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Lot 258
UNATTRIBUTED; five 19th century and later watercolours, including a rural scene, indistinctly signed 'W. E. Deller, 1954' lower right, 13.5 x 17.5cm, framed and glazed, a further abstract print of a watercolour, an indistinctly signed abstract watercolour rural landscape, 21.5 x 28cm, framed and glazed, and two further watercolours (5).
Lot 284
UNATTRIBUTED; acrylic on board, 'Approaching Everest', indistinctly signed lower right, 37 x 27cm, framed and glazed, an early 20th century watercolour, rural scene, 19.5 x 27.5cm, framed and glazed, and a Chinese watercolour on silk of pagodas amongst mountainous landscape and a lake with figure rowing a boat, indistinctly signed lower right, diameter 25cm, framed and glazed (3).
Lot 651
A Chinese blue and white porcelain bowl, the exterior decorated with pagodas and boats amongst landscape, diameter 14cm, and a further early 20th century Chinese brown ground bowl, the exterior decorated with three panels, painted in enamels with flowers, diameter 11.5cm, (af) (2).Condition Report: Please note, the brown ground bowl has been completely split in two and badly repaired.
Lot 402
A large quantity of assorted 19th century and later leather bound books and antique reference books, including 'Army and Navy, General Price List 1933-1934, 1935-1936 and 1939-1940, also various reference books including 'Cartier', 'Pocket Watches', 'Automobilia', 'The Grapes of Ralph', 'Radio Art', 'Drawing and Painting the Landscape', 'A & N Story Circular' 1908 and 1903, 'Old Glass Paperweights', 'Fountain Pens', 'The Art of the Cigar Label', 'Clocks and Watches', etc.
Lot 632
A pair of 19th century Chinese Nonya plates, the pink ground floral decorated border enclosing central panel depicting bird amongst foliage, both diameter 25cm, a further late 19th/early 20th century Chinese porcelain platter, 34.5 x 26.5cm, (af), a pair of 18th century Chinese Export ware porcelain plates, decorated with pagodas amongst landscape, with foliate border, both diameter 22.5cm, and a further Chinese Export ware plate (6).
Lot 621
A Korean iron glazed bulbous form vase, decorated with pagodas and landscape, height 26cm, a Japanese Seto Oribe ceramic tokkuri sake bottle vase, height 23cm, a Japanese stoneware salt pig, height 15cm, stoneware jug, height 32cm, two sake bottles, both height approx 23cm, and a hand painted bowl, diameter 26cm (7).
Lot 405
A collection of vintage books relating to wild flowers, the Lake District and Lakeland, trees, a landscape drawing, etc, titles included 'Familiar Wild Flowers', 'The Modern Fowler', 'Trees in Britain', 'Three Rivers', 'Wild Lakeland', 'A Field Guide to the Birds of Britain and Europe', 'Flowers in Britain', 'Sketching from Nature in Line and Tone', 'The English Lakes', 'Familiar Wild Flowers', 'A Short Organic Chemistry', etc (15).
Lot 620
A pair of 19th century Chinese blue and white export ware porcelain lidded jars, both height 8.5cm, a blue and white saucer, decorated with boats and landscape amongst pagodas, diameter 11cm, a blue and white porcelain bowl, diameter 11cm, and a blue and white porcelain lid, (af), diameter 7cm (5).
Lot 663
A large Japanese Satsuma baluster form vase, the large panels decorated with female figures amongst foliage and landscape, on a blue and gilt decorated ground, with 'Made in Japan' stamped to the base, height 47cm, a matching modern Japanese baluster form Satsuma table lamp with white shade, height to top of fitment approx 40cm, a pair of modern Chinese hand painted floral decorated porcelain vases, decorated with birds and foliage amongst landscape, both with red painted six character marks to base, height 24.5cm, a pair of modern Japanese Satsuma style vases, both inscribed 'Made in Japan' to the base, height 26cm, and a matching pair of smaller modern Japanese Satsuma style vases, height 19cm (8).
Lot 477
H.R.H. The Prince of Wales (b.1948) Greek Island landscape, fishing boats coloured lithograph reproduced from the original watercolour, signed Charles in pencil to margin dated 1999, limited edition no. 79/100, with certificate of authenticity and original receipt, image measures 14cm x 22cm, framed and glazed, in presentation case Condition Report Good condition. Case with some light surface marks. General wear and tear.
Lot 465
Vincenzo Bisogno (Italian, 1866-1933) Watercolour and gouache Classical frieze depicting three cherubs picking flowers, signed lower right, framed and glazed, image size 24cm x 50cm, together with three 19th century watercolours depicting lakeside landscape, figures and donkey on country path and a river scene with dwellings and boats (4)
Lot 158
Chinese late Qing Dynasty yellow ground ginger jar and cover moulded with lotus and water plants, reserved on a mottled yellow ground, with wooden stand (hairline crack to shoulder), 12cm high, a Chinese export octagonal plate painted with exotic birds and willow flower strewn landscape (extensively cracked and repaired), 22cm wide and a Canton famille rose enamel plate painted with exotic birds and butterflies amongst peony, with blue seal mark to reverse, 25.7cm diameter (3) Condition Report Blue & white plate - Light surface scratches, cracks and repairs throughout.Enamel plate - light suface scratches, accretions, chip to base ring.Vase - Light suface marks, accretions, hairline to shoulder.General wear and tear.
Lot 159
Two Chinese porcelain relief moulded snuff bottles, early 20th century, moulded with figures and lion dogs, a Chinese enamelled bowl painted with deer in wooded landscape (losses), a small Canton saucer painted with flowering prunus, a Japanese brass relief cast vesta case with prunus and a bird, an Asian small copper picture frame cast with scrolling dragon amongst waves and a small figure of a Buddha (7) Condition Report Bowl - surface scratches, accretions, area of loss to enamel on side, diameter 12.5cmDish - surface scratches, accretions, cracks and chips to enamel, diameter 10cmFrame - surface scratches, accretions, 10.5cm x 8.5cmWhite snuff bottle - surface marks, accretions, 7.5cm highSnuff bottle - surface scratches, accretions, chip to base, 7.5cm highBuddha - surface scratches, accretions, chip to knee, 6cm highVesta - surface scratches, accretions, hinge loose, 4.5cm highGeneral wear and tear.
Lot 272
Two George III English enamel snuffboxes, the first possibly Battersea painted with a house and figures in river landscape, with mirrored lid to interior and pale blue ground, 4cm wide and a small rectangular example, the cover inscribed Our Right a Motto True Indeed this is My Motto Loves, My Creed, with pink base and mirrored cover (2)
Lot 479
H.R.H. The Prince of Wales (b.1948) Greek landscape, summer coloured lithograph reproduced from the original watercolour, signed Charles in pencil to margin dated 1999, limited edition no. 79/100, with certificate of authenticity and original receipt, image measures 21cm x 27cm, framed and glazed, in presentation case Condition Report Good condition. Case with some light surface scratches and scuffs. General wear and tear.
Lot 3
Sevres-style topographical cabinet plate, late 19th century, spurious Chateau des Tuileries marks, other spurious printed Sevres-style marks, painted with a view of Chateau de Sully in landscape, within a printed gilt palmette border, a Spode imari pattern no.1292 soup plate (cracked) and a Wedgwood Wigornian Ware teapot and cover, late 19th century, impressed upper case mark, decorated with a pheasant and ferns, with widow finial (damages) (3)
Lot 384
18th century, Continental school Oil on canvas Three-quarter length portrait of a lady, wearing a lace-edged red velvet dress applied with pearls, across her forehead are two parchment sheets, one showing an engraving of a traveller in landscape, 70.4cm x 54cm Provenance With John Hurst, Pemberton Road, Victoria, British Columbia in circa 1904, where it was probably sold, along with the contents of the house, and acquired by Gottfrey Bjonsfelt in 1922. The painting was known by the family as 'The Mystery Lady', with the puzzling positioning of the engraving, lying across her forehead and what may be a magnifying glass in her right hand. Condition Report Painting has been extensively restored with large areas of overpainting visible (see images), especially around the edge of the sitter's face, her right arm, around the engraving, to the lace and background, it has also been relined. The engraved parchment appears to be original to the painting, with minimal restoration to the engraved scene. There are two repaired tears/holes to the canvas to the top left and right. Small areas of discolouration to retouching/restoration. Some crazing to paint surface overall. Would benefit from restoration and cleaning. The frame is probably 19th century although has been regilded.With Mackenzie and Co., Toronto, Fine Pictures Restorers and Frame Makers label verso. Please see additional images (supplied by vendor) relating to the 2002 restoration of the picture, with the painting photographed in-situ at Pemberton Road, Victoria, B.C.. See also the report by J. Leger & Son, 1929 where the painting is called 'Dutch Master' and '1720 period'. We do not offer in-house shipping. Please try Mailboxes.com or bidandbox.com
Lot 282
A pair of Nanking Cargo blue and white porcelain bowls 18th century, of dished circular form with landscape decorated centres, 23cm diameter, together with one other Nanking Cargo bowl, 25cm diameter, a Nanking Cargo imari decorated bowl, 15cm diameter, another Nanking Cargo, including two bowls and two plates and a small collection of other Chinese bluie and white porcelain (13)1752, the Dutch East India Company, ship Geldermalsen, struck a reef on her return journey to the Netherlands and sank in the South China Sea. The cargo of Chinese porcelain was originally potted in Jingdezhen, Jiangzi province then shipped to Nanking for delivery to the Netherlands. The cargo was recovered by Captain Michael Hatcher and his team in 1985 and sold by Christie's Amsterdam on 28 April - 2 May 1985 as 'The Nanking Cargo. Chinese Export Porcelain and Gold' two hundred and thirty-five years later. Condition Reportchips, nibbles and surface scratches thoughout
Lot 264
A collection of Nanking Cargo blue and white porcelain 18th century, to include various tea bowls and saucers, all having architectural dwellings in a landscape decoration, 13cm diameter of largest saucer, 8cm diameter of largest tea bowl (qty)1752, the Dutch East India Company, ship Geldermalsen, struck a reef on her return journey to the Netherlands and sank in the South China Sea. The cargo of Chinese porcelain was originally potted in Jingdezhen, Jiangzi province then shipped to Nanking for delivery to the Netherlands. The cargo was recovered by Captain Michael Hatcher and his team in 1985 and sold by Christie's Amsterdam on 28 April - 2 May 1985 as 'The Nanking Cargo. Chinese Export Porcelain and Gold' two hundred and thirty-five years later.Condition Reportminor chips and nibbles throughout. No apparent restoration. No hairline cracks. Please see additional images.
Lot 179
George V silver tea caddy of octagonal form with embossed Dutch style figural decoration landscape, with slip on cover, (Chester 1912), makers mark rubbed approximately 6oz, 8.5cm in heightGood condition commensurate with age. The lid fits tightly. The top is slightly compressed and uneven. Hallmarks slight rubbed but easily legible. One small spot of silver solder on one corner, no holes. One dent to the base and general wear commensurate with age.
Lot 488
well decorated in famille rose enamels around both the flared neck, the central bulb and the slightly flaring lower body, with three continuous bands of landscape scenes, with scholars among hills and lakes, between formal borders at rim and foot, the interior enamelled turquoise,. Dimension:H:23.5cm.. Condition:Fairly good, 5cm.hairline from rim, a few small fills to rim chips. Provenance:
Lot 167
A Chinese carved bamboo brush pot - probably 19th / early 20th century, carved with figures seated beneath a pagoda in a wooded landscape, 20.5cm high.* Old natural shrinkage splits to bamboo. One of the splits has a few small flakes missing from the top to the inside of the brush pot. No other faults.
Lot 28
A stoneware studio pottery planter by Nigel Edmondson - of elliptical form with an outset platform foot, the rough textured surface in an ochre glaze with a central abstract landscape panel in red, light grey and pale green, impressed potter's monogram and 'X' marks, 29cm long, 15cm high (tiny frits to one end of base.
Lot 179
Two pieces of Chinese famille rose porcelain - 20th century, comprising a meiping form vase, painted with two phoenix amidst peony blooms in a garden, landscape, the reverse with two ducks and a butterfly amidst aquatic plants, above a stylised lappet band to the base, 29.5cm high; together with a famille rose punch bowl, painted and enamelled with flowers and butterflies below a primrose yelow and deep red ruyi band, 25.75cm diameter, printed Qianlong seal mark (but later).
Lot 434
Rita Smith (British, 21 Artists Group, 20th / 21st century) Arran Islands coastal landscape oil on board, unsigned lower right, unframed 24 x 30in (61.5 x 76.2cm) * This painting forms part of a legacy bequest to the Blue Cross animal charity, directly from the artist's estate. Please see lots 430 to 442 for further lots from this collection.
Lot 424
Three 19th / early 20th century pictures, comprising - 1. R. H. Bladon, Coaching scene, watercolour, signed lower right, 6 x 9¼in (15.25 x 23.5cm), gold painted frame 2. Early 20th century Dutch school, Harbour scene, oil on card, unsigned, 5¾ x 9¼in (14.7 x 23.5cm), gilt and composition foliate frame 3. Alfred Hill (British, 19th century), Italianate landscape at dusk, watercolour, signed and dated 1871 lower right, 6¾ x 4¾in (17.2 x 12cm), original gilt and composition frame (a/f) 4. After John Cyril Harrison (1898-1985), Studies of ducks, lithograph, 9 1/8 x 6 3/8in (23.2 x 16.3cm), gold frame
Lot 114
An unusual German erotic subject glass stein - early 20th century, the moulded glass stein with a part-frosted firefighter motif to the front below the gilt intaglio script 'Josef Eiselt', the pewter lid with an inset porcelain plaque, the upper face painted with a huntsman and his dog in a landscape, the underside with an amorous scene of the same huntsman and a lady companion, titled 'Jagerlust', 20.75cm high.* Small soldered repair to one side of the joint between the hinge and the lid. Some gilt loss to lettering and scratching and one tiny frit to the base. No other faults - good overall.
Lot 442
Rita Smith (British, 21 Artists Group, 20th / 21st century) Alpine landscape oil on canvas, unsigned, unframed 23½ x 32in (59.7 x 81.25cm) * This painting forms part of a legacy bequest to the Blue Cross animal charity, directly from the artist's estate. Please see lots 430 to 442 for further lots from this collection.
Lot 162
A Japanese porcelain censer - probably late 19th century, of lozenge form, raised on four short swept feet, the rim with a border of moulded lappets, painted with scholars and elephants in a landscape with rocky outcrops, the pierced cover with a seated lion finial, 16.5cm high, the cover a/f.* The cover has been broken and has glued repairs, with some excess glue visible and losses to the lower edge at one corner. The base is in good condition, with a little gilt wear.
Lot 8
*LIN JAMMET (1958-2017) 'Horse of Gold' 1995, signed in pencil bottom right, edition 28/50, coloured screen print, 112cm x 91cmNote: The son of Elisabeth Frink and architect Michel Jammet, Lin Jammet started printmaking in the 1970s under Julian Trevelyan who was close friends with his mother.In the 1980s Jammet worked in freelance and editorial illustration. In 1993, he returned to printmaking, producing a series of Lithographs with Curwen Chilford Prints and later a body of screen prints and etchings with Gresham Studio near Cambridge. Inspirations include both Napoleonic wars as well as landscape around Corbès, in the foothills of the Cévennes in the south of France where he grew up.
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263442 item(s)/page