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* J. M. Dent Archive. A large archive of the publisher’s author file materials, etc., mostly c. 1930s/1970s, comprising 27 alphabetically-arranged box files of mostly photographic and half-tone Dent author portraits, most with multiple images for each author, including some duplicates, some photographer stamps, press labels, publisher and other notes and related material included, housed in titled A4 envelopes and alphabetically arranged, authors include Joseph Conrad, Dylan Thomas, Robert Gibbings, William Addison, Conrad Aiken, Marc Alexander, Rex Alston, Roy Chapman Andrews, Norman Angell, Richard Armstrong, Guy Arnold, Frank Atkinson, Peter Bostock, Will Fred Bovey, Malcolm Boyd, DC Browning, Dr A. Buckingham, Gerald Bullett, Perry Burgess, Nathaniel Burt, Audrey Butler, W. H. Hudson, Mrs. Robert Henrey, F.P. Grove, Monique Guillaume, David Gunston, Miles Hadfield, D. J. Hall, Cecily Hamilton, Rolt Hammond, Norman Hancock, James Hanley, Martin Hansen, Paula Harris, Richard Harrison, Marie Hartley, W. F. Harvey, Prue Leith, Roy Lewis, Jean Little, Sam Llewellyn, Joan Lock, R. M. Lockley, Henry Longhurst, L. J. Ludovici, Mervyn Levy, Ogden Nash, Walter Nash, Bill Naughton, Conrad Noel, Mary Norton, Wilfrid Noyce, and hundreds of other authors from the Dent roster, plus an alphabetically-arranged group of approx. 1,000 author reports, being printed forms, mostly completed by the respective authors in their hand and giving book details, biographical notes, etc., with some related clippings and information, (Joseph Conrad and Dylan Thomas not present), contained in two small boxes, plus other related Dent archive materials, including approx. 350 printing woodblock and metal ornaments and devices, two related in-house books, the house organ, The Cry, volumes 1-12 (bound in 4), 1946-70, and two oval, slate name signs, each deep engraved and lettered in gilt: ‘J. M. Dent & Sons / Publishers’, and ‘J. M. Dent & Sons / Aldine House’, each 58 x 32 x 2 cmQTY: (an archive)NOTE:Joseph Malaby Dent (1849-1926) was a British book publisher who produced the Everyman's Library series. He founded the firm J. M. Dent and Company in 1888. The name was changed to J. M. Dent & Sons in 1909. J. M. Dent died in 1926 and in 1986 Dent & Sons was sold to Weidenfeld and Nicholson. It now forms an imprint of the Orion Publishing Group. Much of the Dent archive material, from which this is a separate entity, is held in the Wilson Library at the University of North Carolina at Chapel Hill.

Henry Hammond (1914-1989)Dish or shallow bowltenmoku and iron glaze with combed decoration to the centreimpressed potter's seal mark27cm diameter x 5.5cm high. Crack to the foot. Adhesive label/tape residue in places. Surface dust and dirt.

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970). CHRIST CHURCH, OXFORD; FRENCH BOATS; A GROUP OF WOMEN. (d) ARTHUR HENRY KNIGHTON HAMMOND (1875-1970). CHRIST CHURCH, OXFORD; FRENCH BOATS; A GROUP OF WOMEN. (d) Three, each signed, watercolour, the last also with faint pencil work 44 x 32cm.; 45.5 x 48cm and 44.5 x 32cm; 65 x 65 x 8cm overall (3). *CR The first with arc of rust/rubbed damage upper left; the second generally good; the last with some time toning.

1930s autograph album with sportsmen and non-sporting subjects, compilation started in 1932, county cricket team groups for Surrey, Leicestershire, Sussex, Warwickshire, Derbyshire, Lancashire, Kent, Essex; an official MMC Tour to India & Ceylon 1933-34 autograph sheet; an England cricket team group; signed postcards including Sandham, Hobbs, Tate, Langridge, Cornford, Hendren, double-signed Langridge and Bowley in front of 490-1 scoreboard, also a signed card of the cyclist Reg Harris; signed letters from P F Warner & Stanley Jackson; other cricketers signatures including Tommy Cook, Arthur Richardson, Wally Hammond and many others; Football team-groups for Everton, Newcastle United, Arsenal, Chelsea; also Sir Malcolm Campbell, the Olympic runner Douglas Lowe, the Australian aviator Jimmy Melrose and a page with extensive autographs of professional golfers at a Tournament at Brighton in 1936, including Cotton, Rees, Faulkner, Whitcombe etc.; non-sporting subjects including Henry Wood (conductor), Henry Hall and Bert Ambrose (Band Leaders), Turner Layton (pianist & singer), Ernest Sharpe (Arch Deacon of London), Maharaja of Bharaphur, Music Hall stars the Western Brothers, Carlyle Cousins, Arthur Prince, Morman Long, Nosmo King, Harry Hemsley, the British Prime Minister Neville Chamberlain, Robert Donat (actor), Janet Burnell (actress) and others.

Henry Hammond (British 1914-1989), a row of Victorian townhouses, watercolour, signed, 23 x 37cm, framed and glazed.

Henry John Sylvester Stannard RBA, RSA (1870-1951)"A Harvest Field in the Cotswolds"Signed, with original inscribed label affixed to backing board verso, pencil and watercolour, 30cm by 45cm; together with a watercolour by Horace Hammond depicting figures and cattle outside a thatched farmstead (2)

ARR Arthur Henry Knighton-Hammond (1875-1970)Figures in a Market Square, San Remosigned lower rightwatercolour32cm x 45cm

English Civil War. - [Bowles, Edward]. Manifest Truths, or An Inversion of Truths Manifest. Containing a Narration of the Proceedings of the Scottish Army, and a Vindication of the Parliament and Kingdome of England from the false and injurious aspersions cast on them by the author of the said manifest, London: printed by M.S. for Henry Overton in Popes-head-Alley, and Giles Calvert, at the Spread Eagle at West end of Pauls, 1646, [8], 74, [2] pp., title page with paper label to upper outer corner, bearing old manuscript word 'dupl' to recto and ink stamp to verso 'British Museum Sale Duplicate 1787', leaves A2-A4 cropped to lower line of text, 20th-century half calf, joints and head and foot of spine rubbed, slim 4to, together with:[Hammond, Henry]. A View of the New Directory and a Vindication of the Ancient Liturgy of the Church of England; in Answer to the Reasons pretended in the Ordinance and Preface, for the abolishing the one, and establishing the other, Oxford [i.e. London]: printed by Henry Hall printer to the University, 1646, [8], 88 pp., toning and minor spotting, top edge gilt, modern panelled calf, slim 4to,[Walker, Clement]. Relations and Observations, Historicall and Politick, upon the Parliament, begun Anno Dom. 1640. Divided into II. Bookes: 1. The Mystery of the two Junto's, Presbyterian and Independent. 2. The History of Independency, &c. Together with an Appendix, touching the proceedings of the Independent faction in Scotland, [London?]: Printed in the yeare, 1648, [12], 174, [2], 20 pp., upper pastedown with late 19th/early 20th-century bookplate of Fairfax of Cameron, late 19th/early 20th-century marbled quarter calf, slim 4to,S. (L.). Natures Dowrie: or the Peoples Native Liberty Asserted, London: printed for W.R. at the signe of the Unicorn in Pauls Church-yard, 1652, [3], 60 [i.e. 61] pp., final leaf with repaired closed tear at fore-edge, dust-soiling mostly to title and final leaf, upper pastedown with late 19th/early 20th-century bookplate of Fairfax of Cameron, early 20th-century marbled quarter vellum, slim 4to, plus three other incomplete pamphlets published 1646-53, each board in modern moroccoQTY: (7)NOTE:1. ESTC R19508; Wing B3873; Thomason E.343[1].2. ESTC R202276; Wing H614.3. ESTC R205117; Wing W334A; Thomason E.E570[1].4. ESTC R206988; Wing S111; Thomason E.668[19].

ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) A framed and glazed watercolour, floral still life 'A Bunch of Roses Painted in Italy'. Signed bottom right. Labels verso including James Bourlet & Sons Ltd Royal Glasgow Institute of Fine Art exhibition label, 1952. Image size 47cm x 60cm

ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) A framed and glazed watercolour, floral still life depicting a vase of Roses. Signed bottom left. Image size 49cm x 43cm

ARTHUR HENRY KNIGHTON HAMMOND 1875-1970: HARBOUR SCENEartists proof etching, framed, 30.5 x 26.5cm, with a 'Masters of Etching, Goya' book, 15, published 'The Studio', signed to the title page by Knighton Hammond (2)

HENRY HAMMOND (BRITISH 1914-1989) TWO BOWLS each with impressed maker’s mark, stoneware, one with fish decoration and the footed bowl with tenmoku glaze, the bowl 7.5cm high, 13.2cm wide (3in high, 5 1/8in wide); the footed bowl: 6cm high, 10.5cm wide (2 3/8in high, 4 1/8in wide); together with ATTRIBUTED TO HENRY HAMMOND, FOOTED BOWL, c. 1959, stoneware, 8cm high, 14cm diameter (3 1/8in high, 5 ½in diameter) (3) The bowl: Harlequin Gallery, 2016.The footed bowl: J. K. Hill & Co. Fulham Road, London, 1985;Collection of Professor John Chambers.

Arthur Henry Knighton-Hammond (British, 1875-1970) A portrait of British Prime Minister David Lloyd George, signed and dated to lower right, 'Chelms Sept. 1933', pastel on paper, 72 x 60.5 cm, framed and glazed.  Provenance: Estate of the late William Lloyd George, 3rd Viscount Tenby (1927-2023), the grandson of David Lloyd George, 1st Earl of Dwyfor (1863-1945) the British Prime Minister from 1916 to 1922 during WWI. Knighton Hammond was commissioned to paint the portrait of Earl Lloyd George of Dwyfor. The life-size, half-length, three-quarter profile portrait was executed in pastels and was to be exhibited at the Pastel Society before being return to the sitter.

Arthur Henry Knighton-Hammond (British, 1875-1970) 'Heath fires at Churt' A dramatic scene with a large group of men working to control and contain a forest fire, signed and dated September 1933 to lower left, oil on panel, 46 x 60 cm, framed and glazed.  Provenance: Estate of the late William Lloyd George, 3rd Viscount Tenby (1927-2023), the grandson of David Lloyd George, 1st Earl of Dwyfor (1863-1945) the British Prime Minister from 1916 to 1922 during WWI.

Arthur Henry Knighton-Hammond (British, 1875-1970) 'Chult', a painting depicting a vibrant landscape with tall trees in the foreground and with mountains in the distance, oil on board, signed and dated September 1933 to lower left, oil on panel, 60 x 46 cm. Provenance: Estate of the late William Lloyd George, 3rd Viscount Tenby (1927-2023), the grandson of David Lloyd George, 1st Earl of Dwyfor (1863-1945) the British Prime Minister from 1916 to 1922 during WWI.

A rare campaign group of four awarded to Engine Room Artificer Class I H. T. Johnson, Royal Navy, who was taken prisoner of war with H.M.S. Seal, the only British submarine surrendered to the enemy during the Second World WarInterned at Marlag Camp he joined several others - including 'Tubby' Lister of Colditz fame - in digging an escape tunnel: Johnson actually made it out of the camp but was re-captured soon after1939-45 Star; Atlantic Star; War Medal 1939-45; Royal Navy L.S. & G.C., G.V.R. (M.36487 H.T. Johnson. E.A.1. H.M.S. Pembroke.), some polishing and contact marks, overall very fine (4)Henry Thomas Johnson was born at Sheerness on 4 May 1900, the son of Thomas and Florence Johnson of 67 Richmond Street, Marine Town, Sheerness. Joining the Royal Air Force as a Flying Cadet on 15 July 1918 he received no medal entitlement with them. Instead he enlisted with the Royal Navy on 4 May 1923 as Engine Room Artificer Class IV with his R.A.F. service of 176 days being carried towards his pension.Joining at Vernon on 4 May 1922 his first service afloat was with the light cruiser H.M.S. Dunedin on 19 May 1922. Appointed Engine Room Artificer Class II with Cumberland on 4 May 1928 and further advanced Engine Room Artificer Class I whilst ashore on 4 May 1933. Johnson transferred to submarine service with Dolphine on 9 June and served with a number of vessels throughout the late 30s.He was posted to the crew of Seal on 1 January 1939 not long after she was launched. This Grampus-class mine-laying submarine carried a compliment of 60 men and 50 mines as well as torpedoes and a 4-inch deck gun. When the Second World War broke out Seal was enroute to China however she was detained at Aden and launched several patrols in the area.Returning to Britain they were patrolling Norwegian waters when Germany invaded and infiltrated Stavangerfjord entering the port of Stavanger. Despite the boldness of the operation it produced few results as the harbour contained no German craft with a deep enough draft to attack with torpedoes. She returned to Britain for a brief refit before setting off back to Norway to undertake Operation DF 7.They set out of for the Kattegat Sea between Norway, Denmark and Sweden, on 29 April 1940. She had a narrow escape from a Heinkel seaplane but reached the area of operations in good time and completed her mission. As they turned for home they discovered a flotilla of anti-submarine patrol ships ahead of them, with armed trawlers behind them as well. Diving to avoid the enemy the submarine was unable to run deep owning to the shallow depth of the Kattegat Sea, instead they undertook a zig-zag pattern before settling at the bottom of the sea.Tragically they had entered a minefield and the cable from one of the mines had become caught on one of Seal's hydroplanes. The mine was pulled into the ship and detonated against the hull, causing serious damage. When the dust had settled the situation was grim, the boat had shifted ten degrees upwards due to the amount of water they had taken on, however the enemy warships had failed to notice the explosion and they left the area.Repeated attempts were made to surface as soon as it was safe however all failed, eventually they dropped their 'drop keel', making it impossible for them to dive again if they made the surface. The pressure of the situation, combined with the worsening quality of the air caused a great deal of pressure all around, Johnson however was not one to be put out by stress, as is made clear in Will Not We Fear which states:'Throughout the boat men were apathetically accepting the inevitability of death. There really seemed to be nothing left, no other possibility to be worth while trying. And in these circumstances there could be recourse only to humour and to idiosyncrasy and to routine.The petty officers' mess was the scene of a surprising amount of activity. Electrical Artificer Johnstone [SIC] began removing first the sleeves and then the trousers of his overall suit. "What the hell are you doing, Johnno?" he was asked. "Changing into my Number Ones," he replied. And as soon as he had laboriously dressed himself in his best suit he hoisted himself into his bunk and relaxed… and wait'Eventually after over a day beneath the waves they managed to refloat Seal, the crew were exhausted and light headed after the stress and oxygen depravation of the day. Making for Swedish waters the submarine came under attack by German aircraft, at this moment one of their engines failed, leaving them becalmed. The two Lewis guns they brought to the deck for protection both jammed and- under increasingly accurate fire- they were forced to surrender.Seal was the only British Submarine to strike her colours during the war, her crew were taken initially to Stalag XXA, Thorn. Soon afterwards a new camp was completed for Naval personnel called Marlag XB, attached to Stalag 10B. From there they were transferred again to Marlag und Milag Nord, here Johnson was involved in an escape attempt, as outlined in Fatal Ascent:'Lister and Johnson, Seal ratings, with Hammond of the submarine Shark and eleven others, including Lt. Trevor Beet, participated in a tunnel escape from Marlag at Sandbostel. Once they were on the outside, everybody split up, but they did not get very far before they were nabbed by guards.'His two companions, Lister and Hammond, were taken to Colditz as a result of their attempt however Johnson seems to have remained at Marlag und Milag Nord.'"After Tubby Lister and his pal Johnson got caught," commented Mickey Reynolds, "there was hell to pay, but we didn't mind, as we knew we were doing our little bit to keep Jerry occupied." Usually, the escapers and helpers were put in solitary confinement with bread and water for a few days following the Geneva Convention.'(IBID)Johnson was repatriated on 19 May 1945 and discharged to the reserve that same year. He served in the Sheerness Dockyard Smithy and lived at "Dunedin", 9 Century Road, Rainham. Johnson died at Kent County Hospital, Chatham in 1976; sold together with a copy of Fatal Ascent and Will Not We Fear along with copied service papers.…

Three various small autograph albums including various cricketing and other sporting autographs including Stanley Matthews, Lenard Choline, Neville Jule, Godfrey Swaines, Brian Johnson, Pete Murray, Philip Marsden, Bill Owen, members of the Essex First Eleven 1957/58 including G. Smith, T. Donan, members of the Leicester Eleven including Henry Thomas, West Indies touring team including Gary Sobers, Wes Hall, R. Gilchrist, Evaton Winch and others including H.V. Higgs, H.L. Meek, R.I.C. Hewett, D.J. Marchant, Michael Stuart, members of the Old Brentwoods including B.R. Taylor, S.Y. Keith, R.A. Mayhew etc and another containing various stars of stage and ballet including Tyrone Power, Arthur Hill, Michael Medwin, Milton Rosmer, K. Hammond, Leonard Shayer, Joyce Garstide, John Gilpin, Kiril Vassilkovsky, Lee Stemmler, Joan Tucker etc, etc and a portrait postcard signed by Dr. Hans Richter dated March 1908

Henry Hammond (1914-1989)footed bowlstoneware, painted to the exterior with simple grasses in rust, a stoneware vase by Paul Barron, a bowl by David Lloyd Jones, a bowl by Charles Hare and a small collection of studio potteryimpressed seal mark, 19cm. diam. (a lot) ProvenanceThe collection of Rosslyn Hill.

Arthur Henry Knighton Hammond (1875-1970)Landscape with distant hills, signed, watercolour, 27 x 37cm

An Arthur Henry Knighton-Hammond (1875-1970) etching of Gondoliers upon a Venetian canal, signed to the lower right corner, 51cm x 44cm including frame.

An Arthur Henry Knighton-Hammond (1875-1970) watercolour of Pendomer Church and dated 1951, signed to the lower right corner, 52cm x 64cm including frame.

David T Robertson (British 1886-1944): A Roman Playground, drypoint etching signed and numbered 34/75 in pencil 20cm x 32cm; Arthur Henry Knighton-Hammond (British 1875-1970): The Bridge, artist proof etching signed in pencil 18cm x 21cm (2)

Henry Hammond (1914-1986), a studio pottery vase with internal aquamarine glaze, 177mm tall

Arthur Henry Knighton-Hammond (1875-1970). Quay side study with figures and fishing boats, watercolour, signed, 34cm x 48cm.

Henry Hammond (1914-1989)Bowlwith tenmoku and iron glaze, and a blue glaze to the undersideimpressed potter's seal17cm diameter. Condition appears good with no sign of damage or restoration.

Φ Arthur Henry Knighton-Hammond (1875-1970)Figures resting under a treeSigned Knighton Hammond (lower right)Black chalk, watercolour and bodycolour52.8 x 75.1cm

Φ Arthur Henry Knighton-Hammond (1875-1970)Cattle resting in a fieldSigned Knighton-Hammond (lower right)Black chalk and watercolour54.8 x 76.8cm

Henry HAMMOND (1914-1989) Yunomi Stoneware, impressed seal to base, height 7.5cm. Together with the publication 'A Fine Line: Henry Hammond 1914-89, Potter and Educationist' and one other studio pottery piece.

ARTHUR HENRY KNIGHTON HAMMOND (ENGLISH 1875-1970)  LITTLE PORT  Watercolour, signed lower left, 47 x 49cm   Condition Report:Available upon request

Arthur Henry KNIGHTON-HAMMOND (1875-1970) June Morning, 1965 Watercolour on paper, signed, titled verso, 26 x 28 cm, 47cm x 59cm framed. Shipping is available from £32.50 to a UK Mainland address.

Arthur Henry KNIGHTON-HAMMOND (1875-1970) Open Country View Watercolour, signed, 21.5cm x 31cm, 38.5cm x 48cm framed. Shipping is available from £32.50 to a UK Mainland address.

Arthur Henry KNIGHTON-HAMMOND (1875-1970) Farm Buildings Under Stormy Skies Watercolour on paper, signed, 24.5cm x 34.5cm, 41cm x 50cm framed. Shipping is available from £32.50 to a UK Mainland address.

Arthur Henry Knighton Hammond (1875-1970)A black and tan spaniel reclining upon a table, signed, oil on canvas, 26.5cm x 36.5cm

Teesdale, Edmund B., Gunfounding in the Weald in the sixteenth century (Monograph 2), 1991; Bartlett Wells, H. (trans.), European Crossbows: A Survey by Josef Alm (Monograph 3), 1994; Liebel, Jean, Springalds and Great Crossbows (Monograph 5), 1998; Bailey, Sarah Barter, Prince Rupert's Patent Guns (Monograph 6), 2000; Blackmore, Howard L., English Pistols, 1985; Civil War: a Royal Armouries Exhibition, 1992; Royal Armouries Official Guide, 1996; Royal Armouries Museum, 1996 & 2000 editions; Royal Armouries Yearbook, Volume 3 1998 & Volume 4 1999; Blackmore, David, Arms & Armour of the English Civil Wars, 1990; Torture and Punishment, 1997; Royal Armouries: Fort Nelson, 2000; Rimer, Graeme, Wheellock Firearms of the Royal Armouries, 2001; An Introduction to Japanese Armour, 2002; Richardson, Thom, The Armour & Arms of Henry VIII, 2002; together with Norman, A.V.B. & Wilson, G.M., Treasures from the Tower of London, Norwich, 1982; and Hammond, Peter, The Tower of London, Department of the Environment, 1989 (19 volumes)

Arthur Henry Knighton-Hammond,Loading hay ricks,watercolour, signed,29x45cm.

A small group of books related to toy collecting - including Hammond (Pat), Triang Railways. The Story of Rovex Volume 1 1950-1965, pub. New Cavendish Books, 1993; O'Brien (Richard), Collecting Toy Trains No.3, pub. Books Americana 1991; Force (Dr Edward), Dinky Toys, pub. Schiffer, revised 5th edition 2001; Richardson (Mike), Collecting Corgi Toys 1956-1983, pub. Francis Joseph, 2004; and Greenly (Henry), TTR Permanent Way Manual, Sixth Ed. May 1941; together with Speed (John F), British Motor Cars 1952, pub. G. T. Foulis & Co. Ltd., 1952.

Bath.- Peirce (Robert) The History and Memoirs of the Bath, 2 parts in 1, folding engraved frontispiece plan of Bath by F.H. Van Houe, divisional title at R4, armorial bookplate of A. Leonard Fuller, very faint ink marks to title, trimmed close at foot, shaving catchword to O6, a few marginal defects, spotting, later calf, spine in compartments and with red and green morocco labels, for Henry Hammond, 1713 § Wood (John) An Essay Towards a Description of Bath. In Fourt Parts, 2 vol., second edition, 22 engraved plates and plans, of which 8 double-page and 5 folding, vol. 1 with bookseller's label of H. George of Bath, contemporary ownership name to pastedowns, vol. 1 front free endpaper torn at gutter, vol. 1 plan at M3 with very short tear to head of fold without loss, vol. 2 plate at 2Y2 with small paper repair to fold to verso, occasional very light spotting or soiling, but overall good copies, contemporary calf, red morocco spine labels, vol. 2 small portion of loss to spine foot, some wear to spine ends and corners, rubbed, upper joints starting but holding firm, James Bettenham, 1749; and others Bath related, 18th century, 8vo & 12mo (7) *** The first mentioned a reissue of the 1697 first edition with the title-page reset. 

HENRY WRIGHT KERR (BRITISH, 1857-1936) (4)Haymaking signed and dated 'H Kerr 4/7/14' (lower left) watercolour 29 x 45cm together with; A woodland river, a signed watercolour by William Outhwaite; Mervyn Goode (British, B. 1948), From the Studio, December, signed and dated 'Mervyn Goode 76' (lower left) and signed, titled and dated (on the canvas return), oil on canvas, 25.5x 25.5cm; and Solitude in the West Country, a reproduction print after Ken Hammond (4) ARR Provenance Property of the late Michael Blyth-Whitelock

† HENRY HAMMOND (1914-1989); a stoneware teabowl covered in tenmoku breaking to kaki glaze, impressed HH mark, height 9cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† HENRY HAMMOND (1914-1989); a stoneware cup covered in tenmoku breaking to kaki glaze with impressed decoration, impressed HH mark, height 7cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† HENRY HAMMOND (1914-1989); a small stoneware bowl covered in mottled iron and oatmeal glaze with iron decoration, impressed HH mark, diameter 12cm.Provenance: Estate of Chris Jensen.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Golf Interest – Marshall (Robert), The Haunted Major, Edinburgh, Moray Press, new edition, 1951, 16mo, 192pp, 10 line dwgs., green boards, gilt titles; Hammerton (A.) ed., Mr. Punch on the Links, London, Educational Book Co., n.d. (1935). 8vo, 240opp, colour frontis by H. M. Bateman, 260 monochrome illus., bound embossed blue boards, gilt spine titles; Anon. (J. A. Hammerton), Mr. Punch’s Golf Stories told by his Merry Men, London, Punch, n. d. (1909) , 12mo, 192pp, 196 monochrome illus., marbled endpapers, bound red leather over red boards, gilt spine titles, slight tear to top of spine; Mutson (Mervyn J.), illus. Graham Pilsworth, Golf and Murphy’s Law, Edmonton (Canada), Hurtig, 1981, 8vo, 157pp, illus., green boards, gilt spine titles, d. w. (some minor tears); Houghton (George, 1905-1993), Believe it or not, that’s Golf! London, William Luscombe, 1974, 8vo, 199pp, illustrated by the author, blue boards, gilt spine titles d.w.; Houghton (George), Golf on my Pillow: Midnight Letters to a Son in foreign Parts, London, Stanley Paul, 1st edn., 1958 8vo, 146pp, illustrations by the author, black boards, white vignette to front board, white spine titles, d. w.,; another copy of the same, also d.w. (slightly torn); Armour (Richard), illus. Leo Hershfield, Golf is a Four-Letter Word: the intimate Confessions of a of a hooked Slicer, London, Hammond, 1962 8vo, 123pp, monochrome illus., green boards, black spine titles, d. w.; another copy, similar, but yellow boards, d. w.; Morton (Brig. Cecil), illus., John Cooper, Golf!!! The Confessions of a Club Secretary, foreword by Henry Longhurst, London, Hammond, 1963, small 4to, 93pp, monochrome illus., bound green boards, red printed vignette and spine titles, d. w., mint; Cole (C. W.) & Ralston (W.), Messrs. Kamdene, Barnesburie and d’Alston’s Tour in the North, horizontal 4to, Edinburgh, Andrew Elliott & London, Simpkin, Marshall, n. d. (1890), 25pp, decorated card covers, inner hinges strengthened with archival linen tape; Ralston (W.), Sport for Limited Purses – and the probable Cost, Glasgow, David Bryce, n. d., horizontal 4to, 32pp, 4pp period advertisements, coloured title page, monochrome frontis. and other illus., decorated coloured card covers; Dunn (Seymour) Golf Fundamentals: Orthodoxy of Style, Book One, Edinburgh, Golf Monthly, 1st UK edn., 1922 4to, 283pp, illus., folding chart at end, grey boards, gilt titles and to spine, front board weak, contents loosening; Olman (John M.) & Olman (Morton W.), foreword by Ben Crenshaw, The Encyclopedia of Golf Collectibles: a Collector’s Identification and Value Guide, Florence (Ala.), Books Americana 1985, small 4to, v + 306pp. monochrome illus., colour plates, card bound; Murdoch (Joseph S. F.), The Murdoch Golf Library. Subscribers’ Edition of 215 copies, Worcester, Grant Books, 1991, royal 8vo, ix + 233pp, colour frontis., monochrome vignettes to text, blue boards, gil titles, lines & vignette to front, gilt spine titles, matching original slip case; Donovan (Richard E.) & Murdoch (Joseph S. F.), The Game of Gold and the Printed word, 1566-1985, Endicott (NY), Castalio Press, 8vo, 658pp, printed illustrated endpapers green boards, gilt titles and to spine, d. w. (torn and worn) publisher’s original grey slip case; Acree (Edward C.), Hutchinson (Jock and Bill), Golf Simplified Chicago, Ill., USA, Ziff Davis, 1946, 8vo, vi + 118pp, monochrome illus., MS note in pencil on rear pastedown ‘Distances which should be reached by a low handicap player in normal conditions’ (table added), grey boards, dark blue vignette to front board and spine titles, wear to limits of spine; Michell (Abraham) ed. Martin (J.) Essentials of Golf, London, Hodder & Stoughton, 15th edn., 1936, 8vo, 191pp, portrait frontis., monochrome illus. and diagrams, foxed oatmeal boards, green titles to (slightly splitting) spine; table added), grey boards, dark blue vignette to front board and spine titles, wear to limits of spine; Michell (Abraham) ee. Martin (J.) Essentials of Golf, London, Hodder & Stoughton, 1st edn., n.d. (1927) 8vo, 191pp, portrait frontis., monochrome illus. and diagrams, flyleaf signed in MS D. C. Foden, foxed oatmeal boards, green titles to spine (split at top & straining to lower edge); Wind (Herbert Warren), introduction Robert T. Jones, The Complete Golfer, London, Heinemann, 1954, small 8vo, xxv + 393pp, photographic endpapers, green boards, gilt titles to spine (faded with some wear); Armour (Tommy) illus. Lealand Gustavson, How to Play your Best Golf all the Time, London, Hodder & Stoughton, 4th impression 1954, 8vo, x + 11-160pp, monochrome vignettes, photographic portrait to fontis., green boards, silver titles, sl. Worn d. w.; Morrison (Morie), Here's How in Golf, London, Thorson, reprinted 1956, 12mo, 128pp illus. by the author, brown boards, green titles to spine, d. w. (torn on lower edge); Bottome (George McDonald), Golf for the Middle Aged and Others, London Faber & Faber, 1st edn., 1940, 66pp, 12 plates, ex.-East Lothian library, green boards, sl. wear and stains to cover (23)

A collection of mid to later 20th Century 6 inch dust pressed tiles to include examples by Christina Sheppard (formerly of Chelsea Pottery), Joyce Morgan of Chelsea Pottery, Maria Geurten produced for the Barbican Gallery in Penzance, Deborah Anne Withey on a Johnson blank, Henry Hammond, Briglin Pottery and two examples by Ann Clark, decorated with abstract landscapes, florals, bird studies and abstract sun motifs. (8)

§ § Arthur Henry Knighton-Hammond (English, 1875-1970) 'Ludlow'oil on canvassigned100 x 126cm**conditionreport**Oil on original canvas in honest untouched condition, might benefit from a light clean, some fine craquelure running through the top left sky, a little elsewhere, housed in the original ornate gilt gesso frame with title label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Marianne de Trey (Mrs Sam Haile) (1913-2016): Two Tea Cups, stoneware and earthenware, impressed general mark,tallest 7.5cm highUrsula Mommens (née Darwin Mrs Ursula Trevelyan) (1908-2010): A Stoneware Bowl, tenmoku glaze, impressed DD (Darwin, Durham Wharf) mark,17cm diameterClive Bowen (b.1943): A Slipware Earthenware Bowl, with trailed honey decoration, unmarked,22.5cm diameterHenry Fauchon Hammond (1914-1989): A Stoneware Sample Dish, painted W, painted HH A.21 53,7cm diameter Carole Glover: A Slipware Earthenware Jug, inscribed WORDS are EaSY LiKe THE WiND But faiTHfuL FrieNDS ARE HARD TO FIND, signed,22cm high (6)Both the Mariane de Trey cups are in good order, the Bowen and Glower have crazing, the Mommens and Hammond and very tiny nicks on rims. See extra images.

Howell (James) Londinopolis; an historicall discourse or perlustration of the city of London, first edition, engraved portrait frontispiece, title in red and black, folding plan of London after Wenceslaus Hollar, lacking final blank, browning, soiling and water-staining, heaviest to peripheral leaves, a few scattered holes with loss of letters, modern half calf, water-stained, [Wing H3091; Pforzheimer 515], small folio, J. Streater, for Henry Twiford, George Sawbridge, Thomas Dring, and John Place, 1657 § Hammond (Henry) A Paraphrase and Annotations upon all the books of the New Testament, first edition, half-title, title in red and black, with engraved vignette, eighteenth half calf, covers virtually detached, worn otherwise, [Wing H579], by J. Flesher for Richard Royston, 1659; and 8 others, seventeenth century, English, v.s. (10)

Henry Hammond (1914-1989)An Oak Tree, 1949signed and dated (lower right)watercolour36 x 49cm. One small rip to paper edge in the lower right corner. Looks good otherwise. Not perfectly laid flat.

Φ Arthur Henry Knighton-Hammond (1875-1970)Portrait of a lady seated, wearing a blue jacketSigned KNIGHTON HAMMOND (upper right)Oil on canvas61.2 x 51.2cm

Five Studio pottery bowls, with Henry Hammond Potter's stamp to base

Two autograph albums (19th and early 20th century), mainly to the same person/family with 100s of signed letters and some drawings and watercolours. These are some of the highlights: AUTHORS: Anderson, Sir Robert; Arnold, Sir Edwin; Austin, Alfred; Benson, A C; Besant, Sir Walter; Clarke, J Erskine; Dalton, W; Dods, Marcus; Drummond, Henry; Frankau, Gilbert; Lubbock, Sir John; Lyall, Edna; Newbolt, Sir Henry; Payn, James; Whiting, Lilian; ETC. ARTISTS: Myles Birket Foster (Signed Photograph loosely inserted); Alma Tadema, Miss A; Armitage, Edward; Barber, C B; Boehm, Sir J E; Boughton, G H; Calderon P H; Dicksee, Sir Frank; Gilbert, Sir John; Hammond, C M; McMurdie, G D; Morby, W J; Murray, David; Poynter, Sir E J; Reed, E T; Stone, Marcus; Villiers, F; George Frederic Watts; ETC. SCIENCE: Ball, Sir R S; Boys, Sir C V; Fowler; R H; Huxley, T H; Stokes, G G; Thomson, W (Lord Kelvin); ETC. MUSIC: Bridge, Sir F; Cummings, W H; Pfeiffer, G J; Coleridge-Taylor, S; ETC. USA: Barnum, P T; Blaine, J G; Sheldon, C M; Whittier, J G; POLITICS, ETC: Beaufort, L P; Brooke, Rajah; Gordon, Sir J C; Primrose, Archibald; Aubrey Smith, Sir Charles; Gypsy Smith; Sackville, Lord; Plus Many Bishops and Clergy, ETC. One album is 4to. and bound in full leather with silver hallmarked corners to upper cover, silver lettering, gilt inner dentelles, silk endpapers and aeg; the other is folio, in plain boards (2)

1843 (June 24) Cover to Ireland, with enclosed letter from Henry Bruce written on H.M.S "Agincourt", bearing an unusually fine strike of the red oval "HONG KONG POST OFFICE" arms handstamp, endorsed "Overland" and "Agincourt June 23/43" with red oval "INDIA". Backstamped at Bombay with the rare "POSTAGE / Inward Bearing Ans (3) / Outward do (2)" (Hammond Giles SR5, only 3 examples recorded, all in 1843) and at London (Oct 23) and Bombay, charged 2/3. Minor opening tears at the edges, otherwise fine, a very clear example of this attractive and very scarce Hong Kong handstamp (recorded 1842-44). Photo on Page 84.

A set of four W.T. Copeland pottery tiles Medieval Musician series, attributed to Henry Stacey Marks or Edward Hammond,15.5cm wide (4)Condition ReportSlight nibbles and imperfections to all, one with chip to underside.

Teesdale, Edmund B., Gunfounding in the Weald in the sixteenth century (Monograph 2), 1991; Bartlett Wells, H. (trans.), European Crossbows: A Survey by Josef Alm (Monograph 3), 1994; Liebel, Jean, Springalds and Great Crossbows (Monograph 5), 1998; Bailey, Sarah Barter, Prince Rupert's Patent Guns (Monograph 6), 2000; Blackmore, Howard L., English Pistols, 1985; Civil War: a Royal Armouries Exhibition, 1992; Royal Armouries Official Guide, 1996; Royal Armouries Museum, 1996 & 2000 editions; Royal Armouries Yearbook, Volume 3 1998 & Volume 4 1999; Blackmore, David, Arms & Armour of the English Civil Wars, 1990; Torture and Punishment, 1997; Royal Armouries: Fort Nelson, 2000; Rimer, Graeme, Wheellock Firearms of the Royal Armouries, 2001; An Introduction to Japanese Armour, 2002; Richardson, Thom, The Armour & Arms of Henry VIII, 2002; together with Norman, A.V.B. & Wilson, G.M., Treasures from the Tower of London, Norwich, 1982; and Hammond, Peter, The Tower of London, Department of the Environment, 1989 (19 volumes)

Arthur Henry Knighton Hammond, R.I., R.S.W. (British 1875-1970), children crafting, pencil signed engraving, 26x21cm, framed & glazed

Hammond (Henry). A Paraphrase, and Annotations upon all the Books of the New Testament: Briefly explaining all the difficult places thereof, London: Printed by J. Flesher for Richard Royston, 1653, title with etched illustration, also with 18th-century ownership inscription 'Samuel Taylor M.A. Vicr. of Quinton in Gloucestershire: and late Rector of Saint Clement in Worcester, 1738', advert leaf present at rear, light worming to upper and lower margins of initial few leaves and damp-stain at head of last few leaves, front endpapers with 18th and 19th-century ownership inscriptions of Robert Etherington and Samuel Taylor Etherington of Tutbury and Sudbury, contemporary calf, torn at head with loss, leather to boards also torn with some loss, worn, folio, together with:Book of Common Prayer, and Administration of the Sacraments, and other Rites and Ceremonies of the Church..., together with the Psalter or Psalms of David..., London: Printed by Charles Bill, and the Executrix of Thomas Newcomb, deceas'd, 1706, engraved frontispiece, title in red and black, margins ruled in red throughout, sewing weak at front of volume and some leaves loose/detached and frayed at edges, all edges gilt, contemporary gilt panelled and decorated red morocco, folio, plus two others Burkitt (William). Expository Notes, with Practical Observations, on the New Testament..., 13th edition, carefully corrected, London: R. Ware, J. and P. Knapton, S. Birt [et al.], 1752, engraved portrait frontispiece, title in red and black, numerous engraved plates (one folding) and folding engraved map at rear, contemporary calf, morocco title label to spine, joints cracked, extremities worn, folio, and Hooker (Richard). Of the Lawes of Ecclesiastical Politie, London: Andrew Crooke, 1666, engraved portrait frontispiece and engraved title, frontispiece detached and initial leaves frayed, damp staining and mottling throughout volume to lower margins with consequent damp-fraying particularly to lower inner corners, contemporary calf, spine torn with loss, worn, folioQTY: (4)

Henry Hammond - pen & chalk sketch North African buildings, 17 x 21cm and a Venetian etching boathouse and canoe

Arthur Henry Knighton-Hammond, Ditchling Beacon, watercolour, signed, 48cm x 61cm, framedGood condition, no foxing or paper damage

† HENRY HAMMOND (1914-1989); a pair of stoneware pin dishes covered in grey glaze with iron and porcelain slip decoration, impressed HH marks, largest diameter 9cm (2).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† HENRY HAMMOND (1914-1989); a globular stoneware jar covered in oatmeal glaze with iron decoration, impressed HH mark, height 10cm.Provenance: Purchased from the Paul Rice Gallery, London.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Φ Henry Hammond (1914-1989)a stoneware vase, shouldered form, painted with simple foliate stems in iron on a cream ground,impressed seal mark, 16.5cm. high