A collection of twenty modern 925 silver snuff boxes, vinaigrettes and pill boxes, including a modern 925 hallmarked silver oval pill box by Harrison Brothers & Howson Ltd, Sheffield, 3.5 x 2.5cm, a modern 925 hallmarked silver circular snuff box by Hansford & Ainsworth, Birmingham 1998, with enamelled top decorated as a robin, diameter 3cm, (af), a further 925 pearl topped pill box, a George III hallmarked silver vinaigrette (rubbed marks), 3 x 2cm, an onyx topped 925 rectangular snuff box, 3.2 x 2.5cm, and fifteen further decorative snuff and pill boxes (20).
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A collection of silver items to include a pair of salt and pepper shakers, by Harrison Brothers & Howson, Sheffield 1905, a pair of salts, by Harrison Brothers & Howson, Sheffield 1905, a pair of silver-plated cruets, by Adie Brothers Ltd, Birmingham 1921, a silver-plated serving jugtotal 11.7oztCondition Reportwith surface scratches to all items as well as marks and dents
A silver wine funnel, Birmingham assay mark dated 1988, mm Harrison Brothers & Howson Ltd, approx 13.5 cms; silver tot measure London assay mark dated 1904, mm William Wilkinson; silver plated ice tongs, silver labels including Brandy and the other unlabelled, silver match box cover Birmingham assay mark dated 1909, silver pen stand Chester assay mark dated 1910, approx 211.7 gms. This lot concludes with a silver cigarette box, Birmingham assay mark dated 1940, mm W.D Ltd, approx 14 x 9 x 6 cms.Condition ReportWine funnel has a horizontal crease approx 12mm.
1920s silver salver of hexagonal form, with beaded border, on four ball and claw feet (Sheffield 1926) Harrison Brothers & Howson. All at approximately 25ozs. 30.8cm across.General overall condition very good, some minor dings, surface scratching and tarnishing, no major damage or repair. Marks clear.
A composed silver Hanoverian pattern table service for eight place settings, comprising tablespoons, six by Josiah Williams & Co, London 1896, dessert spoons, by Josiah Williams & Co, London 1902, teaspoons, six by Josiah Williams & Co, London 1896, table forks, five by Josiah Williams & Co, London 1896, dessert forks, six by Josiah Williams & Co, London 1896, silver handled table knives, by Terry Shaverin, Sheffield 1998, silver handled dessert knives, by Terry Shaverin, Sheffield 1998, and six soup spoons, by Harrison Brothers & Howson, Sheffield 1910,weighable 87.8ozt (62)Condition ReportOverall good order. General knocks, wear and scratches commensurate with age, use, and cleaning.
Peter Howson O.B.E. (British 1958-) "Soldier" Signed, titled and dated 1986 on gallery label - 'Contemporary Art Society Market' verso, pastel.35 x 25cm (framed 56 x 43.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The drawing is in very good, original condition. There is a single surface mark found towards the drawing's upper right-hand corner. The drawing is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Edwardian cruet stand, of crimped foliate design housing silver mounted clear glass mustard pot and pepperette plus glass open salt, the stand on three ball feet, Sheffield, 1903 (pots) and 1907 (stand), Joseph Rodgers, 12cm inc. handle x 6cm to top of handle, 94g approx weighable (stand only), together with a cased six of six George V silver handled knives, Sheffield, 1930, HH (probably Harrison & Howson), the plated blades stamped HH * EP A1, 17.8cm long, in fitted box of S. Clarkson, Hull, and a pair of metal knife rests in the form of alligators or crocodiles, 14cm long (qty)
* PETER HOWSON OBE (SCOTTISH b. 1958), MARTIN limited edition etching on paper, signed, titled, numbered 24/30 and dated '82mounted, framed and under glassimage size 33cm x 25cm, overall size 66cm x 52cmNote: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* PETER HOWSON OBE (SCOTTISH b. 1958), OLD WOMAN pencil on paper, signed, titled and dated 1994 label versomounted, framed and under glassimage size 30cm x 21cm, overall size 54cm x 44cm Label verso: Flowers East, London.Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* PETER HOWSON OBE (SCOTTISH b. 1958), BLUE TEMPTRESS oil on canvas, signedframedimage size 46cm x 61cm, overall size 65cm x 81cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
ADRIAN WISZNIEWSKI RSA HonFRIAS HRSW (SCOTTISH b. 1958) FISHERMEN oil on canvas, signed and dated 2010, titled versounframedoverall size 101cm x 70cmNote: Adrian Wiszniewski creates work characterised by a strong drawing element and fertile imagination. Populated with contemplative figures set in vividly coloured Arcadian landscapes, his paintings are rich with symbolic, political and philosophical depths. Adrian Wiszniewski (pronounced Vishnevski) was born in Glasgow in 1958 and studied architecture at The Mackintosh School of Architecture in Glasgow 1975–79; then trained at Glasgow School of Art, 1979–83. Wiszniewski is one of the leading members of the New Glasgow Boys responsible for the revival and resurgence of figurative painting under the tutelage of Sandy Moffat OBE; a group of artists that included Steven Campbell, Ken Currie and Peter Howson. His multiple awards include the Haldane Trust Award in 1982, the David Cargill Scholarship in 1983, the Mark Rothko Memorial Award in 1984, the I.C.C.F. Best Design Award New York in 1993 and the Lord Provost Gold Medal from City of Glasgow in 1999. His work can be found in many international public collections including The Gallery of Modern Art in New York, The Metropolitan Museum, New York, The Setagaya Museum, Tokyo, Japan, The Scottish National Gallery of Modern Art, Edinburgh, Tate Britain, London and The Victoria and Albert Museum, London. Wiszniewski has had numerous major solo exhibitions over many years including in London, Sydney, Edinburgh, Glasgow, Ghent and Tokyo.
* PETER HOWSON OBE (SCOTTISH b. 1958), POST-BELLUM III oil on canvas, signed, titled and dated 2023 versoframedimage size 12cm x 17cm, overall size 16cm x 20cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* PETER HOWSON OBE (SCOTTISH b. 1958), FALLEN FROM GRACE pastel on paper, signedmounted, framed and under glassimage size 29cm x 21cm, overall size 61cm x 50cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* PETER HOWSON OBE (SCOTTISH b. 1958), CAPOCCHIO oil on canvas, signed, titled and dated 2010 label versoframed image size 61cm x 46cm, overall size 68cm x 53cm Label verso: Flowers Gallery, LondonNote: Peter Howson is an artist of disarming visual honesty. His work, which at different stages of his career has celebrated allergy and allegorised celebrity, depicting the landscapes of modern war and internal struggle with a Goyaesque brilliance, is testament to an obsessive occupation with the dark recesses of existence, a drive that he has channelled in recent years into a robust faith and spiritualism. The painting on offer here is Howson’s modern interpretation of the Character and probably has elements of a self portrait with “Bowie Eyes” and is part of a group of portraits executed in 2010 and inspired by Dante’s Divine Comedy. Bowie was well known for his extra ordinary talents as an actor, songwriter musician and chameleon leaving a wide body of work across many art forms. Capocchio was well known in his day for his extraordinary talent for mimicking others and nature (as an artist). According to early commentators, Dante knew Capocchio personally and he was from either Florence or Siena. Capocchio was Condemned in 1293 as a Heretic and an alchemist.
* PETER HOWSON OBE (SCOTTISH b. 1958), PATRIOT pastel on paper, signedmounted, framed and under glassimage size 60cm x 45cm, overall size 85cm x 73cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* ADRIAN WISZNIEWSKI RSA HonFRIAS HRSW (SCOTTISH b. 1958), EXPLAINING DNA screenprint on paper, signed, titled and dated '88mounted, framed and under glassimage size 20cm x 18cm, overall size 33cm x 30cm Note: Adrian Wiszniewski creates work characterised by a strong drawing element and fertile imagination. Populated with contemplative figures set in vividly coloured Arcadian landscapes, his paintings are rich with symbolic, political and philosophical depths. Adrian Wiszniewski (pronounced Vishnevski) was born in Glasgow in 1958 and studied architecture at The Mackintosh School of Architecture in Glasgow 1975–79; then trained at Glasgow School of Art, 1979–83. Wiszniewski is one of the leading members of the New Glasgow Boys responsible for the revival and resurgence of figurative painting under the tutelage of Sandy Moffat OBE; a group of artists that included Steven Campbell, Ken Currie and Peter Howson. His multiple awards include the Haldane Trust Award in 1982, the David Cargill Scholarship in 1983, the Mark Rothko Memorial Award in 1984, the I.C.C.F. Best Design Award New York in 1993 and the Lord Provost Gold Medal from City of Glasgow in 1999. His work can be found in many international public collections including The Gallery of Modern Art in New York, The Metropolitan Museum, New York, The Setagaya Museum, Tokyo, Japan, The Scottish National Gallery of Modern Art, Edinburgh, Tate Britain, London and The Victoria and Albert Museum, London. Wiszniewski has had numerous major solo exhibitions over many years including in London, Sydney, Edinburgh, Glasgow, Ghent and Tokyo.
* PETER HOWSON OBE (SCOTTISH b. 1958), YOUNG PATRIOTS pastel on paper, signedmounted, framed and under glassimage size 45cm x 59cm, overall size 74cm x 85cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* FRANK MCFADDEN (SCOTTISH b. 1972), MANY FACES pastel on paper, signedmounted, framed and under glassimage size 60cm x 46cm, overall size 82cm x 67cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.
* ADRIAN WISZNIEWSKI RSA HonFRIAS HRSW (SCOTTISH b. 1958), CAPTAIN VIDOR printer's proof etching on paper, signed and numbered P/PI mounted, framed and under glassimage size 40cm x 30cm, overall size 76cm x 60cm Handwritten label versoNote: Adrian Wiszniewski creates work characterised by a strong drawing element and fertile imagination. Populated with contemplative figures set in vividly coloured Arcadian landscapes, his paintings are rich with symbolic, political and philosophical depths. Adrian Wiszniewski (pronounced Vishnevski) was born in Glasgow in 1958 and studied architecture at The Mackintosh School of Architecture in Glasgow 1975–79; then trained at Glasgow School of Art, 1979–83. Wiszniewski is one of the leading members of the New Glasgow Boys responsible for the revival and resurgence of figurative painting under the tutelage of Sandy Moffat OBE; a group of artists that included Steven Campbell, Ken Currie and Peter Howson. His multiple awards include the Haldane Trust Award in 1982, the David Cargill Scholarship in 1983, the Mark Rothko Memorial Award in 1984, the I.C.C.F. Best Design Award New York in 1993 and the Lord Provost Gold Medal from City of Glasgow in 1999. His work can be found in many international public collections including The Gallery of Modern Art in New York, The Metropolitan Museum, New York, The Setagaya Museum, Tokyo, Japan, The Scottish National Gallery of Modern Art, Edinburgh, Tate Britain, London and The Victoria and Albert Museum, London. Wiszniewski has had numerous major solo exhibitions over many years including in London, Sydney, Edinburgh, Glasgow, Ghent and Tokyo.
* FRANK MCFADDEN (SCOTTISH b. 1972), INCERTA HORA (THE HOUR OF DEATH IS UNCERTAIN) oil on canvas, signed, titled and dated 2020 verso unframed overall size 122cm x 92cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.
* PETER HOWSON OBE (SCOTTISH b. 1958), UNTITLED pastel on paper, signedmounted, framed and under glassimage size 28cm x 20cm, overall size 68cm x 57cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* FRANK MCFADDEN (SCOTTISH b. 1972), ALL ARE WELCOME oil on canvas, signed, titled and dated 2020 label verso framed image size 31cm x 23cm, overall size 40cm x 32cm Artist's label verso Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.
* PETER HOWSON OBE (SCOTTISH b. 1958), POST-BELLUM IV oil on canvas, signed, titled and dated 2023 versoframedimage size 15cm x 21cm, overall size 18cm x 24cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
An Edwardian silver rectangular wirework bonbon basket, London 1907 by Harrison Brothers & Howson, length 12.2cm, and a group of other silver, including a pair of oval salts with pierced sides, Birmingham 1919, and a sauceboat, total weight 431.2g, together with a silver mounted Bakelite conical sugar sifter with screw cover, Birmingham 1939, height 17cm.
A fine group of fore-edge paintings[FORE-EDGE PAINTINGS]Five volumes with oversize fore-edge paintings. Comprises PALMER, ROUNDELL, editor. The Book of Praise From the Best English Hymn Writers. London: Macmillan & Co., 1864. 19th-century dark blue pebble-grained morocco gilt, all edges gilt with a concealed fore-edge painting; housed in a clamshell case by Bayntun. 8 1/2 x 5 1/4 inches (21.5 x 13.5 cm); depicting London Bridge and Custom House. Light wear. together with CONYBEARE, W.J, Reverend and HOWSON, J.S., Reverend. The Life and Epistles of St. Paul.London: Longman, Brown, Green, and Longmans, 1856, Two volumes, purple morocco gilt by Hayday, all edges gilt, each with a concealed double fore-edge painting. 11 3/8 x 8 3/4 inches (29 x 22 cm); with a fine view of Rome (vol. I) and a view of Athens (vol. II). Light wear; and The Sportsman's Cabinet, or, a correct delineation of the various Dogs used in the Sports of the Field. London: 1803-04. Two volumes, contemporary ornate calf gilt, all edges gilt, each volume with a concealed double fore-edge painting. 8 3/8 x 5 1/8 inches (21.5 x 13 cm); hand-colored plates and vignettes; the fore-edge paintings, which are of exceptional quality, are "Reading and London Coach near Windsor" and "Topping a Flight of Rails" (in full cry, clearing a fence), labeled such by the painter on the fore-margin in sepia ink. This is likely (from the script) to be the work of the Dover Painter for Marks & Company, London, circa 1920s. Spines worn and defective, the joints weak. Bookplate of Charles E. Dunlap. A portion of the spine is now detached, and is laid-in to the book.The coloring of the plates and vignettes in the last-listed volume may well have been done by the artist of the fore-edges; it was not issued colored.A portion of the spine of the last-listed item is now detached and is laid-in to the book. Also, one catalogue image shows a Book of Common Prayer; this is not part of the lot, which is just those volumes listed aboveNo condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
A SILVER SHAPED CIRCULAR SALVER HARRISON BROTHERS & HOWSON, SHEFFIELD 1946 With a raised moulded border and on four scroll feet 26cm diameter 590g (19 oz) Condition Report: Marks are well struck No engraving Very slight wobble Light scratches and wear commensurate with age and use Condition Report Disclaimer
A SILVER BARREL SHAPED HOT WATER JUG HARRISON BROTHERS & HOWSON, SHEFFIELD 1963 With an orb finial to the slightly domed cover and a wooden loop handle 17.5cm high 535g (17.2 oz) gross Condition Report: Marks are clear Stands well Slight play to the hinge Handle is tight No engraving Light scratches and wear commensurate with age and use Condition Report Disclaimer
A COLLECTION OF SILVER FLATWARE To include: five George III feather edge pattern dessert forks by Paul Storr, London 1811, 17cm long; a pair of George III feather edge pattern sauce ladles by Richard Crossley, London 1813, 17.5cm long; a Victorian pistol grip table knife by Harrison Brothers & Howson (Henry Harrison), Sheffield 1892, 22cm long; a pair of electro-plated fiddle pattern sugar tongs; an electro-plated Old English pattern sauce ladle; and other silver items of flatware 808g (26 oz) gross weighable Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
A COLLECTION OF SILVER KNIVES AND FORKS To include: three silver forks by Harrison Brothers & Howson, Sheffield 1957, 19cm long; two similar forks, the handles by Harrison Brothers & Howson, Sheffield 1956, the tines by Garrard & Co. Ltd., Sheffield 1956, 19cm long; five fish knives, the handles by Harrison Brothers & Howson, Sheffield 1955, the blades by Garrard & Co. Ltd., Sheffield 1955, 22cm long; five dessert knives by Harrison Brothers & Howson, Sheffield 1952 (3) and 1954 (2), with stainless steel blades, 24cm long; and an electro-plated table knife, 24.5cm long Condition Report: There is no condition report available for this lot and is sold as found Fish knives and forks - 581g (18.7 oz), marks generally clear Condition Report Disclaimer
Queens Park FC, five black & white photographic player postcards, early 1900's, S. McColl. R. Anderson, A.F. Murray, J.T. Howson & A. Richmond (all unused, some minor faults). Sold with another postcard 'The Song of the Good Old Queen's Park FC' with printed lyrics & football illustration (unused, some creasing) (6)
HARRISON BROTHERS & HOWSON; a pair of late Victorian hallmarked silver candlesticks of oval form, with gadrooned decoration, Sheffield 1899, height 21cm, (weighted) (2).Condition Report: Each with tarnishing, minor denting light rubbing to the marks one example is leaning and with denting to the rim one example is split.

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