E F Allen & Sons piano converted to a cocktail bar, the exterior painted with a Union Jack design, mounted with seven horseshoe wine bottle holders, the front dropping down to a partially mirrored interior, the lid to the keyboard opening to further glasses and cocktail accessories storage, with lighting and a quantity of cocktail accessories including glasses, 128cm high x 140cm wide x 58cm deep
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A Battery Operated Hobby Engine 'Ready To Run' Radio Controlled Model of a Tug Boat 'Richardson'. Features include rubber tyres around the outside, twin propellers, deck lighting (untested), Hobby S1040C. Length approx 22". Small parts may be missing and/or damage. Together with digital proportional controller and display stand.
Oil on canvas still life painting signed by the artist Nargas, depicting a classical arrangement of fruit and objects in a richly detailed setting. The scene includes white and red grapes, peaches, a plum, a pear, and cherries displayed on a table, along with a brass jug and a wine glass, framed by leafy foliage and a red curtain in the background. The artwork is executed in vibrant colors with fine brushwork and dramatic lighting reminiscent of traditional European still life compositions. Elegantly presented in a deeply molded gilt frame with black accents and ornate corner decorations. The painting comes with a Certificate of Authenticity from Prestige Arts, confirming it is a hand-painted original oil on canvas. Signed on lower right. Artist: Nargas (20th-21st century)Issued: 20th centuryDimensions: 27"L x 23.50"HCondition: Age related wear.
Extensively upgraded ‘Go Anywhere’ Defender (read spec!)Absolutely excellent condition, ready for off road adventures right awayThere is little doubt that one of the most famous shapes on British roads over the last 50 years is the Land Rover. This ‘Go Anywhere’ vehicle has been used on airfields, as ambulances, crossing jungles, deserts and ice caps. The rear body not only presents in standard factory guise but with a huge range of adaptations such as pick-up trucks, tow trucks, general haulage and immediate triage on the front line. These working vehicles can also be utilised for pleasure, however, as is the case here. This is probably one of the best specified ‘Go Anywhere’ exhibition ready Defenders we have seen. Our vendor built this specifically for a 10 day 100% off road trip to Iceland and the brief was simply that the Defender must have everything required to live in it for the duration of the trip. The specification is extensive and over 800 hours were poured into building this vehicle to ensure it really could go absolutely anywhere necessary on the trip. The 300TDi was selected as the starting point, it’s an extremely strong and reliable engine and a new gearbox, transfer case, turbo, Richards galvanised chassis with galvanised gearbox crossmember and galvanised shock turrets was fitted. A 40 litre freshwater tank is fitted behind the seats with Jabsco filtered delivery system and external shower attachment. Twin fuel tanks with around 600 miles of range, Old Man Ecu shocks and steering damper with +2” heavy duty springs, all new stainless steel bolts and fittings throughout. New seals throughout, brakes refurbished with new pads, new lines, new gearbox mounts, new bushes and axles and trailing arms refurbished. A Kenlowe auxiliary fan has been fitted along with engine temperature management in the cab, adjustable towbar, snorkel and remote air intake. To assist with night driving, an LED light bar has been fitted to the roof rack and bulbar, new LED lights all round. To help with security, a Sigma S4 alarm and immobiliser have been fitted. The sleeping quarters are a Tentco Protent two-man roof tent with internal LED lighting and 12v sockets with full rear awning to match. Engine and gearbox, outrigger and bulkhead mud shields have been fitted underneath. A MEOS MC401B stereo with Maxon CM70 European CB radio had been fitted, an iPad dock and welded in floor safe have all been fitted. A Calor plug in gas system has been fitted as well as four Optima Leisure batteries, an onboard 240v inverter and an independent on-board air compressor system. The interior is also fitted with Neknic heated seats and an X Defender steering column lock, for added security. Finally, a clamshell roof box is fitted, providing much more storage space. Now that’s the specification finished… this really is no Chelsea tractor, everything has been thought of and it wants for absolutely nothing. Supplied with plenty of paperwork for the build and a V5C registration document, this Defender can be bought for a fraction of what it would cost to build today. Consigned by Fraser Smith EXTENSIVELY UPGRADED ‘GO ANYWHERE’ DEFENDER (READ SPEC!)ABSOLUTELY EXCELLENT CONDITION, READY FOR OFF ROAD ADVENTURES RIGHT AWAY
A seated portrait of a young nobleman Nur al-din Hussein Khan, Lucknow, North India, circa 1820, Opaque pigments on paper, the sitter depicted wearing luxuriously embroidered clothes and holding an Arabic pocket watch for Ottoman market, the trappings of a modern and cultured gentleman on display, including a French clock, wall mounted lighting, French Empire furniture, a barge passing by on a river in the background, inscription in black loose nasta'liq script to the upper right corner, laid on card, the reverse with an partially erased inscription in red ink,30 x 20.4cm.The Persian inscription to upper right refers to the sitter, a Nur Al-Din Hussain Khan who commissioned and purchased the painting. Provenance: Private US CollectionFootnotes: For a portrait of Walid 'Ali Shah adult sat near a window overlooking a riverine landscape, stylistically similar to ours, see Sotheby's, the Sven Gahlin Collection, lot 109.Condition Report: The corners are scuffed. The edges are fritted and present some losses. The painting presents some light pitting and staining overall. This is most visible in the upper right quadrant of the work. Light and occasional losses. None affecting the sitter, some skillfully retouched. This work would require some further attention.
Six Hattons 00 gauge four and six wheel coaches, to include a 4-wheel Brk 3rd in SECR livery with working lighting, a 4-wheel composite 1st/2nd in SECR livery, a 6-wheel Brk 3rd in SECR livery with working lighting, a 6-wheel full brk in SECR livery with working lighting, and others, all housed in the original boxes, in mint condition.
This richly textured oil on canvas depicts a rustic still life composition featuring a large, dark ceramic vessel flanked by golden apples and pears resting on a rugged surface. The artist employs a muted palette dominated by ocher, browns, and charcoal tones, creating a moody chiaroscuro effect that emphasizes the shapes and shadows of the objects. The brushwork varies from delicately blended to thick impasto, particularly in the ground and background textures, enhancing the painting's sense of depth and realism. The work is presented in a deep-set, ornate gilt frame with an inner linen liner, enhancing its classical appeal. While unsigned, the painting demonstrates a strong influence of traditional 19th-century European still life technique, evoking Dutch Golden Age aesthetics with its dramatic lighting and tactile realism.Issued: 20th centuryDimensions: 26.25"L x 22.25"HCondition: Age related wear.
Signed Association Copy - Improving Trade in Cork [Hutchinson (John Hely) 2nd Earl of Donoughmore] Acts of King George III - IV, folio 1803-1822., approx. 6 varied Acts, relating to the cleansing of the Ports, Harbours and Rivers of the City of Cork, An Act for paving, cleansing, lighting and improving the streets, lanes, etc; An Act for the better regulation of the Butter Trade of the City of Cork,..; An Act to regulate the Price Assize, and Weight of Bread,.. within the City and County of the City of Cork; .. An Act for the Establishment of Markets for the Sale of Corn.. in the City of Cork, etc., bound as one, some damp dam. on front and end leaves, later full calf, worn. As a coll., w.a.f. (1) * John Hely Hutchinson, represented Cork City in the Irish House of Commons.
A pair of Georgian style mahogany standard lamps, early 20th century, each with a reeded and tapering column extending to three cabriole supports, egg and claw carved feet, 150cm high (not including fitting) (at fault), along with two associated lamp shades (2)Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition reportOne of the lamps has excessive play in the column joint, the other has minor play in the cabriole leg joint.Further light rubbing wear commensurate with age and use. Both lamps will need to be re-wired by a qualified electrician.
An Arts and Crafts shell and glass bead lamp in the manner of Montelius, circa 1910, the circular shade with leaded shell and red glass bead design, raised on a conforming pedestal, issuing three bayonet fittings, upon a hexagonal base and spreading circular foot, 41cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A 19th century style six branch crystal chandelier, probably by Waterford, the bottle shaped stem extending to six 'S' shaped branches, the dish shaped sconces applied with bead and lustre droplets, 59cm H x 59cm W (at fault) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A Victorian silver plated Adam style lamp base, Walker & Hall, the classical column mounted with rams masks supported on a swept square plinth base applied with swags, converted from a candlestick, 32.5cm high excluding fitting Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items. Condition report: Plate has worn through throughout. General tarnishing and areas of loss seen throughout, commensurate with use, Fitting goes through the marks. Possible areas of repair seen to the stem (residue of solder) Fitting to top is loose and needs fixing. Residue of silver polish seen to areas, will require further cleaning. General scuffs, scratches and blemishes seen throughout
A pair of gilt metal Rococo twin branch wall light fittings, each formed as intertwined foliate branches, 42cm high, along with a conforming three branch example and a gilt metal single branch neoclassical wall light fitting, 31cm high (4)Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A Knight walnut cased baby grand piano, 1950s, serial 14527, with ivory keys, 142cm wide 152cm long IMPORTANT NOTEThis lot contains ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Condition ReportSome stains, colour lighting to the veneers. Fair.
Designed and manufactured under licence from Scania by engineering firm Scaled Rigs. A steel and aluminium chassis made to a very high standard with a scale replica body of a Scania S730. With forward and reverse gears and LED lighting as well as authentic Scania diesel engine sounds and working 5th wheel allowing for trailer attachments also made by Scaled Rigs.Supplied with 2 keys as well as charger and manufacturer paperwork.Dimensions:200cm long76cm wide132cm high at its tallest point. GUIDE PRICE £2,500 - £3,500
Gustave Courtois. (1852 Pusey - 1923 Neuilly-sur-Seine). Weiblicher Akt am Fenster. Um 1890. Kohle und weiße Kreide auf braunem Papier. Fest auf Pappe kaschiert. 93 x 60 cm. Signiert sowie mit Widmung des Künstlers "a monsieur Freiwald souvenir amical". Unter Glas im Goldstuckrahmen gerahmt. Gustave Courtois war ein französischer Maler, insbesondere bekannt für seine ausdrucksstarken Porträts. Er studierte unter Empfehlung des Historienmalers Jean-Léon Gérôme an der Pariser Kunstakademie und unterrichtete später selbst die Malerei an der Académie de la Grande Chaumière und der Académie Colarossi. - Technikbedingt punktuell mit unscheinbaren Verwischungen, im unteren Motiv Papier mit kl. u. recht unscheinbarer Schwachstelle (etw. brüchig), im Gesicht mit punktuellem Einstich. Insgesamt sehr gut. Feinfühlig festgehaltene Darstellung eines weiblichen Aktes mit virtuoser Lichtführung. Charcoal and white chalk on brown paper. Firmly mounted on cardboard. 93 x 60 cm. Signed and with dedication by the artist 'a monsieur Freiwald souvenir amical'. Framed under glass in a gilt stucco frame. - Gustave Courtois was a French painter, known in particular for his distinctive portraits. He studied at the Paris Academy of Fine Arts under the recommendation of the history painter Jean-Léon Gérôme and later taught painting himself at the Académie de la Grande Chaumière and the Académie Colarossi. - With inconspicuous smudging in spots due to technique, in the lower motif paper with small and quite inconspicuous flaw (somewhat cracked), in the face with pinpoint puncture. Overall very good. Delicately captured depiction of a female nude with virtuoso lighting.
Frankreich - - Alexis-Auguste Darcy-Dumoulin. (1815 Noyon - 1864 Paris). Dörfliche Marktszene in der Normandie. Um 1840. Öl auf Leinwand. 31 x 41 cm. Signiert. Gerahmt. Der französische Maler Alexis-Auguste Darcy-Dumoulin widmete sein malerisches Werk der Darstellung des bäuerlichen Alltags im Frankreich des 19. Jahrhunderts. Seine mit großer Sensibilität für Lichststimmung und Atmosphäre gemalten Szenen zeugen von einer besonderen Hinwendung zu Details, Farbkomposition und Bildaufteilung. So ist auch die Lichtführung auf dem uns vorliegenden Bild einer dörflichen Marktszene derart komponiert, dass das Geschehen im Vordergrund mit den typisch gekleideten Marktfrauen und dem reichen Angebot an Blumen, Feldfrüchten und fangfrischem Fisch dem Betrachter bühnengleich präsentiert wird. - In augenscheinlich sehr gutem Zustand, die Farbe satt und frisch. Oil on canvas. Signed. Framed. - The French painter Alexis-Auguste Darcy-Dumoulin dedicated his work to the depiction of everyday peasant life in 19th century France. His scenes, painted with great sensitivity to the mood of light and atmosphere, bear witness to a particular attention to detail, colour composition and pictorial division. The lighting in our painting of a village market scene is composed in such a way that the events in the foreground, with the typically dressed market women and the rich array of flowers, crops and freshly caught fish, are presented to the viewer like a stage. - Apparently in very good condition, the colour is rich and fresh.
Genre - - Julius Coutelle. (1835 - 1909). Bauernzug. Um 1880. Öl auf Leinwand. 39,5 x 55 cm. Signiert. Im Goldstuckrahmen gerahmt. Der Maler Julius Coutelle widmete sich schon früh der Malerei und studierte gemeinsam mit Carl Irmer, Christian Kröner und Heinrich Deiters bei Johann Wilhelm Schirmer an der Kunstakademie Düsseldorf. Der Begründer der Düsseldorfer Schule gilt als Idealist in der deutschen romantischen Landschaftskunst mit prägendem Einfluss auf sein Umfeld. - Partielles Craquelée, teilweise und minimal mit punktuellem Farbverlust. Ansonsten sehr gut. Reizvolle, detailverliebte Komposition mit Tiefenwirkung und subtiler Lichtführung. Die Farbe frisch und glänzend. Oil on canvas. Signed. Framed. - The painter Julius Coutelle devoted himself to painting from an early age and studied together with Carl Irmer, Christian Kröner and Heinrich Deiters under Johann Wilhelm Schirmer at the Kunstakademie Düsseldorf. The founder of the Düsseldorf School is considered an idealist in German Romantic landscape art with a formative influence on his students. - Partial craquelure with loss of colour in places. Otherwise very good. Atmospheric composition with depth effect and subtle lighting. The colour fresh and brilliant.
Genre - - William Mulready. (1786 - 1863). Dudelsackspieler vor häuslichem Publikum. Um 1820. Öl auf Leinwand. 30,5 x 41 cm. Signiert. Die detailreichen Genrebilder des irisch-britischen Künstlers William Mulready spiegeln das ländliche Leben Englands Mitte des 19. Jahrhunderts wieder. Beeinflusst von der niederländischen Genremalerei des 17. Jahrhundert, spezialisierte sich Mulready auf alltägliche und erzählerische Szenen, die er mit großer Detailtreue und Lebendigkeit wiedergab. So zeigt das uns vorliegende Werk eine familiäre Hausgemeinschaft, die gebannt dem zum Spiel ansetzenden Dudelsackspieler lauscht. - Kanten teils stärker bestoßen, partiell mit Farbverlust. Einige oberflächliche Bereibungen sowie Spuren früherer Rahmung an der unteren Bildkante. Insgesamt noch gut. Stimmungsvolle Komposition mit subtiler Lichtführung. Oil on canvas. Signed. - The richly detailed genre paintings by the Irish-British artist William Mulready reflect rural life in England in the mid-19th century. Influenced by Dutch genre painting of the 17th century, Mulready specialised in everyday and narrative scenes, which he depicted with great attention to detail and vividness. The present work, for example, shows a family household listening spellbound to the bagpiper playing the bagpipes. - Edges partially bumped, some loss of colour. Some superficial rubbing and traces of previous framing to the lower edge of the image. Overall still good. Atmospheric composition with subtle lighting.
Carl Spitzweg. (1808 - 1904, München). Weites Gebirgstal. 1857. Bleistift auf Velin. 21,6 x 34,5 cm. Datiert und bezeichnet, unten rechts mit dem Nachlassstempel (Lugt L.2307). In Punkten auf Unterlage und unter Passepartout montiert. Die Authentizität dieser Arbeit wurde im Dezember 2021 durch Herrn Detlef Rosenberger, Oberostendorf, bestätigt. - Carl Spitzweg gilt als bedeutender Maler der Spätromantik, was sich insbesindere in seinen feinen, detailliert beobachteten und teils auch poetischen Landschaftsansichten zeigt. Oft wählt er verträumte und idyllische Szenerien und arbeitet diese durch feine Schattierungen und subtile Lichtführung heraus, wodurch er die Melancholie und die stille Schönheit der Natur besonders eindrucksvoll einfängt. - Papierbedingt mit minimaler Randanbräunung, punktuell etw. fingerfleckig, vereinzelt mit blassbraunen Fleckchen, im oberen Rand mit kleinen Anrissen. Insgesamt gut. In dynamischer Strichführung erfasste Landschaftsdarstellung. Pencil on wove paper. Dated and inscribed, in the lower right with estate stamp. Spot-mounted to backing, under mat. - Carl Spitzweg is recognized as one of the most important painters of the late Romantic period, which is particularly evident in his fine, detailed and sometimes poetic landscape views. He often chooses dreamy and idyllic scenes and elaborates them with fine shading and subtle lighting, capturing the melancholy and quiet beauty of nature in a particularly impressive way. -Minimal marginal browning due to the paper, somewhat fingerstained in few spots, occasional pale brown spots, small tears in the upper margin. Overall good. Landscape depiction captured in dynamic lines.
Jugendstil - - Georg Jahn. (1869 Meißen - 1941 Dresden). 3 Arbeiten. Versch. Techniken, darunter Radierung u. Mezzotinto, je auf Velin. Blattmaße von 62,5 x 42,3 cm bis 64 x 46,5 cm. Je signiert, eine Arbeit nummeriert, teils von fremder Hand in Bleistift bezeichnet. Eine Arbeit eines von 200 Exemplaren. - Je mit geglätteter Mittelfalz, papierbedingt zart angebräunt, etw. fleckig sowie stockfleckig (1 Bl. verso etw. stärker betroffen, nicht durchschlagend), mit kl. Randeinrissen sowie hier leicht knickspurig. Insgesamt gut. Hervorragende, nuancierte Drucke mit ausgesprochen feiner Lichtführung. - Beigegeben: Paul Bürck. Frühling. 1909. Radierung, Kaltnadel und Aquatinta auf Similijapan. 26,5 x 18,5 cm (50,4 x 34 cm). Signiert und nummeriert. Art Nouveau - 3 works. Various techniques, including etching and mezzotint, each on wove paper. Each signed, one work numbered, some inscribed in pencil by another hand. One work of one of 200 copies. - Each with smoothed centrefold, delicately browned due to paper, somewhat stained and foxed (1 sheet verso somewhat more affected, not showing through), with small marginal tears and here slightly creased. Good overall. Excellent, nuanced impressions with remarkably delicate lighting. - Added: Paul Bürck. Etching, drypoint and aquatint on Japan.
Medizin - - Johann Michael Seligmann. Sammlung von 5 Mezzotintoradierungen. Tafel II-VI aus: Demonstrations of a Pregnant Uterus of a Woman at Her Full Term. / Demonstratio uteri praegnantis mulieris cum foetu ad partum maturi tabulis (...) ea methodo dispositis, ut hujus status gravidi amplam ob oculos ideam collecent (...). Nürnberg, um 1761. Je Mezzotinto auf Bütten. Je ca. 58,5 x 42 cm (64 x 47,5 cm). Je mit gestoch. Bezeichnung in der Platte. Wellcome III, S. 354. - Wellcome Collection, xat3553z. - Gestochen von Johann Michael Seligmann, nach Zeichnungen von Jan van Rymsdyk. - Beeindruckende Darstellungen einer schwangeren Frau aus anatomischer Sicht, wobei die virtuose Lichtführung und die meisterlich ausgeführte Materialität des Faltenwurfs sowie der Haut der Dargestellten auch von einer großen künstlerischen Qualität zeugen. - Je mit geglätteter Mittelfalz, etwas stärker fleckig (auch verso) u. mit Randläsuren, 2 Bll. mit Feuchtigkeitsflecken. Insgesamt gut. Ausgezeichnete, kontraststarke Drucke, je mit schmalem Rand. Medicine - Collection of 5 mezzotint etchings. Plates II-VI. Each mezzotint on laid paper. Each with engraved inscription in the plate. - Engraved by Johann Michael Seligmann, after drawings by Jan van Rymsdyk. - Impressive depictions of a pregnant woman from an anatomical point of view, whereby the virtuoso lighting and the masterfully executed materiality of the drapery and the skin of the figure also testify to great artistic quality. - Each with smoothed centerfold, somewhat more stained (also verso) and with marginal tears, 2 pp. with dampstains. Overall good. Excellent, high-contrast impressions, each with narrow margins.
Lovely grouping of 9 vintage sepia-toned photographs featuring iconic actresses and silent film stars of the 1920s and 1930s. This lot includes signed studio photo prints of notable figures such as Colleen Moore, Norma Talmadge, and Marion Davies, among others. Each portrait exudes the glamour of early Hollywood with expressive poses, dramatic lighting, and elegant costuming. The collection includes both posed promotional images and film stills, capturing the artistry of the silent film era. Largest picture measures approximately 8.25"L x 10"H.Issued: Early 20th centuryDimensions: See DescriptionCondition: Age related wear. Creasing, and age spotting present throughout.
Chromolithograph on paper after Maxfield Parrish's 1922 original painting Daybreak. Produced by the House of Art, NY, Daybreak remains one of the most celebrated American art lithographs of the 20th century, known for its ethereal lighting, dreamlike quality, and striking use of color. The scene depicts two figures in a classical landscape, bathed in soft golden hues, framed by towering columns and a serene mountainous backdrop. Parrish's meticulous technique, influenced by Neoclassicism and Art Nouveau, is evident in the luminous blues and soft, glowing tones achieved through his signature glazing method. Artist: After Maxfield Parrish (American, 1870-1966)Issued: c. 1960Dimensions: 20.50"L x 13"HCountry of Origin: USACondition: Age related wear.
Lieut General Sir Philip Neame VC signed RE28c 150 Anniv 15 HQ Sqn RE. 26 Sep 75 BFPS 1398 150 Anniversary 15 HQ Squadron RE, Personally Signed by Lieut General Sir Philip Neame VC KBE CB DSO DL who won his VC ( Victoria Cross) on December 15. When serving with 15 Field Coy RE. Neame was 26 years old when the following deed took place, for which he received the Victoria Cross: On 19 December 1914 at Neuve Chapelle, France, Lieutenant Neame, in the face of very heavy fire, engaged the Germans in a single-handed bombing attack, killing and wounding a number of them. He was able to check the enemy advance for threequarters of an hour and to rescue all the wounded whom it was possible to move. During a minor night trench action on the Western Front in the Neuve Chapelle district five days before Christmas 1914, Neame was leading a party of sappers in action when he was requested by the commanding officer of a battalion of the West Yorkshire Regiment to go forward and to strengthen the defences in a recently captured German trench. When he got there he met another commissioned officer who informed him that the Germans were counter-attacking with bombs, that his own bombers had all been wounded and that the bombs that were left would not go off. At this Neame went further up the trench to the contact point to talk to one of the surviving bombers there, and discovered that the problem was that he wasn't able use the bombs because there were no fuzee matches left. Neame, knowing how to technically ignite the grenades without a fuzee match by holding a regular match-head on the grenade's fuse and striking a match box across it, commenced lighting and throwing grenades in this fashion into the German trenches at the two different directions where a German dawn counter-attack was materializing, holding it back whilst under continual return fire for forty-five minutes whilst the West Yorks Regiment evacuated its wounded behind him back towards the original British frontline trench. Neame was promoted to the rank of captain in 1915, and was mentioned in despatches in February 1915, and again in January 1916. He was awarded the Distinguished Service Order (DSO) in January 1916. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Marvel Comics - 'Amazing Fantasy' #15 (1962), first appearance of 'Spider-Man', interior art by Steve Ditko and story by Stan Lee with cover by Ditko and Kirby. Some loss to edge of cover, minor creasing to cover, minor pen mark under date (photos taken in natural sunlight).(some additional added with photo lighting)Condition reportLFurther images have now been uploaded - taken under artificial light showing centre page and close ups of staples and edging.Cover approx. 261mm.Interior page 260mm approx.Red line to top of book seems to be a printing issue or an old issue. The book seems to have been stored in a box with other Spider-Man issues for the last 20-ish years. As far as I can see, it's original but more pictures are being added.

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13431 item(s)/page