A modern kit built 1:100 scale boat, 'Paddle Tug Anglia', mounted on modern wooden plinth base, length of boat 45cm, base 46 x 14cm, and a further modern scratchbuilt 1:24 scale model boat, mounted in clear acrylic case, width 34cm, height 15.5cm, a modern kit built 1:73 scale boat, 'Mayflower', mounted on modern wooden plinth base, length of boat 46cm, base 50.5 x 11cm, a modern 1:75 scale model boat, 'Algerian Qebec', length of boat 45cm, a modern kit built 1:25 scale boat, 'Arm 82', on modern plastic base, height approx 43cm, two modern kit built life boats comprising a 1:50 scale 'Newcastle Ballast Hopper' and 'English Hoy or Lighter', scale 1:84, a modern kit built 1:350 scale boat, 'Irn Sevastopol', mounted on modern wooden plinth base, length 51cm, base 55 x 9cm, a modern scratchbuilt 1:16 scale '1860 New Bedford Boston Whaler' boat, mounted on modern wooden plinth base, length of boat 56cm, base 57 x 12.5cm, a modern kit built 1:100 scale boat, 'Steam Lighter (Clyde Puffer)', mounted on modern wooden plinth base, length of boat 22cm, base 24 x 7.5cm, and a further modern scratchbuilt 1:200 scale boat, 'M. S. Finnmarken', contained in modern clear acrylic display case, width 47cm, height 23cm (11).
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Collection of diecast and tin plate models to include boxed Dinky Supertoys 923 Big Bedford Van 'Heinz', Triang Minic M108 Road Roller in green, Dinky Supertoys Horse Box, Knights Head Chad Valley Hopper Wagon, small quantity of Matchbox Moko Lesney models including 40 Bedford 7 Ton Tipper, 37 Karrier Bantam 2 Ton, etc
A group of retro gaming computers and games comprising an Acorn Electron in original box, a Sinclair ZA Spectrum 2 unboxed, an Atari 2600 unboxed, and a quantity of related cassette games to include Aliens, Legend of the Amazon Women, Space Harrier, Beach-Head, Plunder, Fighting Warrior, Thrust II, Combat, Combat Lynx, River Raid, Meteors, Hopper etc... (Qty)
Two trays containing mainly early Hornby 00 gauge wagons and coaches, including a six-wheeled insulated milk van, a GWR restaurant car, a Lima Private owner wagon, a Hornby GWR guards van, a Hornby petrol tanker, a Hornby operating Hopper wagon, and others, nearly all housed in their original boxes, in excellent condition.
One tray containing various commercially built and kit built 00 gauge wagons to include a Bachmann BR Mk1 full brake in crimson & cream, and Ian Kirk LNER full brake suburban coach, Sea Cow hopper wagons, Bachmann MEA wagons, and others, kit built wagons have been built to a very good standard, some have been hand-weathered to a very good standard. Commercially built boxed wagons and coaches are in NM condition.
Three Warley stock boxes, total of one hundred 00 gauge wagons, all unboxed in NM condition, by various manufacturers to include Bachmann, Hornby, Dapol, and others, to include gunpowder vans, salt wagons, petrol tankers, hopper wagons, mineral wagons, private owner wagon, GUV wagons, a LMS stove van 6-wheel passenger brk, and others.
Stranger Things (Netflix Series) - cast multi-signed autographed 11x14" colour promotional photograph. Signed by David Harbour (Hopper), Carla Buono (Karen Wheeler), Matt Duffer & Ross Duffer (The Duffer Brothers - writers). All signed in silver / black ink to central portions of the image. Obtained in-person in London during promotional events for the series. With certificate of authenticity from an AFTAL member.
TWELVE MATCHBOX 1-75 SERIES SUPERFAST WHEEL MODELS comprising a No.14, Mini-Ha-Ha, red; No.15, Fork Lift Truck, orange; No.26, Site Dumper, red and silver; No.27, Lamborghini Countach, dark orange, green, and black; No.28, Formula Racing Car, metallic fawn, black, and white; No.29, Tractor Shovel, yellow and black 'Caterpillar'; N0.34, Vantastic, orange; No.36, Formula 5000, orange, racing no.3; No.36, Formula 5000, red, racing no.11; No.36, Refuse Truck, blue and orange; No.47, Beach Hopper, metallic dark blue and pink; and No.48, Sambron Jacklift, yellow, with yellow wheel centres, each mint or near mint and boxed, the boxes generally good (No.27 box slightly creased; No.47 box faded).
TWO BOXED BACHMANN SPECTRUM ON30 GAUGE LOCOMOTIVES, to include a Freight Cars 2-Bay Steel Hopper, 'Colorado Mining Co.' two box, item no. 27962 and a Logging and Mining Cars Skeleton Log Car, item no. 27391, each includes instructions, outer cardboard box showing slight storage and handling wear on corners and edges, inner packaging in good condition, contents have not been checked for completion
A BOXED HORNBY RAILWAYS OO GAUGE PERMANENT WAY TRAIN SET, No.R1029, comprising class N2 tank locomotive No.69522, B.R. black livery, Breakdown Crane, 2 x Spacer wagons & Jib Runner, Vent Van , Brake Coach, correct track, Power Controller, wall plug Transformer and small accessories but appears to be missing crane stabilising legs and the Trakmat, with a boxed Jouef HO gauge 85T Cockerill Rail Crane set, No.6963, appears complete, a boxed Lima 30T Bogie Bolster Wagon with rail load G.W.R. No.70897 (L305629), three similar boxed and 5 unboxed B.R. versions No.B924162 (L305630), similar boxed version with bogie load in B.R. Civil Link yellow livery No.950153 (L305631), two boxed Lima HO gauge Articulated Heavy Carrier wagons with Transformer load 'Philips' (309056) & 'G.E.C.' (309068), a boxed Fleischmann HO gauge D.B Stake Wagon (5286), an unboxed Lima OO gauge B.R. 'Seacow' bogie Ballast Hopper wagons No.DB982881 grey & yellow livery (L305667), three unboxed Lima OO gauge B.R. 'Sea-Lion' bogie ballast hopper wagons, all No.DB982924 in brown livery (L305666) and three unboxed Lima OO gauge PTA Bogie Iron Ore wagons (1 x L305663, 2 x L3056640), all models in EX condition, boxes range from fairly good to poor with damage and wear, Jouef box still partially sealed in original cellophane, Permanent Way set outer box in poor condition (3 boxes)
TWO BOXED BACHMANN SPECTRUM ON30 GAUGE LOCOMOTIVES, to include a Side Door Wood Caboose, Painted, Unlettered in Caboose Red, item no. 26796 and a Freight Cars 2-Bay Steel Hopper, Painted, Unlettered in Oxide Red, two box, item no. 27999, each includes instructions, outer cardboard box showing slight storage and handling wear on corners and edges, inner packaging in good condition, contents have not been checked for completion
Autographs - a collection of x5 assorted autograph albums c1940s to 1960s containing various signatures of actors, singers and personalities of the period. Comprising: 1) Large brown album - Victoria Hopper, Frank Cantell, Hughie Green, and some others unidentified 2) Tartan album - Barbara Francis, Mike Hudson, some of The Dave Clark Five, The Moody Blues, Bruce Forsyth, The Lee Burns Combo, Marianne Faithfull, Billy J Kramer, Donovan, Anita Harris, Tony Prince, The Rats, The Quiet Five, Dave Berry, Kenny Lynch, Ray Davies (The Kinks), Tom Jones (signed simply 'Tom'), The Animals, Johnny Morris, Georgie Fame and some others. 3) Brown gilt-edged album - mostly filled with 1940s radio stars, but includes: Claudette Collier, Lionel Marson, Horace Percival, Walter Pidgeon, Cyril Fletcher, Vic Oliver, Ann Todd, Elsie & Doris Waters (Gert & Daisy), Constance Cummings, Louis Kentner, Jessie O'Shea, Gladys Cooper, Angela Baddeley, Sally Ann Howes, Peggy Evans, and many others unidentified. 4) Very small red tartan album - Moody Blues, Avonbeats, Ray Davies (The Kinks), The Poets, Andrew Groves and others. Book AF / incomplete 5) Blue 'Memories' album - Gracie Fields, John Watt, Stainless Stephen (plus sketch), Leonard Henry, Ernest Longstaffe, Christopher Stone, Tommy Handley, Leslie Henson, Elsie & Doris Waters (Gert & Daisy), Will Hay, Charles Shadwell, Robert Donat, George Robey and others. Mixture of laid-in and signed to the page, various conditions.
Matchbox Superfast US issue Rola-matics Carry Case gift set containing (1) 6b Mercedes 350SL - orange body, black roof, pale yellow interior (non Rola-amatic model, apperas to be replacement or error) (2) 39a Clipper - metallic magenta body, light amber windows, lemon yellow interior, metallic emerald green base, chrome engine exhausts; (3) 47b Beach Hopper - metallic dark blue body with medium splatter of pink spots & sunburst hood label, clear windscreen, tan driver, orange interior, pink base; (4) 57b Ford Wildlife Truck - lemon yellow body with Ranger hood label, red windows, smoke grey tinted canopy with burnt sienna lion, bare metal base with "gunmetal" effect (5) 67b Ford Capri Hot Rocker - metallic lime green body, clear windows, ivory interior, bare metal base - Excellent to Mint in Excellent carry case (small split around fastener) with Excellent a little creased printed card insert - mostly factory sealed.
Five Airfix Great Model Railways 00 gauge wagons. Comprising a 54368-0 21T Hopper, a 54210-2 Centenary Brake 3rd, a 54208-9 Centenary Comp, a 54309-1 Siphon H and a 54307-5 Siphon G, all in British Railways livery and in the original boxes Condition Report: We cannot guarantee that all the couplings are original.
Nineteen boxed Hornby Dublo 00 gauge wagons. Comprising five 4640 Goods Wagons 'Steel Type', three 4630 8-Ton Cattle Wagons, three 4644 21-Ton Hopper Wagons, four 4627 I.CI.I 20-ton Bult Salt Wagons, four 4635 Coal Wagons and three 4644 21-Top Hopper Wagons Condition Report: We cannot guarantee that all the couplings are original.
Nineteen boxed Hornby Dublo 00 gauge wagons. Comprising four 4640 Goods Wagons 'Steel Type', three 4630 8-Ton Cattle Wagons, four 4644 21-Ton Hopper Wagons, three 4627 I.CI.I 20-ton Bult Salt Wagons, three 4635 Coal Wagons and two 4644 21-Top Hopper Wagons Condition Report: We cannot guarantee that all the couplings are original.
* DRYSDALE SCOTT (SCOTTISH b. 1963), SHARONS & PEARS oil on canvas, signed and titled verso framed and under glass image size 44cm x 49cm, overall size 65cm x 69cm Note: Drysdale A H Scott is a figurative artist who lives and works in Bearsden, in the north of Glasgow. He graduated from Glasgow School of Art in 1987. Scott is a painter who specialises in figure compositions portraits and still life. He creates narrative images that are based on modern day themes and events. Like many of the artists who have had an influence on his work, he has a great interest in “capturing a moment in time”. Composition, realism and strong draughtsmanship are of equal importance to him as is the narrative involved in creating his work. His main influences are – Velazquez, Titian, La Tour, Caravaggio, Hopper, Bacon and Freud.
* CHARLES OAKLEY (BRITISH 1925 - 2008), DARDANELLES pencil on card, signed, titled and dated '85mounted, framed and under glassProvenance: Pyms Gallery, London (label attached to the reverse of the frame) Exhibited: Pyms Gallery, London, 'Lost Illusions: Works with Romantic and Historic Associations by Charles Oakley', 24th June-19th July 1986, cat. no.2Literature: Charles Oakley and Mary Hobart, 'Lost Illusions: Works with Romantic and Historic Associations by Charles Oakley', Arts Council of Northern Ireland, Belfast, 1986, cat.31 (unpag.) (illus.)image size 19cm x 35cm, overall size 26cm x 41cm Note: Obituary published in The Independent by Prof Kenneth McConkey 8 April 2008: Charles Oakley was one of an important generation of British painters who, in the late Forties, arrived at the Slade School of Fine Art wearing "demob" suits. He had neither portfolio nor sketchbooks to show, but a single watercolour, depicting a momentous occasion in his youth. Oakley grew up in Urmston, Manchester, the son of an engineer; two previous generations of Oakleys had been naval captains. Family holidays spent in Falmouth provided an ideal playground for the young Charles – rusting old U-boats from the Great War were berthed in the harbour. Then, in the early years of the Second World War, while youth hostelling in the Lake District, he came upon the crash site of two Hurricane fighters. A dead pilot lay by the wreckage of one of the planes. The scene burned itself into his mind and was only exorcised when he sketched it out on paper and coloured it. This single work became a talisman and after his three years' military service with the Royal Artillery in the Himalayas, it was this that he took to his successful Slade interview with Randolph Schwabe in 1947. His tutors, William Townsend and William Coldstream, being well-connected, brought artists and critics such as Francis Bacon, Wyndham Lewis and David Sylvester into the Slade to look at students' work. Oakley's diligent studies in the Antique Room won him the Taylor and Melvill Nettleship awards, as well as the Wilson Steer medal for Northern Landscape, a "summer composition" painting of coal trucks in a railway yard produced in 1950. He remained at the Slade for a postgraduate year and in 1951 married Ann, his life-long partner. In those days, the path from the Slade and the Royal College to the New English Art Club was still in use and Oakley showed industrial scenes at two of its exhibitions before moving north to become an art master at Eden School in Carlisle. A splendid watercolour of the old city bus station remains a popular reproduction sold by Tullie House museum in Carlisle. In 1957 his first solo exhibition was held at the Crane Kalman Gallery, Manchester, and was opened by L.S. Lowry. Oakley recalled Lowry's enthusiasm when he purchased a picture from the show. At this stage, living on a fabric designer's salary, and with a growing family, the Oakleys could not reciprocate – much to their chagrin in later years. Thereafter he showed regularly in Manchester exhibitions, being praised for his "poetry in paint". In 1962 he obtained the post of Senior Lecturer at Belfast College of Art, and it was after this that true poetry arrived, with paintings of ships' engine rooms at Harland and Wolff, recalling the submarines of childhood – one of which was acquired for the Ulster Museum, Belfast. In shows at the Caldwell Gallery in Bradbury Place, Belfast, these intense, claustrophobic interiors were juxtaposed with the wide expanses of Donegal where the Oakley family had a summer cottage. Oakley rhapsodised on the windswept beaches where occasionally he would come across the rotting remains of old fishing boats. When these paintings were exhibited in 1965 at the Bondgate Gallery, Alnwick, along with works by Lord Haig and J.H. Themal, Oakley, according to The Guardian, "stole the show". A few years later, as Seamus Heaney and Michael Longley were emerging as the poetic voices of Ulster, the critic William Feaver praised the "mortuary effect" of the painter's "leaky skies" and "peat trenches". Oakley might easily have been typecast as an Irish landscapist of a conventional kind. However, hints of Edward Hopper and "magic realism" had begun to creep into his painting and around the time of his return to England in 1974, he became interested in working in three dimensions – "dabbling in construction work" and experimenting with trompe l'oeil was how it was described. Repeated visits to the Dutch museums instilled a respect for the measured space of Vermeer, Terborch and Metsu, and took him back to his Slade School exercises in mathematical perspective. In 1982, on a student trip, he visited the massive 360-degree Mesdag Panorama in The Hague which was re-examined in a series of works – as indeed were the methodical approaches of painters such as Thomas Eakins and George Stubbs whose deep visual research led to periods of physical and spiritual isolation. These and the Dutch masters became his new subject matter in what were described as "works with romantic and historical associations", in the first of three exhibitions staged at Pyms Gallery, London in 1984 – perhaps the most fruitful collaboration of Oakley's career since it led to touring shows, in galleries in Hull, York, Kendal and Belfast. What we see in The Eakins Studio (1986), for instance, is a box/vitrine, similar to a stage designer's model. The life room impedimenta, sculpture stands and a "donkey", are recreated in miniature – tiny hand-crafted objects in which experience is locked. And on the back wall are pinned the famous studies of male and female nudes which contain them. Oakley's own experiences had come back to haunt him. A connection between these austere academic rituals and lost heroes such as Scott and Oates of the Antarctic, or Mallory and Irvine on Everest, fused in his mind and led him to produce the evocative Antarctic Triptych (1984) and the Quarter Rupee Triptych (1986) in which the intrepid teams of explorers and mountaineers pose for famous photographs. In the former the image is pinned to the remnants of one of their packing cases, along with other memorabilia, including a postcard of Caspar David Friedrich's The Wreck of the 'Hoffnung', inspired by an attempt on the North Pole in 1823. Embedded in the foreground fragments of cracked ice are remnants of a Union Jack. By the early Nineties, other themes, equally austere, suggested themselves. The discovery of a monument to Roger Casement, the death of Richthoven and new interpretations of Balthus, Winslow Homer and Magritte were added to the repertoire in these later years when two further solo shows were staged at Castleside Gallery, Cockermouth, in 1996 and 2000. In 1999 he won the Singer Friedlander/Sunday Times watercolour prize with The Thomas Eakins Gallery. In a genial, self-deprecating way, Charles Oakley used to claim that he was having fun and that these "tableaux" were just a way of filling time. But it was much more than that. Serious research would take him off to find the Mallory ice axe at the Alpine Club, or in 1996, back to Rajasthan. And with collectors waiting for paintings that might take months of detailed work to complete, he carried on until his late seventies when his eyes began to fail. Thereafter, he still spent his mornings in the studio, listening to Radio 3 and reading, surrounded by the work of a lifetime. Note: Kenneth McConkey is Emeritus Professor of Art History at the University of Northumbria. He is an expert on British, Irish and French painting of the late nineteenth and early twentieth centuries, especially Sir John Lavery, British Impressionism and the New English Art Club, and has published extensively on the art of the period, including on George Clausen.
Matchbox: A collection of six assorted boxed Matchbox 75 Series vehicles to comprise: Austin A50 36 in 59 box, Jaguar 3.5 Litre 65, Citroen DS19 66, Souvenir Jubilee Bus, Rolamatics Beach Hopper 47, and Airport Coach 'Qantas' 65. Vehicles are in good condition, slight paint wear; boxes generally in good condition, shelf and edge wear as expected with age. Please assess photographs. (one bag)
A group of model kits, including two Tamiya plastic 1:35 scale model kits of Sturmgeschutz IV sdktz 163 armoured tanks, ammo loading crew set, MiniArt track links set and Mini Mamoli 1:121 scale wooden model kit HMS Beagle, together with group of diecast metal waterline naval and merchant ships, an Ares Wings of Glory flying game with model First World War aircraft, an Athearn HO gauge diesel locomotive ‘Rio Grande 143’ and four hopper cars, and a small collection of Del Prado military figures.
Lesney Matchbox - Majorette - Corgi - A vintage Matchbox 36 x car Carry Case in the design of a lorry with 3 x black trays and 34 models inside, including Majorette Dune Buggy #248, Superfast Mini Ha-Ha #14, Rolamatics Stoat #28, Fandango #35, Beach Hopper #47, Hot Rocker #67, Corgi Aston Martin DB6 and Corgi Whizzwheels GP Beach Buggy and similar. The case has some storage related imperfections noted, but overall appears in about very good condition. The models are play worn, and appear to range from about fair to very good or better. The items have not been checked for completeness. (This does not constitute a guarantee) [GM]
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