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Ca. 330 BC.A large red-figure chalice krater is characterised by its wide, flaring rim, high pedestal foot, and robust profile, adorned with opposing horizontal handles. The side "A" features a finely detailed funerary scene: a central bearded male figure, possibly representing the deceased or an idealised version of him, is seated atop a richly decorated Ionic column capital. He holds a scepter and is flanked by two standing female attendants one offering a tray of food, and the other holding a phiale and possibly a tambourine, which suggests chthonic rituals.The side "B"showcases a typical naiskos-style composition, where two elaborately robed female figures approach a central naiskos shrine. Each figure carries garlands and votive offerings, including a pyxis and sprigs of foliage. Above them, hanging drapery and clusters of dotted rosettes symbolize a sacred or commemorative context. The decorative scheme features a laurel band beneath the rim, an ovolo at the edge of the rim, and a frieze of meander and saltire squares at the base of the scene.For similar see: Trendall, Red Figured vases of Apulian, Volume II, 1982, Plate 10, n. 1 and 2.Size: 230mm x 190mm; Weight: 1.2kgProvenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 350 BC.A large red-figure chalice krater features a wide, flaring rim, a high pedestal foot, and a robust profile with opposing horizontal handles. The "A" side is beautifully painted with a funerary scene: a central bearded male figure, possibly representing the deceased or a heroic version of him, sits upon an intricately detailed Ionic column capital. He holds a scepter and is flanked by two standing female attendants—one offering a tray of food and the other holding a phiale and possibly a tambourine, suggesting rituals associated with the chthonic realm.On the "B" side, there is a typical naiskos-style composition. Two elaborately robed female figures approach a central naiskos shrine, each holding garlands and votive offerings, including a pyxis and sprigs of foliage. Above them, hanging drapery and clusters of dotted rosettes symbolize a sacred or commemorative context. The decorative scheme includes a laurel band under the rim, an ovolo along the rim edge, and a frieze of meander and saltire squares at the base of the scene.Size: 530mm x 490mm; Weight: 9kgProvenance: Private UK collection, acquired on the Spanish art market; Ex. Galerie Saint Honore, 1997, France. Accompanied by a Spanish export license. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.The piece is accompanied by a TL report from QED, a laboratory based in France. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 350 - 325 BC.A red-figure bell krater with a wide flaring rim, twin upturned handles, and a deep body set on a high foot. Side A shows a seated winged Nike, her hair arranged in an elaborate style, dressed in a long chiton with marked folds, and holding a beaded wreath in her raised hand. In front of her stands a woman clad in a voluminous himation. Side B presents a pair of women in procession, walking left, both wrapped in long himatia. A large palmette with volutes is placed under each handle, a meander band encircles the lower register, and a laurel wreath motif is painted beneath the rim.For similar see: Trendall, Red Figured vases of Apulian, Volume II, 1982, Plate 43, n. 1-2Size: 330mm x 320mm; Weight: 2.7kgProvenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 350 BC.A bell krater, painted in the red-figure style, with white/yellow details on one side. The iconography of the piece reflects important stories and symbolism in the life of the Greek colonies. On Side A is a draped seated maenad holding a large patera in her right. She is facing back to a second maenad, who also holds a pyxis in her right hand; both are wearing a long kiton and short sakkos on the hair; the facial features are marked. Side B features three draped male figures standing in profile. In addition to this iconography, the vessel is adorned by an extensive decorative program: a laurel leaf wreath beneath the rim, an intricate pattern of stylised palmettes below the handles with fretted bands surrounding each handle's termini, and a lower register underscoring the figural scene comprised of waves.For similar see: The British Museum, Museum number 1978,0414.33, Trendal A.D., Red Figure Vase of Apulia, 1978, Plate 57, n. 1. Size: 375mm x 310mm; Weight: 3.2kg.Provenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 400 - 380 C. A large krater with a broad, inverted bell-shaped body that tapers towards a disc-shaped base, surmounted by a thick, flaring rim. Two loop handles are affixed to the upper body, curving inward. The surface is coated in black glaze with red-figure decoration. A continuous band of meander and chequered motifs encircles the lower part of the body, while the rim is framed by a frieze of laurel leaves. On Side A, a nude male figure stands to the left, holding a situla in his lowered right hand. He wears a fillet around his head and maintains a relaxed posture, facing a draped female figure to the right, who extends her right hand holding a patera. Her hair is adorned with a sakkos. Between them, a small altar with a flame is depicted. Side B presents two ephebi wrapped in himatia, facing each other. The figure on the right leans on a stick, while a pair of halteres is positioned between them.For similar see: Trendal A.D., Red Figure Vase of Apulia, Plate 6, n. 5 - 6.Size: 260mm x 270mm; Weight: 2.2kgProvenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 380 - 360 BC. A red-figure bell krater with a black-glazed, inverted bell-shaped body, tapering to a stem foot with a broad disc base. The rim is outturned, and there is a pair of handles positioned on opposite sides. The decoration features red figures on a black ground with white and yellow detailing. Under the rim is a laurel wreath, and a meander band below the main register. The radiating pattern encircles the bases of the handles, and large palmettes are positioned beneath them. On Side A, a seated maenad is depicted, draped in a chiton fastened below her breasts by a belt, with her left leg extended forward and seated atop a pile of rocks. Her hair is covered by a kekryphalos. She wears bracelets on both wrists and a beaded necklace adorns her neck. Her right hand is raised, holding a large fan, and her left hand holds a branch. She faces a standing, winged Eros, who is depicted nude. Eros extends his left hand towards the maenad, holding a large, shallow phiale filled with fruits, while his other hand holds a downward-facing branch with leaves and fruits. On Side B, two ephebi are depicted facing one another, each leaning on a staff and wearing bordered himatia. Between their heads, a pair of halteres is present.For similar see: Trendall A.D., The Red-Figured Vases of Apulia, Plate 47.1-2.Size: 280mm x 310mm; Weight: 1.8kgProvenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 400 - 200 BC. A pottery krater with a tall, rounded body tapering towards a flared pedestal foot. The wide, cylindrical neck leads to a slightly everted rim, from which two large, looping handles extend, each topped with a small volute. Faint traces of red pigment remain on the surface.Size: 230mm x 190mm; Weight: 835gProvenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982.

Ca. 360 - 350 BC. A bell krater attributed to the Black Thyrsus Painter with an inverted bell-shaped body tapering towards a disc-shaped base. Two horizontal loop handles extend from the upper body, curving inward. A band of laurel leaves runs beneath the flared rim. An ovolo pattern encircles the bases of the handles. Below, large palmettes with scrolling tendrils are symmetrically arranged, and a meander pattern frames the lower section. On Side A, a Dionysiac thiasus is depicted with Dionysus riding a white panther to the left. Beside him, a maenad dances, wearing a long, flowing chiton with finely rendered folds, and her hair is arranged in an updo. The scene is framed by two satyrs; one on the left plays the flute, while the other, positioned to the right, is shown with an outstretched arm, holding a patera. Above the figures, large clusters of grapes are arranged across the scene. Side B portrays three youths engaged in conversation, all wrapped in himatia. The figure on the right holds a stick, while the other two stand facing him, their postures relaxed.For similar see: The Louvre Museum, Other inventory number: N 2799.Size: 370mm x 350mm; Weight: 3.7kgProvenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Belgian art market; Peter van der Elst, Liege, 1987. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 375 - 350 BC. A large krater with an inverted bell-shaped body that tapers towards a thick, disc-shaped base. Two loop handles extend from the upper body, curving inward. The flared rim is encircled by a band of laurel leaves, while below the handles, large palmettes with tendrils extending outward are symmetrically arranged. Wave pattern encircles the lower section. On Side A, a maenad is depicted moving to the left, wearing a flowing, finely detailed chiton. She holds a mirror in her right hand and a large cluster of grapes in her left. Following her is a nude satyr, holding a patera in his right hand and a wreath in his left. His body is slightly bent forward. Side B presents two ephebi facing each other, both draped in himatia and holding sticks.For similar see: Trendal A.D., Red Figure Vase of Apulia, Plate 17, n. 1 - 4.Size: 300mm x 310mm; Weight: 2kgProvenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Belgian art market; Peter van der Elst, Liege, 1987. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 400 - 350 BC. A red-figure bell krater with an inverted bell-shaped body, a broad, flaring rim, and a stemmed foot that expands into a disc-shaped base. The underside of the rim is decorated with a continuous wave pattern. The outward-turned handles extend from the upper body, with large palmettes painted beneath them. Side A depicts a standing, nude Eros, with finely delineated feathers accentuating his wings. His musculature is well defined and he holds a floral wreath in his lowered left hand. Side B features a draped youth striding left, holding a casket in his extended right hand. He wears a chiton with delicately rendered folds cascading around his legs and a himation draped over his left arm.Size: 250mm x 200mm; Weight: 1.1kgProvenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgium art market; Daniel Bogaerts, Brussels, 1995. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 380 - 350 BC. A red-figure bell krater with a wide, flaring rim, deep body, and a prominent pedestal foot. The vessel has two opposing upturned handles that emerge from the shoulder and curve inward. A continuous band of waves runs below the main scenes and below the rim. Below the handles, large palmettes with tall tendrils extending outward are symmetrically arranged. Side A depicts a scene of a soldier departing for war. The central figure, a nude male wearing only chlamys draped over his left arm, strides forward holding a long staff in his right hand. A shield leans to his right. Opposite him stands a female figure, draped in a long chiton and a himation, with hands raised in a gesture of farewell. Side B shows two female figures, draped in long garments, standing facing each other. Their postures are relaxed, and their gestures suggest engagement in dialogue.For similar subject see: Sotheby's, Ancient Sculpture and Work of Art, 5, July 2024, Lot 144.Size: 340mm x 360mm; Weight: 3.5kgProvenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

KRATER UND WOLKEHrsg. Ralf Winkler [d. i. A. R. Penck]. Nr. 1-7 (alles Erschienene). Köln: Galerie Michael Werner 1982-1990. 30,5 x 23,5 cm. Mit zahlreichen Reproduktionen, Fotodokumentationen, 3 Schallplatten und 25 originalgraphischen Arbeiten. Illustr. OrUmschläge, davon 2 in OrPp.-Schubern.Erschienen in kleiner Auflage, die nach Anzahl der Subskribenten 150 Exemplare kaum überschritten haben dürfte. Fünf Bände der von Winkler (A. R. Penck) herausgegebenen und aufwendig gestalteten Zeitschrift sind einem Künstlerkollegen gewidmet: Georg Baselitz, Jörg Immendorf, Markus Lüpertz, Per Kirkeby, James Lee Byars; das letzte Heft wurde abweichend von Baselitz redigiert und ist Penck gewidmet. Die Bände enthalten mindestens 25 originalgraphische Arbeiten, meist in Holz- oder Linolschnitt, von Baselitz (4), Immendorf (6), Kirkeby (4), Lüpertz (4), Penck (4); bei weiteren Arbeiten ist der Künstler unbestimmt, gehört jedoch dem vertretenen Kreis an.Nahezu unberührtes Exemplar.

An Attic-style pottery black-figure column-krater, 19th century, Italian, decorated with figures to a lined and cross-hatched border, 23cm wide29cm highCondition ReportTraces of being a wreck discovery

Große Kratervase mit Kerbschliffdekor. 19. Jh. Farbloses Glas. H 42 cm. Kraterkuppa, massiver Schaft, Rundfuß; ausgekugelter Abriss. Aufrufzeit 27. | Feb. 2025 | voraussichtlich 16:45 Uhr (CET)Large krater vase with notched decoration. 19th century Colorless glass. H 42 cm. Crater domed body, solid shaft, round base; dislocated neck. Aufrufzeit 27. | Feb. 2025 | voraussichtlich 16:45 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

3 Jugendstil-Vasen. Um 1900. Böhmen. Grünes, irisiertes Glas. H max. 18,5 cm. 1x Kratervase mit gebuckelter Wandung und galvanisierter Kupferauflage (diese gepunzt "COBRAL REG. D WARE"; H 8,5 cm). / 1x optisch formgeblasene Vase mit gedrückt gebauchtem Korpus und Kraterhals (H 14 cm). / 1x Enghalsvase mit gedrücktem Stand und aufgelegten Fäden mit spitz ausgezogenen Nuppen (H 18,5 cm). Alle mit ausgekugeltem Abriss. 3 Nuppen bestoßen. Aufrufzeit 27. | Feb. 2025 | voraussichtlich 17:48 Uhr (CET)3 Art Nouveau vases. Around 1900. Bohemia. Green, iridescent glass. H max. 18.5 cm. 1x krater vase with humped wall and galvanized copper overlay (this hallmarked "COBRAL REG. D WARE"; h 8.5 cm). / 1x optically shaped blown vase with bulging body and crater neck (h 14 cm). / 1x narrow-necked vase with pressed stand and applied threads with pointed spouts (h 18.5 cm). All with spherical chipping. 3 nubs chipped. Call time 27 | Feb. 2025 | presumably 17:48 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 Vitrinentassen mit Blumenmalerei. Ungemarkt, wohl Frankreich, 1. H. 19. Jh.Polychrom bemalt, goldstaffiert. 1x gefußte Glockentasse mit Rosettenhenkel und einem Rosenband auf gestreiftem Goldfond (H Tasse 10,5 cm, Ø ergänzte Untertasse 14 cm). / 1x gefußte Kratertasse mit Rosettenhenkel und einem Blütenband auf goldenem Schuppenfond (H Tasse 11 cm, Ø originale Untertasse 13 cm). Beide mit Goldfond und Innenvergoldung. Partieller Goldabrieb, 1x Haarriss am oberen Henkelansatz.Aufrufzeit 28. | Feb. 2025 | voraussichtlich 10:59 Uhr (CET) 2 vitrine cups with flower painting. Unmarked, probably France, 1st half 19th centuryPolychrome painted, decorated in gold. 1x footed bell-shaped cup with rosette handle and a rose band on a striped gold background (H cup 10.5 cm, Ø completed saucer 14 cm). / 1x footed krater cup with rosette handle and a flower band on a gold scaled ground (h cup 11 cm, Ø original saucer 13 cm). Both with gold ground and interior gilding. Partial gold abrasion, 1x hairline crack at the top of the handle.Call time 28 | Feb. 2025 | probably 10:59 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 Ansichtentassen. Meissen. Knaufschwerter, 1. H. 19. Jh. Umdruck, 1x polychrom staffiert, Goldstaffage. 1x gefußte Glockentasse (H 9,5 cm) mit Blatthenkel und der Ansicht von Meißen, mit ergänzter Untertasse (Ø 13 cm). / 1x Kratertasse (H 10,5 cm) mit Schwanenhenkel und der Ansicht von Dresden, ohne Untertasse. 1x Randrestaurierung und Restaurierung am oberen Henkelansatz. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 11:18 Uhr (CET)2 view cups. Meissen. Pommel swords, 1st half 19th century Impression, 1x polychrome painted, gold staffage. 1x footed bell-shaped cup (H 9.5 cm) with leaf handle and view of Meissen, with added saucer (Ø 13 cm). / 1x krater cup (H 10.5 cm) with swan handle and view of Dresden, without saucer. 1x rim restoration and restoration to the upper handle base. Call time 28 | Feb. 2025 | probably 11:18 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Korb "Flora Danica". Royal Copenhagen. Wellenmarke, bis 1893. Dänemark. Polychrom bemalt, goldstaffiert. H 19,5 cm. Krater-Durchbruchkorb mit gezacktem Rand, zwei Asthandhaben und aufgelegten Blüten. Im Spiegel die Darstellung des Weißen Silberwurzes. Blüten- und Blätter teils restauriert, 1 Blatt bestoßen. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 11:28 Uhr (CET)Basket "Flora Danica". Royal Copenhagen. Wave mark, until 1893. Denmark. Polychrome painted, gilt. H 19.5 cm. Cratered openwork basket with jagged rim, two branch handles and applied flowers. In the mirror the depiction of the white silverroot. Blossoms and leaves partly restored, 1 leaf bumped. Call time 28 | Feb. 2025 | presumably 11:28 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 Vasen mit Blumenmalerei. Meissen. Schwertermarke, 2. H. 20. Jh., 1. Wahl. Polychrom bemalt, goldstaffiert. H je 25 cm. 1x Kratervase mit zwei Henkeln. / 1x Kratervase "B-Form" mit Rocaillerelief. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 13:56 Uhr (CET)2 vases with flower painting. Meissen. Sword mark, 2nd half 20th century, 1st choice. Polychrome painted, gilt. H 25 cm each. 1x krater vase with two handles. / 1x crater vase "B-shape" with rocaille relief. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 13:56 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

4 Vasen mit Blumendekor. Meissen. Schwertermarke, 2. H. 20. Jh., 1. Wahl. Polychrom bemalt, goldstaffiert. H max. 26 cm). 1,46 kg. 1 große Sockelvase in Amphorenform ("Rote Rose", H 26 cm), 2 kleinere Sockelvasen (H je 14,5 cm), 1 kleine Kratervase (H 13,5 cm). Aufrufzeit 28. | Feb. 2025 | voraussichtlich 13:56 Uhr (CET)4 vases with floral decoration. Meissen. Sword mark, 2nd half 20th century, 1st choice. Polychrome painted, gilt. H max. 26 cm). 1.46 kg. 1 large pedestal vase in amphora form ("Red Rose", H 26 cm), 2 smaller pedestal vases (H 14.5 cm each), 1 small krater vase (H 13.5 cm). Call time 28 | Feb. 2025 | probably 13:56 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 Kratervasen mit Blumenmalerei und Kobaltfond. Meissen. Knaufschwerter, ab 1850-1924 und Schwertermarke mit Punkt, 1924-1934, 1. Wahl. Kobaltblauer Teilfond, polychrome Blumenmalerei, Goldstaffage. H 14 und 16,5 cm. Die kleinere Vase mit 4 kleinen Kratzern auf dem Kobaltfond. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 14:44 Uhr (CET)2 krater vases with floral painting and cobalt background. Meissen. Pommel swords, from 1850-1924 and sword mark with dot, 1924-1934, 1st choice. Cobalt blue partial ground, polychrome flower painting, gold staffage. H 14 and 16.5 cm. The smaller vase with 4 small scratches on the cobalt ground. Call time 28 | Feb. 2025 | presumably 14:44 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

6+1+1 Mokkatassen, Vase und Schälchen mit Blumenmalerei. Meissen. Verschiedene Schwertermarken, ab 1850 - 2. H. 20. Jh., 1. Wahl und 2 Schleifstriche. Polychrom bemalt, goldstaffiert. 6x Form "Neuer Ausschnitt": 6 Mokkatassen (H 5 cm) mit 5 Untertassen (Ø 10,5-11 cm). / 1x Form "Marseille": Mokkatasse (H 5 cm) mit Untertasse (Ø 11,5 cm). / 1x Glockentasse (H 5,5 cm) und Untertasse (Ø 12 cm) mit Kobaltband und ornamentalem Golddekor. / 1x Kratervase mit Kobaltfond und Blumenbukett (H 9,5 cm). / 1 Nussschälchen mit Kobaltrand und Blumenmalerei (Ø 8 cm). Bestoßung an 1 Tassenrand. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 14:56 Uhr (CET)6+1+1 demitasse cups, vase and small bowl with flower painting. Meissen. Various sword marks, from 1850 - 2nd half of the 20th century, 1st choice and 2 grinding marks. Polychrome-painted, decorated with gold. 6x "New cut-out" mold: 6 demitasse cups (H 5 cm) with 5 saucers (Ø 10.5-11 cm). / 1x "Marseille" shape: demitasse cup (H 5 cm) with saucer (Ø 11.5 cm). / 1x bell-shaped cup (H 5.5 cm) and saucer (Ø 12 cm) with cobalt band and ornamental gold decoration. / 1x krater vase with cobalt fond and flower bouquet (H 9.5 cm). / 1 nut bowl with cobalt rim and flower painting (Ø 8 cm). Bump to 1 cup rim. Call time 28 | Feb. 2025 | probably 14:56 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Umfangreiches Speiseservice mit Blumenmalerei. Meissen. Überwiegend Schwertermarke, 1934-1945, überwiegend 1. Wahl. Polychrom bemalt, goldstaffiert. 86 Teile. Form "Neuer Ausschnitt". 30 Speiseteller, 16 Brotteller, 13 Suppenteller, 9+1 Beilagenteller (Ø 9x 16 cm und 1x 18 cm), 3 Ovalplatten (L 2x 41,5 cm und 1x 35 cm), 3 Saucieren, 2 Ovalschalen (L 23 cm), 1 Tortenplatte (Ø 34 cm), 1 Quadratschüssel (22 x 22,5 cm), 1 Kratervase (H 16 cm), 1 Ovalschale (L 33 cm), 1 Butterdose (glatte Form, Dekor "Rote Rose", Ø 19 cm), 1 Senftöpfchen mit Löffel, 1 Handleuchter (Ø 13 cm) und 1 rechteckige Deckelschüssel (ohne Deckel; L 29 cm). Partieller Goldabrieb, Rosenknauf des Senftöpfchendeckels minimal bestoßen, ausgeschliffene Bestoßung am Rand des Butterdosendeckels, teils mit Gebrauchsspuren im Spiegel. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 14:59 Uhr (CET)Extensive dinner service with flower painting. Meissen. Predominantly sword mark, 1934-1945, predominantly 1st choice. Polychrome painted, decorated in gold. 86 pieces. "New cut-out" shape. 30 dinner plates, 16 bread plates, 13 soup plates, 9+1 side plates (Ø 9x 16 cm and 1x 18 cm), 3 oval plates (L 2x 41.5 cm and 1x 35 cm), 3 sauce boats, 2 oval bowls (L 23 cm), 1 cake plate (Ø 34 cm), 1 square bowl (22 x 22,5 cm), 1 krater vase (H 16 cm), 1 oval bowl (L 33 cm), 1 butter dish (smooth shape, "Red Rose" decor, Ø 19 cm), 1 mustard pot with spoon, 1 hand candlestick (Ø 13 cm) and 1 rectangular lidded bowl (without lid; L 29 cm). Partial wear to the gold, the rose finial of the mustard pot lid minimally chipped, buffed chip to the rim of the butter dish lid, some wear to the mirror. Call time 28 | Feb. 2025 | probably 14:59 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

3 Porzellane mit Weinlaubdekor und 1 Jubiläumstasse mit Biskuitporträt. Meissen. Verschiedene Schwertermarken, ab 1850 - 2. H. 20. Jh., 1. Wahl, darunter mit den Jubiläumszahlen "1710 1935". H max. 24,5 cm. 1,8 kg. 3x Weinlaub: Flötenvase (H 24,5 cm), Kratervase (H 13,5 cm), Mokkatasse (H 5 cm) mit originaler Untertasse (Ø 11,5 cm). / 1x gefußte Glockentasse (H 12 cm) mit Löwenkopfhenkel und originaler Untertasse (Ø 16 cm): schauseitig das goldstaffierte Biskuitreliefporträt von Johann Friedrich Böttger (1682-1719). Bestoßung am Rand der Kratervase. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 15:04 Uhr (CET)3 porcelains with vine leaf decoration and 1 anniversary cup with bisque portrait. Meissen. Various sword marks, from 1850 - 2nd half of the 20th century, 1st choice, including the anniversary numbers "1710 1935". H max. 24.5 cm. 1.8 kg. 3x vine leaves: flute vase (H 24.5 cm), krater vase (H 13.5 cm), demitasse cup (H 5 cm) with original saucer (Ø 11.5 cm). / 1x footed bell cup (H 12 cm) with lion's head handle and original saucer (Ø 16 cm): the gold-stamped bisque relief portrait of Johann Friedrich Böttger (1682-1719). Bump to the rim of the crater vase. Call time 28 | Feb. 2025 | probably 15:04 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

5 Zwiebelmuster-Vasen und 1 -Becher. Meissen. Schwertermarke, 2. H. 20. Jh., 1 Schleifstrich. Unterglasurblaue Malerei. Flötenvase (H 26,5 cm), 3 Kratervasen (H 13,5 cm), 1 Birnvase (H 18,5 cm) und 1 Becher (ohne Deckel; H 8 cm). Aufrufzeit 28. | Feb. 2025 | voraussichtlich 15:14 Uhr (CET)5 onion pattern vases and 1 mug. Meissen. Sword mark, 2nd half 20th century, 1 grind mark. Underglaze blue painting. Flute vase (h 26.5 cm), 3 krater vases (h 13.5 cm), 1 pear vase (h 18.5 cm) and 1 beaker (without lid; h 8 cm). Call time 28 | Feb. 2025 | probably 15:14 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

26 Porzellane mit Blaudekor. Meissen. Schwertermarke, 2. H. 20. Jh., 1. Wahl und 1 Schleifstrich. Überwiegend unterglasurblaues Aquatinta-Dekor, teils goldstaffiert. 7,5 kg. Überwiegend Form "Neuer Ausschnitt" mit Blumen- und Insektendekor. Teekanne (H 14 cm), 2 Dosen (Ø 9 und 12,5 cm), 7 + 7 Untertassen (Ø 13,5 und 14 cm), 6 Kuchenteller (Ø 18 cm), 1 Fächerteller (Ø 16,5 cm), 1 Enghalsvase (H 18,5 cm) und 1 Kratervase (H 9,5 cm). Aufrufzeit 28. | Feb. 2025 | voraussichtlich 15:29 Uhr (CET)26 porcelains with blue decoration. Meissen. Sword mark, 2nd half 20th century, 1st choice and 1 grinding mark. Predominantly underglaze blue aquatint decoration, partly gilt. 7.5 kg. Predominantly "New Cutout" form with floral and insect decoration. Teapot (H 14 cm), 2 boxes (Ø 9 and 12.5 cm), 7 + 7 saucers (Ø 13.5 and 14 cm), 6 cake plates (Ø 18 cm), 1 fan plate (Ø 16.5 cm), 1 narrow-necked vase (H 18.5 cm) and 1 krater vase (H 9.5 cm). Call time 28 | Feb. 2025 | presumably 3:29 pm (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

4+2+2 Vasen mit Blaudekor. Meissen. Schwertermarke, 2. H. 20. Jh., 1. Wahl. Überwiegend unterglasurblaues Aquatinta-Blumendekor, teils goldstaffiert. 2 Deckelvasen (H 25 cm), 2 Balustervasen (H 23,5 cm) und 4 Kratervasen (H 9,5-10,5 cm). Aufrufzeit 28. | Feb. 2025 | voraussichtlich 15:29 Uhr (CET)4+2+2 vases with blue decoration. Meissen. Sword mark, 2nd half 20th century, 1st choice. Predominantly underglaze blue aquatint floral decoration, partly decorated in gold. 2 lidded vases (H 25 cm), 2 baluster vases (H 23.5 cm) and 4 krater vases (H 9.5-10.5 cm). Call time 28 | Feb. 2025 | presumably 3:29 pm (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

4+1 Teile "Ming-Drache" und "reicher Drache" in Rot. Meissen. Schwertermarke, 2. H. 20. Jh., 1x 1. Wahl, 1-4 Schleifstriche. Polychrom bemalt, goldstaffiert. H max. 30 cm. 3,2 kg. 1 Kratervase (H 16,5 cm) und Teekanne (H 13 cm) mit Bemalung "Ming-Drache", 1 Kerzenleuchter (H 15,5 cm) und 1 runde Dose (H 9 cm) mit Bemalung "reicher Drache". Dazu eine Deckelvase Porzellanfabrik Carl Schumann AG in "Ming-Drachen"-Imitation (H 30 cm). Minimaler Chip (ca. 1mm) an Rosenblütenknauf der Teekanne. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 15:43 Uhr (CET)4+1 pieces "Ming dragon" and "rich dragon" in red. Meissen. Sword mark, 2nd half 20th century, 1x 1st choice, 1-4 grinding marks. Polychrome painted, gilt. H max. 30 cm. 3.2 kg. 1 krater vase (H 16.5 cm) and teapot (H 13 cm) with painting "Ming Dragon", 1 candlestick (H 15.5 cm) and 1 round box (H 9 cm) with painting "Rich Dragon". Also a lidded vase porcelain factory Carl Schumann AG in "Ming Dragon" imitation (H 30 cm). Minimal chip (approx. 1mm) to the rose blossom knob of the teapot. Call time 28 | Feb. 2025 | probably 15:43 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

A PAIR OF BRONZE MODELS OF THE 'MEDICI' VASEeach in the form of a calyx-krater, with a flared rim above a body cast with a continuous scene of classical figures with twin loop handles on a fluted spreading circular base raised on a square plinth. 30.5cm high

Ca. AD 1 - 300.A pair of rings, each with a flat-section thin hoop that gently flares towards the bezel. Each bezel is set with an oval red jasper intaglio. One intaglio depicts a central krater vessel flanked by two cornucopias. The other features a standing Minerva facing right, wearing a helmet and a long, vertically pleated garment, holding a spear in her left hand and resting her right hand on a shield.Size: 20-20mm x 15-15mm; Weight: 2.4gProvenance: Private UK collection; formerly with R. A.; since the 1990s.

Ca. 500 - 400 BC.A pottery krater with two handles modelled to resemble upraised hands, and two tab-shaped handles. The krater is adorned with geometric and vegetal decorations in black hues, including an elegant olive branch with leaves in the middle part of the krater. As early as the 6th century BC, Daunia was an extremely wealthy region, as evidenced by the rich grave goods from the urban centres of Canosa, Arpi, and Salapia. Daunian pottery is characterised by voluminous rounded forms with geometric and linear patterns in earthen tones, as we see in this intriguing example.For similar see: The Metropolitan Museum of Art, Accession Number: 1970.11.11. Size: 280mm x 265mm; Weight: 2.78kgProvenance: Private London collection, acquired on the Dutch art market; previously acquired on the German art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Krater-Amphore, Eisenguss, 2. Hälfte 20.Jh. H.100cm, D.ca.75cm, Innen-D.56,8cm, Außenrand tlw. mit kl. Fehlstellen

Großes Porzellan-Konvolut, diverse Marken und Dekore, darunter einige Teile Meissen (Glocke, Zwiebelmuster, Tässchen mit Untertassen, Teekanne, Teller Blauer Drache), grüne Kratervase mit Blumenbouquet auf der Schauseite mit goldenen Handhaben sowie Maskarons, Volkstedt; Ovale Fußschale, Höchst, Deckelvase, Volkstedt, mit bossierten Blüten, min. best. H. 45 cm; Paar Fußschalen, Rosenthal, grün mit Blumendekor und Goldstafffage; Figur "Leineweber", Fürstenberg, H. 25 cm; Kratervase, Volstedt, auf gelbem Fond, Blumendekor; teils Altersspuren und best. / A large porcelain assortment, various marks and decorations, including some Meissen pieces (bell, onion pattern, cups with saucers, teapot, Blue Dragon plate), green krater vase with floral bouquet on the front with gold handles and mascarons, Volkstedt; oval footed bowl, Höchst, lidded vase, Volkstedt, with embossed flowers, min. dam. H. 45 cm; pair of footed bowls, Rosenthal, green with floral decoration and gold staffage; figure "Leineweber", Fürstenberg, h. 25 cm; krater vase, Volstedt, on yellow ground, floral decoration; partly age-marked and dam.

An Attic Red Column Krater, Greece circa 4th Century BC, decoration depicting Dionysus with a maenad, the other side depicting two figures, grape and vine decoration, height 44cm.Condition - extensively broken and repaired (see images), loss and fading to decoration. Provenance - from the estate of the late Keith Scott (1927-2015), architect and founding partner of the British Design Partnership (BDP), sold on behalf of the estate, although specific details of where and when the vase was acquired the current family members simply stated 'as long as they can remember', which would imply at least pre 1950.

Ronny DELRUE (1957), mixed media and collage 'Crown and crater', signed and dated 1991Ronny DELRUE (1957), gemengde techniek en collage 'Kroon en krater', getekend en gedateerd 199127.5 x 20 cm

A Derby vase in the form of a volute krater, c1820, painted with a view near St Mary's Church, Derby and richly gilt, 22.5cm h, painted mark and title View near Derby in red script Restored, gilding around foot worn

PAAR KLEINE KRATER-VASEN STIL EMPIRE. Technik: Metall, vergoldet. Maße: Höhe je 31,5cm. Zustand B/C. Voraussichtliche Versandkosten für dieses Los: Deutschland: 52,00 Euro inkl. 8,30 Euro MwSt EU: 70,00 Euro inkl. 11,18 Euro MwSt Weltweit: 140,00 Euro inkl. 22,35 Euro MwSt zzgl. VersandversicherungErläuterungen zum Katalog Einrichtungen und Dekorationen

Ca. 550 - 450 BC.A wheel-thrown Daunian krater vessel with a broad, funnel-shaped rim surrounding a wide mouth. The cream-hued vessel is elaborately decorated with black and red bands to create striped, circular, and serpentine motifs. A pair of tab handles and arching strap handles line the midsection of the vessel. For similar see: MET Museum Accession Number: 1970.11.11.Size: 235mm x 215mm; Weight: 1.84kg.Provenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982.

Ca. 420-380 BC.A late Attic bell-shaped krater featuring two main decorations. On side A, two soldiers are depicted in heroic nudity while holding spears. Behind the warrior on the left is a tall Nike holding a Patera as an offering. The depiction of the bodies is extremely schematic with the muscular masses represented frontally. On side B, three figures wearing cloaks are depicted, maintaining the pattern of one figure on one side and two on the other. The drapery is represented with simple vertical black lines. A stylised laurel wreath is under the rim of the vessel.Size: 410mm x 380mm; Weight: 5.79kg.Provenance: Property of a central London gallery; Ex. Harlan Berk Gallery, Chicago, IL. US Art market prior to 2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 4th century BC.A large bell-krater decorated with a colourful scene in red, yellow and white pigments against black glossy ground. The bell-krater has two lion-headed handles. The vessel is lavishly painted in black glossy glaze, the decoration is comprised of a linear register featuring a border of egg and dart, followed by a running zigzag motif, continued by a dotted band and incised double lines in between each band. Beneath this, an intricately painted grapevine motif, with fruit clusters and tendrils extending above and below a red band and flowing down at either side. This krater is a fine example of ancient Gnathia ware, formed in the region of Apulia. For similar see: Christie's, December 9, 2015, lot 32.Size: 385mm x 300mm; Weight: 2.7Kg.Provenance: Property of a London Ancient Art gallery, acquired on the US art market; formerly in a private J.H. collection, Beaverton, Oregon, USA. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 400 - 300 BC.A krater from Canosa made of purified clay with a globular body and a funnel-shaped neck. Four heads of deities are moulded on the shoulders of the vase. The central head represents Hermes, depicted with two open wings on either side of his face. On either side are two smaller heads of Apollo, portrayed with a radiating crown. At the back, at the base of the flat-section handle, is the head of a woman, likely Venus.For similar see: The Metropolitan Museum of Art, Object Number: 06.1021.248a, b. Size: 460mm x 430mm; Weight: 7.5kg.Provenance: Private UK collection, acquired on the US art market; Ex. Illinois Private Collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letterThis piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 400 - 350 BC.A red-figure pottery bell krater with a large body, short splayed foot, a flanged mouth, and two well-preserved horizontal handles. The krater features traditional patterns, such as the laurel wreath under the lip and the meander pattern with crosses along the bottom of the body. Side "A" is adorned with a Dionysiac scene, depicting a central maenad seated with her back turned to a satyr who holds a large patera; surrounding this central image are maenads, satyrs, and a flying Nike. She is dressed in a notably distinctive garment and crowned with a large bichrome diadem. Side "B" showcases three standing, facing figures representing men who support themselves on two wooden sticks. This vessel can be attributed to the Arpi Painter or his circle, based on similarities in the decoration of the female attire, the prominent use of white pigment, and the unique form of the satyrs' chest.For similar see: Christie's, Live Auction 2056, Antiquities, 9 December 2008; Trendall, 1983, Plate XVIII, n. 4 and 6. Size: 360mm x 335mm; Weight: 3.87kg.Provenance: Property of a North London gentleman; formerly in a European Collection, France, bought in Paris in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letterThis piece has been precisely dated using a thermoluminescence analysis carried out by Ralf Kotalla. The report will accompany the lot. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 400 - 380 BC.A red-figure pottery bell krater with a large body, short splayed foot, flanged mouth, and two well-preserved horizontal handles. The vessel features traditional motifs, including a laurel wreath under the lip and a meander pattern with crosses near the base. Side "A" depicts a Dionysiac scene with a central satyr flanked by two maenads: one on the left in a long himation and the other on the right in a long chiton, holding a sceptre topped with a pine cone. Side "B" portrays three standing male figures, each facing forward and leaning on two wooden sticks. The krater is attributed to the Arpi Painter or his circle, as suggested by the detailed female attire, the prominent use of white pigment, and the distinctive depiction of the satyrs' chest.For similar see: The Metropolitan Museum of Art, Object Number: 06.1021.214. Size: 320mm x 310mm; Weight: 2.73kg.Provenance: Property of a North London gentleman; formerly in a European Collection, France, bought in Paris in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letterThis piece has been precisely dated using a thermoluminescence analysis carried out by Ralf Kotalla. The report will accompany the lot. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 350 BC.A bell krater, painted in the red-figure style, with white/yellow details on one side. The iconography of the piece reflects important stories and symbolism in the life of the Greek colonies. On Side A is a draped seated maenad holding a large patera in her right. She is facing back to a second maenad, who also holds a pyxis in her right hand; both are wearing a long kiton and short sakkos on the hair; the facial features are marked. Side B features three draped male figures standing in profile. In addition to this iconography, the vessel is adorned by an extensive decorative program: a laurel leaf wreath beneath the rim, an intricate pattern of stylised palmettes below the handles with fretted bands surrounding each handle's termini, and a lower register underscoring the figural scene comprised of waves.For similar see: The British Museum, Museum number 1978,0414.33, Trendal A.D., Red Figure Vase of Apulia, 1978, Plate 57, n. 1. Size: 375mm x 310mm; Weight: 3.2kg.Provenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 350 BC.A red-figure column krater in an ornate style features handles adorned with painted palmettes. The intricate scenes on the krater include a central figure of a seated winged Nike, who wears a long chitón. She is adorned with a parure of pearls and a sakkos, and her head is decorated with a diadem. Surrounding her are flowers, animals, and possibly grass, creating a representation of a bucolic environment. The main scene is framed with geometric linear patterns and meanders at the bottom. On the neck of the krater, there is a large frieze depicting a horizontal branch with heart-shaped leaves in black pigment. Side B showcases a profile of a fashionable lady, portrayed with a rich and intricate parure and detailed sakkos. The central scene is framed with geometric motifs on the sides and meanders at the bottom. The rim of the vessel is embellished with a motif of waves.For similar see: Trendal A.D., Red Figure Vase of Apulia, 1978, Tarpolay Painter, Plate 16, n. 1-2. Size: 440mm x 300mm; Weight: 3.4kg.Provenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgium art market; Daniel Bogaerts, Brussels, 1995. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 350 - 300 BC.A large bell krater, painted in the red-figure style, with white/yellow details on one side. The iconography of the piece reflects important stories and symbolism in the life of the Greek colonies. On Side A is a draped seated woman riding a white griffon with outstretched detailed wings. In front of her a satyr playing the flute during walking. On his front, he has a maenad holding a thyrsus. On the other side, a woman made in white pigment holds a large mirror. Side B features three draped male figures standing in profile, one holding a walking stick. In addition to this iconography, the vessel is adorned by an extensive decorative program: a laurel leaf wreath beneath the rim, with fretted bands surrounding each handle's termini, and a lower register underscoring the figural scene comprised of meanders.For similar see: Trendal A.D., Red Figure Vase of Apulia, 1978, Plate 57, n. 1; Plate 397, n. 5-6. Size: 370mm x 350mm; Weight: 3.5kg.Provenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 350 BC.A bell krater, painted in the red-figure style, with white/yellow details on one side. The iconography of the piece reflects important stories and symbolism in the life of the Greek colonies. On Side A is a naked seated man holding a large patera in his left and a long white thyrsus in his right. He is facing a standing draped woman, who also holds a thyrsus with her left hand and a white mirror in her outstretched right hand; between the two figures an intricate palmette. Side B features a pair of draped male figures standing in profile around a palmette. In addition to this iconography, the vessel is adorned by an extensive decorative program: a laurel leaf wreath beneath the rim, stylised palmettes below the handles with reserved bands surrounding each handle's termini, and a lower register underscoring the figural scene comprised of waves. Size: 320mm x 290mm; Weight: 2.3kg.Provenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 350 BC.A large bell krater, painted in the red-figure style, with white/yellow details on one side. The iconography of the piece reflects important stories and symbolism in the life of the Greek colonies. On Side A is a draped seated woman holding a large patera in her left hand. She stands facing a standing man, who holds a thyrsus casually against his upper left arm and a handled vessel in his outstretched right hand. Side B features a pair of draped male figures standing in profile, one holding a walking stick. In addition to this iconography, the vessel is adorned by an extensive decorative program: a laurel leaf wreath beneath the rim, stylised palmettes below the handles with fretted bands surrounding each handle's termini, and a lower register underscoring the figural scene comprised of waves.For similar see: MET Museum Museum number 1978,0414.33; Object reference number:1836,0224.175. Size: 265mm x 290mm; Weight: 1.6kg.Provenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgium art market; Daniel Bogaerts, Brussels, 1995. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Antiquities interest. A terracotta funnel krater decorated in brown pigment with gallery receipt, H. 28cm. N. Forbes collection.

Ca. 350 - 320 BC. A red-figure pottery bell krater with a large body, short splayed foot, a flanged mouth and two well-preserved horizontal handles. The krater features traditional patterns, such as the geometric motif under the lip and a wave pattern along the bottom of the body. Side A is decorated with a standing maenad holding a large pixys in her right hand and a wreath in her left. Side B is decorated with a lady of fashion facing left wearing a large sakkos embellished with pearls and a necklace. Completely black beneath the handles. For similar see: Christie's, Live Auction 2056, Antiquities, 9 December 2008; Trendall, 1983, Plate XVIII, n. 4 and 6. Size: 270mm x 255mm; Weight: 1.38kg Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 340 - 310 BC. A red-figure pottery bell krater with a large body, short splayed foot, a flanged mouth and two well-preserved horizontal handles. The krater features traditional patterns such as a laurel wreath under the lip and a wave pattern along the bottom of the body. Side A is decorated with a standing Nike with outstretched wings with natural details. whio is wearing a himation on her left arm and holding a trident in her right hand. Side B is decorated with a standing lady of fashion wearing a long cloak and himation and a large and high diadem. The handles are surrounded by a large palmette motif. The vessel is probably made by a member of the Menzies Painter Group. Size: 295mm x 285mm; Weight: 2.7kg Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Belgian art market; Peter van der Elst, Liege, 1987. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. This item has been precisely dated using a thermoluminescence analysis carried out by Ralf Kotalla. The report will accompany the lot.

Ca. 400 - 300 BC. A group of Xenon ware vessels. The first vessel, on the left, is a petite krater with an elegant body and a ringed foot. The vessel features a conical body leading to a short tubular neck. The surface displays a decorative register adorning the upper body. The second vessel is a globular krater with a discoidal foot and two vertical handles, adorned with a wave motif on the main part of the body. The third vessel is a small, stylised oinochoe with a globular body seated on a discoid foot, with a handle connecting the body to the trefoil rim. For similar see: The Metropolitan Museum of Art, Accession Number: 1971.11.14. Size: 50-70mm x 50-60mm; Weight: 140g Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Belgian art market; Peter van der Elst, Liege, 1987.

Ca. 350 - 300 BC. A red-figure pottery bell krater with a large body, short splayed foot, a flanged mouth and two well-preserved horizontal handles. The krater features traditional patterns, such as the laurel wreath under the lip, and the meander pattern along the bottom of the body. Side A is decorated with a standing naked Nike resting on top of a column with ionic capital, with outstretched wings, embellished with pearls and holding a large mirror in her right hand. In front of her, a seated noblewoman wearing a long chiton, holding in her left a large case. Side B is decorated with two standing men around a column-shaped altar decorated on the top. They each wear a long cloak and a diadem. The handles are surrounded by a large palmette motif. Size: 325mm x 310mm; Weight: 2.49kg Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Belgian art market; Peter van der Elst, Liege, 1987. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Herrensavonette. Strahlenförmig guillochiertes, rundes Doublé-Gehäuse, Innendeckel aus vergoldetem Metall. Weißes, innen beiges Emailzifferblatt mit schwarzen und roten, arabischen Ziffern, ausgesägten Zeigern und kleiner Sekunde bei 6. Matt vergoldetes Platinenwerk mit Kompensationsunruh und Breguet-Spirale. Gehäuse num. 167839, Innendeckel bez. "R. Scobel". Tragespuren, Krater, Dellen, Glas fehlend. 1. Drittel 20. Jh. D. 5 cm. In Lederhülle.

Fünf kleine Vasen und ein Teller Meissen Bunt gemalte Blumen. Goldrand. Zweimal Krater- und einmal Trompetenform, zweimal gebaucht, der Teller "Neuer Ausschnitt". H. 13/10,7/10,5 bzw. D. 25,5 cm. Überwiegend 2. Wahl. Blaue Schwertermarke (60034)

Penck,A.R. (d.i. R.Winkler, Red.).: Krater und Wolke. Nummer 1-7 (mehr nicht erschienen). 7 Bände. Köln, Michael Werner (1982-1990). 4°. Mit zahlr. teils mont. Abb., Illustrationen, 26 teils gefalt., 2 signierte Orig.-Graphiken von Georg Baselitz, Jörg Immendorf, Per Kirkeby, Markus Lüpertz, Don Van Vliet und A. R. Penck sowie 3 Schallplatten (Flexidiscs) und einer Orig.-Arbeit von A. R. Penck (bemaltes Laubblatt). Illustr. OKart. mit Japanpapierschutzumschlägen in Orig.-Pappschubern. Wye/Weitman S. 157. - Eines von 200 bzw. 300 Exemplaren. - Nr. 1 u. 2 enthalten jeweils 5 Graphiken und eine Schallplatte. - Nr. 3 enthält 4 Graphiken und eine Schallplatte. - Nr. 4 u. 5 enthalten keine Graphiken. - Nr. 6 enthält 6 Graphiken, darunter 1 monogrammierter Farbholzschnitt von P. Kirkeby. - Nr. 7 enthält 6 Graphiken, darunter 1 monogrammierter Holzschnitt von P. Kirkeby. - Außerdem liegt eine signierte Orig.-Arbeit (beidseitig bemaltes Laubblatt) sowie ein Werbeblatt von A. R. Penck bei. - Die Schallplatten mit den Titeln: "Peter Kowald, Kontrabaß-Solo"; "J. Immendorff, Die Vielleichtors, Immendorff/Oehlen: Café Deutschland"; "Das Springerkonzert 1983. Drum: Ralf Penck, Vocals & Piano: M. Lüpertz". - Pergaminschutzumschlag von Band 3 beschädigt, sehr gutes Exemplar der vollständig sehr seltenen Reihe mit einer Original-Arbeit des Dresdner "Malerfürsten" A. R. Penck (1939-2017).

A large Berlin topographical commemorative vase, circa 1823Of Krater form with scroll handles, on a gilt-metal-mounted rectangular plinth, one side painted with a rectangular view of the Blücherplatz in Breslau, the reverse with a landscape scene depicting Prussian soldiers, within tooled gilt frames with palmettes, the sides with tooled gilt military trophies on a pale-yellow ground, all between gilt bands tooled with foliate scrollwork against a trellis ground, the rim with a gilt band tooled with scrolling foliage, the gilt-ground lower body tooled with an oak-leaf wreath, on a gilt-ground flared foot and square plinth tooled with foliage and flowers, the gilt-ground pedestal reserved with four rectangular panels, the sides with finely tooled gilt military trophies, the front with a gilt standard with tooled inscription 'ANDENKEN/ DER/ ELFTEN DIVISION', the reverse with a gilt medallion with a rampant lion enclosed by the inscription 'OHNE KAMPF KEIN SIEG', flanked by soldiers and below a crest, the top mounted with a gilt-metal rim and rectangular standrim for the vase foot, 72cm high overall, sceptre mark in underglaze-blue and eagle stencilled in manganese to underside of foot and pedestal, the pedestal with impressed 88 and incised 14 (3)Footnotes:Provenance:Private collection, Berlin, sold at Lempertz Berlin, 23 May 2007, lot 58The soldiers are from the Prussian VI Army Corps, 11th Division, which was stationed in Breslau. This vase may have been a gift from the Prussian King Friedrich Wilhelm III to the 11th Division's commanding officer until 1820, Major General Leopold von Roeder (1768-1834).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

AFTER THE ANTIQUE, A PAIR OF CAST IRON 'SOSIBOS' KRATER GARDEN URNS 19TH CENTURY Each with twin swan head handles above neck moulded with ivy trails and the body with classical figures, set on stone bases the vases 75cm high, 107.5cm high overall This pair of cast iron urns are modelled on a white marble urn from antiquity, signed by the sculptor Sosibios, a Greek artist probably working in Rome in around 50 BC, The urn was in the collection of Louis XIV at Versailles, and is now in the Louvre (MR 987). A design for its production in cast iron appears in the 1858 catalogue "Barbezat & Cie Ancienne Maison André, Hauts Fourneaux- Fonderies du Val d'Osne" and an English version of the model was later in the 1874 catalogue of A. Handyside and Co.  

A pair of modern crackle-glazed krater vase table lamps, each with twin handles and drilled base, fabric shades, height 40 cm exc. fitment (2) Provenance: The Collection of Mary and Alan Hobart, Founders of Pyms Gallery Note: It is the buyer's responsibility to ensure that electrical items are professionally rewired for use 

2nd-1st millennium B.C. Including fragments of a large blackware krater, terracotta sidewall with strap handle and other items. 11.15 kg total, 2.5-38 cm (1 - 15 in.). [67, No Reserve]From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.