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Refined oval cocktail table featuring a beveled glass top set into a gilt iron frame with understated neoclassical styling. The sleek iron base is composed of squared tapered legs joined by a crisscross stretcher with a central finial. Finished in a warm gold tone with subtle silver accents, the metal structure shows deliberate aging for a vintage aesthetic. The minimalist form and elegant proportions make this table well-suited for both traditional and transitional interiors, offering timeless sophistication as a centerpiece in living or sitting rooms. This piece draws from the design language of mid-20th century Hollywood Regency and neoclassical revival, marked by its emphasis on metallic finishes, geometric precision, and timeless silhouettes. Though unmarked, the craftsmanship and style suggest it was likely produced by a high-end interior furnishings manufacturer known for luxury ironwork. Tables of this kind were often seen in upscale designer homes and are still sought after today for their adaptability and enduring elegance.Issued: 20th centuryDimensions: Approximately 48"L x 31"W x 21"HCountry of Origin: USACondition: Age related wear.

Elegant round dining table featuring a substantial beveled-edge glass top resting on an intricately crafted wrought iron base with a gilded finish. The base showcases a dynamic arrangement of scrollwork in a symmetrical spiral motif, offering both visual movement and architectural stability. The aged patina of the gold-toned iron enhances its vintage appeal, while the transparent glass surface allows the decorative ironwork to remain a central visual element. This striking table serves equally well as a functional dining centerpiece or as a sculptural statement in a formal interior. The table design reflects traditions of 20th-century artisan ironwork that blend classic French and Mediterranean influences. Such sculptural bases were favored in luxury interiors for their ability to combine ornamentation with durability, often produced by boutique studios or commissioned by interior designers. The spiraling forms suggest a custom or studio origin, elevating it beyond utilitarian furniture into the realm of decorative art.Issued: 20th centuryDimensions: Approximately 60"dia x 30"H. Condition: Age related wear. Minor chips on one edge of the glass top.

Up for auction is a stunning 14-piece Mauviel France Copper Cookware Set, a premier example of fine French craftsmanship. This beautifully curated assortment includes a mix of saucepans, saute pans, lids, a large jam bowl, and a vintage-style teapot, all made from heavy-gauge copper with traditional French styling and utility. Each piece is stamped Mauviel France - a hallmark of quality in both professional and home kitchens. Whether you're a gourmet cook, copperware collector, or interior design enthusiast, this set delivers timeless performance and presentation. Set Includes (14 Pieces Total): Large copper saute pan with stainless-lined interior + lid; Medium copper saucepan + lid; Wide straight-sided saucepan + lid; Small saucepan + lid; Butter/milk pan + lid; Smaller copper saucepan with brass handle + lid; Large copper mixing/jam bowl with brass hanging ring; Copper tea kettle with brass handle and black wood grip; and Iron S-hooks and 2 hanging rings. Largest piece 19"L. Issued: 20th centuryDimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

This bold Andrea by Sadek charger plate exemplifies the traditional Gold Imari aesthetic, rendered here in a vivid palette of deep cobalt blue, iron red, and gold. Intricately hand-painted, the central panel features stylized florals surrounded by ornate borders and majestic phoenixes in a rich blue motif. This Japanese porcelain charger is marked with the Andrea by Sadek sticker and showcases the meticulous craftsmanship associated with Imari ware. Made in Japan, it is both a statement piece and a collector's item. Measures approximately 18.25"Dia. Box measures approximately 19"L x 19"W.Dimensions: See DescriptionCondition: Age related wear.

This striking Andrea by Sadek charger plate showcases the opulent Gold Imari style, a Japanese porcelain tradition known for its vivid colors and intricate hand-painted detailing. Featuring a central medallion of stylized florals in cobalt blue, iron red, and gold, the design radiates outward with phoenix motifs and ornate border work inspired by traditional Japanese aesthetics. Marked Gold Imari Hand Painted with original Andrea by Sadek sticker, this decorative porcelain piece was made in Japan and exemplifies meticulous craftsmanship and ornate elegance. Measures approximately 18.25"Dia. Box measures approximately 19"L x 19"W.Dimensions: See DescriptionCondition: Age related wear.

CROSSBOW | GERMANY, GERMAN | Country: Europe | Date: 19th century | Condition: very good | Lot information | Hunting crossbow of German origin from the 19th century with a rifle-type wooden stock. The bow is made of iron, the bowstring is provided with a protective covering. Metal elements show slight surface corrosion. The trigger mechanism is functional. The overall condition corresponds to age and use. | Dimensions | Length: 85 cm | Blade width: crossbow width - 84 cm | Weight: 10,3 kg***IMPORTANT NOTICE*** | SHIPPING ONLY WITHIN THE EUROPEAN UNION | Bidders are obliged to inform themselves about the condition of the lots before the auction, subsequent complaints will not be taken into account.

Inspired by the ancient Chinese fang ding ritual food vessels, this decorative piece features a rectangular form with four legs, twin loop handles, and a richly textured surface of raised dot and geometric motifs. The exterior is finished in a brown and green patina that imitates the look of aged bronze. Inside is a dark-toned insert"possibly made of thin cast iron or similar material"that appears fixed or not easily removable. Marked Made in Taiwan on the base, this vessel likely dates to the mid to late 20th century and was produced for decorative or souvenir purposes. A captivating piece that blends traditional form with vintage character.Issued: 20th centuryDimensions: 6"L x 6.5"HCondition: Age related wear.

Louis Vuitton 100 percent silk scarf featuring a vibrant nautical-inspired design with intertwined rope motifs in shades of navy, white, orange, and blue. The bold pattern is framed with a Louis Vuitton signature printed along the border. Finished with hand-rolled edges and a care tag noting dry clean only and to iron on the reverse side. A sophisticated and collectible accessory that blends classic maritime style with luxury fashion. Measures 40"L.Issued: 20th century Dimensions: See DescriptionCountry of Origin: France Condition: Age related wear.

A pair of late 19th/early 20th century Brittania ships chairs, with oak backs and upholstered seats and cast iron bases. Height 85 cm, width at arms 54 cm, depth +/- 44 cm, seat height 51 cm (see illustration).  The first seat has the original brown leather pad and is in good used condition, showing signs of wear and tear but nothing untoward.  The second chair is in the same condition but has a green seat pad, it shows the same age-related wear but nothing untoward.  The chairs swivel/rotate.

Pietro Piffetti (1701-1777)-manner, Commode with three drawers on curved legs. Four curved side coloumns ending in carved gilded fruit decorations on top and feeds. Curved front and sides. The top with snail formed and carved corners ending in scrolls. Hard wood corpus with rich geometrical intarsias in rose wood. Maple wood and coloured and engraved floral bone intarsias on four sides. Eight oval mother of pearl medaillons. Carved bone shields, Iron locks with later key, outsorced lower border. Inside later textile tapestry. Probably in the past restored and partly reconstructed. Signs of age, skratches. 105 x 52 cm, high 90 cm.

A METAL-MOUNTED CHANTILLY KAKIEMON EWER AND HINGED COVER FRANCE, CIRCA 1740 of typical form with loop handle and sparrow beak, decorated in iron red, green, black yellow and blue enamels, with an insect among chrysanthemums, the shoulder and slightly domed cover with a band of flowers and foliage, iron-red hunting horn mark, silvered copper mounts, possibly Hubert Louvert (1732-38) 16 cm highProvenance: Christie's London, Important French Porcelain and Faience, 29th October 1973, Lot 140 Winifred Williams, acquired on 2nd July 1975 Henry Lawrence Collection (1925-2016) and thence by descentExhibited: Metropolitan Museum of Art (The MET), New York, International China Exhibition, Grand Gallery, 1974, no. 65 Winifred Williams, London, An Exhibition of 18th Century French Porcelain, Vincennes, Sèvres, St. Cloud, Chantilly & Mennecy', 3-20 July 1978, cat. no. 71 Pictured in The Times, 22nd July 1978, in an article by Geraldine Norman entitled, 'China's Fragile Secret.' Bristol Museum & Art Gallery, Bristol, England, 2002-2023 Condition Report: Some light fritting generally. Interior discoloured. Minor wear commensurate with age and use. No damage or restoration detected. Condition Report Disclaimer

A RARE IRISH PITCH PINE SADDLE HORSE BY MUSGROVE & CO LTD., LATE 19TH CENTURY The cast iron ends bearing the Royal coat of arms and 'Musgrave & Co Ltd, Belfast' 211cm high (including iron bridle), 140cm wide, 62cm deep Provenance: Used by the Earl of Harrington during his International carriage driving career This rare saddle horse was made for cleaning, storing and repairing tack by the ironworking firm of Musgrave & Co Ltd, Belfast. Founded in 1843, the family business grew from their beginnings as hardware merchants to manufacturers of their own heating stoves and patented stable and cow-house fittings. From 1890-1914 the trade in stable fittings flourished, with agents and showrooms throughout Europe and the Americas. They were commissioned to outfit stables for the likes of the King of Spain and the cattle barons of South America. Condition Report: Marks, knocks, scratches, and abrasions commensurate with age and use. Some old chips, splits and losses and some minor old evidence of worm Some of the screws to the hinged sides are later replacements The chains/links supporting the flaps are modern replacements Overall of solid stable structure The key to the cupboard doors is lacking, the lock is open.Please see all attached images as a reference to the report.  Condition Report Disclaimer

A LARGE WHITE PAINTED GARDEN GATE 20TH CENTURY 120cm high, 295cm wide, 5cm deep excluding iron brackets Condition Report: With weathering - colour variance from exposure- dirt and scuffs, bruises and marks from use. The construction would suggest that this has been made largely for appearance- not long term durability and is largely achieved using glue and nails- not dovetails or other wood joints. . There are stress and wood cracks and shrinkages visible throughout and small areas (notably to one lower panel) where construction elements have shifted out of place from warping and use. May well require remedial work before domestic use Width of main body/posts,frame is approximately 4cm with the top bar slightly wider- see images Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.Condition Report Disclaimer

A LARGE VERDIGRIS BRONZE FIGURE OF THE DANCING FAUN OF POMPEII 20TH CENTURY In the Naples manner 81cm high, base 25cm wide Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Weathered mostly by design, with staining from exposure and by design to suggest greater antiquity, fairly crude casting and joint constructions. Rusting to base from iron pins joining feet to base. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.  Condition Report Disclaimer

A BLUE GROUND SGRAFFITO VASE Slender baluster form porcelain vase, panelled decoration of cat looking up at bird among flowers, flowers and rocks to the reverse, four character Hongxian seal mark in iron red to base, probably Republic 28.5cm high Condition Information: There is extensive restoration to the body, one panel has been re-painted This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale without disclosing the identity of the owner.

A FAMILLE ROSE '100 LADIES' PORCELAIN BOWL Circular bowl with tall rounded sides, decorated in continuous scene of ladies dancing in garden, turquoise glazed interior, with iron red Jiaqing mark but probably later 12.5cm diameter, 6.3cm high Purchased in Hong-Kong prior to 2000 This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale in the name of the owner, LEE HIN SOON.

A LARGE PORCELAIN MODEL OF A DOG Modelled seated with tongue sticking out, painted iron red overglaze body, blue and white collared harness, double-gourd bell and ribbon, in the Qianlong export style 54cm high This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale in the name of the owner, Kim Thuay Neo.

AN IRON RED 'DRAGON' DECORATED PORCELAIN SNUFF BOTTLE 19th/20th Century, cylindrical form with short waisted neck, decorated with dragon and flaming pearl, wax seal to base 6.5cm high Condition Information: Stopper absent This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale in the name of the owner, Ji Ming Lam.

A PAIR OF BLUE ENAMELLED LOTUS VINE DISHES Circular porcelain dishes with rounded sides, each decorated in seven lotus florets among vines, six character iron red Guangxu marks to base 14.5cm diameter Purchased in Hong-Kong circa 1990s This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale in the name of the owner, LEE HIN SOON.

Collection of odds to include an Art Deco brass ashtray. 13cmCast Iron Bull can opener. 15cmSmall pewter dish. 10cmFlint spear head (age unknown) 9cmwooden/brass wax seal stamp and small stone wax seal stamp.

along with two age of sigmar dreadhold keeps converted into a bastion for the iron warriors  Provenance: The Warhammer Collection of the late Jamie Farquhar. To read more about Jamie's collection, click here >>

Heywood (Thomas) The Iron Age, 2 parts in 1, first edition, titles with woodcut illustrations, the first depicting Hector and Ajax in combat, the second depicting the Wooden Horse inside the city of Troy, woodcut device on verso of penultimate leaf of part 1 and with blank leaf following, lacking initial blank to each part, cropped with loss to text and images on both titles and affecting text, catchwords etc on several other leaves, part 1 A3 corner defective and renewed with some loss of text, part 2 H2-3 with tears affecting text and partially repaired, some soiling, modern half morocco over marbled boards, [STC 13340.5; Greg II 467 & 468; ESTC S104048], 8vo in 4s, Printed by Nicholas Okes, 1632.*** Despite the faults mentioned, nevertheless a substantially complete copy of a work which rarely appears at auction. Heywood wrote four plays in his "Age" series: Golden, Silver, Bronze, and this, the final work in the series.

AN 18TH CENTURY AND LATER CONTINENTAL DOMED OAK AND IRON BOUND CHEST OF SMALL PROPORTIONS. the early oak and iron strapwork chest of small proportions with domed top folding lid, flanked by carrying handles, with original key, 30cm high, 53cm wide and 29cm deep. CR* Some minor old woodworm visible holes, losses and rust to iron strapwork, loss to back right hand corner, splits and wear throughout as expected commensurate to age.

Comics – Around 220 Bronze – Modern Age comics to include Marvel & DC examples featuring many Batman, Action Comics, The Shadow, Iron Man, Man-Thing, Detective Comics, Hell Blazer etc

Comics – Over 750 Modern – Bronze Age comics to include DC, Marvel, Vertigo, Image, Adventure featuring Batman, The Defenders, Captain America, Iron Man, Judge Dredd, Robocop, Green Lantern, The Flash, Hulk, Superman, Robin, Wonder Woman etc (4 boxes)

Comics – Around 450 Modern Age – Bronze Age comics featuring DC, Vertigo, Dark Horse, Marvel, Image etc to include Batman, Action Comics, El Diablo, Arion, Amethyst, Iron Man, Micronaughts, Marvel Universe, Howard the Duck, Conan, Thor etc (two boxes)

Comics – Over 800 Modern Age – Bronze Age comics featuring DC, Vertigo, Dark Horse, Marvel, Image etc to include King Conan, Ghost Rider, Thor, Iron Man, Power Pack, Spiderman, Spider Woman, Spawn, Green Arrow, Batman, Superman, Terminator, Planet of the Apes, Ranma ½, Cyber Force, Shadowhawk, Caravan Kidd, Dirty Pair, Pokemon, Friday the 13th, New England Tick, King Hell Rare Bit Friends etc (4 boxes)

Comics – Over 550 Bronze – Modern Age comics to include Marvel & DC examples featuring The Punisher, Thor, JLA, Spider Woman, Killraven, X Men, Iron Man, Daredevil, Ghost Rider, Cloak and Dagger etc (three boxes)

Comics - Around 650 Modern Age to Bronze Age comics to include Marvel, DC, Vertigo, Image etc featuring Justice League of America, Iron Man, Green Arrow, Captain America, Star Trek, Punisher, Micronaughts, Conan, X Men, Silver Surfer, Manhunter, Mystery in Space, 100 Bullets, various Batman etc (three boxes)

Comics – Around 450 Modern Age – Bronze Age comics featuring DC, Vertigo, Dark Horse, Marvel, Image etc to include Justice League of America, The Thing, Batman, Superman, Iron Man, Fantastic Four, Captain America, Thor, Scorpion King, Indiana Jones, Crypt of Shadows, Spider Woman, Hell and Back, Predator, Alien Encounters etc (two boxes)

Comics – Around 750 Modern - Bronze Age comics featuring Marvel and DC to include Ghost Rider, Wolverine, Warlock, Iron Man, X Men, Deathlock, The Infinity War, Namor, Batman, Outcasts, Star Lord, Advanced Dungeons and Dragons, Silver Surfer, Nick Fury Agent of SHIELD, Team America, Howard the Duck, Sgt Rock, Captain America etc (4 boxes)

Comics – Around 850 mainly Modern Age comics featuring Marvel, DC, Image, Atlas etc to include Star Trek, Star Wars, Iron Man, Vampirella, X Men, Fantastic Four, Nemesis, The Kingdom, Stormwatch etc (4 boxes)

A collection of 9ct gold charms including £10 note, horseshoe, bell, sish, teapot, heart shaped box containing engagement rings, boot and carriage, combined total gross weight approx 30.4gms, together with a white metal charm bracelet suspending various silver and white metal charms, including iron, parrot, ship, shoe etc, a/f missing clasp (1 bag) Further details: wear and tear some dents to charms wear commensurate with age 

Lionel 6-19909 Mama's Baked Beans Rotary Barrel Car, released in 1999 as part of the Lionel O Gauge series. This distinctive freight car features a bright red open frame body with four green barrels, each decorated with the colorful "Mama's Baked Beans" logo. Designed with rotating barrels, also featuring die cast metal trucks, operating knuckle couplers, and cast iron wheels. Issued: c. 1999Dimensions: 5.5"L x 13.25"W x 3.25"HCountry of Origin: United StatesCondition: Age related wear.

A Japanese katana in leather covered scabbard, the shagreen and silk wound handle with menuki to each side of exotic birds, the plain iron tsuba with holes for kozuka and kugai bearing two part signature, the fullered slightly curved blade with standard shaped tang bearing ten character signature and three further characters verso, blade length including tang 86 cm CONDITION REPORTS The length of the blade is 64 cm, length of the scabbard is 71 cm. The metal collar to the scabbard is off and loose and also has a cut to it. Has significant wear and scuffing to the leather. One of the poppers is broken. The metal hanging hoops are rusted/patinated. The sword itself - the blade is rusting variously in areas. The katana is loose. There seems to be a couple of pieces missing from the handle as there is a hole to the base. Some of the stringing is gapping and there are gaps to the areas of shagreen. Some signs of verdigris etc to the metal, in need of a good clean and some TLC. General wear and tear conducive with age and use - see images for more details

A 19th Century white painted wrought iron hoop back two seat garden bench on pad feet, 127 cm wide x 49 cm deep x 100 cm high CONDITION REPORTS The loop on the right corner is of flat texture compared to the rest of the metal work. The metal work on the support for that section i.e. the arm - looks a bit flat, however I think this may be because of the paint work. Piece is rusted throughout and the paint work is peeling heavily throughout. The back feet have damage and the two end back feet are missing the scrolls. The rest of the piece appears original, however, due to the condition of the paint work, unable to tell fully. However, clearly if there have been alterations this has been done some time ago. The left hand arm support / front leg is going inwards at an angle slightly. In need of some tlc. General wear and tear conducive with age and use. See images for more details.

[THE MAN IN THE IRON MASK]: MATTIOLI ERCOLE ANTONIO (1640-1694) Italian politician, a minister in the service of Charles IV, Duke of Mantua. Mattioli was kidnapped and imprisoned by King Louis XIV of France, and during much of the 19th century a popular theory abounded that Mattioli was the Man in the Iron Mask. A.L.S., Ercole Mattioli, three pages, folio, Venice, 12th December 1676, to the Duchess of Savoy (´Madama Reale´), in Italian. Mattioli writes a largely social letter to his correspondent, regarding current visitors to Venice, including the Duke of Mantua, measures against the Turks on Zante and the provisioning of the army, the death of some hunters on the mainland from the cold, appointments to ambassadorial posts by the Venetian state, and the work starting on the two opera houses, in part, ´Sono alcuni giorni chi e qui il S. di Mantova; che ha prego ad affitto per Quattro mesi il Pallazzo a Santa Marias Formosa, che gli anni addietro godena il Signore Marchese. Colli continui disordini, che fa e per li infelice sanita che ha, fa molto temere che non sia per perderti......Li quattro Ambasciatori d´obbedienza puo essere che andarano a Roma, se restara stabilito il loro reticcimento nella sala Reggia di S. Pietro conformi qui si pretende.......…essendo in questo porto capitata la galera Morosini sallo che ha condotto... delli armi e di ingegnere sopra la fabrica di quelle fortificazioni... tutti li piu importanti e fortificando quelli che sono piu vicini alli ottomano. La pace di Collonia da molto da temere. Con tall´ocaasione si e inbefo che li indisposizione de Visir e riconoscuita non haver rimedio. Si perdera un gran soggesto di non ordinaria stimo tanto appresso il Sultano, quanto appresso li essercito......…per la prossima settimana si dara principio alla .. dell´opera del teatro di S. Luca e doppo a quella nel teatro Primani a S. Giovanni e Paolo´ (Translation: ´For some days now the Saint of Mantua has been here; he has kindly rented the Palace in Santa Maria Formosa for four months, which years ago was enjoyed by the Lord Marquis. With continuous unrest, and due to his poor health, there is great fear that he will not survive......The four ambassadors may have to go to Rome, if their refusal to enter the hall of St Peter's Palace as requested is upheld.......…as the Morosini galley that he led has arrived in this port... of the weapons and engineer in charge of the construction of those fortifications... all the most important ones and fortifying those that are closest to the Ottomans. The Peace of Cologne is to be feared. On that occasion it was understood that the indisposition of the Vizier was recognised as having no remedy. A great subject of no ordinary esteem, both with the Sultan and with the army, will be lost... ...next week work will begin on the ... of the work of the theatre of S. Luca and after that in the theatre Primani in S. Giovanni e Paolo´). Some very light, extremely minor age wear, and with a small, neat tear to the lower edge of the first page, only very slightly touching a few letters of text, otherwise VGMarie Jeanne Baptiste of Savoy-Nemours (1644-1724) Duchess consort of Savoy 1665-75 and Regent of Savoy 1675-84.

GAINSBOROUGH THOMAS: (1727-1788) English painter. A rare A.L.S., Mr Gainsborough, in the third person, one page, oblong 8vo, n.p., n.d. (´Sat. morn[in]g´, c-1784?), to [Richard] Cosway. The artist writes a somewhat intriguing letter, in full, ´Mr Gainsborough presents his compliments to Mr Cosway; and he finds there has been a loss of Iron betwixt us, he begs in case it must be repair´d with gold or silver, that he may be permitted to share the expence with Mr. Cosway´. Neatly laid down and with some very light, extremely minor age wear, VGRichard Cosway (1742-1821) English portrait painter of the Georgian and Regency eras, noted for his miniatures. Cosway was married to Maria Cosway, the Italian-born painter who was a close friend of Thomas Jefferson.In 1784 the Cosways, who led a conspicuous and scandalous social life, moved into Schomberg House on Pall Mall, which became a fashionable salon for London society. Gainsborough was one of their immediate neighbours at the time, and his reference to iron in the present letter may have been in connection with alterations to Schomberg House, perhaps to the iron railings of the street facade.

WEDGWOOD JOSIAH: (1730-1795) English potter, entrepreneur and prominent slavery abolitionist. A rare L.S., Josiah Wedgwood, Chairman (of the General Chamber of Manufacturers of Great Britain), one page, folio, Great George Street (London), 6th June 1785, to James Hebden. Wedgwood writes, in full, ´I take the liberty of inclosing a copy of the Reolutions printed so as to shew what is omitted of the original ten Resolutions, and what has been added to them, & how they now stand in the House of Lords. From the first days debate in the house of Lords upon these Resolutions we may, according to appearances, promise ourselves a more impartial hearing than we have hitherto met with; and that their L[ordshi]ps will if applied to, modify some of the resolutions, which certainly bear too hard at present upon the British manufacturer. Indeed it is too evident, that whatever may be the object wished for by government in this treaty, the manufacturing interest is to be the sacrifice and price for that object. The committee will be glad to know if you wish them to continue their communications to you upon any future occasions. They will be glad to receive your instructions in this respect, as they would avoid being either troublesome or expensive where their correspondence may not be acceptable´. Accompanied by the (now detached) address leaf, incorporating a postscript to the verso by Wedgwood, and signed by him in the third person, ´Be so good to present this to Mr. Clapham with Mr. Wedgwood´s compliments´, and also dated at Great George Street, 6th June 1785, in his hand. The address panel to the recto appears to be in the hand of William Eden, 1st Baron Auckland, and signed (´Free, Wm. Eden´) by him to the lower left corner of the panel. Some light age wear and minor staining, most evident to the address leaf which also has a small area of paper loss caused by the original breaking of the seal. About VGIn January 1785 Thomas Walker, a cotton merchant and political radical, and one of his associates were brought before the Committee on Trade and Foreign Plantations and questioned concerning Irish relations, in an effort to secure from them, without their knowledge of the object of the questioning, statements which would commit them to the policy later presented to the public in the form of the Irish Resolutions. Walker and his associate were later repeatedly confronted with quotations from their statements, and cross-examined, and treated in a manner which was characterised by a member of parliament as ´most scandalous´. By such methods the government defeated its own ends with respect to the Irish Resolutions as well as the cotton tax. Manchester manufacturers were needlessly embittered, and were forced to associate the government´s fiscal policy at home with its commercial policy toward Ireland. The Irish question, ever a thorn in the side, was rendered acutely piercing in the case of William Pitt´s government (1783-85). Pitt, recognising Ireland´s newly acquired legislative independence, was at once confronted with the problem of economic reorganisation. His policy, formulated in the so-called Irish Resolutions or Propositions, came from the Irish parliament for consideration in the English House of Commons in February 1785. According to Pitt´s own interpretation, his policy embraced two ´capital points´, namely, the admission of Ireland to participation in England´s colonial and foreign trade (with certain restrictions) and the mutual reduction of tariffs on manufactured goods to the rate in that kingdom where existing duties were the lower. The Irish Resolutions, like the cotton tax, encountered the fierce hostility of the newer manufacturers. Pitt himself, in his private letter of 6th January 1785, to the Duke of Rutland, Lord Lieutenant of Ireland, quite frankly admitted the probability of the shifting to Ireland of certain English industries in consequence of the Resolutions. The most important of the various arguments urged against the Irish Resolutions by the manufacturers was the contrast in the tax policies of the two kingdoms. Pitt himself admitted the force of the argument, first in private, and at length in consenting to the modification of the cotton tax. The vital connection between the Irish Resolutions and the question of taxation, particularly the excise laws, was set forth in the resolutions of Manchester manufacturers on 11th April 1785. Out of this situation, which gave to the manufacturers a feeling of common interest, arose the General Chamber of Manufacturers of Great Britain. This organisation was not limited to the new capitalistic manufacturers, but the initiative and the moving force were with them. The new capitalistic industries consisted in the main of three groups: Wedgwood´s Staffordshire potteries; the iron foundries and plants about Birmingham; and the manufacturing and printing of cotton centering at Manchester. The part played by Josiah Wedgwood seems to have been the result of his hostility to the Irish Resolutions. On 21st February 1785, he wrote to Matthew Boulton, saying that he intended to recommend the organisation of ´a Committee of Delegates from all the manufacturing places of England and Scotland to meet and sit in London all the time the Irish commercial affairs are pending´ and he was not without hope that such a body would be useful ´upon others as well as the present occasion´. Results were soon manifest. On 12th March, it was reported that ´manufacturers are assembling´ at London from various parts of the kingdom. A meeting had already been held in London, at the London Tavern, on 7th March. During the succeeding week, a committee was appointed, with Wedgwood as chairman. On 12th March this committee met and issued a call for another general meeting for 14th March. At the meeting convened on the 14th, there was organised a definite body to be called the Chamber of Manufacturers of Great Britain, and to consist of ´each member of a commercial committee, being a manufacturer´. It was resolved unanimously that the society ´do not cease with the present business´. At the various meetings of the Chamber, the chairmanship was held by different men. The chairman of the meeting of 14th March was Wedgwood, who, though not a member of the aristocracy, was nevertheless invested with a respectability denied to the more ´vulgar´ and less artistic textile manufacturers. The committee recommended that the Chamber promote, by means of circular letters and in other ways, the organisation of local bodies of manufacturers, whose common interests should find expression in the central body. To distinguish the local chambers from the national organisation, it was recommended that the word ´general´ be prefixed to the title of the Chamber (extracts from The Rise of the Great Manufacturers in England 1760-1790 by Witt Bowden, 1919).Provenance: Formerly part of the collection of Ray Rawlins, author of The Guinness Book of World Autographs (1977) and bearing his small circular Collection label neatly affixed to the lower corner of the address leaf. Indeed, the signature on the present letter was used as a facsimile in The Guinness Book of World Autographs. The letter was also offered by Sotheby´s in their sale of the Rawlins Collection on 2nd, 3rd & 4th June 1980 (lot 873)OWING TO RESTRICTIONS IMPOSED BY THE SALEROOM THE COMPLETE DESCRIPTION FOR THIS LOT CAN NOT BE DISPLAYED - PLEASE CONTACT IAA EUROPE DIRECTLY FOR FURTHER INFORMATION.

A pair of wrought-iron garden obelisks, of recent manufacture, each with a ball finial, and four tiers united by square supports,33cm wide33cm deep224cm high (2)Condition ReportGeneral wear, weathering, rust, and oxidisation consistent with age and use. Minor misshapen legs. Overall, the pair present in structurally stable and ready for use.

A GROUP OF DECORATIVE AND NOVELTY ORNAMENTS comprising two painted cast-iron door stops, a reproduction A.J. Scotte lamp of a small child (untested), an Italian plastic novelty 'Charlie Chaplin' themed lamp, a Charlie Chaplin mirror, a reproduction plaque of a 12th century carving of the Sacrifice of Abraham by Roy Poette height 22cm x width 30cm, and a Henry VIII plaque (qty) (Condition Rep[ort: lamps untested, age related wear to paintwork, s.d)

A GROUP OF VINTAGE INKWELLS AND MISCELLANEOUS ITEMS, comprising an square oak desk tidy, slim drawer and brass detail knob, with heavy cut glass inkwell with brass hinged lid, 23cm square, the diameter of the inkwell is 11cm and height 13cm, (age related wear and some splits in the wood), cut crystal swirl design inkwell with white metal top width 5cm height 7cm, (lid is not secure), a late 19th century cast iron decorative inkwell and pen rest, inkwell measures width 6cm, height 7.5cm, (signs of white paint specks and Verdigris), also included a pair of oak turned wood candlesticks, height 43cm, a T. Lovejoy of Wimbledon oak and white enamel face postman's alarm clock, with pendulum and weights, two corkscrews, one with a mahogany handle and the other a 19th century turned bone handled which would have housed a brush in one end but is missing, (qty), (Condition Report: see main description for itemised damage)

Inspired by ancient Chinese fang ding ritual vessels, this rectangular metal piece features ornate geometric and studded patterns reminiscent of Shang and Zhou dynasty bronzeware. Crafted with four cylindrical legs and twin square handles, the vessel includes a removable dark-toned insert, possibly thin cast iron, that rests about halfway inside. The exterior exhibits a bronze-like patina, though the exact metal composition is unknown. Marked Made in Taiwan on the base, this piece was likely produced in the mid to late 20th century for decorative or souvenir purposes. A culturally inspired accent with striking historical design.Issued: 20th centuryDimensions: 6"L x 6.5"HCondition: Age related wear.

ALAN CLASS LOT 1 (10 in Lot) - Includes AMAZING STORIES OF SUSPENSE #31, 39, 45 + CREEPY WORLDS #59 + OUT OF THIS WORLD #14 + OUTER SPACE #4 + SECRETS OF THE UNKNOWN #55 + SINISTER TALES #33 + UNCANNY TALES #32 + WEIRD PLANETS #14 - Includes a Marvel Silver Age reprint of Tales of Suspense #41 (the third appearance of Iron Man)

An RAF WWII Air Crew Europe group of three to Geoffrey Arthur Eric Hodgkinson (1920-1992) and related RAF badges  -  1. the 1939-1945 Star, the Air Crew Europe Star and the War Medal 1939-1945, mounted for wear and with two sets of ribbon bars; 2. an RAF brass eagle badge (54 mm, Firmin of London); 3. a pair of RAF Volunteer Reserve Training collar badges; 4. two RAF Observer's brevets and an Air Training Corps 1st Class cadet sleeve badge. * Geoffrey Hodgkinson was born in Wimborne, Dorset, the son of a Lloyds Bank cashier. He enlisted in the RAF in February 1941 (1243286) at the age of 20, giving his occupation as a bank clerk. On the night of 16 April 1943 he was one of a crew of eight (the bomb aimer) of Lancaster Bomber ED691, which was shot down by a Messerschmitt Bf 110 (Me 110) night-fighter over France. They had taken off from RAF Skellingthorpe in Lincolnshire and were bound for Pilsen, Czechoslovakia. Their pilot was killed, the 2nd pilot evaded capture and the rest taken prisoner of war. The kill was claimed by the Luftwaffe night fighter ace, Oberfeldwebel Reinhard Kollak, a recipient of the Knight's Cross of the Iron Cross, who had ended the week of 10-16 April 1943 with a tally of four Lancasters, a Halifax and a Stirling. Hodgkinson was released from Stalag 357 at Fallingbostel two years later.

Squirrelman: Wilfrid Hutchinson (1936-2013) and Trevor Hutchinson (b.1960) (Husthwaite): An English Oak 5ft Sideboard, with raised upstand, above two cupboard doors enclosing three graduating drawers, turned handles, wrought-iron hinges and latches, on four octagonal and block feet, with carved squirrel trademark, 152cm wide, 44cm, 78cm high Wilfrid (Wilf) Hutchinson was a Mouseman apprentice and craftsman, leaving to establish his own furniture workshop in 1957 in the village of Husthwaite. water damage to the top, water splashes to front, ring marks to the inside shelves, wear consistant with age and use.

Robert Mouseman Thompson (1876-1955): An English Oak Chest of Drawers, with raised upstand, adzed top, above two short over four graduating drawers, with wrought iron drop handles, on four octagonal feet, with carved mouse trademark, 91cm (3ft) wide, 45cm deep, 108.5cm highsome stain and water marks to the top and front, water splashes down left side, damage through mouses tail and back, wear consistant with age and use.

Cat and Mouseman: Lyndon Hammell (1954-2015) (Harmby): An Oak Panelled Television Corner Stand, the adzed top, above two cupboard doors, with wrought iron hinges and drop handles, part shelf interior, plinth base, with recessed cat and mouse trademark,144.5cm wide, 85.5cm deep, 67cm hightop five sided  - front 101cm wide, first short side 30cm, second side/back edge 98cm, third side/back edge 98cm, forth edge 29cm91cm across doors, plinth base to front (102.5cm) and two small sides 27.5cm and 28cmcorner fitting.wear to the top, gap in plank, and ring mark, something heavy has been on the inside and pushed the planks apart, corner fitting shelf to the interior. panelled back, wear consistant with age and use.

A Japanese Shin Gunto Katana, having a 70cm curved steel blade with undulating hamon, brass habaki, pierced iron tsuba and wrapped tsuka with menuki, housed in a green painted saya, 101cm.PLEASE NOTE We have been contacted by a gentleman who believes this item to be a later copy, any perspective buyers must satisfy themselves as to age/ condition/ decription of any lot BEFORE bidding.

A fine Royal Crown Derby porcelain teacup and saucer in the iconic Old Imari pattern 1128. This richly decorated set features a bold palette of cobalt blue, iron red, and lavish 22-karat gold accents in an intricate design inspired by traditional Japanese Imari ware. The pattern is applied over a classic white ground, with a central starburst motif and repeating floral and geometric panels around the borders. Marked on the base with the Royal Crown Derby red backstamp and pattern number 1128, along with Roman numerals indicating the date code. Cup measures 2.75"H and saucer 6" dia.Issued: 20th centuryDimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.

ToyBiz Marvel Action Figure Group including: (1) Alpha Flight Northstar and Aurora; (2) Alpha Flight Snowbird and Puck; (3) Alpha Flight Sasquatch and Vindicator; (4) Sliver Surfer Beta Ray Bill; (5) Sliver Age Spider-Man; (6) Sliver Age Grey Hulk; (7) Sliver Age Gwen Stacy; (8) St Appearances American Dream; (9) St Appearances American Spider-Girl; (10) Iron Man; (11) Iron Man Stealth Armor; (12) Modern Age Shang-Chi; (13) Modern Age Captain Britain; upon Good to Good Plus carded backs (some edge wear); Good Plus to Excellent; (13).

Early 20th-century alternating current electric fan manufactured by Fort Wayne Electric Works, Fort Wayne, Indiana, USA. Featuring a four-blade design with a brass center medallion bearing the initials EWEW, this vintage desk fan is mounted on a sturdy cast iron base with original black paint. The protective wire cage surrounds bronze-colored blades, and the motor housing includes a manual adjustment lever.Dimensions: 18.5"HCondition: Age related wear. Functionality not guaranteed.

This charming antique cast iron doorstop features a young girl clutching a doll, with endearing facial details and a large bow in her hair. Retaining much of its original painted finish in shades of tan, green, and yellow, the piece exhibits expected surface wear, paint loss, and oxidation from age, contributing to its authentic patina. The doorstop is formed as a two-part casting with hollow back and molded base, consistent with early 20th-century manufacturing techniques. Though unmarked, the styling and form are reminiscent of Hubley or National Foundry designs from the 1920s-30s. A delightful and nostalgic decorative accent for collectors of vintage Americana or folk art cast iron.Issued: c. 1920Dimensions: 10"HCondition: Age related wear.

This dramatic carved wooden figure represents a traditional Nkisi Nkondi, or nail fetish figure, rooted in the spiritual practices of the Kongo peoples of Central Africa. The statue is covered in iron nails and metal blades, each traditionally driven in to activate its protective or judicial powers. With a dynamic, weathered form, this figure includes a pronounced facial expression, an open cavity in the torso"possibly once holding ritual substances"and a skirt of coarsely braided natural fiber. The body surface shows intentional wear, pigment remnants, and iron oxidation consistent with ritualistic treatment. These figures were historically used to seal oaths, settle disputes, and serve as spiritual sentinels. Today, they are sought after for their powerful symbolism and raw sculptural presence.Dimensions: 27"HCondition: Age related wear.

Bronze Age Comics - Marvel, The Avengers, featuring The Savage Sword of Conan, Iron Fist, Shang-Chi Master of Kung Fu, issues #1 (September 22nd 1973)-#135 (including 2 copies of #5 and #41), #137-#139, #141-#148 (July 14th 1976) (including 2 copies of #141); The Avengers Annual, 1976 (150)

Silver Age Comics - Batman DC, Sept. No. 205; Tomahawk DC, Apr. no. 121, Neal Adams; others, Fantastic Four, Iron Man, Teen Titans, Spiderman, Avengers, Hulk, etc (qty)

Unconfirmed Maker - Large Scale Cannon Models, comprising: Naval Cannon [Napoleonic], ACW Napoleon Cannon, Gatling Gun, Garrison Cannon & 16th Century Cannon. Made From, Brass, Wood and Wrought Iron. Sizes Range From: 18cm to 35cm in Length. Some age wear [would benefit from a thorough clean] otherwise generally Excellent overall [5 pces]

A PAIR OF CAST IRON URNS, 20th century, of semi fluted campana form with scrolled handles and ovolo moulded rim, on fluted socle and square base, 35 1/2" w x 24" h (Est. plus 24% premium inc. VAT)Condition Report: Good condition, some rust pitting consistent with age and use. Handles firmly attached.

Continental Iron Age, GALLO-BELGIC, Nervii, gold Stater, c. 100-57 BC, Class II/III, ‘Epsilon’ type, degraded stylised head right, facial features epsilon shaped, rev. horse right, ring before head, two curved lines ending in globules below, wheel above not visible, 5.93g/4h (LT 8746; Scheers series 29, 218; DT 179). Struck from very worn dies with little detail visible, however an attractive bright yellow flan and very fine £200-£300 --- Provenance: Reportedly found near Sussex by a detectorist, particularly rare thus

British Iron Age, ICENI, Uninscribed issues, base gold Stater, British J [Norfolk Wolf type], degraded head of Apollo right, rev. crude wolf left, crescent above, pellets and ornaments around, 4.49g/6h (ABC 1396; BMC 217; VA 610-2; S 31). Good fine, very dark toning £60-£80