A large and impressive Iznik “Damascus” style high footed pottery basin (tazza), Ulisse Cantagalli, Florence, northern Italy, circa 1880, The rounded body rising from a slightly waisted foot to a straight lip, the blue, turquoise blue, green and red painted decoration consisting of bold elegant floral spray, one to the well within a medallion of simplified strapwork picked in red, and a repetition thereof to the cavetto, a thin register of a stylised ropework above, the exterior with bolder and larger floral blooms and serrated saaz leaves borne by a swaying tendril, on white ground, the base with maker’s mark painted in black,42cm. diam., 27cm. highProvenance: Purchased from Lady Manton, Houghton Hall in East Yorkshire over 40 years ago for £100Footnotes: The oversize blooms born by scrolling tendrils, elegantly swaying saaz leaves, and the bold flowers with lobed petals recalls two stunning Iznik works : a blue and white mosque-lamp-shaped vase, and a pottery tile panel. The first dated to the 3rd quarter of 16th century is kept at the David Collection in Copenhagen (inv. 18/1967), the second, circa 1550 - 1650 and attributed to Syria, at the Fitzwilliam Museum in Cambridge (inv. C.5-1909).Our large basin's blooms mirror the decoration of the vase seen on the panel at the Fitzwilliam Museum from which rises an impressive flower bouquet and flanked with cypresses. Its wide scrolling tendril with lobed petals flowers are clearly seen on the blue-and-white vase in Copenhagen. Here, on our lot, Ulisse Cantagalli, like other late 19th century European ceramicists such as Samson, Lachenal, Deck and others, was extremely successful in replicating these mid-16th Ottoman patterns marrying them onto the exterior of this work and rendering the exact tones of the colours seen on the Cambridge panel.Condition Report: With a very fine hairline crack to one side, minor chips to rim
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A 19th Century Rosewood Lachenal Concertina of Hexagonal Form, with fretwork borders, leather finger grips, thirty-one bone keys, and green Morocco with applied paper designs, 7ins diameter Images are within the attached Dropbox linkhttps://www.dropbox.com/scl/fo/ogyqrm8jy15yfcwzl4xn3/ALk5ctsS2NVN7s3iS1-G47o?rlkey=g1mdth5j1mcmzkdnqihd3rbjk&st=i01ptp8s&dl=0
A Lachenal Early XX Century Concertina, with thirty bone Anglo system keys, fretwork ends, stamped "English Made", no box.1, not all keys produce a sound, 2, scuffs/wear to leather and tears, 3, leather straps do not match, 4, scratches to wood, 5, replacement screws and losses around them, we wouldn't be able to ship
A LACHENAL AND CO. MAHOGANY CONCERTINA, 19th century, of hexagonal form with five fold leather bellows and fret carved ends, 6 1/4" diameter, with box (Est. plus 24% premium inc. VAT) Condition Report: There are 21 bone keys. In used condition, structure intact but signs of much wear to the body of the concertina and the box. Both handles in need of repair.
A LACHENAL AND CO. MAHOGANY CONCERTINA, 19th century, numbered 190513, of hexagonal form with five fold leather bellows and fret carved ends, 7" diameter, with velvet lined mahogany box (Est. plus 24% premium inc. VAT)Condition Report: In reasonable condition with no losses. There are 21 bone keys. Sings of wear and tear to the concertina and box. The lid does not close with ease and the carrying handle to the lid is missing.
An early 20th century, Lachenal and Co concertina with leather bellows, pierced fretwork hexagonal ends and twenty one bone buttons, serial No 120228, with original mahogany carry case, the case 18cm highCondition Report: Overall in good condition. No obvious damage or repair. No holes to leather bellows. general age related wear. Lacking handle on case. Please see extra images on Ewbank's website.
Jugendstil Keramikkrug, Edmond Lachenal und Agnes de Frumerie, Paris, um 1900, Steinzeugkrug mit umlaufender Reliefszene, sich küssendes Paar begleitet von einem Bajazzo an der Laute, im Boden Pinselmarke, ''E. LACHENAL''., Modellnr. 183x, u.sign. ''de Frumerie sculpteur'', heller Schaerben, grüne Glasur, H. 30 cm

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