2-7 to 0-4 to advance to the "Home Final". July 23, 1905 saw the first of a three game epic All-Ireland final with Kildare in Thurles. Unfortunately this game did not finish after Kerry supporters invaded the pitch before the end of the game and it had to be replayed. These games were an instant success attracting huge numbers to witness fast, skillful, and attractive football. The replay was a titanic battle fought on the hallowed turf of the Athletic Grounds in Cork on August 27, 1905. A record 12,000 fans watched as it ended in a draw. The third and deciding game on the banks of the Lee was played on Oct 15, 1905. The Kerry team was the comfortable winner of the Home Final with a score of 8-2 over Kildare. The game was enjoyed by over 20,000 fans and the GAA was now coming of age. In the early 1900s there was an Away Final. The All-Ireland champions played the All-England champions. The English football representatives were London Hibernians captained by Sam Maguire. The game was played in Jones Road now Croke Park on November 12, 1905. 10,000 watched as John McCarty of Kilkenny refereed the game. Kerry won 11-3 for their first All-Ireland senior football championship. Kerry played four games to get to the final and played four All-Ireland finals to decide the eventual winners. Kerry, captained by Austin Stack, beat Dublin in the All-Ireland championship in July 1906. It was Kerry's first time beating Dublin in championship football. Kildare won the final in June 1907, taking another two years to run off the championship. In the 1905 final, Kerry wore red jerseys with green cuffs and green collars, the colours of Tralee Mitchels. Kildare, the Lily Whites, wore their traditional all white uniform. They even painted their boots white. The captain of the 1903 Kerry team was Thady Gorman Tralee and he played along side his twin brother James, they were the first twins to play in an All-Ireland final. J.P. O'Sullivan was the trainer of that Kerry team, which included the great Dick Fitzgerald after whom the stadium in Killarney is named for. Also on that team was Austin Stack whose name was given to the stadium in Tralee and at the Killorglin football field there is a monument dedicated to J.P. O'Sullivan. This is great recognition for three great men who were essential to the team that won Kerry its first All-Ireland title. The Kildare players were recognised by the Central Council of the GAA and were presented with a set of gold medals in recognition of these three encounters with Kerry. Sam Maguire, who played with London in the Away Final in 1903, died in 1927 and is remembered as the eponym of the Sam Maguire Cup, given to the All-Ireland Senior Champions of Gaelic football. Sam was first presented to All-Ireland football winners Kildare in 1928. More about Sam Maguire can be found on his wikipedia page. No big trophies in 1903 but, your first win is special, so these trailblazers, pioneers and ground breakers take a special place in football history. It is important that we do not allow Kerry's first All-Ireland victory to be lost in the realms of mythology. Ciarrai Abu!

Co. Tipperary: [R.I.C.] a 19th Century Royal Irish Constabulary Barracks Sign, with Crown surmounted and central Harp, with interwoven shamrocks, mostly original paint, approx. 41cms (16") high, as is. (1)

Attractive Bindings: Wright (Wm.) The Brontes in Ireland or Facts, Stranger than Fiction, Lond. 1894. Frontis & illus.; Gaskell (E.C.) Cranford, Lond. 1904. Illus. by C.E. Brock; Nicholson (H.) Helen's Tower, L. 1937. Illus. All recent hf. mor. marble sides, spines with gilt harp & other decorations. V. good. (3)

Dermody (Thos.) The Harp of Erin,.. Poetical Works, 2 vols. Lond. 1807, new cloth; The Poems of Thomas D'Arcy McGee, N. York 1869. First Edn., orig. cloth, gilt. (3)

Binding: [(R.E.M.) [Madden (Samuel)] Reflections and Resolutions Proper for the Gentleman of Ireland, 8vo D. (R. Reilly for George Ewing) 1816, Reprint, 224pps., contemp. full mottled calf with ornate gilt single border, central gilt medallion with harp motifs, on front and back covers, gilt decor. spine, mor. label, bookplate "Trabolgan," custom made clam box. V. Good copy. (1)

Keating (Geoffrey) The General History of Ireland, 2 vols. in one roy 8vo Dublin 1841. Ed. & Trans. by Dermod O'Connor Engd. port. frontis & engd. title Vol. I fine recent tan mor; Haverty (Martin) The History of Ireland, Ancient and Modern, thick roy 8vo Dublin 1860, frontis, fine recent hf. mor. gilt harp motif on spine; Wright (Thos.) The History of Ireland, 2 vols. thick folio Lond. (Tallis & Co.) n.d. Illus. plts. thro.-out, cont. hf. mor. mor. labels. Good. (4)

Irish Travel: [Wilson (W.)] The Post Chaise Companion ... through Ireland, 8vo Dublin 1786. First Edn., engd. frontis & title 3 dble page plts. & maps, lg. fold. map at end, list of subs. cont. calf, rebacked, very good; Fraser (J.) Guide through Ireland, thick sm. 8vo Dubin 1838, no plts. recent hf. calf, gilt spine with harp motifs; Wakeman (W.F.) The Tourists' Guide to Ireland  Dublin n.d., text illus., orig. gilt decor. cloth. (3)

One of 120 Copies Heaney (Marie) & Lynch (P.S.)illus. Irish Myth and Legend, The Names Upon the Harp, lg. 4to, L. (Faber & Faber) 2000, Signed Limited Edn. NO. 66/120 copies, illustrated throughout, white paperback and green boards, with gilt lettered spine and matching slipcase. (1)

1904, All-Ireland Football Championship Back to back wins for the Kingdom Medal: G.A.A. 1904, Football, a 9ct gold Celtic Cross Medal, the obverse with pierced center and harp overlay and 'Eire' across and inscribed 'Cumann Luith Cleas Gaedheal', the reverse inscribed 'All-Ireland Football Championship 1904, won by Kerry," hallmarked. (1) * In the championship's 18th year, Kerry claimed back to back titles against Dublin on a score line of 0.5 to 0.2 in Cork, under the captaincy of Austin Stack. They were the first team after Dubin to claim back to back titles.

Irish / American Interest [1923] An early 20th Century Banner on green ground, with gilded embroidery 'Yale 1923', with central harp, approx. 52cms x 71cms (20 1/2" x 28"), with gold trim border. (1)

1905 Munster Football Championship Medal: 1905 Football, a 9ct gold circular and pierced decorated Medal, the obverse depicting a harp, the base inscribed "1905 Munster Football Championship," the reverse inscribed "Won by Kerry," hallmarked 'A. Dufffer, Tipperary, 9ct'. (1) * Captained by Maurice Mc Carthy, Kerry, represented by Tralee Mitchels, won their first Munster three in  a row beating Limerick 2.10 to 1.6.

A large cast bronze Model of the Irish Coat of Arms, with central harp above 'Eire' on a shield surround, approx. 56cms x 40cms. (1)

MODERN HARP, walnut and beech framed 24 string lever harp 91cms high Lot 557 - in good condition throughoutAll strings present and there is a cloth cover for the harp 

A modern Italian silver fifteen-piece rabbit/hare orchestra,standing and modelled playing various instruments, and with a female singer, height of harp 7.8cm, plus a miniature silver mandolin, with a hinged cover. approx. weight 19.8oz. (16)

An Aklot 16 string lyre harp; a Jubel Tone zither

A 19TH CENTURY HARP, unstrung, decorated with carved gilt floral and leaf sprays, 165cm high

An Irish Williamite glass, c.1750-60, the bucket bowl engraved to one side with a profile portrait of King William beneath the inscription 'The Immortal Memory', the reverse with a crowned harp flanked by fruiting sprays of grapevine, raised on a thick plain stem and heavy conical foot, 15.3cm.Provenance: the collection of Derek Horton. Formerly in the collections of Paul Kettle and Niall Kenny (paper labels).

Three English porcelain coffee cans or small mugs, c.1760-80, one Bow and painted with flowers between an iron red border, another Liverpool and similarly decorated, the last Worcester and decorated in a limited palette with flowers, together with a pearlware nursery mug printed and coloured with a figure playing the harp, 6.3cm max. (4)

Gold mourning locket, harp brooch, two pendants and swivel fob (5).

Victoria, Visit to Ireland, 1849, medals (2), both unsigned, in bronze, conjoined busts of Victoria and Albert left, rev. harp, 44mm, in white metal, similar, 40mm (W & E 562A.2, –; BHM 2335, –); Victoria, Visit to Ireland, 1900, medals (2), in bronze and white metal by F. Bowcher for Spink, bust left, rev. crowned harp on wreath, 27.70g, both 37mm (W & E 1893; BHM 3662; E 1840) [4]. Fine to extremely fine, one pierced £50-£70

William III, Halfcrown, 1696, large shields, early harp, edge octavo (S 3481); Victoria, Shilling, 1887, Threepence, 1885 (S 3914D, 3926); together with a USA, Half-Dime, 1858 (KM A62.2) [4]. Fine or better £50-£70

Charles I (1625-1649), Tower mint, Shilling, Gp D, mm. harp, bust 2, 5.29g/3h (Sharp D2/1; SCBI Brooker 473; N 2223; S 2789). Prettily toned, good fine or a little better, rare £90-£120

William III (1694-1702), Sixpence, 1696, first bust, large crowns, early harp (ESC 1202; S 3520). Good very fine, die mark in obverse field, small flan flaw on reverse £100-£120

William III (1694-1702), Sixpence, 1697, third bust, later harp, small crowns (ESC 1567; S 3542). Good very fine, dark toned £120-£150

Group of 18th/19th century continental glassware with gilt decoration, together with an unusual harp-form candelabrum (7)One jug with a crack on the rim. The large ewer with a crack on the rim. Some gilt wear.  The candelanrum 42.5cm high.

Two pairs of silver sugar nips, by T.N, marks rubbed, 12.4cm and by Wakely & Wheeler, London 1953, 10cm long, together with a silver-gilt spoon, by Edward Barnard & Sons Ltd, London 1902, with a harp to the bowl, a shamrock to the terminal,12.4cm long, and another spoon, by John, Edward, Walter & John Barnard (Barnard & Sons), London 1876, 13.7cm long, 3ozt overall (4)Condition ReportWith minor surface scratches. Please see additional images and updated cataloguing. by T.N, marks rubbed, 12.4cm and by Wakely & Wheeler, London 1953, 10cm long, together with a silver-gilt spoon, by Edward Barnard & Sons Ltd, London 1902, with a harp to the bowl, a shamrock to the terminal,12.4cm long, and another spoon, by John, Edward, Walter & John Barnard (Barnard & Sons), London 1876, 13.7cm long, 3ozt overall (4)

60s (INC SOUNDTRACKLS / LIBRARY) - LP COLLECTION. A collection of 26 x LPs. Artists/ Titles include Ronnie Ross - Cleopatras Needle (SFJL915, Ex/VG), Elvis Presley - Loving You, Marilyn Monroe - Some Like It Hot, Espace-Fiction (19.040), Doctor Who And The Pescations, Stereo Sound Effects No 7, Harp Music Of France, Harp Music Of Spain, Music From Mathematics, The Fabulous Thunderbirds, The Who, The Big Hewer and James Bond. The condition is generally VG to Ex with some falling below this.

A set of four 20th century cobalt blue & gilt drinking glasses. Each cylindrical glass decorated with gilt ring borders, gilt lyre harp pattern in the middle. Slight loss to gilding.Measures approx 14cm tall x 6cm diameter.

Manuscripts, etc.: 1- An eighteen century volume of: 'Music Catalogue' 57 pages listing of Piano Forte; Harp & Piano Forte duetts; Harp music; Vocal Italian; Scotch songs; and English vocal. Full red morocco with gilt lettering and all edges gilt; 2- A 1686 Italian child's writing book, comprising of 22 printed leaves in the original plain card covers with ink writing: Lodovico C Fortunato, 1686; 3- A sketchbook: Philip Russell, Jan, 1916, full of pencil sketches of horses, dogs, humans- portraits and nudes, etc. 50 pages; 4- A Book of Paris fashion plates, 1815-1817, with 11 tipped-in hand coloured fashion plates. Later leather-backed marbled boards (4)

Ca. AD 618 - 907.A pair of female musician terracotta figures, one shown seated and the other standing. The seated figure plays a harp, held close to her chest, with her robe painted in orange. The standing figure holds a panpipe (paixiao) raised to her lips and is wearing a long robe with red sleeves. Their faces are delicately shaped, with painted eyes and lips. Their hair is arranged in tall topknots.For similar see: The Ashmolean Museum, Accession no. EA1991.59.Size: 250-300mm x 75-140mm; Weight: 2kgProvenance: UK private collection; formerly acquired in the early 1990s in Hong Kong. These pieces have been precisely dated using a thermoluminescence analysis carried out by Ralf Kotalla. The reports will accompany the lot.

Ca. AD 618 - 907.A terracotta figure of a seated female harpist. The woman is shown kneeling with her legs tucked beneath a wide, flaring skirt painted in orange-red pigment. Her arms are raised, holding a curved harp vertically against her left shoulder. Her facial features are rendered with delicate lines outlining the eyes and lips. The hair is arranged in a high, looped topknot at the crown of the head. The surface retains traces of the original pigment.Size: L:235mm / W:130mm ; 1.16kgProvenance: UK private collection; formerly acquired in the early 1990s in Hong Kong. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece has been precisely dated using a thermoluminescence analysis carried out by Ralf Kotalla. The report will accompany the lot.

A charming set of Belleek figurines featuring a harp and a clock, adorned with shamrock motifs. Both pieces bear the Belleek backstamp, attesting to their authenticity and craftsmanship. The clock includes a working quartz movement with Roman numeral dial, while the harp showcases intricate detailing. The tallest piece measures 8.5"H. A fine addition for collectors or lovers of Irish craftsmanship.Dimensions: See DescriptionCountry of Origin: IrelandCondition: Age related wear.

A rare and striking piece of music history, this 1931 RCA Victor lithograph depicts Alberto Salvi, a renowned harpist of his time, playing a magnificent gilded harp. This promotional artwork was part of the Instruments of the Orchestra series issued by the Victor Talking Machine Company, later RCA Victor, to highlight the grandeur of orchestral music and its instruments. The harp, detailed with ornate carvings and exquisite craftsmanship, symbolizes the elegance and precision RCA Victor associated with its brand. The lithograph showcases Salvi seated at the harp, captured in mid-performance, with meticulous colorization and fine detailing that emphasize the instrument's towering beauty and Salvi's artistry. Alberto Salvi (1892-1980) was a virtuoso harpist whose career spanned continents, captivating audiences with his technical brilliance and emotive performances. RCA Victor, a leader in early music recording and innovation, sought to connect classical music to broader audiences through these promotional prints, making this a significant piece for collectors of music memorabilia and early 20th-century advertising art. Includes the embossed stamp of the Montclair Public Library on the lower right corner.Issued: 1931Dimensions: 13.75"L x 21.75"HCountry of Origin: USACondition: Age related wear. Tears on edges.

A silver chain link bracelet with a heart-shaped padlock with a collection of thirteen charms to include a teddy bear, a pony, harp etc: d. x 8cm and a double silver chain bracelet with six various charms and afive various loose charms 57g (2)

Boxed six bar auto harp

Finglas Volunteers 1782 oval silver medal, 62mm x 39mm, obverse featuring volunteer standing left by a cannon with another seated right and holding Irish harp, ’For my Country’ and below a drum and crossed flags, reverse inscribed ‘The Gift of the Finglas Volunteers to Willm. Cody for his skill in Arm's 1782’, pierced for a ring suspension, good very fineProvenance:18 May 1016, Lot 994.…

A charming pair of Belleek Parian porcelain pieces, including a basketweave vase and an Irish harp figurine. The vase features an intricate woven texture with hand-painted shamrocks and a decorative pierced rim, while the harp showcases delicate embossed detailing and the signature Belleek shamrock motif. Both pieces bear green Belleek backstamps, dating them between 1946 and 1980. Pieces measure 5" and 6.5"H.Issued: c. 1965Dimensions: See DescriptionCountry of Origin: IrelandCondition: Age related wear.

Ireland, 1723/2 George I 'Wood's Coinage' copper Halfpenny, 3 over 2 (S 6601). Obverse: right-facing laureate head, 'GEORGIUS · DEI · GRATIA · REX ·' around. Reverse: Hibernia holding palm with harp at her side, '· HIBERNIA · 1723' above, date over 1722. Weight: 7.70g. Diameter: 27mm. Grade: gVF, an attractive and well struck example.

A WW II period sterling silver American Pilots wings pin brooch, stamped sterling, 7.7cm wide, Clan Mackenzie Scottish silver kilt pin motte brooch, Victorian Harp brooch, Chester 1885 etc , 44.5g gross (5)

A selection of costume jewellery, including an Irish bog-oak harp brooch. Includes an Irish harp brooch, 4.5cm x 3.3cm; a freshwater pearl necklace, 16"; a fancy link silver necklace, 17"; a set of matching mother-of-pearl pendant necklace, a bracelet and a pair of earrings; a silver rutilated quartz pendant; five pins, etc.

Small Collection of Silver Jewellery, to include two Unipart Silver coins to commemorate the visit of HM Queen Elizabeth II in 1994. Together with a silver charm bracelet with charms including an elephant, a horse and jockey, a pair of ballet shoes, a rugby ball, a swan, owl and pussycat, pianist, harp, and a sedan. Together with a silver bracelet with heart lock.

A 19th century Irish Killarney inlaid marquetry and Yew games table, the top inlaid with a church and shamrock leaf decoration, the side with inlaid harp, raised on square tapering supports

A 1930s Alstonefield band uniform with decorative depicting a harp, the shoulders are decorated in barley twist braiding, each have one small decorative button, the collar is nero design with silver braiding, two breast pockets decorated with red braiding, the  larger pockets are flap pockets, the cuffs are also trimmed in braiding with loops which are mimicking the Staffordshire knots, made by John Beaver of Huddersfield, comes with matching hat which features a decorative brass badge depicting a cornet and laurel, the brim has a gold braiding laurel design.

A SILVER HARP HARP BROOCH

A FOLDING OAK SIDE TABLEthe shaped top with inlaid harp motif, raised on shaped square folding legs. 66cm high, 36cm wide, 36cm deep

AN APPRENTICE PIECE, TABLE TOP WOODEN IRISH HARP, HEIGHT 45CM

A MIXED LOT TO INCLUDE BOXED SOVEREIGN SCALES, ANTIQUE JEWS HARP, BRASS FIGURES, ETC.,

3 19th century 1 and two piece enamel buckles. This lot includes a beautiful polychrome 2 piece shaped floral example with a colorful design, a two pieced vibrantly colored Champleve example depicting a crane and a 1 piece green enamel buckle with a harpist and harp and a crown on top. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Note: Antique buttons may show wear. Significant issues are noted, but shanks and backs on multi-button cards are not guaranteed. Contact us for details.

A late 19th century Elkington &Co bronze figure group a Continental seated figure playing a harp with a small putti at foot scribing a tablet. Marks to the underside of the base. Hight 37cm

▲ Fernandez Arman (French-American, 1928-2005) 'Harpe de Couleurs' (Harp of Colours), 1975screenprint in colours on three sheets of Plexiglas, printed signature l.l., inscribed 'Artcurial' and numbered '469/2500' to base, published by Artcurial, Paris31cm wide14.5cm deep68cm highProvenance: The Property of a European Collector.Condition ReportA little surface dust and dirt. Light surface scuffs and scratches to the base. For a full report please contact the department.