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Click here to subscribeEight designer silk scarves, all approx 85 x 85cm, including Yves Saint Laurent, Gustav Klimt, Eliso Firenze, Pablo Picasso, Joseph Janard, Rodier, Echo etc, also a Ralph Lauren cream silk lady's scarf, with tasselled ends, 135 x 28cm, a further silk scarf, 178 x 35cm, and a Berta Maria silk scarf (boxed) (11).
Wiener Jugendstil - Secession - - Gustav Klimt. (1862 Baumgarten - 1918 Wien). Beethovenfries. Ausstellungstext u. 4 photogr. Bildtaf. In: Carl Moll, Bearb.: Ausstellung von Erwerbungen und Widmungen zu Gunsten der öffentlichen Sammlungen des Vereines der Museumsfreunde in Wien 1912-1936... Mit 10 photogr. Bildtaf., 172 Nrn. Wien, Secession, 1936. 27 (1) S. Lex-8°. OBrosch m. typograf. Umschlagtitel. - Beigegeben: 5 illustr. Ausstellungs- bzw. Auktionskataloge der österr. Moderne mit Beteiligung u.a. von Herbert Böckel, Oskar Kokoschka, Egon Schiele. Wien und Brünn, versch. Vlg., 1904-1929. Beigegeben: I. Internationale Jagd-Ausstellung. Egon Schiele, Josef Hoffmann, Berthold Löffler u.a. 332 Nrn., 7 Bildtaf. Wien, Weiner, 1910. - XVII. Ausstellung von Werken der bildenden Kunst. Landschaften, Porträts und Stillleben u.a. von Adolf Ditscheiner und Peter Paul Müller. 171 Pos., 12. Bildtaf. Wien, Dorotheum, 1906. - CIV. Ausstellung der Vereinigung bildender Künstler. Wiener Secession. Herbert Böckel, Alfred Kubin, Oskar Kokoschka u.a. 223 Nrn., 18 Bildtaf., inkl. Preisliste. Wien, 1929. - Öffentliche Versteigerung der Ölgemälde und Naturstudien des Landschaftsmalers Peter Jaros, Brünn. 141 Pos., 4 Bildtaf. Wien, Wawra, 1904. - 114. Ausstellung des mährischen Kunstvereines in Brünn. 180 Nrn. mit Preisliste. Brünn, (Burkats), 1914. - Einige Umschläge leicht fleckig, mitunter mit minimalen Fehlstellen an den Rändern. Catalogue of an early exhibition of Gustav Klimt's dismantled Beethoven Frieze, with 4 photographic plates and attributed text. - Enclosed: 5 illustrated exhibition and auction catalogues of Austrian modernism with contributions by Herbert Böckel, Oskar Kokoschka, Egon Schiele, among others. Vienna and Brno, various publishers, 1904-1929. - Some covers slightly soiled, with minor faults at margins.
Two contemporary Austrian Frey Wille enamel Ballerina Clasp Bangles with silver finish, one 'Hommage à Gustave Klimt' Nix Aqua, the other with a multicoloured pattern resembling mosaic or stained glass windows, the interiors stamped with maker's marks, both contained in blue fabric pouches, each 6.5cm outer widest, 1.2cm wide, total weight 71.2g. (2)CONDITION: Both intact and sturdy, and with no losses to the enamel panels, but with scratches and small scuffs to the silvery surface from being worn. PACKING & SHIPPINGLet us take the hassle of sorting out packing and shipping from you. Mark Hill Auctions is delighted to be able offer the buyer an in-house packing and shipping service for this lot. We use UPS for shipping and all packages are sent insured with a tracked service. We do not ship without insurance. We do not use any other service such as Royal Mail, FEDEX or DHL.Please see below for estimated packing and shipping prices: UK (Estimated): £14.00 USA (Estimated): £25.00 EU (Estimated): £20.00 R.O.W. (Estimated): £38.50In addition to these packing and shipping estimates, insurance will be charged as described below.INSURANCE We only ship with insurance. Insurance costs 1.5% of the total of the hammer price plus buyer’s premium and any applicable VAT, so you can work this cost out yourself when you have won a lot and received your invoice. As such, the price for insurance will be added to the above estimates if you request your item(s) to be shipped.HOW TO REQUEST SHIPPING To request packing and shipping, please wait for your invoice to arrive by email and click on the ‘Request Postage’ button on your invoice, or contact us by email at admin@markhillauctions.com requesting packing and shipping for your lot(s). The actual packing, shipping and insurance cost will then be added to your invoice and your invoice will be resent to you for payment.VAT All above quoted packing, shipping and insurance prices will have VAT added at 20%.IMPORTANT When you request your lot(s) to be packed and shipped, you understand and agree that you are committing to pay for packing and shipping because, in order for us to give you an accurate cost, we need to pack the lot(s) to ascertain the final weight and size. By doing that, we have already incurred cost by spending time and using materials to pack your lot(s). Therefore this charge must be paid, even if you later decide to collect your lot.Please note that this packing and shipping service is undertaken entirely at the buyer’s risk. Whilst we are careful and experienced and take the utmost care to pack items as well as we can, we cannot be held responsible for any damage to, or loss of, items packed and sent to you. By paying for our in-house packing and shipping service, the buyer agrees that any items are sent entirely at their own risk and that no compensation can be offered by us for any loss or damage. Lots must be paid for in full before they will be packed and released.MULTIPLE PURCHASES The estimates above are for this lot only. If you buy multiple lots from this auction, they can be combined where possible into one or more packages - size, shape and weight permitting. For these packages containing multiple lots, you will receive a discount of 17.5% of the total of the applicable quotes listed for those lots.IMPORT DUTIES When your item(s) arrive in your country, import duties & taxes and other service charges may be payable before goods are released to you. These duties, taxes and charges vary for each country and are entirely your responsibility and must be paid by you. Please note that we have no way of knowing what they will be. If you do not pay these charges, your item(s) will be returned to us.
oil on board, signed, titled and dated 1999 verso framed image size 190cm x 120cm, overall size 198cm x 132cm Note: Kelley-Anne Cairns studied painting at Gray's School of Art, Aberdeen. After graduating in 1999 with a BA (Hons) she was awarded the John Kinross Travel Scholarship to Florence. She was accepted for the BP Portrait Award exhibition in 1999 and has continued to paint with much success ever since. She exhibits regularly in London, Edinburgh and Glasgow selling her work worldwide. The author J.K.Rowling is among her many private collectors. Her main sources of inspiration are aged frescos of Italian Renaissance painters and the design and texture of fabrics, which are a personal love. She has been described as "accomplished and powerful" and "a modern Klimt", The Herald. Kelly-Anne describes her work as portraying the human form and emotions. "I manipulate the figure and its surroundings by exploring the contrasts between the angular shapes surrounding the figure and the soft contours of the body."
Gustav Klimt, 1862 Wien – 1918 ebendaMÄDCHENAKT VON VORNE, DIE HÄNDE AM RÜCKEN VERSCHRÄNKTBleistift auf Papier.56 x 36,8 cm.Auf dem Passepartout den Künstler nennende Gravurplakette. Verso mit mehreren Etiketten.In Passepartout, hinter Glas gerahmt.Papier teils uneben mit Randlädierungen.Provenienz:Ehemals La Boetie, New York.Auktion Wolfgang Ketterer, München, 26.-30.05.1975, Nr. 927 (Abb.).Laut Etikett verso: Aoki Gallery, Tokyo.Privatsammlung Dortmund.Literatur:Das hier angebotene Werk ist verzeichnet in: Alice Strobl, Gustav Klimt, Die Zeichnungen 1912 - 1918, Salzburg 1980, S. 190, Nr. 2905.L‘Art Ancien, Zürich, Katalog 53, Nr. 75.Dorotheum, Wien, 17.-20.03.1964, Nr. 291, Tafel 89. (1421658) (13)Gustav Klimt, 1862 Viennna – 1918 ibid.NUDE GIRL SEEN FROM THE FRONT, WITH HER HANDS CLASPED BEHIND HER BACKPencil on paper.56 x 36.8 cm.Engraved plaque naming the artist on the passepartout. With several labels verso.Provenence:Formerly La Boetie, New York. Auktion Wolfgang Ketterer, München 26. - 30. May 1975, No. 927 (fig.)According to label verso: Aoki Gallery, Tokyo.Private collection, Dortmund, Germany.Literature:The work offered here is listed in: Alice Strobl, Gustav Klimt, The Drawings 1912 - 1918, Salzburg 1980, p. 190, no. 2905.L’Art Ancien, Zurich, catalogue 53, no. 75., Dorotheum, Vienna, 17 - 20 March 1964, no. 291, plate 89.
Dumont-Wilden (L.) Fernand Khnopff, number 35 of 50 large paper copies on Japon with an original signed drypoint 'Les Grelots', tipped-in portrait and plates, captioned tissue guards (some a little spotted), illustrations, old continental shelf-label to front free endpaper, flyleaves browned, contemporary floral-patterned cloth, a little rubbed and marked, spine and edges faded, embossed paper endpapers, top edge stained red (occasionally visible at head of leaves), 4to, Brussels, 1907.*** Monograph of this Belgian Symbolist artist, a member of Le Group des XX and influence on Gustave Klimt.
Kersten (Paul, binder).- Ver Sacrum. Organ der Vereinigung Bildender Kuenstler Österreichs, 23/24 issues in 2 vol. (May/June 1898 a double issue), illustrations, some colour, magnificently bound in turquoise goatskin with onlays and tooled in gilt, by Paul Kersten, each volume with different design but both extending across spine and reflected on lower cover, title in gilt to upper covers, 1898 volume with swirling Art Nouveau sprays inlaid in tan and russet goatskin and small flowers to spine, 1899 volume with more elaborate design of elliptical panel formed by onlays of olive and russet goatskin containing leafy fronds and frame of wavy lines in gilt with olive onlays & leafy fronds to corners, both signed with monogram to upper cover and name to lower, marbled blue and tan doublures and endpapers, inner gilt dentelles of small dots to first volume and wavy suns to second, original printed pictorial or decorative wrappers bound in, a little rubbed and faded, particularly spines, very slight staining to upper cover of vol.1, small repairs to spines and corners, 4to (bindings c.295 x 290mm.), Vienna [& Leipzig], 1898-99.*** The first two years of this ground-breaking five-year periodical devoted to the Vienna Secession movement in superb Art Nouveau bindings. The magazine was founded by Gustav Klimt and Max Kurzweil and designed primarily by Koloman Moser, with the architects Josef Hoffmann and Joeph Maria Olbrich among the group's members and contributors. Poems by Rainer Maria Rilke appeared in 1898 and 1899 issues while the March 1898 issue was devoted to Klimt, Alphonse Mucha designed the cover for November, and the December issue was illustrated by Fernand Khnopff. Paul Kersten (1865-1943) was the pioneer of modern German bookbinding. Having trained at his grandfather's bindery in Glauchau he worked for H.Sperling in Leipzig and the Buntpapierfabrik A.G. in Aschaffenburg, for whom he designed decorated papers. He introduced Art Nouveau into German bookbinding and became a skilled teacher of the craft to many, including Otto Dorfner.
Austrian Secessionist School : Four figures in a rowing boat with Austrian flag, as two others untether the vessel from the shore, watercolour, 31 cm x 98 cm, signed Hertha Zuckermann, with Bernard J Stone gallery label verso. * Hertha Zuckermann was a student of Austrian artist and teacher Franz Cizek (1865-1946). Cizek began the Child Art Movement in Vienna, opening the Juvenile Art Class in 1897. His work 'Hertha Zuckermann, Aged 14 Years', was reproduced as a chromolithograph, and the image is now strongly associated with the Vienna Secessionist Movement, alongside the works of Klimt, Moser, and other contemporaries.
Konvolut Literatur zu Zeichnungen des 19./20. Jhs., u.a. Ausstellungskatalog, „Hans von Marées Zeichnungen“, Wuppertal 1987; Georg Striehl, „Der Zeichner Christoph Heinrich Kniep“, Studien zur Kunstgeschichte 128, Hildesheim 1998; Sabina Wagner, „Ludwig Deurer“, Edition Fischer, Frankfurt 1999; „Gebr. Ernst und Bernhard Fries“, Galerie Joseph Flach, Heidelberg 2018; Susanna Partsch, „Gustav Klimt - Leben & Werk“, Karl Müller Erlangen 1992. Aus dem Nachlass von Prof. Dr. Dr. Erik Jayme.
* KELLY-ANNE CAIRNS (SCOTTISH b. 1975), FAIR oil on board, signed, titled and dated 1999 verso framedimage size 190cm x 120cm, overall size 198cm x 132cmNote: Kelley-Anne Cairns studied painting at Gray's School of Art, Aberdeen. After graduating in 1999 with a BA (Hons) she was awarded the John Kinross Travel Scholarship to Florence. She was accepted for the BP Portrait Award exhibition in 1999 and has continued to paint with much success ever since. She exhibits regularly in London, Edinburgh and Glasgow selling her work worldwide. The author J.K.Rowling is among her many private collectors. Her main sources of inspiration are aged frescos of Italian Renaissance painters and the design and texture of fabrics, which are a personal love. She has been described as "accomplished and powerful" and "a modern Klimt", The Herald. Kelly-Anne describes her work as portraying the human form and emotions. "I manipulate the figure and its surroundings by exploring the contrasts between the angular shapes surrounding the figure and the soft contours of the body."
Chris SMITH (1950) Homage to Klimt - Fish Blood Acrylic and graphite on a terracotta John Buchanan vase, 39.5cm tall, 13cm in diameter. Trained by the renowned Plymouth figurative painter, the late Robert O Lenkiewicz, Chris works from Studio 7, Higher Bussow Studios, Towednack, St Ives, Cornwall, working principally on figurative drawings and paintings but is currently expanding his repertoire to embrace the influences of the St Ives artists and stunning landscapes of the Penwith Peninsula. These influences are moving Chris's output into abstraction, landscape, and the inclusion of figurative within these genres.
Büchervitrine, Jugendstil, Darmstadt, um 1904, Entwurf Joseph Maria Olbrich, Ausführung wohl Möbelfabrik Julius Glückert, Vogelaugenahorn und diverse Edelhölzer, zweitüriger Korpus auf rechteckiger Sockelplatte mit flachen Füßen, korrespondierende getreppte Giebelplatte, diese an der äußeren Kante schauseitig mit feiner Schachbrettmarketerie, flankierend ebonisierte Vollsäulen mit Perlmutteinlagen, die Türen im oberen Teil mit facettierten Glasscheiben, im unteren Drittel mit abstrahierten floralen Einlagen, ein Einlegeboden, 156 x 103 x 45 cmJoseph Maria Olbrich (1867 - 1908) studierte ab 1890 bei Karl von Hasenauer an der Wiener Akademie der bildenden Künste und trat 1893 in das Büro Otto Wagners ein. Dort wirkte er an den Gebäuden der Wiener Stadtbahn mit. Im Dunstkreis der Secessionisten um Gustav Klimt, Josef Hoffmann, Koloman Moser und Otto Wagner wurde Olbricht mit dem Entwurf des Secessionsgebäudes im 1. Bezirk beauftragt, welches durchaus als seine prominenteste Arbeit gelten kann. Ab 1899 leitete Olbrich auf Bestreben des Großherzogs Ernst Ludwig von Hessen-Darmstadt den Bau der neu geschaffene Darmstädter Künstlerkolonie auf der Mathildenhöhe.Ein korrespondierendes und in vielen wesentlichen Details identisches Möbel aus der Feder Olbrichs ist abgebildet in: Renate Möller, Jugendstil, Deutscher Kunstverlag, München; Berlin, S. 58
Reliefplatte Georg Klimt attr.vermutlich aus einem Möbel um 1900, unsigniert, Galvano dunkel patiniert, eingesetzte Glascabochons in Rot, Blau und Grün, antikisierender Sieger mit Lorbeerkranz im Profil vor Efeuranken, die Außenkanten gewellt, gering berieben, ein Cabochon mit Chip, Maße 30,3 x 30,3 cm. Info: Viele von Georg Klimt geschaffene Reliefs waren Auftragsarbeiten für dekorative Paneele und wurden von erstklassigen Wiener Möbeltischlern wie etwa Michael Niedermoser oder August Ungethüm in deren Möbel eingebaut. Quelle: Internet.
Carl Kauba, Kastagnetten-Tänzerinum 1900, unsigniert, Bronze hell patiniert, weibliche Akttänzerin in eleganter Pose mit ihren Kastagnetten, auf kleiner runder Plinthe, ursprünglich mit abnehmbarem Gewand, dieses fehlt, auf oben gekehltem, alt ergänztem Marmorsockel, Altersspuren, Sockel mit fünf kleinen Löchern, H Bronze 28,5 cm, H gesamt 35,5 cm. Künstlerinfo: österreichischer Bildhauer (1865 Wien bis 1922 ebenda), besuchte die Klasse der Kunstakademie in Wien von Professor Laufenberg und war befreundet mit Gustav und Ernst Klimt sowie Carl Geiger, seine Vorliebe galt der Darstellung von Indianern und Figuren aus der amerikanischen Geschichte, berühmt ist die Plastik " Der ländliche Festzug" und seine Lösung des Mechanismus von bewegbaren "Wiener Bronzen", wie der bekannten "Monna Vanna", Quelle: Wiener Bronzen, von Dietmar Seiler und Peter Stauber 1991.
Carl Kauba, Junge mit Reifenum 1900, auf der Plinthe signiert, Bronze verschiedenfarbig patiniert, stehender frecher Bub, fröhlich mit Reifen und Stab posierend, auf kleiner naturalistischer Plinthe, schwarz lackierter Holzsockel, H Bronze 27,5 cm, H gesamt 30,8 cm. Künstlerinfo: österreichischer Bildhauer (1865 Wien bis 1922 ebenda), besuchte die Klasse der Kunstakademie in Wien von Professor Laufenberg und war befreundet mit Gustav und Ernst Klimt sowie Carl Geiger, seine Vorliebe galt der Darstellung von Indianern und Figuren aus der amerikanischen Geschichte, berühmt ist die Plastik "Der ländliche Festzug" und seine Lösung des Mechanismus von bewegbaren "Wiener Bronzen", wie der bekannten "Monna Vanna", Quelle: Wiener Bronzen, von Dietmar Seiler und Peter Stauber 1991.
A QUANTITY OF ASSORTED PRINTS ETC, to include Jack Vettriano poster prints published by the Portland Gallery, approximate sizes including frames 69cm x 89cm, Michel Delacroix 'Opera' print, Gustav Klimt prints, two signed George Huardal Bly etchings, two Chinese paintings on silk depicting a female figure in a garden setting, approximate sizes 13cm x 21cm, two Chinese silk needlework pictures, early 20th century photographic portraits, 48 Gallagher Park Drive 'Dogs' series cigarette cards issued 1936, etc
7 Bücher zur Wiener Werkstätte u. Wiener Moderne, u. a. Peter Noever "Die Überwindung der Utilität - Dagobert Peche und die Wiener Werkstätte", Werner Fenz "Koloman Moser", Pierre Mardaga Edit 1984, Gerd Hatje 1998, Serge Sabarsky "Klimt. Kokoschka. Schiele - Aquarelle und Zeichnungen", Jahrhunderthalle Hoechst 1997, Egon Schiele/Alessandra Comini "Nudes", Rizzoli 1994, versch. Einb., Vorsatz jeweils mit Exlibris Stempel u. handschriftl. Eintrag d. Vorbesitzers, partiell leichte Alters - u. Gebrauchsspuren, 4757 - 0813
Approximately twenty-four assorted art and art reference books including 'Gustav Klimt: Women' by Angelica Baumer, 'Henry Moore's Sketchbook', 'Picasso's Vollard Suite', 'Mary Feddon' by Mel Gooding, 'Francis Towne' by Timothy Wilcox, Michael Ayrton's 'Drawings and Sculpture', 'Italian Painters of the Renaissance' by Bernard Berenson, 'Dufy', etc.
* HILDA GOLDWAG (SCOTTISH 1912 - 2008), SPRING oil on board, signed, titled verso framed image size 77cm x 107cm, overall size 96cm x 126cm Note: Hilda Goldwag was born into a Jewish family in Vienna, Austria on 28 April 1912. Her father, Moses, also an artist, died when she was nine. Goldwag attended Anna Schantruch’s Art Classes for gifted artistic children and, at the age of 14, helped paint murals for the new St Leitener Kindergarten. She graduated from the Graphiscme Staatslemtr und Versuchs Anmalt, Vienna with special commendation in 1938, but following the Anschluss (annexation of Austria) in March 1938, subsquently managed to secure a permit allowing her to travel to Scotland in March 1939. Her family was due to follow her six months later, but World War II was declared the day they received their travel permits, causing them to be trapped in Austria. In 1942, during The Holocaust, they all were murdered in concentration camps: her mother at Treblinka and her brother, sister, brother-in-law and nephew at MalyTrostenets. Her sadness at the loss of family members can be felt in much of Goldwag's art. In Glasgow in 1940 Goldwag met fellow refugee and lifelong friend Cecile Schwarzchild, and both undertook war work as turners at McGlashlan's engineering works. Post-war Goldwag became head designer at Friedlanders in Hillington, designing scarves for Marks & Spencer (1945-55). She also worked as a freelance illustrator for Collins Publishers, and later, as a part-time occupational therapist at Forresthall Hospital (1962-75). She resumed painting and exhibiting in the 1950s, working principally with oils and a palette knife, mostly outdoors and in situ, carrying both paintings and materials with her on the local buses. Her subjects included the nearby Forth and Clyde Canal, the tenements and warehouses of Cowcaddens, and, from the 1980s, exuberant flower pieces, panoramic farm landscapes, waterscapes, and ‘imagined’ figure paintings. Although most of her work was done in the Glasgow area, she did travel on holiday to Italy, Holland and the islands of Scotland. Her paintings are usually large and dramatic. It is amazing that Hilda was able to see any happiness in her views of her world. Others would have been blighted by the traumas she experienced. She exhibited in Gourock, Greenock and at the Lillie Art Gallery, and received awards from the Glasgow Society of Women Artists. She was also a professional and exhibiting member of the Scottish Society of Women Artists, the Paisley Art Club and the Milngavie Art Club. In 2005, an exhibition of her work was held at the Collins Gallery, Glasgow. She died in Glasgow, Scotland on 28 January 2008. Thirteen of her works are held in UK public collections including Strathclyde University, The Ben Uri Collection (London) and the Scottish Jewish Archives Centre. "...deeply embedded in the European tradition and, coming from the city of Klimt, Schiele, Freud and Wittgenstein, as an outsider in Glasgow, she documents a city moving from the old to the new. As well as people, she paints buildings, townscapes as designs, old tenements giving way to the modern".
Antique original Art Nouveau collotype on thick laid paper featuring a Lying Nude after Vienna Secession member and Symbolist artist Gustav Klimt's original drawing. Signature on lower left in plate: Gustav Klimt. Published in Studie Zum Bilde der Gustav Klimt (Study of The Pictures of Gustav Klimt ) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 26. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: Edition of 500Country of Origin: AustriaCondition: Age related wear.
Antique original Art Nouveau collotype on thick laid paper featuring Music II and Schubert at the Piano after Vienna Secession member and Symbolist artist Gustav Klimt's 1898 and 1899 original paintings. Published in Studie Zum Bilde der Gustav Klimt (Study of The Pictures of Gustav Klimt ) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 6. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: Edition of 500Country of Origin: AustriaCondition: Age related wear.
Antique original Art Nouveau collotype on thick laid paper featuring The Virgin after Vienna Secession member and Symbolist artist Gustav Klimt's 1913 original painting. Published in Studie Zum Bilde der Gustav Klimt (Study of The Pictures of Gustav Klimt ) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 28. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: Edition of 500Country of Origin: AustriaCondition: Age related wear.
Antique original Art Nouveau collotype on thick laid paper featuring Love (Liebe) after Vienna Secession member and Symbolist artist Gustav Klimt's 1895 original painting. Signature in plate on lower right. Published in Studie Zum Bilde der Gustav Klimt (Study of The Pictures of Gustav Klimt ) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 3. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: Edition of 500Country of Origin: AustriaCondition: Age related wear. Minor crease on upper right.
A Dennis Chinaworks pottery vase, of bud shape, decorated in the Klimt Hope pattern by Tally Tuffin, impressed marks to base, dated 2013 and inscribed S.T. des Aft. G.K. Trial 1, 32cm high. It would appear that this vase was produced as a limited edition of twenty from 2014 and this was the trial piece for that run in made in 2013 by Sally Tuffin, after a painting by Gustav Klimt
Two modern Russian lacquered boxes including a smaller rectangular example depicting an image of Gustav Klimt Judith I, signed, 13cm, the second of shaped form depicting the Spectacular Parkland at Peterhof (2).Condition Report: The larger example with scratches to the underside, chip/ loss to the inside, the black has possibly been resprayed, the smaller example light scratches to the underside of the base, the lacquer looks to have been resprayed.
Munich, I.P. Verlagsgesellschaft International Publishing, 1993. Klimt Life and Work is a richly detailed and visually stunning exploration of the life and artistic achievements of Gustav Klimt, one of the most iconic and influential painters of the late 19th and early 20th centuries. Partsch offers a comprehensive look at Klimt's career, delving into his groundbreaking contributions to the Art Nouveau movement and his unique fusion of symbolism, sensuality, and decorative art. This item has its original sleeve. Artist: Susanna PartschIssued: 1993Dimensions: 11.5"L x 10"W x 1"HManufacturer: I.P. Verlagsgesellschaft International PublishingCountry of Origin: MunichCondition: Age related wear. Very good condition.
1.Salvation - The Holy Land (Andres Serrano)A photography book by Andres Serrano focusing on religious and sacred imagery, exploring themes of spirituality and iconography.2.Uffizi GalleryA guidebook featuring artworks from the Uffizi Gallery in Florence, Italy, home to Renaissance masterpieces including works by Botticelli, Michelangelo, and Leonardo da Vinci.3.[Book with Furniture Art Cover]Likely a book on modern design or an exhibition catalog, featuring contemporary or minimalist furniture pieces.4.With Space in MindA book focusing on modern art or sculpture, possibly featuring works that explore abstract, space-related themes.Second Row (Left to Right):5.Beeldentuin Kröller-Müller MuseumA book about the sculpture garden at the Kröller-Müller Museum in the Netherlands, highlighting its renowned collection of modern sculptures.6.Van Trajanus tot TajiriThis book likely explores the journey from ancient Roman art (Trajanus) to modern or contemporary artists (such as Tajiri).7.I Promise to Love YouAn art or photography book possibly focused on love as a central theme, presented by Cadic Collection.8.Loss of ControlA book on contemporary art, focusing on the theme of losing control, and potentially examining abstract or avant-garde pieces.9.Guggenheim MuseumA guidebook to the Guggenheim Museum, showcasing its architecture and iconic modern art collection.Bottom Row (Left to Right):10.BelvédèreLikely a catalog or guide from the Belvedere Museum in Vienna, featuring its collection of Austrian art, including works by Klimt and Schiele.11.LouvreA small guidebook for the Louvre Museum, highlighting its vast collection, including the Mona Lisa and other significant works.12.The Metropolitan Museum of Art (Guide)A comprehensive guide to the Met’s extensive collection, covering a variety of artworks from different cultures and time periods.13.The Collections of the British MuseumA book detailing the vast and diverse collection of the British Museum, from ancient artifacts to contemporary pieces.14.National Gallery of IrelandA book showcasing the collection of the National Gallery of Ireland, featuring European and Irish masterpieces.15.Vatican MuseumsA guide to the Vatican Museums, highlighting famous artworks like the Sistine Chapel ceiling by Michelangelo.This lineup appears to be a curated selection of museum and exhibition catalogs, offering an insight into various art collections and exhibitions worldwide.
THREE BOXES OF ART BOOKS comprising over seventy miscellaneous titles, mostly in hardback formats to include Bell; Stanley Spencer, Fliedl; Klimt, Lane; Harry Halls Classic Winners, Johnson; Art A New History, Zerbst; Antoni Gaudi and works on Turner, Raphael, Cezanne, Lautrec, Constable, Pre-Raphaelites, British Watercolours, etc
Ted Jones (Irish, 1952)Coel, Craic angus Rince, 2000 Limited edition No. 148 / 500Signed & numbered in pencilPublished by Killarney Art Gallery, IrelandFramed & glazedTed Jones was born in Dublin in 1952. Apart from early instruction from his father, Ted was a completely self taught painter. He was encouraged to draw from a very early age and has nurtured and developed his immense talent into a style unmistakably his own. His unique style probably owes a lot to the fact that he never attended Art College, left to his own devices his style was able to evolve without influence, save his admiration for great artists such as Klimt, Rossetti & Caravaggio. His first (and only) one-man exhibition in Killarney in 2005 sold out completely in a matter of hours, hitting the headlines in many Irish newspapers. 2006 saw the publication, by Killarney Art Gallery, of "A Life, Wrapped up" a signed limited edition book on his life and work.Measures approx. 40 x 31cm (16" x 11").
Antique original Art Nouveau collotype on thick laid paper featuring a woman with her face in her hands after Vienna Secession member and Symbolist artist Gustav Klimt's original. Signature in plate on lower right. Published in Studie Zum Bilde der Gustav Klimt (Study of The Pictures of Gustav Klimt ) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 25. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: Edition of 500Country of Origin: AustriaCondition: Age related wear.
Antique original Art Nouveau collotype on thick laid paper featuring Philosophy after Vienna Secession member and Symbolist artist Gustav Klimt's 1901-1907 originals for the ceiling of the University of Vienna's Great Hall. Published in Studie Zum Bilde der Gustav Klimt (Study of Gustav Klimt's Pictures) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 13. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: Edition of 500Country of Origin: AustriaCondition: Age related wear.
Antique original Art Nouveau collotype on thick laid paper featuring the Portrait of Emilie Floge after Vienna Secession member and Symbolist artist Gustav Klimt's 1902 original painting of his companion. Published in Studie Zum Bilde der Gustav Klimt (Study of Gustav Klimt's Pictures) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 14. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: Edition of 500Country of Origin: AustriaCondition: Age related wear. Minor crease on upper right.
Antique original Art Nouveau collotype on thick laid paper featuring The Black Feather Hat after Vienna Secession member and Symbolist artist Gustav Klimt's 1910 original drawing. Signature and date on lower right in plate: Gustav Klimt 1910. Published in Studie Zum Bilde der Gustav Klimt (Study of The Pictures of Gustav Klimt ) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 27. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: Edition of 500Country of Origin: AustriaCondition: Age related wear.
Antique original Art Nouveau collotype on thick laid paper featuring Standing Nude Girl and Standing Nude Couple (from The Beethoven Frieze) after Vienna Secession member and Symbolist artist Gustav Klimt's originals. Signatures in plates on lower right. Published in Studie Zum Bilde der Gustav Klimt (Study of The Pictures of Gustav Klimt ) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 23. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: Edition of 500Country of Origin: AustriaCondition: Age related wear.
Antique original Art Nouveau collotype on thick laid paper featuring the Portrait of Fritza Riedler after Vienna Secession member and Symbolist artist Gustav Klimt's 1906 original painting. Published in Studie Zum Bilde der Gustav Klimt (Study of Gustav Klimt's Pictures) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 13. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: Edition of 500Country of Origin: AustriaCondition: Age related wear. Minor crease on upper right.
Antique original Art Nouveau collotype on thick laid paper featuring two studies of women after Vienna Secession member and Symbolist artist Gustav Klimt's originals. Signatures in plates on lower right. Published in Studie Zum Bilde der Gustav Klimt (Study of The Pictures of Gustav Klimt ) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 2. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: Edition of 500Country of Origin: AustriaCondition: Age related wear.
Gustav Klimt 1862 Baumgarten/Wien - 1918 Wien Mit gesenktem Blick. Um 1916. Bleistiftzeichnung. Verso wohl von Gustav Zimpel bezeichnet 'Nachlaß Gustav Klimt ZimpelGustav [Gustav Zimpel, der Neffe des Künstlers, 1904-1954]. Verso wohl von fremder Hand bezeichnet 'Feri'. Auf feinem, chamoisfarbenem Japan. 57 x 37,5 cm (22,4 x 14,7 in), Blattgröße. • Lückenlose Provenienz. • Arbeiten aus dieser Schaffensphase bezeugen eine außerordentliche künstlerische Entfaltung auf dem Gebiet der Zeichnung. • Die hier angebotene Arbeit steht mit keinem ausgeführten Gemälde in Zusammenhang, sondern wird von Klimt als gänzlich eigenständiges Kunstwerk geschaffen. • Klimt zeigt die Dargestellte mit zartem, fast verspieltem Strich ganz in sich gekehrt, mit gesenktem Blick, und verleiht ihr eine von ausgeglichener Ruhe und tiefer Konzentration geprägte, fast melancholische Ausdruckskraft. • Vergleichbare Werke befinden sich u. a. in bedeutenden musealen Sammlungen, darunter die Albertina in Wien, das Kunsthaus Zürich, das Kunstmuseum Bern, die Staatlichen Kunstsammlungen, Dresden, und das Museum der bildenden Künste, Leipzig. Die Arbeit wird in das Online-Werkverzeichnis der Zeichnungen Gustav Klimts, erarbeitet von Dr. Elisabeth Dutz, Albertina, Wien, aufgenommen. PROVENIENZ: Nachlass des Künstlers (verso von Gustav Zimpel, dem Neffen des Künstlers, bezeichnet). Gustav Zimpel, Wien (vom Vorgenannten erhalten). Sammlung Ferdinand Eckhardt (1876-1952), Wien (vom Vorgenannten erworben). Sammlung Ferdinand Eckhardt jun. (1902-1995), Wien, ab 1953 Winnipeg/Kanada (1952 durch Erbschaft vom Vorgenannten). Sammlung Serge Sabarsky (1912-1996), New York (1987 vom Vorgenonnten erworben, C. G. Boerner, Okt. 1987). Nachlass Serge Sabarsky, New York (1996). Sammlung Vally Sabarsky (1909-2002), New York. Vally Sabarsky Stiftung, New York. AUSSTELLUNG: Gustav Klimt. Drawings, Winnipeg Art Gallery, Winnipeg, 1964, Kat.-Nr. 18. Gustav Klimt 1862-1918, Nassau County Museum of Art, Roslyn, NY, 2.6.-14.10.1989. Gustav Klimt. 100 Zeichnungen, Jahrhunderthalle Hoechst, Frankfurt a. Main, 1.10.-25.11.1990; Leopold-Hoesch-Museum, Düren, 27.1.-10.3.1991, Kat.-Nr. 75. Gustav Klimt, Palazzo Strozzi, Florenz, 1.12.1991-16.3.1992, Kat.-Nr. 89. Gustav Klimt. 100 Drawings, Tel Aviv Museum of Art, 14.4.-27.5.1992. Gustav Klimt, Palacu Sztuki, Krakau, 9.6.-12.7.1992. Gustav Klimt. 100 Zeichnungen, Städtische Galerie, Lovis-Kabinett, Villingen-Schwenningen, 25.7.-27.9.1992, Kat.-Nr. 75. Gustav Klimt. 100 Drawings, Gibbes Museum of Art, Charleston, SC, 28.5.-13.6.1993. Gustav Klimt. 100 Zeichnungen, Museum moderner Kunst, Passau, 12.6.-28.8.1994, Kat.-Nr. 75. Gustav Klimt. Dessins, Musée-Galerie de la Seita, Paris, 5.10.-30.11.1994, Kat.-Nr. 75. Gustav Klimt. 100 kreseb, Císaiská konírna, Prag, 24.5.-23.7.1995, Kat.-Nr. 75. Gustav Klimt. 100 Zeichnungen, Mittelrhein Museum, Koblenz, 12.6.-31.8.1996; Städtische Galerie, Klagenfurt, 22.5.-21.9.1997, Kat.-Nr. 75. LITERATUR: Alice Strobl, Gustav Klimt. Die Zeichnungen, Bd. III (1912-1918), Salzburg 1984, S. 144f., WVZ.-Nr. 2689 (m. Abb.). - - C. G. Boerner, Düsseldorf, Gustav Klimt. Zeichnungen aus Privatbesitz, Okt. 1987, Los 48 (m. ganzs. Abb.). Ein Großteil der Zeichnungen Gustav Klimts können als vorbereitende Studien bestimmten Gemälden zugeordnet werden. Obwohl diese Einteilungen in Klimts Œuvre zum Teil fließenden Übergängen unterworfen sind, entstehen insbesondere um 1916/17 Zeichnungen wie das hier angebotene Werk, die keinem spezifischen Porträt zuzuordnen, sondern als eigenständige, individuelle Werke zu verstehen sind. In der Wiener Kunstszene gibt es zur damaligen Zeit Bestrebungen, den modernen grafischen Arbeiten eine ihrem künstlerischen Wert entsprechende Eigenständigkeit gegenüber der Malerei und Plastik einzuräumen. So ist Klimt bspw. 1913 mit über 100 Zeichnungen auf der vom Akademischen Verband für Literatur und Musik kuratierten 'Internationalen Schwarz-Weiß-Ausstellung' in Wien vertreten, in der ausschließlich autonome Zeichnungen gezeigt werden, die nicht als vorbereitende Zeichnungen für Gemälde oder Skulpturen geschaffen wurden. Trotz ihrer Eigenständigkeit dienen diese autonomen Zeichnungen wie auch die hier angebotene Arbeit dem Künstler als Möglichkeit zur Konkretisierung eines bestimmten Bildthemas. Gerade in späteren Zeichnungen fokussiert sich Klimt vermehrt auf den psychischen Ausdruck der Dargestellten, der auch in diesem Blatt in der tiefen Konzentration und In-sich-Gekehrtheit der mit gesenktem Blick gezeigten jungen Frau mit fast melancholischer Ausdruckskraft zur Darstellung kommt. In dieser Schaffensphase ist in Klimts grafischen Arbeiten zudem ein gewisses 'Malerischwerden' der Zeichnungen zu beobachten. Mit zartem, fast verspieltem Strich, in geschwungenen, teils mehrfach nebeneinandergesetzten kurzen Linien formt Klimt die Umrisslinien seiner ausdrucksstarken figürlichen Formen und erzeugt so eine nahezu flimmernde Rhythmik und Lebendigkeit der Darstellung. Er gelangt zu einem ganz eigenen, neuen Zeichenstil, der sich in diesen Jahren sogar auf sein malerisches Œuvre auswirkt. Anders als Schiele bleibt er dem Schönheitsbegriff der klassischen Kunst dabei stets eng verbunden und nutzt für seine Figurenkompositionen keine künstlerische Deformation und Verfremdung. Die Zeichnungen Gustav Klimts nehmen gerade in seinem letzten Lebensjahrzehnt eine bedeutende Rolle innerhalb seines künstlerischen Schaffens ein und bezeugen die Vollendung seiner Meisterschaft auf dem Gebiet der grafischen Kunst. Auch Alice Strobl, die Verfasserin des Werkverzeichnisses der Zeichnungen Gustav Klimts, schreibt in ihrem einleitenden Text zu Klimts später Schaffensphase: 'Es waren in erster Linie Klimts späte Blätter, die zur Begründung seines Weltruhmes als Zeichner beigetragen hatten.' (Alice Strobl, Gustav Klimt. Die Zeichnungen, Bd. III (1912-1918), Salzburg 1984, S. 7). [CH] Aufrufzeit: 07.12.2024 - ca. 14.33 h +/- 20 Min. Dieses Objekt wird differenzbesteuert, zuzüglich einer Einfuhrumsatzabgabe in Höhe von 7 % (Ersparnis von etwa 5 % im Vergleich zur Regelbesteuerung) oder regelbesteuert angeboten (N).
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