Charming pair of Rucinni jeweled high heel figurines, each crafted in a gleaming gold-tone finish and set with green crystal accents in two tones - one in rich emerald and the other in a lighter lime hue. The open-toe slingback design is rendered with lifelike detail, showcasing the sculptural quality and elegant curves of the miniature footwear. Underside of one shoe bears the Rucinni hallmark. Issued: 21st centuryDimensions: 2.75"L x 1.25"HCountry of Origin: ChinaCondition: Age related wear.
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These Italian-made sunglasses from Borsalino feature a striking cat eye silhouette with a smooth gradient blue ombre acetate frame that transitions from dark navy at the brow to a lighter aqua base. The wide lenses are shaded in a soft gradient grey for elegant sun protection. The inside of the arms is marked Borsalino 100% Made in Italy CE, while model details (232 54-20 C5 135) are clearly etched on the interior of the opposing arm. Measures approximately 5.5"L x 2.25"H.Dimensions: See DescriptionCondition: Age related wear.
A vintage Cartier butane lighter in a striking black and gold design, housed in its original red Cartier box. The sleek rectangular body features a gold-plated frame with black lacquer panels and a fluted ignition mechanism. The base is stamped "Cartier" and "Japan," indicating its production origin. This elegant accessory reflects Cartier's renowned craftsmanship in luxury goods and is a sophisticated addition to any collection of fine smoking accessories.Issued: 20th centuryDimensions: 2.75"HCountry of Origin: JapanCondition: Age related wear. Lighter functionality is untested.
A vintage Dunhill Unique round lighter in silver, featuring a distinctive spherical design. Marked with patent numbers "PAT. No 143752" and "REG. No 744599," this piece embodies the timeless craftsmanship of Dunhill, a renowned British luxury brand known for its high-quality smoking accessories. The lighter showcases a classic lift-arm mechanism with a Dunhill-engraved bridge.Issued: 20th centuryDimensions: 1.75"L x 2"HCountry of Origin: EnglandCondition: Age related wear.
Lalique crystal vessel in the form of a pedestal-mounted lion head design, originally created as a table lighter. The frosted and polished crystal features bold sculptural lion faces on opposing sides, emblematic of Lalique's Art Deco aesthetic. Signed Lalique France to the base, this piece is offered without its original metal insert, making it suitable for repurposing as a decorative object or small compote. Measures approximately 3.75"H.Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.
Striking Lalique crystal table lighter featuring a bold lion head motif sculpted in satin-finished relief on both sides. This pedestal-form lighter is fitted with a gold-tone insert and exemplifies Lalique's masterful balance of fierce symbolism and refined crystal artistry. Signed Lalique France on the base and includes the original Cristal Lalique Paris label. Measures approximately 5"H.Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.
A silver tasting cup, 925 silver, the planished body with silver gilt interior, 6.5cm diameter, together with four silver twin handled trophies, a pair of silver plated bud bases, a large white metal pierced case lighter, a dressing mirror, 14.5cm high, and opera glasses,total weighable 6.4ozt (qty.)Condition ReportGood polished condition with minor surface scratches
Vinyl - 2 Led Zeppelin UK pressing LP’s to include: II (Atlantic records - 588198) original UK, plum Atlantic label, Lemon Song credit to label and lighter brown gatefold sleeve, A 2 / B 2 matrices, EX- / VG+ (light scuffs), Led Zeppelin IV (Atlantic Records 2401012) original UK Plum labels and incorrect Misty Mountain Top, A//3 / B//4 matrices and printed inner, EX-
A near pair of Regency sofa tables, both with inlay decoration with single drawer and raised on turned and fluted columns on four downswept legs with hairy paw feet, the first with dark crossbanding. Height 73.5 cm, width flaps down 91 cm, depth 70 cm, each flap 35.5 cm. The lighter crossbanded table height 73.5 cm, width flaps down 92.5 cm, depth 70 cm, each flap 27.5 cm.
Y A GEORGE III SATINWOOD AND TULIPWOOD CROSSBANDED DEMI-LUNE COMMODE CIRCA 1790 The brushing slide with inset baize, the side doors enclosing shelves 87cm high, 107cm wide, 47cm deep Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.The colour of the satinwood is lighter and brighter in reality than perhaps the catalogue photograph suggests.There are some losses and restorations: some cracks including to the top and one door; there are some veneer and stringing losses and replacements; some lifting and some torn veneers; some losses include carved wood pilaster capitals; the legs with metal braces, the back legs with repairs and one held in place with a metal brace; later baize to the slide and the slide has no stop-blocks; there is some small evidence of old worm; lacking one lock and there is no key.A neat commode of classical line with good colour and figuring.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer
A BAMBOO LIBRARY LADDER 19TH OR EARLY 20TH CENTURY Of tapering form 293cm long, 46.5cm wide at the base Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.Some rungs have pegs, others not; there is some joint movement, the ladder is complete, though advisable for decorative purposes not for actual use; as it is bamboo it is lighter in weight than wood.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer
A WILLIAM & MARY LIGNUM VITAE ARMCHAIR LATE 17TH CENTURY The back and seat with linen and wool crewel work fabric 137cm high, 78cm wide, 73cm deepProvenance: Private Collection, UK Condition Report: Some elements are timber other than lignum vitae that is dark stained, possibly walnut, with some evidence of old worm.Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.There are some losses and restorations: some later dowel repairs; repairs to some extremities such as the fluidly carved arm terminals; the reverse of the chair back with later wood bracing; there is some evidence of old worm; the dark staining is worn to some timber to reveal the underlying lighter timber; the under seat with later wood corner brackets; concealed metal braces to the arm/chair back joints; the dark staining obscures in part some possible restorations - please see all photographs.The fabric is not original to this chair though the seat fabric looks to be 18th century; the removable chair back panel is backed with painted and embossed leather. The seat upholstery is fragments that have been in part cut and appliqued and sewn together to make a whole; there are some marks and wear to the fabrics; the back upholstery is of a later date on a twill weave backing fabric.This chair is of notable weight, combined with generous, skilled and fluid carving, good design and shape.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer
A Heal's circular oak table on plain legs, with Heal & Son Ltd. label and stamped 214 61, 67.5cm diameter, 57cm high All over good condition with top faded to lighter colour than base. Light scuffs and scratches commensurate with age and use. Circular indent under top as pictured 67.5cm diameter 57cm high
SYNYER & BEDDOES (HARRY SYNYER & CHARLES JOSEPH BEDDOES); an Edward VII hallmarked silver mounted leather cased travelling vanity set, including four piece dressing table set comprising two hand brushes and two brushes, shoe horn, button hook, further shoe horn and button hook, inkwell, lighter, three silver topped jars and two silver topped scent bottles, case 46 x 35cm.
A collection of various items of silver plate including a three branch candelabrum, trays, chamberstick, table lighter, three cut glass decanters and stoppers, a hallmarked silver 'Brandy' decanter label, a part canteen of cutlery, etc.Condition Report: The seller states there is one piece missing from the canteen of cutlery.
Various railway related collectables comprising an LMS Acme 'Thunderer' whistle, marked 'LMS', two London Midland and Scottish Railway Athletic Club silver prize fobs, in presentation cases, a silver plated pocket knife and pipe tamper, the Metropolitan Special Constable 1914 whistle by J Hudson & Co, a RAF gold plated and enamelled pin and a Ronson pocket lighter (7).
A quantity of silver plate including a small spirit kettle, with wooden handle and bone knop, on stand with burner, egg cup stand of four cups, various trays including a three section shell tray, with initials 'AH' to the top and three shell feet, various cruets, toast rack, pedestal dish, table lighter, two sauceboats, etc.
Quantity of gent's wristwatches to include Ingersoll Triumph with stainless steel bracelet, Accurist WR50M stainless steel wristwatch, Citizen alarm chronograph stainless steel wristwatch with calculator, diver's wristwatch, black and stainless steel, Serge rolled gold wristwatch and a quantity of accessories and Rothmans Round the World gilt metal and enamel cigarette lighter (1 box)
Two silver rings including modernist silver ring claw-set with a large round faceted smoky quartz within a trefoil mount, size N and silver ring, claw-set with an oval mixed cut tourmaline surrounded by eleven small diamonds held on textured shoulders, size T, together with a silver bladed and mother of pearl folding fruit knife, gold-plated cigar cutter and a Ronson lighter
A rare Alfred Dunhill Aquarium RMS 'Queen Mary' Table lighter, circa 1950s, chrome plated mounts with arm signed 'Dunhill', over perspex case with hand painted ship's portrait of RMS 'Queen Mary' to either side and seagulls in flight to end panels, plated base stamped 'Made in England', 10cm long
A COLLECTION OF 'ZIPPO & RONSON' LIGHTERS, to include ten boxed 'Zippo' lighters various designs, one unboxed 'Zippo' lighter with whale design, a boxed 'Ronson' lighter, two unboxed 'Ronson' lighters and one other unnamed lighter (condition report: not tested, we cannot guarantee the working order of any)
FIFTY EIGHT PIECES OF ROYAL ALBERT 'OLD COUNTRY ROSES' TEA AND GIFT WARES, comprising teapots in two different sizes (smallest has a cracked cover, larger has a chipped cover), two sugar bowls, two cream jugs, a cake plate, twelve side plates, eleven teacups, twelve saucers, a table lighter, a 'Celebration of the Old Country Roses Garden' plate, two small vases, height 10.5cm, a bell, two trinket dishes, two ashtrays (one chipped, both missing most of their gilding), three modelled flower ornaments (some chips and losses), a candlestick with modelled flowers (petals chipped), three novelty vases in the forms of a swan, a wheelbarrow and a shoe, together with a covered vase in Harvest Rose pattern (59) (Condition Report: most pieces appear ok, obvious specific damage as stated, all appear first quality, some gilding wear/loss, signs of light use)
A BOX OF ASSORTED ITEMS, to include boxed 'Dalvey' hipflask, a boxed pewter hipflask, a gents boxed 'Rotary' wristwatch, a gents gold plated 'Timex' wristwatch in a Seiko box, a gents 'Loctite' watch in tin, assorted cufflinks, a ladies 'Citizen Quartz' watch in an Accurist watch box, a bag of costume chains and rings and a boxed 'Zippo' lighter (condition report: watches and lighter have not been tested, we cannot guarantee the working order of any watch)
oil on board, signed and dated '15 mounted, framed and under glass image size 27cm x 21cm, overall size 48cm x 42cm Note: Born in Volgograd (formerly Stalingrad), Russia, in 1966. Graduated as an Architect in 1989. Moved to Moscow, worked as an Architect until the beginning of Gorbachev's Perestroika, then worked as an interior designer. Moved to Glasgow, UK, in 1996. Worked at the Royal Bank of Scotland and as a manager at Austin Reed , Glasgow. Then, following the sell-out at my first Art show in aid of Age Concern Charity, decided to become full-time artist. Self-taught, although studied arts as part of degree as an Architect. Exhibited at the Royal Glasgow Institute, Paisley Art Institute and Aspect Prize Annual exhibitions. Represented by established galleries at the Art Fairs in London, Battersea, Glasgow, Edinburgh, Chelsea, Birmingham, Aberdeen, Ireland etc, and self-represented at the Oxford international Art fair February 2016 and the Aberdeen Art Fair, September 2016. I have works in private and corporate collections throughout the UK, Australia, USA, Greece, Germany, Spain, Sweden and Russia. There were a number of articles in local and national press concerning my work and images had appeared in the TV Channel 4's Grand Design. Works exhibited in established galleries throughout the UK. My style-quirky witty figurative, somewhat humorous, somewhat realistic but always colourful. Growing up under the authoritarian Soviet regime, when ordinary Russians had to wear that drab look of obedience and self-suppression, I had always wanted to escape from that total uniformity and find the way to express my vision of events reflecting happier, lighter take on everyday life. We busy ourselves with tedious tasks that like it or not, need to be done, and forget to simply be happy. I reflect everyday events in a slightly exaggerated way to take off the heaviness and seriousness, there is plenty of both in real life-and I believe in surrounding yourself with things that make you feel better. The important thing after all is to be happy and not to be important. My subjects are loosely based on own experiences and observations - and are therefore recognisable, which often provokes a laugh (much desired effect). My subjects (although at times seemingly emotionally isolated, even when they are clustered in groups) are not lacking emotions, they only express them in their own way. They do not take themselves too seriously, they just go about their business as if no-one is looking. Their self-sufficiency is their freedom... Sometimes my characters might look quite realistic and recognisable, but their grotesque figures make them look ironic-we see one thing but they tell us another. Like many things in life-things are not always the way they seem. In other words, I try to reflect life as we see it but don't always notice. To finish, I'll quote: "Artist must think when he feels and feel when he thinks". At first, these two statements are mutually exclusive. If an artwork is created without this in mind, the end result will inevitably lack the energy and that "something" that makes us want to look at a work of art. How to combine the two? This is something that cannot be taught but is inborn. Russians are guided by their emotions, not by common sense, and this has an effect on all my work (whether I am paying myself a compliment here, I am not sure...). I'm interested in people and interactions between them, what makes us tick, what makes us human. Recent exhibitions include: Royal Glasgow Institute of Fine Art, RGI Kelly Gallery; Paisley Art Institute and Aspect Prize; Home and Interiors Exhibitions, SECC Glasgow; Affordable Art Fairs London, Battersea, Glasgow (GAF), Chelsea, Birmingham, Aberdeen, Oxford; First Contemporary Art Fairs Edinburgh; Karen Tailor Contemporary Fine Art, Twickenham, London; Colomb Art Gallery, Marylebone, London; Enid Lawson Gallery, London; Off The Wall Gallery, Cardiff; Stirling Fine Art Gallery, Stirling; Tony Haig Gallery, Kelso; Hullabaloo Restaurant, Dumfries, solo; Regent Gallery, Somerset; Rowan Gallery, Drymen, Loch Lomond and Helensburgh; Christo's Gallery, Glasgow; Arteries Gallery, Glasgow; ArtForum Gallery, Milngavie, Glasgow; The Annan Gallery, Glasgow; McGregor Fine Art, Glasgow; Scotlandart.com, Edinburgh and Glasgow; The Sun Gallery, Newburgh, Fife; Hanover Fine Art, Edinburgh; Westminster Gallery, London; Laurel Gallery, Edinburgh; Gallery Luti, Callander; Tolquhon Gallery, Aberdeenshire; The Jerdan Gallery, Crail; Alpha Art, Edinburgh; Daisy Frame Gallery, Biggar; Dancing Light Gallery, West Linton; Fotheringham Gallery, Bridge of Allan; Devorgilla Gallery, Dumfries; The Storm Studies Gallery, Moffat; High Street Gallery, Kirkcudbright; Frameworks Gallery, Troon; Macmillan Cancer Relief Charity Exhibition, Glasgow and Edinburgh; Hancel Foundation Art Auctions; Retail Trust Charity Exhibition, Glasgow; Marie Curie Cancer Relief Charity Auction; The Preshal Trust Charity Auction; Children's First Charity Auction; University of Glasgow CHAS and Cancer research Charity Exhibition and Auction; Auction Sale in Aid of Yorkhill Childrens' Hospital; Castle Gallery, Inverness; Sable & Ox Gallery,York; Frames Gallery, Artesan Gallery, Perth, and Perth Festival; Central House of Artists, Moscow, Russia; Tracey McNee Fine Art, Glasgow; The Queens Road Gallery, Aberdeen; e-gallery, Bearsden; Spring Art Fair, Sweden.
Silver-colored lighter by ST Dupont limited edition Marylin Monroe, made of polished metal with engraved text of Andy Warhol's famous statement 'In the future everybody will be world famous for fifteen minutes, engraved signature of Andy WarholZilverkleurige aansteker van S.T. Dupont limited edition Marylin Monroe, uitgevoerd in gepolijst metaal met gegraveerde tekst van Andy Warhols beroemde uitspraak 'In the future everybody will be world famous for fifteen minutes, gegraveerde signatuur van Andy Warhol6.3 x 3.8 x 1 cm
A mixed collection of items to include a quantity of UK coinage to include three 1/2 silver coins, a Birmingham 1812 One Penny Token, two French medals, 'Prix Offert' De Monnecove De la Somme and Honueur Patrie Fondee Le 3 Juin 1886, a pair of cased spectacles, table lighter, a small oriignal oil painting of ship, of local interest Ball Haye Green War Memorial Beaker 1912 and other similar items, (Qty).

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45850 item(s)/page