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WAS Benson, a silver-plated Arts and Crafts oil lamp on stand, with funnel and a ribbed Vaseline glass shade in the manner of WAS Benson, impressed numbers, later fitted for electricity,29cm diameter67cm highCondition ReportStructurally the lamp and stand appear sound. The metal is tarnished and would benefit from cleaning. Some marks and scratches to the metal throughout commensurate with age and use. Some light surface marks and scratches to the shades, particularly to the bottom rims where they attach to the stand. The lamp is wired for electricity with a UK three-prong socket. Overall, the lot appears in good overall condition and presents well.PAT test - Passed
Manner of WAS Benson, an Arts and Crafts reading light, brass with a ceramic glass shade on a hinged mount, 32cm wide 22cm deep 67cm high Condition ReportStructurally the lamp appears sound. Some light surface marks to the ceramic shade. Tarnishing and surface marks and dirt to the metalwork, which would benefit from cleaning. Subject to this, the lamp appears in good overall condition.PAT test - Failed
This striking hanging pendant lamp features a richly colored stained glass shade in the classic Tiffany style, showcasing a detailed fruit motif that includes peaches, pears, plums, and grapes among green leaves and twisting vines. The dome-shaped shade is constructed from numerous pieces of hand-cut glass in warm amber, cream, and jewel-toned hues, bordered with vibrant fruit imagery that adds charm and character. The lamp is suspended from a chain and capped with a bronze-tone canopy, making it ideal for dining areas, kitchen islands, or foyers. With its artisanal craftsmanship and inviting palette, this lamp combines both functional lighting and decorative appeal.Issued: c. late 20th centuryDimensions: 10"H x 24"dia. Condition: Age related wear.
This stained glass ceiling pendant lamp features a dome-shaped shade crafted from richly hued glass panels in amber, green, burgundy, and deep violet tones. The design showcases a classic grid pattern transitioning into a detailed grapevine motif, with clusters of grapes in purple and red tones framed by layered green leaves. Reminiscent of Tiffany-style craftsmanship, the lamp casts a warm, glowing ambiance when lit, highlighting the intricate glasswork from within. Ideal for a vintage-inspired interior, kitchen island, or dining area centerpiece. The lamp hangs from a brass-finished chain and includes a single bulb socket.Issued: c. late 20th centuryDimensions: 11.75"H x 24.5"diaCondition: Age related wear.
This elegant stained glass pendant lamp features a domed silhouette adorned with swirling caramel-toned panels that transition into a vibrant floral border. The lower skirt of the shade is intricately decorated with rose blossoms in shades of pink, violet, and coral, interwoven with deep red ribbon bands and green foliage. Crafted in the Tiffany-revival style popular during the late 20th century, this piece captures the charm of vintage American decorative lighting. The lamp hangs from a brass-finished chain and houses a single bulb fixture with a vented gallery at the top for heat dissipation. Ideal for period-style interiors, this pendant adds warmth and character to dining or lounge settings.Issued: c. late 20th centuryDimensions: 15.5"H x 24"dia. Condition: Age related wear.
A crystal and brass desk lamp featuring a gracefully curved arm and cut crystal bell shade. The clear crystal base and shade are intricately cut with a crosshatch and fan pattern, characteristic of Waterford craftsmanship. The brass stem presents a scroll accent and a polished finish that complements the lamp's traditional elegance. Waterford sticker label. Issued: 20th centuryDimensions: 14"L x 5"W x 14.5"HCountry of Origin: IrelandCondition: Age related wear.
This exquisite semi-flush ceiling light by Waterford Crystal features a cut crystal dome shade in a radiant swirl and diamond pattern, paired with a gleaming polished brass base. Part of Waterford's premium lighting collection, it carries the original hang tag and acid-etched hallmark. Designed for dry locations and UL-listed as an incandescent luminaire (No. B-962281), it supports a maximum 40-watt Type B lamp. This elegant piece brings a timeless sophistication to entryways, hallways, or powder rooms. Measures approximately 8.5"H x 13"dia.Dimensions: See DescriptionCountry of Origin: IrelandCondition: Age related wear.
A Chinoiserie decorated standard lamp, 20th century, with turned column on a circular base, decorated with flowers, buildings and bridges in red and gilt, with pleated shade161cm high including shadeProvenance:Property of the late Sir Christopher McMahonNot PAT tested, seek advice from an electrician before usesmall chip out of the edge of the bowl shaped knop under the fitting with two cracks either side, possibly an old repairgilt and paint very rubbed, circular base very knocked and rubbedshade quite tatty and tornsee photos
Royal Crown Derby Imari pattern 1128 lamp with shade, height to top of bulb holder 31.5 cm and a 21.5 cm plate printed marks in red.The plate is in excellent condition with no signs of any chips, cracks or restoration. The lamp base is also in excellent condition. However there is a very small overglazed chip to the base on the underside, which is barely noticeable with the naked eye.
A bronzed spelter Art Deco floor lamp in the form of a nude female on marble base with bulb suspended from her right hand, in working order though the lamp shade is cracked. Reported by the vendor to have connections to the theatre. the little fingers on both hands are missing and the lamp measures 147cm high
Circa 1915The domed shade in translucent amber colored glass cased with an opaque white glass lining, engraved on the fitter rim L.C.T.; the urn form base raised on incurved legs and ending in a stepped incurved square foot, numbered on the underside 2397. Height 14 5/8 inches; height of shade 4 1/2 inches, diameter 7 1/8 inches.Provenance:James D. Julia, Fairfield, Maine, Lamps & Glass, November 18, 2015, lot 1221.Shade: has a nice bell tone when gently struck, i.e., no hairline cracks; there is a small shallow chip loss to the fitter rim, which is somewhat sharp to the touch and is somewhat visible because there is no metal cap to cover it (the chip loss is mostly visible on the underside of the rim)Base: the socket and light switch appear to be later replacements; the lamp is currently wired, however, the switch, socket and wiring were not tested; the lamp has a nice uniform mottled chocolate brown and dark rust-colored patina; the shade fits onto the three-arm supports without risk of falling off, however, the shade sits on the supports somewhat loosely (not a tight fit)Shade: has a nice bell tone when gently struck, i.e., no hairline cracks; there is a small shallow chip loss to the fitter rim, which is somewhat sharp to the touch and is somewhat visible because there is no metal cap to cover it (the chip loss is mostly visible on the underside of the rim) Base: the socket and light switch appear to be later replacements; the lamp is currently wired, however, the switch, socket and wiring were not tested; the lamp has a nice uniform mottled chocolate brown and dark rust-colored patina; the shade fits onto the three-arm supports without risk of falling off, however, the shade sits on the supports somewhat loosely (not a tight fit)Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Circa 1915The domed shade with three central rows of large geometric segments in mottled opalescent and amber colored glass, with an upper and lower band of circular motifs, in amethyst and amber rippled glass, supported on a slender urn-form standard, with a paneled body and stepped shaped circular foot, pierced metal heat cap; shade with three affixed tags stamped TIFFANY STUDIOS, NEW YORK, and 593 (?), respectively; base stamped TIFFANY STUDIOS 585. Height 21 inches; height of shade 7 1/2 inches, diameter 16 1/4 inches. Provenance:James D. Julia, Fairfield, Maine, Lamps & Glass, November 18, 2016, lot 1284.Shade: approximately three of the small circular glass segments at the uppermost ring band have hairline cracks; none of the larger circular glass segments at the bottom ring band appear to have hairline cracks; approximately five of the small geometric brick segments at the bottom rim of the shade have hairline cracks; none of the large central glass segments that comprise the three inners rows of geometric segments appear to have hairline cracks; approximately nine of the small glass segments that surround the large circular segments at the lower border have hairline cracks;; shade is slightly 'out of round' (slightly pushed in at one end)Base: there are three light sockets; sockets appear to ave some age; all three sockets have on/off switches with paddles marked 'Arrow;' the lamp is currently wired, however, the switches, sockets and wiring were not tested; the lamp has a mottled green and rust-colored patina; the patina has a uniform dulled appearance (would benefit from a possible cleaning and waxing); the heat cap may or may not be an original Tiffany Studios heat cap; the heat cap has a replaced (later) screw to adhere it to the ring mount at the top of the standard, however, it does not fit and the cap does not fit properly onto the shadeShade: approximately three of the small circular glass segments at the uppermost ring band have hairline cracks; none of the larger circular glass segments at the bottom ring band appear to have hairline cracks; approximately five of the small geometric brick segments at the bottom rim of the shade have hairline cracks; none of the large central glass segments that comprise the three inners rows of geometric segments appear to have hairline cracks; approximately nine of the small glass segments that surround the large circular segments at the lower border have hairline cracks;; shade is slightly 'out of round' (slightly pushed in at one end) Base: there are three light sockets; sockets appear to ave some age; all three sockets have on/off switches with paddles marked 'Arrow;' the lamp is currently wired, however, the switches, sockets and wiring were not tested; the lamp has a mottled green and rust-colored patina; the patina has a uniform dulled appearance (would benefit from a possible cleaning and waxing); the heat cap may or may not be an original Tiffany Studios heat cap; the heat cap has a replaced (later) screw to adhere it to the ring mount at the top of the standard, however, it does not fit and the cap does not fit properly onto the shadeAny condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Circa 1915The conical shade decorated with stylized feather motifs and a geometric border, in mottled green, amethyst and opalescent glass, the flower-base with a paneled standard and stpped circular foot, pierced metal heat cap, shade signed TIFFANY STUDIOS NEW YORK (lower inner rim) and 1439-1 (upper inner rim), base stamped TIFFANY STUDIOS NEW YORK 534. Height 21 1/2 inches; height of 6 1/2 shade, diameter 16 inches. Shade: appears to be in generally good conidtion; shade appears to be "in-the-round;" there are approximatel ythree 'feather' glass segments with hairine cracks; there are approximately eight glass egments with hairline cracks at the lower geometric border; no hairline cracks were observed to any of the oval or teardrop-shaped 'peacock eye' glass segments; no apparent evidence of replacement or restoration to any of the individual glass segments; some of the horizontal caming and lower rim band of the shade retain traces of green patina (this patina is mortly worn away elsewhere on the caming on the exterior side); the green patina is more intact on the interior side of the shadeBase: the lamp has three light sockets; the sockets appear to have age; all three on-off light-switch paddles are marked WEBER; the lamp is currently wired, however, the switches, sockets, and wiring were not tested; the lamp base has a uniform mottled green and chocolate brown patina; the patina currently has a dulled appearance (would benefit from a cleaning and waxing); the heat cap may or may not be an original Tiffany Studios heat cap; the heat cap lacks a screw to allow it to securely and properly screw on to the bronze ring at the top of the baseShade: appears to be in generally good conidtion; shade appears to be "in-the-round;" there are approximatel ythree 'feather' glass segments with hairine cracks; there are approximately eight glass egments with hairline cracks at the lower geometric border; no hairline cracks were observed to any of the oval or teardrop-shaped 'peacock eye' glass segments; no apparent evidence of replacement or restoration to any of the individual glass segments; some of the horizontal caming and lower rim band of the shade retain traces of green patina (this patina is mortly worn away elsewhere on the caming on the exterior side); the green patina is more intact on the interior side of the shade Base: the lamp has three light sockets; the sockets appear to have age; all three on-off light-switch paddles are marked WEBER; the lamp is currently wired, however, the switches, sockets, and wiring were not tested; the lamp base has a uniform mottled green and chocolate brown patina; the patina currently has a dulled appearance (would benefit from a cleaning and waxing); the heat cap may or may not be an original Tiffany Studios heat cap; the heat cap lacks a screw to allow it to securely and properly screw on to the bronze ring at the top of the baseAny condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
1980sEach with a curved shade and rectangular base, inscribed Karl Springer. Height of taller 24 inches; width of shade 16 3/8 inches, depth of shade 5 1/4 inches.each lamp appears to be in generally good, undamaged condition; no dings or dents to the bodies or shades were observed; there is affixed felt fabric to the underside; each lamp has two electric light sockets; each lamp is currently wired, however, neither lamp was tested; height of shorter lamp: 23 3/4 inches; width of shade 16 3/8 inches, depth of shade 5 1/4 incheseach lamp appears to be in generally good, undamaged condition; no dings or dents to the bodies or shades were observed; there is affixed felt fabric to the underside; each lamp has two electric light sockets; each lamp is currently wired, however, neither lamp was tested; height of shorter lamp: 23 3/4 inches; width of shade 16 3/8 inches, depth of shade 5 1/4 inchesAny condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Victorian oil lamp having a green tinted etched glass shade, a green glass well with floral painted decoration, on a brass column base with circular foot, with chimney, 64cm high Provenance: from the collection of Darrin Baines, Professor of Health Economics. Professor Baines filled his early Victorian townhouse in Leominster, Herefordshire, with Georgian and Victorian apothecary objects collected over a period of 20 years. Darrin Baines, researcher and consultant, has produced health economics and health policy projects and contributed articles to numerous academic and trade journals. Some pieces in the collection were bought from a Victorian pharmacy in Upwell, The Fens, others from pharmacists across the country, from auctions in the UK and on the continent. Condition Report Shade condition :- Chip to underside, some wear around the top. Few scratches and marks around the shade. Please see further images.
Early 20th century Baccarat crystal three-branch candelabrum, surmounted with a pyramid above a central foliate drip pan and three branches suspending prism cut drops, on a lobed column base and foliate moulded beaded foot, moulded mark to base, 55cm high, together with a cut glass table lamp with tapering hobnail cut removable shade, on baluster domed stem, electrified, 29cm high and a set of seven early 20th century hobnail cut napkin rings in original box (3) Condition Report Candleabrum - slight chipping to tip of central obelisk, one of the pendant drops with further chipping, others with minor light chipping, one of the drops is present but detached and there are three holes which may have suspended drops but two of which are no longer present. It has been used and wax is present and requires cleaning. Overall in good decorative order. Napkin rings - overall ok, one with minute chip. Lamp - small chip to rim of shade.
Late 19th/early 20th century oil lamp having globular opaque etched glass shade, cut glass clear well, brass fittings and glass baluster support with circular star cut foot, with chimney, 79cm high Condition Reportchip to the top of the glass shade. One of the glass adjusters is damaged. the oil well has a crack. the base is very scratched. Please see attahced images.

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66964 item(s)/page