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A large 19th century Chinese jade brush washer, modelled as a leaf with pierced floral and branch frame, russet inclusions, length 15cm, width 8.75cm, height 5cm.

Seven Chinese carved jade pendants, including a rectangular example with gilt heightened character decoration, 6 x 4.2cm, a further jade carving of a climbing monkey, 6 x 3cm, a jade bead, length 3cm, a yellow metal mounted nephrite jade circular pendant, diameter 3cm, etc (7).

A Chinese pierced jade plaque, suspended on a yellow metal chain stamped '18K', the plaque length 7.5cm, length of chain 84cm, the chain approx 10g.

A Chinese carved jade pendant, decorated with a beetle and pod, length 8cm.

A collection of assorted costume jewellery, including two single strand pearl necklaces, one approx 130cm, an onyx bead necklace, further glass bead necklaces, a nephrite jade and white metal mounted Chinese bracelet, a pair of 925 hallmarked silver oval onyx set earrings, a pair of purple stone yellow metal mounted drop earrings, etc.

A group of jade, nephrite jade and other carved hardstone costume jewellery, also two turquoise and white metal set necklaces, etc.

Seven modern Oriental items, including a trinket box with jade style panels, height 17.5cm, a modern small koro with carved wooden lid, on stand, height including stand 19cm, a cloth doll, a wooden child's abacus, a scroll holder, a carved elephant pushing log with man mounted to the top, etc (7).

A Chinese carved jade group of two ducks, with dark green inclusions, length 5cm, two small Chinese jade carvings, lengths approx 2.5cm, and a carved agate model of a recumbent hound, length 5cm (4).

Four items of jade style jewellery comprising a hound's tooth shaped pendant, on gold coloured mount, unmarked, length 4cm, a drop pendant on dainty chain and hoop clasp, length of chain 46cm, a necklace with oval links with oval embellished drop, on gold coloured metal chain, unmarked, length 42cm, and a bracelet consisting of five claw set oval jade panels and further oval panels to each side, with box clasp, marked in Chinese to the back of the clasp, length 16cm (4). Condition Report: Everything except the bracelet is unmarked, the bracelet is marked with two small Chinese text boxes but we cannot confirm if this is a valid gold mark.The condition of all items appears good with no signs of any breaks, bends or solders to the metal and no signs of any breaks, chips, cracks to the stones.

A Chinese jade archaic belt hook, with russet inclusions and simple carved decoration, length 9cm.

A late 19th century Chinese embossed brass rectangular trinket box, with traces of applied jewelled detail and decorated with dragons, the lift-off lid centred with a carved jade plaque depicting flower heads and leaves, the plaque 8 x 4cm, the box 14.5 x 11.5cm.

Jade pendant in the form of a gourd with 14k yellow metal naturalistic form mount, 6cm high together with a string of jade round beads, each bead approximately 7mm diameter, total length 60cm

Chinese jade and pierced wood table screen decorated with fish and calligraphyThe jade table screen is in good condition with no chips or cracks to the frame, their are no signs of repair/damage to the jade frame or jade however their is a small crack that has been repaired to the stand as seen in photographs. The Jade in the frame measures approximately 23.5cm x 13.5cm, we believe the jade to be late 19th century/early 20th century but please decide for yourself, we believe it is not glass but a soft stone

Chinese carved jade seal, carved with a seated figure and Chinese and European text characters, 6.5cm high

A Chinese jade carving, 20th century, of a finial, carved with a tiger and deer in the garden, 5cm highCondition ReportModern. No obvious faults. Please see additional images. 

A Chinese jade carving, 20th century, of three boys playing with brocaded balls, 7.5cm highCondition ReportModern. No obvious faults. Please see additional images. 

Group of 9ct gold jewellery to include pair of cufflinks, pair of earrings, ropetwist chain, jade/green hardstone ring, two garent cluster rings and two yellow metal disc pendants 9ct gold jewellery weighs 31.1 grams in total.Two yellow metal disc pendants are both unmarked and weigh 9.3 grams in total.

Three Victorian and later 18ct gold rings to include a jade/green hardstone cabochon and diamond ring, size L½, diamond cluster in platinum setting, size M½ and a diamond single stone ring, size MTotal weight 8.3 grams

comprising a fine celadon jade inscribed plaque,with the hehe twins on the front;and a chilong and bi disc pendant in openwork low relief, with some russet skin on the front. Dimension:The first H:5.5cm., the second H:5.8cm.. Condition:Good. Provenance:

3 chinesische Jadeschnitzereien "Früchte"hellgrüne und braune Jade, geschnitzt, diverse Formen, L 3,5-7cm

Konvolut asiatisches SteinobstJade, Quarz u.a., 3 Weinreben, 2 Pfirsiche und 1 Birne, H ca. 7-18cm

Chinesische Jadeschale auf Holzstandhellgrüne Jade mit dunklen Einschlüssen, geschnitzt, vertiefte Blütenform mit plastischem Blüten- und Rankendekor sowie einem Drachen, D 11,5cm, H (ohne Stand) 5cm, mehrfach bestoßen, geklebt

A silver and jade-style green stone necklace.

A pair of 14ct yellow gold and green jade-style hardstone cufflinks - stamped '14K', the 18 x 13mm cabochon stones within crimped borders.

A lavender jade cabochon diamond necklace 9ct 18 inch 1.6 gms

A coral turquoise jade necklaces etc.

A silver jade bangle and carved jade pendant

A pair of gold and jade earrings 14ct gold

A Chinese jade carving, late Qing dynasty, of a boy carrying a lotus flower on his shoulder,5cm high清晚期 玉雕童子吊坠Condition ReportMinute chips to edges.

A Chinese malachite brush washer, 20th century, carved with a bird perched on a pine branch, 13cm long, a wood box and cover, carved with lingzhi and bamboo by a rock, 8.5cm diameter, and a jade box,plain, with an associated cloisonné cover,6cm diameter (5)Condition ReportMalachite - chipped to edges. Box - cloisonne cover dented, jade box with minute chips to edges. Wood - no obvious faults.

A Chinese jade carving, Yuan dynasty (1271-1368), carved with a chilong, 7cm longProvenance: Purchased by the grandparents of the present owner from John Sparks Ltd. by repute and thence by descent.元 玉雕螭龙纹残件Condition ReportPossibly cut off from a larger piece.Small chips and cracks in various locations.

A Chinese jade carving, late Qing dynasty, with a frog hovering on a pomegranate, 4.5cm long清晚期 玉雕多子多福把件Condition ReportMinute chips to edges.

Chinese Archaeology, Jade, etc. including: Dou ji tai gou dongqu muzang tu shuo (Archaeology of Douji tai), Su Bingqi 1954; Huixian fajue baogao (reports of Huixian archaeology), 1956; HAMADA, Kōsaku. The Early Chinese Jades in the Collection of the Late Riichi Uyeno. Kyoto: Hamada Kōsaku, 1925. 2 volumes; etc. (qty.)Provenance: Arthur Probsthain bookshop, London.

A Chinese jade plaque, Qing dynasty (1644-1911), of oval form, pierced and carved with a goose in a lotus pond, later fixed to a wood box, with an 'E&J Frankel Collection, No.732' label to base,overall 6.2cm long (2)清 嵌春水纹玉牌盖盒Condition ReportSmall chips and cracks to edges. Knocks and surface scratches to wood.

A collection of Chinese snuff bottles, late Qing dynasty, in silver, porcelain, agate, or hardstone, 5 to 7cm high, and two jade pendants, one in the shape of a crane, the other oval, carved with a landscape, inscribed to the reverse, 3.5 and 5.5cm long (10)Condition ReportCrane - minute holes for suspension.Blue and white - with tiger's eye stopper. Chipped to rim.Butterscotch amber with mask and ring handles - chipped in various locations, a crack to base, agate stopper. Silver - inlaid with turquoise and coral, spoon tested silver. Surface scratches and minor dents. Agate - the stopper with a mother-of-pearl cabochon and base metal bezel, spoon tested silver and dented, chipped to rim.Flattened hardstone - the stopper with silver bezel and spoon.Another hardstone - the stopper with silver bezel and underlid, spoon base metal. Minute chips to rim.Agatized dinosaur bone - small chips to edges.

A Chinese jade carving, of two cats resting on a large leaf, 7.5cm long, wood stand (2)Condition ReportJade with minute chips to edges.

A Chinese jade pendant, carved with bamboo with two bats,6cm longCondition ReportThe stone with natural inclusions.

An Indian carved jade box, 19th century, the silver-mounted box with foliate polychrome and gilt decoration, the hinged top revealing a fitted interior with a mother-of-pearl and brass compartment, and a hidden drawer,20cm wideCondition ReportThe box with losses present - the latch to the front of the box present and in need of reattachment. The base of the box repaired. The interior of the box also with losses and the lining frayed. Handle to hidden drawer lacking.

A Chinese jade carving, late Qing dynasty, of a recumbent tiger, 8.5cm long, wood stand (2)清晚期 玉雕虎把件 连木底座Condition ReportSmall knocks to wood stand.

A Chinese jade pendant, carved with finger citrons, together with peaches, lingzhi, pomegranates and a bat, 6cm longCondition ReportNo obvious faults.

Chinese Art: Osvald Siren: collection, including: Les Peintures Chinoises Dans Les Collections Americaines, 3 vols. Planches 81-2000. Paris, 1928, Folio, slipcase; Ars Asiatica: vol. vii- Documents d'arts Chinois; Plus: Nott, S C: Chinese Jade Throughout the Ages. L, Batsford Ltd, 1936; Fenollosa, E F: Epochs of Chinese and Japanese Art, Vol.1, Heinemann, no date; Bushell, S: Chinese Art vol. 1, L, Board of Education, 1924; Roger Fry, Bernard Brackham et. Al: Chinese Art, An Introductory Handbook to Painting, Sculpture, Ceramics, Textiles, Bronzes & Minor Arts. L, Batsford, 1935 (qty.)Provenance: Arthur Probsthain bookshop, London.

A Chinese bronze incense burner, Qing dynasty (1644-1911), the slightly tapering cylindrical body flanked by two handles cast in the form of stylised halberds, with a four-character Yu Tang Qing Wan (for pure appreciation in the Jade Hall) mark within a recessed rectangle to base,13cm long, wood stand (2)清 铜双戟耳香炉 《玉堂清玩》篆书模款 连木底座Condition ReportCenser with surface scratches and minor dents. Wood stand with small knocks to edges.1105.5g.

A Chinese jade plaque, late Qing dynasty, carved with Magu carrying a fruiting peach branch on her shoulder between cloud borders, the reverse with a double xi character, mounted as a desk clip in silver, similarly decorated, 7cm longProvenance: Purchased by the grandparents of the present owner from John Sparks Ltd. by repute and thence by descent.清晚期 麻姑献寿喜字玉牌Condition ReportSmall chips to edges. Unable to check condition under silver.Silver with surface scratches.

A Maori nephrite jade pounamu Kuru pendant 6cm together with a 20th century carnelian and metal work pendant of claw form 4cm wide 5cm high Provenance: Alan Winston (1930-2021) primitive arts dealer and painter 1960s -1980s Winston house, New York, USA

Four Chinese hardstone carvings, including jade snuff bottle of baluster form, archaistic wrist rest, belt buckle and a quartz or rock crystal figure of a Buddha standing on a bag, 12.5cm long (4)

A pair of vintage sterling silver and jade earrings.

A Chinese jade/hardstone teapot, L. 13cm, together with five other items.

A lovely Chinese carved jade/hardstone figure of a musician on a carved wooden stand, H. 15cm.

Collection of Chinese jade / hardstone or similar animals and porcelain snuff bottles, tallest 14cm

A collection of over 70 carved jade pendants and plaques including rabbits, leaves, animals, fruit, dragon, etc, largest 4.2 x 2.8cm, smallest 0.9 x 0.5cm 

Chinese Jade or similar bowl with metal mounts with character marks to base, diameter 7cm, together with a silver mounted carved jade brooch

Three jade or similar hardstone pedestal dishes including a pair, largest diameter 10cm x 4.5cm

19th/20thC Chinese carved and pierced jade disc with bird decoration, diameter 7.5cm

19th/20thC Chinese carved and pierced jade amulet, W5 x H2.5cm

19th/20thC or earlier Chinese carved celadon jade archaic twin handled pedestal vase, H11.5cm

19th/20thC carved celadon jade figural dragon belt hook or buckle, length 9.8cm

CUMMINGS, ANGELA1944 KlagenfurtKarneol-Gold-Set: Set: Collier und Ohrclips. Herkunft: USA. Datierung: 1993. Material: 750/- Gelbgold, Punze. Gesamtgewicht: ca. 281,0 g. Maße: Länge Collier 49,5 cm, Ohrclips 2,8 x 2,5 cm. Edelsteine: 99 Karneolkugeln Ø 1,2 cm, leichte Bänderungen sichtbar. Beschreibung: Collier signiert "CUMMINGS", Ohrclips "ANGELA CUMMINGS". Dekoratives Set der Schmuckdesignerin, die insbesondere für ihre Entwürfe in Gelbgold mit zarten Einlagen aus Materialien wie Perlmutt und Jade für Tiffany & Co. um 1975-1984 berühmt wurde. Dreireihig geknüpftes Kugel-Collier mit zwei markanten, ineinandergreifenden, goldenen Ösen. Skulpturale Ohrclips aus geschnitzten Karneol-Elementen, mit organisch anmutenden goldenen Linien überzogen, rückseitig goldverbödet. Voraussichtliche Versandkosten für dieses Los: Deutschland: 100,00 Euro inkl. 15,97 Euro MwSt EU: 32,00 Euro inkl. 5,11 Euro MwSt Weltweit: 80,00 Euro inkl. 12,77 Euro MwSt zzgl. VersandversicherungErläuterungen zum Katalog Angela Cummings Österreich Schmuck Moderner Schmuck Set Gelbgold Karneol USA

JADE-ONYX-ARMBAND. Herkunft: Wohl Italien. Datierung: Um 2000. Material: 750/- Weißgold, Punze. Gesamtgewicht: ca. 31,0 g. Maße: Länge 18,0 cm, Breite 1,6 cm. Diamanten: 44 winzige Brillanten zus. ca. 0,4 ct., H-J/SI-P. Edelsteine: 3 Onyx-Ringe Ø ca. 1,5 cm, 4 florale, gravierte Jade-Elemente 15,3 x 15,8 x 3,5 mm. Voraussichtliche Versandkosten für dieses Los: Deutschland: 100,00 Euro inkl. 15,97 Euro MwSt EU: 32,00 Euro inkl. 5,11 Euro MwSt Weltweit: 80,00 Euro inkl. 12,77 Euro MwSt zzgl. VersandversicherungErläuterungen zum Katalog Schmuck Moderner Schmuck Armband Weißgold Jade Italien

ARPELS, DOMINIQUEDiamant-Jade-Brosche "Gans". Herkunft: Frankreich. Material: 750/- Gelbgold, Punze, Nadel 585/- Weißgold, getestet. Gesamtgewicht: ca. 15,0 g. Maße: 6,3 x 1,9 cm. Diamanten: 11 Brillanten zus. ca. 0,04 ct., H-J/VS-SI. Edelsteine: Geschnitzte Elemente aus weißer Jadeit Jade, Onyx und Koralle. Beschreibung: Meisterpunze, Individualnummer. Außergewöhnliche Brosche in Form einer Brandgans (Tadorna tadorna), der Körper aus geschnitzter weißer Jade, um den Hals ein Band aus Koralle, Kopf und Schwanzfeder aus Onyx gefertigt. Flügel gelbgoldverziert und brillantbesetzt. Gelbgoldverbödung, Doppelnadel. Voraussichtliche Versandkosten für dieses Los: Deutschland: 100,00 Euro inkl. 15,97 Euro MwSt EU: 32,00 Euro inkl. 5,11 Euro MwSt Weltweit: 80,00 Euro inkl. 12,77 Euro MwSt zzgl. VersandversicherungBitte beachten Sie, dass dieses Objekt aus Materialien besteht, für deren Export in Länder außerhalb des EU-Vertragsgebiets eine Genehmigung aufgrund der Cites-Bestimmungen erforderlich ist. Wir weisen darauf hin, dass eine solche Erlaubnis normalerweise nicht erteilt wird.Erläuterungen zum Katalog Dominique Arpels Schmuck Moderner Schmuck Brosche Gelbgold Jade Frankreich

TIFFANY & CO. DESIGNED BY ELSA PERETTI: A PAIR OF JADE 'BEAN' CUFFLINKSEach polished jade bean front and back, mounted in 925 silver, signed Tiffany & Co. & Elsa PerettiBorn in Florence in 1940, Elsa Peretti led a life that spanned multiple countries and disciplines. Educated in Rome and Switzerland, she left home at 21 to teach abroad, later working as an interior designer in Milan. In 1966, she moved to Barcelona, where she began modelling, eventually relocating to New York two years later. In the 1960s and ’70s, Peretti forged her way as a fashion model and joined the glitterati of the New York’s nightlife scene, often attending Studio 54. During this time, she worked with photographers such as Helmut Newton and developed lasting relationships with designers, including Giorgio di Sant’Angelo and Halston. Peretti’s early jewellery designs were featured in Halston’s runway shows, complementing his minimalist style. Halston’s influence encouraged her to focus more seriously on jewellery design, so much so he became a key figure in her life, both personally and stylistically. Renowned for her effortless style, Peretti was soon invited to design silver jewellery in Manhattan. In 1972, she opened a boutique at Bloomingdale’s within Cul de Sac, a space for emerging designers. Two years later, through a meeting arranged by Halston and fashion editor Carrie Donovan, she joined Tiffany & Co. and was offered a contract shortly thereafter. Elsa Peretti’s defining moment came in 1974 when she began working with Tiffany & Co., reintroducing sterling silver to the brand for the first time in 25 years. Inspired by Victorian silver pieces she had encountered in London’s Portobello Road, she brought a fresh, modern perspective to Tiffany’s designs. That same year, she introduced her 'Diamonds by the Yard' collection, featuring fine gold chains with bezel-set diamonds, presenting a fresh and more accessible way to wear these precious stones.Her designs were deeply influenced by personal experiences, tactile sensations, and objects around her.  Wearability was central to her work, ensuring each piece was comfortable, fluid, and body-conscious. In 1975, while visiting India, Peretti discovered a metal mesh fabric that intrigued her with its movement and texture. She reached out to Samuel Beizer, Director of the Jewellery Department at the Fashion Institute of Technology, and together they sourced antique machinery originally used to make mesh for evening bags in the early 20th century. This led to the creation of Peretti’s iconic mesh pieces, including a bra that debuted on the Halston runway and the scar, that with its innovative design created a fluid, tactile quality that became a hallmark of her work. By the mid-1970s, Elsa Peretti had established herself as a defining figure in contemporary jewellery design, creating some of the most recognisable pieces of the 20th century. Among them were the Open Heart, inspired by a void in a Henry Moore sculpture; the Bean, symbolising the beginning of life; and the Bone Cuff, inspired by the Capuchin crypt in Rome and Gaudí’s forms in Barcelona. One of her most notable designs, the Snake, was inspired by a rattlesnake tail given to her by a friend from Texas, which she kept as a talisman throughout her youth. The first design featuring this motif was a necklace-belt composed of 120 graduated, fully articulated bean-shaped links, allowing fluid movement. When the belt was first showcased in Women’s Wear Daily in 1973, Peretti modelled it herself, paired with a calf-length cashmere sweater dress by Halston. Over time, the snake motif was expanded into various forms, including a belt buckle, hairband, necklace, choker, pendant, bangle, ring, and earrings. Elsa Peretti passed away in March 2021 at the age of 80 in her Spanish home, leaving behind a lasting legacy in the history of jewellery design.  Condition Report: Normal signs of wear, overall in good conditionTotal gross weight approx. 11.4g