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This retired Swarovski crystal chameleon is a striking piece from the 'Rare Encounters' collection, showcasing the brand's mastery of crystal artistry. The chameleon's body is crafted from clear faceted crystal, highlighting its elegant form and lifelike posture. Its defining feature is its captivating eyes and accompanying chaton, both made from Cantaloupe crystal. This rare Swarovski crystal exhibits a fascinating color-changing effect, transitioning between shades of green, yellow, and orange depending on the lighting conditions, mimicking the natural camouflage ability of a real chameleon. Swarovski mark. 291134. This item has its original box. Chameleon: 2"L x 0.75"H. Chaton: 0.75"L x 1"H.Artist: Heinz TabertshoferIssued: c. 2003 - 2007Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.

Gaetano Sciolari (Italian, 1927-1994) for Sciolari Lighting, a pair of 'Cubic' table lamps, 1970s, Italian, steel and glass, applied manufacturer's label,6cm wide6cm deep20cm high (2)Condition ReportStructurally sound. The lamps are fitted with a two-prong plug socket and have not been tested for electricity. Some light tarnishing to the steel. Very light scratches to the glass. Remnants of adhesive to one lamp. The lot would benefit from a light clean. Subject to this, they present well.PAT test - Passed

Gilbert Watrous (American, 1918-1991) for Heifetz Lighting Co., a magnetic table lamp, c.1950s, enamelled metal, 70cm long fully extended 61cm high fully extendedThe model for this lamp is based on the award-winning magnetic floor lamp designed by Watrous for the 1950-1951 MoMA lamp design competition. Condition ReportStructurally sound. The lamp is wired with a UK three-prong plug although has not been tested for use. The magnetism is functional to connect the base to the top. There is surface marks, loses, marks, and scratches to the enamel throughout. There are scratches and marks to the metal frame.

A Jobo C6600 Photographic Enlarger a some photography lighting equipment

Pair of vintage brass wall mountable swan-neck lights by Ring Lighting, 64cm W

REA (Railway Express Agency) G scale Great Northern freight train set including a steam locomotive marked "Gen. Song," red caboose, and white gondola, all housed in original boxes with interior packaging. The set includes a 2-4-2 articulated locomotive with working headlight, synchronized smoke mechanism, brass piping, sprung trucks, and detailed cab interior. Accompanied by an REA transformer power pack and two boxes of LGB Lehmann track sections (12 straight No. 1000 and 12 curved No. 1100). Track pieces are brass rail and compatible with G scale layout systems. All housed in its original packaging Outer packaging lists deluxe interior and lighting features.Dimensions: Largest: 21"L x 17.25"W x 12.5"HCondition: Age related wear.

This vibrant stained glass hanging chandelier features a bold grapevine motif, meticulously handcrafted with multicolored glass panels. The shade showcases clusters of red and purple grapes framed by rich green leaves and bordered by a deep crimson band over a soft amber and white tiled background. Suspended by a brass-finished chain, the design evokes the style of classic Tiffany-inspired lighting, ideal for kitchens, dining areas, or vintage-themed interiors. The colorful shade delivers a warm, diffused glow that enhances its old-world charm.Issued: c. late 20th centuryDimensions: 15"H x 24"dia. Condition: Age related wear.

This striking hanging pendant lamp features a richly colored stained glass shade in the classic Tiffany style, showcasing a detailed fruit motif that includes peaches, pears, plums, and grapes among green leaves and twisting vines. The dome-shaped shade is constructed from numerous pieces of hand-cut glass in warm amber, cream, and jewel-toned hues, bordered with vibrant fruit imagery that adds charm and character. The lamp is suspended from a chain and capped with a bronze-tone canopy, making it ideal for dining areas, kitchen islands, or foyers. With its artisanal craftsmanship and inviting palette, this lamp combines both functional lighting and decorative appeal.Issued: c. late 20th centuryDimensions: 10"H x 24"dia. Condition: Age related wear.

This elegant stained glass pendant lamp features a domed silhouette adorned with swirling caramel-toned panels that transition into a vibrant floral border. The lower skirt of the shade is intricately decorated with rose blossoms in shades of pink, violet, and coral, interwoven with deep red ribbon bands and green foliage. Crafted in the Tiffany-revival style popular during the late 20th century, this piece captures the charm of vintage American decorative lighting. The lamp hangs from a brass-finished chain and houses a single bulb fixture with a vented gallery at the top for heat dissipation. Ideal for period-style interiors, this pendant adds warmth and character to dining or lounge settings.Issued: c. late 20th centuryDimensions: 15.5"H x 24"dia. Condition: Age related wear.

This striking hand blown art glass light shade features a bold, starburst-like form with a flared rim and rich multicolor spatter decoration. The thick glass construction showcases a vibrant mix of cobalt blue, ruby red, lemon yellow, and white, creating a dynamic and festive appearance. The interior neck suggests a functional fit for a lighting fixture, while the exterior surface's faceted design catches and refracts light in all directions. Likely made in the style of mid-20th-century Murano art glass, this sculptural shade doubles as both a decorative and practical element in any eclectic interior. Measures approximately 6.5"H x 7.5"Dia.Dimensions: See DescriptionCondition: Age related wear.

OASIS - The Rockarchive Collection: Artist's Proof Band Silhouette Print by Jill Furmanovsky, Birmingham NEC Rehearsal, 1996 - An artist's proof fine art photographic print featuring an image of Oasis taken by photographer Jill Furmanovsky in July 1996 during a rehearsal. This lot is part of the Rockarchive Collection. The black-and-white giclee print shows a silhouette shot of the band rehearsing at the NEC Birmingham ahead of their historic Knebworth Park concerts. It is printed on archival 310gsm cotton-based rag paper, labelled "AP", and is signed by Furmanovsky in pencil. It also features the handwritten annotation "Oasis, Birmingham NEC Rehearsals, July 1996". Dimensions: 29.5 cm x 42 cm (11.5" x 16.5")Jill Furmanovsky recalls:"Oasis were doing a dress rehearsal at the NEC, which is a vast building and the lighting would light up these big white flat areas. There was a lot of hanging around, so I said why don't we try and do a few shots against this background. When you can start recognising people in silhouette, that's when you know a band has reached a certain status".Additional provenance:This lot comes from the Rockarchive Collection, founded by acclaimed music photographer Jill Furmanovsky in 1998. Rockarchive now comprises an impressive collection of over 1000 images by more than 100 photographers and graphic designers, allowing fans and collectors to purchase limited-edition prints featuring music's most established artists. This lot is accompanied by a certificate of authenticity co-signed by Jill Furmanovsky.VAT Status: †

BEAUTY AND THE BEAST (1991) - Lumiere, Cogsworth, Mrs. Potts, Chip and Sultan Hand-Painted Cel Setup and Production Background - A hand-painted cel setup featuring the beloved enchanted objects Lumiere, Cogsworth, Mrs. Potts, Chip, and Sultan, the footstool from Walt Disney's animated film Beauty and the Beast, placed over the actual screen-used production background.Although Beauty and the Beast was the first Disney feature to use CAPS (Computer Animation Production System) for final colouring, thereby eliminating the traditional cel painting from the production process, Disney recognised collectors' interest in physical artwork as they have done since the 1930's with supplying the Courvoisier galleries.For the 1992 Sotheby's The Art of Beauty and the Beast auction, 249 unique setups were created, using hand-inked and painted cels based on original animation drawings, carefully matched to actual production backgrounds used in the film. The result: a hybrid of artistry and authenticity, offering collectors the closest experience to owning a piece of the finished film. This lot was part of the Sotheby's auction. This piece is a true collector's piece. Rare, character-rich, and directly tied to the making of an Oscar-winning classic.This scene captures a moment of comic tension and curiosity as Lumiere, Cogsworth, Mrs. Potts, Chip, and the faithful footstool Sultan peer in horror and amazement. The background here is a masterclass in layout and lighting, with rich burgundy tones, gilded mouldings, and elegant architectural perspective rendered in gouache. The cel characters pop with warmth and vitality, and their lighting effects are carefully considered to match the background's highlights and shadow. A Walt Disney Productions stamp is present on the back of the piece and the lot is accompanied by a The Art of Beauty and the Beast certificate of authenticity. Dimensions: 32 cm x 43.25 cm (12.5" x 17")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

FANTASIA (1940) - Original Concept Artwork of Centaurettes Bathing Scene from The "Pastoral Symphony" - This original concept artwork from Walt Disney's Fantasia captures one of the film's most ethereal and visually poetic sequences, the centaurettes (or fauns) bathing in the enchanted glen, part of the "Pastoral Symphony" segment inspired by Beethoven's music.Fantasia was an audacious experiment combining high art, classical music, and cutting-edge animation. It redefined what animation could be and became a critical milestone in Disney's artistic legacy. Artwork from this film is exceedingly scarce, particularly finished large-scale concepts like this, as much was lost or discarded after production.The imagery is likely attributed to one of the legendary Disney studio artists of the era, possibly James Bodrero or Martin Provensen, who both worked extensively on the film's development team. Bodrero, in particular, was known for his classical training and brought a European fine art sensibility to the animation process, especially visible in the mythological settings of Fantasia. His pastel and gouache works set the tone for the elegant, dreamlike quality of the "Pastoral Symphony."What makes this piece especially significant is the sheer beauty and size of the composition, designed as part of the film's early visual development. Large-scale concept works like this were crucial to the Disney production process, guiding colour palettes, lighting, and mood before a single cel was painted.Rendered in soft pastels, this artwork radiates the delicate atmosphere, grace, and light that made Fantasia a landmark in the history of animation. The pastel medium was a favourite of the Disney concept artists to create atmospheric depth and emotion. This piece comes with visible pinholes, a telling mark of its original use on studio boards where Walt Disney and his team would have reviewed it. The artwork features the iconic Walt Disney Productions stamp in the bottom right corner, and a filing stamp on the reverse, signed and dated, confirming its place in the production process. Two corners of the paper have degraded, but the lot remains in excellent condition considering its age. Dimensions: 30.5 x 38.5 cm (12" x 15")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: †

The Delhi Durbar Tour 1911-1912, fine Royal presentation silver combination cigarette and Vesta case with engraved crowned GRI cypher and 'H.M.S. Medina, India 1911-12' engraved to front and 'H.S. Bowlby, Flag Lieutenant' to rear, (London 1911) with lighting fuse to side 10.2 x 6.8cm in original fitted case retailed by Collingwood with gilt embossed crown to lid.Provenance: Captain Henry Salvin Bowlby R.N. who served on H.M.S. Medina whilst King George V and Queen Mary travelled on board to the Indian Durbar tour of 1911-1912.

This exquisite semi-flush ceiling light by Waterford Crystal features a cut crystal dome shade in a radiant swirl and diamond pattern, paired with a gleaming polished brass base. Part of Waterford's premium lighting collection, it carries the original hang tag and acid-etched hallmark. Designed for dry locations and UL-listed as an incandescent luminaire (No. B-962281), it supports a maximum 40-watt Type B lamp. This elegant piece brings a timeless sophistication to entryways, hallways, or powder rooms. Measures approximately 8.5"H x 13"dia.Dimensions: See DescriptionCountry of Origin: IrelandCondition: Age related wear.

Dutch School (Late 19th Century): Interior Scenes, including a Girl Candling Eggs, Gentleman Lighting a Pipe and two others, set of four oils on tin panel unsigned, 24cm x 21cm (4)

Based on the 1959 Walt Disney animated film "Sleeping Beauty". This miniature scene depicts the iconic moment when Prince Phillip leans in to kiss Princess Aurora, also known as Briar Rose, awakening her from a deep sleep. The three-dimensional diorama is enclosed within an ornate gold-toned frame with floral relief accents and built-in lighting to enhance the dramatic visual effect. Designed by artist Robert Olszewski as part of the Walt Disney Showcase Collection, this piece belongs to the "Gallery of Light" series. This item has its original box, and Certificate of Authenticity.Artist: Robert OlszewskiIssued: 2008Dimensions: 5.25"L x 3.75"W x 4"HCondition: Age related wear. Tested. Functionality not guaranteed.

This illuminated collectible diorama by Thomas Kinkade, titled Pools of Serenity, comes from the Gallery of Light series and is designed by Robert Olszewski. Featuring a meticulously detailed 3D scene of a tranquil gazebo garden path beside a stream, the display is framed in a golden shadow box marked Thomas Kinkade Painter of Light. The piece includes interior lighting to enhance its dimensionality and glow. The back label identifies it as item number 4013498 and denotes it as an open edition. It comes complete with the original box and a certificate of verification. Manufactured in 2006 by Olszewski Studios and handcrafted, this piece is intended strictly for decorative display. Box measures: 6.25"L x 5.75"W x 6"H. Certificate of Verification included.Artist: Robert OlszewskiIssued: 2006Dimensions: See DescriptionCondition: Age related wear.

Langley Models and other O gauge lighting accessories, including street lamps, station lamps, wall lamps, etc. (1 tray)

A Corgi The Aviation Archive Military Air Power diecast English Electric Lighting F3, XR51 Q29 Squadron, RAF Wattisham 1971, No. 159/1500, 1:72 scale.

Y  A GEORGE III SATINWOOD AND TULIPWOOD CROSSBANDED BREAKFRONT SECRETAIRE CABINET CIRCA 1790 The glazed doors enclosing a taffeta lined interior with adjustable shelves, the secretaire drawer simulating three drawers, the fall front drawer enclosing drawers and recesses 204cm high, 153cm wide, 53cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips, splits, old repairs and losses including to veneers. Some variation in colour overall. Various loose sections of veneer present in drawers, some lifting to veneer. No key present, however all locks are open. Handles and metal wear appear original. The interiors of all three cabinets with later lighting and wiring applied, with drilled holes to the reverse. The top cornice with a felt lining which is lifting in places and has some pilling and surface dirt. The top cabinets lined with a satin-type material, the left and right lower drawers all lined in fabric also. Careful and sympathetic restoration from a qualified restorer with greatly improve the condition of this piece attention from a sympathetic restorer. This lot does not include the books illustrated. Please see all additional images as visual reference for this report. Condition Report Disclaimer

Antique and Vintage Lighting, Early 20th Century Chinese opium den lantern, hexagonal body of red and gold carved wooden panels (of the type retailed by Liberty's in the 1960s)

Antique and vintage lighting, Art deco bankers desk lamp, brass base of square form, Bakelite fittings,

Vintage Lighting, two standard lamp bases, one of scroll work metal, the other of carved wood with a white finish

Antique and vintage lighting; pair of Mid Century poseable wall lights with cone shades

Antique and vintage lighting, pair of Eastern style brass lamp bases

Antique and Vintage lighting, two 1960s/70s Chinese style lampshades (of the type retailed by Liberty's of London)

A quantity of industrial and upcycled lighting, to include spotlight on tripod base and Parkinson Cowan gas meter base.

A very large modern three storey dolls house, wired for lighting with accessible attic, size W82 x D43 x H52cm.

A pair of David Hunt Lighting panther wall lights in black light fittings not included

NJD Chaos 2000 & Chameleon 3E stage lighting effects with flight cases

THREE MINERS' SAFETY LAMPS comprising three Protector Lamp and Lighting Co. of Eccles Manchester to include No. 15, No. 12, and No. 139, height 25cm (3) (Condition Report: some age related knocks, tarnish, etc)

Clive Addis - "The Ultimate Dolls House " by Clive Addis. This custom finished wooden 1/12 scale Tudor doll's house named Bearsden Hall is signed and numbered on the back. All rooms open and the house is fully wired with lighting (untested) and plumbing. Baseboard measures 132 cm x 61 cm, The house is 98 cm hight with chimney, 81 cm with chimney removed. It comes with the original brochure and specification sheet. This very special craftsman made house was commissioned and constructed in 2012 at a cost of £3758 and is still in Very Good condition(This does not constitute a guarantee) [ba] *COLLECTION ONLY FROM RUNCORN OFFICE - SHIPPING IS NOT AVAILABLE ON THIS ITEM*

Dolls house ONLY - NO FURNITURE - The Dolls House Emporium - Stratford Bakery - A built up Tudor style dolls house in 1/12 scale with 3 x rooms. It measures 590 x 700 x 500 mm and is wired for lighting. The building appears well put together and in Very Good condition with some minor marks and signs of use. The kit and most of the fittings appear to come from The Dolls House Emporium. PLEASE NOTE THAT THERE IS NO FURNITURE WITH THIS HOUSE, any furniture showing is available separately from our sister company British Toy auctions on 23/06/25. (This does not constitute a guarantee) [ba/L]

The Dolls House Emporium - Stratford Place - A large built up Tudor style dolls house in 1/12 scale with 9 x rooms. It measures 900 x 200 x 500 mm and is wired for lighting. The building appears well put together and in Very Good condition with some minor marks and signs of use. The kit and most of the fittings appear to come from The Dolls House Emporium. (This does not constitute a guarantee) [ba-2]

Pair of Green Ground Chinese Porcelain Famille Rose LampsOverall Dimensions: 31 x 20 in.- All watches / clocks / lighting / barometers & thermometers / music players are sold for display purposes only. We cannot guarantee working order after item leaves premises

Miscellaneous items comprising: Westinghouse & Saxby Signal Co. London & Chippenham signal cover; a small brass plate Meco Refurbished By Dowty Meco WORCESTER measuring 5in x 3in probably from mining equipment; an alloy rectangular plate 1971 BRITISH RAIL Engineering Limited ASHFORD KENT 6.25in x 3.25in approximately; CEGB Safety sign Caution Do not interfere with this apparatus 4.25in x 2.75in plastic; Locomotive swivel Cab Window brass frame with thick toughened glass stamped LH 4343 suggesting it was ex GCR Robinson J11 locomotive built by Beyer Peacock in 1904 measures 28.5in x 4.25in approximately; x3 SR blank Lever Plates; BRB Registration Plate; BR(M) Train Lighting Dynamo cover. (10 items)

A collection of lighting and accessories

A Dar lighting brass table lamp raised on a circular base with adjustable vertical height (h. 45cm), together with a 1980s anglepoise style plastic and metal table swing arm desk light by 'Micromark' Lighting, adjustable vertical height and weighted base (h. 76cm) (2)

Hornby-Dublo small accessories: box of six 5090 Telegraph poles (E)(BVG); 5035 Loading Gauge (E)(BE) D1 Water Crane, brown (NM) (BE); box of 8 x 5025 Gradient & mileposts (NM) (BE); two 1575 Lighting Kit (E)(BE); with a Master Models Bookstall No.14 (E) (BP)

Two Hattons 00 gauge six-wheeled coaches, both in LBSCR umber livery, with working lighting, to include a composite coach, and a brake third. Both are housed in their original boxes and are in mint condition.

Meccano Pre-War 1933-1941 M251 Lighting Set for No.2 Constructor Outfit Car, has been unstrung from the base, complete with instructions, inspection slip and guarantee, housed in the original box, all corners are still intact.

A PAIR OF CREAM AND GILT TOLE 'CHESTNUT URN' TABLE LAMPS IN REGENCY STYLE, OF RECENT MANUFACTURE With glass drop surmounts, lion mask ring handles and cream shades, wired for electricity each 83cm high, 19cm diameter, 5cm diameter at the base Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW.With wear, marks, knocks and scratches commensurate with age and use Some old chips and losses to paint, please see additional images Top of one lamp is separate Wobble to lamp section which is later, please see additional images Losses to gilt Lamp bases adjustable Some wear to shades, please see additional images PLEASE NOTE: This is unwired and sold as a decorative furnishing item only and not as a working electrical lighting fixture, if wished to be used as such then it would need fully wiring, testing, and installing by a professional electrician.ADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot. Condition Report Disclaimer

A PAIR OF LARGE CRANBERRY BOHEMIAN GLASS TABLE LAMPS 20TH CENTURY together with cream shades each approximately 55cm high, 17cm diameter at base, Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEWBoth in fairly good condition overall Shades with minor marks to inside, please see additional images Minor marks to metalware PLEASE NOTE: This is unwired and sold as a decorative furnishing item only and not as a working electrical lighting fixture, if wished to be used as such then it would need fully wiring, testing, and installing by a professional electrician.ADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot. Condition Report Disclaimer

THREE WALL LIGHTS MODERNIST, MID OR LATE 20TH CENTURY Coloured glass, steel 40cm high, 32cm wide  Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEWWith patina to metalware Surface marks and deposits to glass PLEASE NOTE: Only two ceiling mounts present, no chains present at time of report, please see additional images PLEASE NOTE: This is unwired and sold as a decorative furnishing item only and not as a working electrical lighting fixture, if wished to be used as such then it would need fully wiring, testing, and installing by a professional electrician. ADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot. Condition Report Disclaimer

DAVID GUÉRON (FRENCH, 1892-1950) FOUR PLAFONNIERS CIRCA 1920 Frosted and clear glass; comprising of a blue, peach, yellow and clear shade with different floral patterns; three with rope hangings and one with brass. All signed 'Degué' Largest; 38cm diameter Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW  The yellow plaffonier with some surface marks and some fraying to twisted cord, drop approximatly 58cmThe white plaffonier with patina to metal chain and rose, some links have come apart Surface marks, would benefit from a clean Drop approximately 60cmThe pink plaffonier with worm to wooden element Rope has perished in places, with fraying and losses Some surface marks Drop approximately 55cmThe blue plaffonier with surface marks, would benefit from a clean The ceiling rose is no longer attached to the rope handing and would need reattaching Some fraying to rope hanging Drop approximately 55cmPlease note: all hangings will need resecuring/replacing prior to use in a domestic settingPLEASE NOTE: These are sold as a decorative furnishing items only and not as a working electrical lighting fixtures, if wished to be used as such then they would need fully wiring, testing, and installing by a professional electrician. ADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot.Condition Report Disclaimer

A GROUP OF CHINESE MONOCHROME GLAZED VASES 19TH OR 20TH CENTURY Comprising: two flambé glazed vases, 33cm high, 16cm diameter, with wood stand; a celadon glazed vase incised with peony foliage, 28cm high, wood stand; and a celadon hexagonal vase moulded with flowers of all seasons, 24cm high, 13cm wide, with wood stand (4)十九/二十世紀 紅釉賞瓶等一組四件 Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW With wear, marks, knocks and scratches as per age, handling, use, and cleaning Some crazing the incised celadon vase with star crack on the body two adapted as lamps and drilled on the basePlease note: Only one stand is present with the red vases PLEASE NOTE: This is sold as a decorative furnishing item only and not as a working electrical lighting fixture, if wished to be used ass such then it would need fully wiring and testing by a professional electrician. ADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot. Condition Report Disclaimer

A TRIO OF GILT METAL TWIN BRANCH FLORAL MOTIF WALL LIGHTS 20TH CENTURY each approximately 38cm high, 30cm wide, 13cm protuberance Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW With wear, marks, knocks and scratches as per age, handling, use, and cleaning Would benefit from a clean, notably one wall light, please see additional images Marks and pitting to gilt and metal PLEASE NOTE: This is sold as a decorative furnishing item only and not as a working electrical lighting fixture, if wished to be used ass such then it would need fully wiring and testing by a professional electrician. ADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot.Condition Report Disclaimer

A PAIR OF GILT METAL TWIN BRANCH WALL LIGHTS IN LOUIS XV STYLE, FIRST HALF 20TH CENTURY With floral drip trays 42cm high, 30cm wide, 18cm protuberance Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW With wear, marks, knocks and scratches as per age, handling, use, and cleaning Marks and pitting to gilt and metal PLEASE NOTE: This is sold as a decorative furnishing item only and not as a working electrical lighting fixture, if wished to be used ass such then it would need fully wiring and testing by a professional electrician. ADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot.Condition Report Disclaimer

Collection of Hornby Dublo model railway to include 28 x boxed items of rolling stock, 8 x unboxed items of rolling stock, 0-6-2 locomotive in black livery, boxed EDI Single Arm Signal, boxed ES6 Colour Light Signal, track etc and 18 x boxed Dinky 787 Lighting Kits

1930 Rolls-Royce 20/25hp Doctor’s Coupé with coachwork by Hooper Registration Number: RX 6000 Chassis Number: GDP 28 Engine Number: I7W In wonderful condition throughout and with the most impressive of history files, this grand Rolls-Royce is presented in blue over black coachwork with a fine red coach line. The car features a folding pram hood and dickey seat, Lucas lighting, wheel discs, rear-mounted spare wheel carrier and fishtail exhaust. As it has been used as regular transport over the years, indicators and seat belts have been added for safety. Inside, the car is extremely comfortable and well appointed, with blue-grey leather trim and beautiful wooden dash and door cappings, with a Paddon Bros. Ltd. supplier's plate to the dash. The engine compartment is extremely nicely presented and to very original specification, and has a fabulous Boa Constrictor bulb horn present. First owned by the 7th Marquess of Downshire until after the Second World War, the car was purchased by the current owner’s parents in 1947. They used it as their only car until they could no longer fit in their three children (one of whom was the present owner!), so with great regret they sold it in 1955 and bought a Rolls-Royce saloon instead. In 1984, the car came into the possession of David Pollock, a surgeon from Shrewsbury. By this time it was in very poor condition and Mr Pollock performed an amazing restoration job over six years, winning a number of trophies and prizes as a result. In 2003, the present owner was invited as a guest to the Rolls-Royce Enthusiasts' Club National Rally at Towcester. Incredibly, he spied the well-remembered registration number 'RX 6000' and introduced himself to the owner. The long and short of it was that he purchased his father's old car and was able to reacquaint himself with it after nearly fifty years! Running and driving very well and in regular use, the Rolls-Royce comes with an incredible history file spanning nearly a century of documentation. This includes copies of the original build sheets, a quantity of MoTs over the last six decades and details of its ownership history, extensive maintenance and various restorations over the years. It is, of course, MoT-exempt and benefits from free 'Historic' road fund licence. In the owner’s words, 'it is a wonderful motor-car which has fully repaid all the love and care it has received over the past twenty years'.

A 1979-S Susan B. Anthony Dollar Coin paired with an Americana Series One Dollar postage stamp, both housed within a First Day of Issue cover. This cover represents the first and only official "First Day of Issue" combination in American history to feature a newly released coin and postage stamp together on the same cachet, postmarked in the same city on the same day. The cover bears the official postmark from San Francisco, California, dated July 2, 1979. The coin was minted at the San Francisco Mint. The obverse of the coin displays the portrait of Susan B. Anthony facing right, surrounded by the inscription "LIBERTY" at the top and the date "1979" at the bottom. The reverse of the coin depicts the Eagle of Apollo XI, landing on the moon with an olive branch in its talons and the earth in the background, surrounded by the inscription "UNITED STATES OF AMERICA" and the denomination "ONE DOLLAR." The accompanying postage stamp features an image of a combined rush lamp and candleholder lighting device, symbolizing "America's Light Fueled by Truth and Reason." The cover is individually serial numbered, with a Certificate of Authenticity attesting to the unique First Day of Issue status of this combination. The dimensions are approximate.Issued: 1979Dimensions: 6.5"L x 3.75"HEdition Number: 558 of 2000Country of Origin: United StatesCondition: Age related wear.

19th Century Irish School “Fishing Party at Knockdrin Castle,” O.O.C., c. 1860, 147cms x 34cms (58” x 92). (1) An ambitious painting, depicting a fishing party by a lake, this work bears a faded label giving details of the location: the words ‘A Fishing Party, at  . . Levinge’s estate, Knockdrin Castle c 1860’, being just about decipherable. Located six miles from Mullingar, in the eighteenth and nineteenth centuries Knockdrin Castle was home to the Levinge family. A member of the judiciary, the first Sir Richard Levinge played an important role in post-Williamite Ireland, and purchased Knockdrin from the Tuite family. Around 1815, he rebuilt the castle as a large Gothic Revival country house, the gutters of which still bear the Levinge arms. Winston Churchill and his mother were among the many guests that stayed at Knockdrin over the years, participating in hunting parties for which the estate was famous. Although naif in style, this painting is an ambitious group portrait, depicting Sir Richard Levinge and his guests, and ghillies, enjoying in a fishing party. The lake depicted is probably Lough Drin, and the party may have been linked to the completion of a castellated gatehouse in 1860,  Apart from a man and woman on horseback, all those present are either seated or standing. One ghillie has a net, while another holds up a fish to be inspected by a man, probably Levinge himself, who holds a split-cane fishing rod. Levinge is dressed in a light blue suit and yellow waistcoat, with a straw boater on the ground beside his feet. To his left, a man wearing a straw boater is lighting a pipe, while to the right, a third ghillie holds a long fishing rod. In the left foreground, six fashionably attired women are seated around a picnic table. Wearing colourful dresses and hats, they are eating and drinking, with one, wearing a yellow dress, holding out her glass to be filled. On the extreme right, a basket of fish is being emptied into a horse-drawn cart, while another fisherman pulls at a line in the water, probably a net. A large earthenware jug sits by the water’s edge. Probably organized to entertain distinguished visitors, the fishing party was clearly a significant event in the estate calendar, so much so that it was considered worthy of recording in a painting. It is a valuable record of society in Ireland in Victorian times. The identity of the artist is not known, but it is likely by an amateur painter, who was seeking to emulate the hunting scenes of well-known artists such as William Osborne. Dr. Peter Murray 2025

18th Century School   “The Massacre of the Innocents”, (copy of original by Nicolas Poussin), O.O.C., c.1850, approx. 64cms x 76cms (25” x 30”). (1) Dating probably from the mid-nineteenth century, this copy of Nicholas Poussin’s The Massacre of the Innocents is an almost exact replica of the original, conveying all of the barbarism and tragedy of the scene, taken from the Gospel of St. Matthew. The original was commissioned in the 1620’s by the Roman banker Vincenzo Giustiniani. A leading patron of the arts, Giustiniani had assembled one of the finest collections in Italy and was also a patron of Caravaggio. The commission was a prestigious one, particularly for such a young artist. Poussin rose to the challenge, seeking to outdo Guido Reni’s famous painting of the same subject, painted in 1611 for the Basilica San Domenico in Bologna. He devised a dramatic composition resembling a theatre stage, with the main protagonists in the foreground, and subsidiary characters in the background. The architectural setting of a Greek temple adds to the intensity of the work. The action is concentrated on three main figures, the soldier who places his foot on the infant, the distraught mother, and the dying child. As well as Guido Reni, the influence of Caravaggio is evident, particularly in the use of stark lighting to emphasis the tragedy of the scene. The Massacre of the Innocents was displayed at the Palazzo Giustiniani and quickly became one of the most celebrated works of art in Rome. Over the centuries, it has continued to inspire artists, notably Picasso, who in the 1920’s and 30’s based several paintings on Poussin’s work, while Francis Bacon described the mother’s cry of anguish as ‘one of the best ever painted’. The original is now in the Musée Condé de Chantilly, in France. Dr. Peter Murray 2025

Erskine Nicol, RSA, ARA (1825-1904) "In Connemara," O.O.C., depicting West of Ireland Scene with Man lighting a Pipe under the protection of a ladies shawl with pig in foreground, signed  with initials lower right 'E.N.', approx. 58cms x 43cms (23" x 17") in contemporary gilt frame. (1)

A WAS Benson wrought iron and brass oil lamp, model no,394, arched cruciform foot with trefoil foliate terminals, supporting brass ball and flaring wrought iron foliate stem, copper oil reservoir and burner, and another W.A.S Benson brass oil lamp base, model no.301, cast number to base, 45cm. high (2) LiteratureIan Hamerton W.A.S Benson, Arts and Crafts Luminary and Pioneer of Modern Design, ACC Books, page 248 plate 4 this design illustrated in the original catalogue of lighting.

A modern Chinese style oxide red dragon scale decorated vase table lamp on a wooden base 41 cm high not including bayonet fixing together with a pair of modern painted wooden reeded column table lamps and shades, a Goodson Lighting Ltd china table lamp and a white pottery faux bamboo latticework decorated table lamp (5)

MONET CLAUDE: (1840-1926) French Impressionist painter. A fine A.L.S., Claude Monet, two pages (written to the first and final sides of the bifolium), n.p. (Rouen), n.d. (´Mardi soir, 9h 1/2´, 1892/93), to [Alice Hoschedé] (´Ma cherie´), in French. Monet states that he is sending a few lines so that his wife doesn´t worry and informs her that he has just finished dinner at Deauville (?), remarking that he had promised to go at 6.30pm, but ´J´étais encore devant ma cathedrale, fievreux et assoncé de fatigue´ (Translation: ´I was still in front of my cathedral, feverish and overcome with fatigue´) and adding ´Ce ne sera pas faute d´energie si je n´en tire pas quelque chose. Mais que de mal malgré cet admirable temps´ (Translation: ´It won't be for lack of energy if I don't get something out of it. But what a pain, despite the wonderful weather´). Monet also thanks his wife for all the trouble she is taking over an unfortunate piece of land and expresses his hope that the permission will be finally given to close it. The artist concludes his letter in affectionate terms and in a postscript makes a reference to his stepdaughter, ´C´est demain le retour de Marthe que de choses elle aura à raconter´ (Translation: ´Marthe is coming back tomorrow; she will have so much to tell´). A letter of excellent content, conjuring up a wonderful image of Monet at work on one of his famous series of paintings of Rouen Cathedral. About EXAlice Hoschedé Monet (1844-1911) French artists' model, wife of the art collector Ernest Hoschedé and later of the Impressionist painter Claude Monet (from 1892).Marthe Hoschedé Butler (1864-1925) was the daughter of Alice and Ernest Hoschedé. In 1900 Marthe married Claude Monet´s friend, the American Impressionist painter Theodore Earl Butler (1861-1936). Butler had previously been married to Marthe´s sister, Suzanne, from 1892 until her death in 1899. The famous series of paintings Monet made of Rouen Cathedral - more than thirty in total - were created between 1892 and 1893 and then reworked in Monet´s studio in 1894, before being exhibited in Paris the following year. Each of the paintings capture the facade of the cathedral at different times of the day and year and reflect changes in its appearance under different lighting conditions. Historically, the series was well-timed. In the early 1890s, France was seeing a revival of interest in Catholicism and the subject of one of its major cathedrals was well received. Apart from its religious significance, Rouen Cathedral - built in the Gothic style - could be seen as representing all that was best in French history and culture.

MONET CLAUDE: (1840-1926) French Impressionist painter. A good A.L.S., Claude Monet, two pages (written to the first and fourth sides of the bifolium), 8vo, n.p. (Rouen), n.d. (7th April 1893), to Alice Hoschedé, in French. Monet states that he will send a few words ´car il est tard et mon frère m´attend au café´ (Translation: ´because it's late and my brother is waiting for me at the café´), lamenting the fact that he may have hurt her feelings, but is aware of his condition, ´J´ai un orgueil et un amour propre du diable´ (Translation: ´ I have an ego and self-esteem like hell´). Monet continues to write of his current work on the famous series of Rouen Cathedral paintings, ´Je veux faire mieux et voudrais que ces cathédrales soient très bien, et je ne peux pas. Je tatonne et m´acharne aux memes recherches, au détriment de beaucoup de choses, et quand il me faut constater après des journées de travail, que je n´avance pas d´un pas, il faut bien me rendre à l´évidence. C´est bien triste, et me ronge. Il a fait un temps superbe aujourd´hui et j´ai travaillé comme un acharné. Si le temps continue je me donne 8 jours et s´il n´y a pas progrès je lache´ (Translation: ´I want to do better and want these cathedrals to be very good, and I can't. I flounder and struggle with the same searches, to the detriment of many things, and when I have to admit after days of work that I haven't made any progress, I have to face the facts. It's very sad, and it's eating away at me. The weather was superb today and I worked like a Trojan. If the weather holds, I'll give it eight days, and if there's no progress, I'll give up´). In concluding the artist confirms that he will be in Vernon early the following morning, unless the weather turns grey, and sends his kisses and best wishes to all. A couple of small, minor ink blots to the text. VGAlice Hoschedé Monet (1844-1911) French artists' model, wife of the art collector Ernest Hoschedé and later of the Impressionist painter Claude Monet (from 1892).The famous series of paintings Monet made of Rouen Cathedral - more than thirty in total - were created between 1892 and 1893 and then reworked in Monet´s studio in 1894, before being exhibited in Paris the following year. Each of the paintings capture the facade of the cathedral at different times of the day and year and reflect changes in its appearance under different lighting conditions. Historically, the series was well-timed. In the early 1890s, France was seeing a revival of interest in Catholicism and the subject of one of its major cathedrals was well received. Apart from its religious significance, Rouen Cathedral - built in the Gothic style - could be seen as representing all that was best in French history and culture. The present letter is also of interest for its reference to Monet´s little-known elder brother, Léon Monet (1836-1917). Léon Monet, a chemist and industrialist with a factory in Rouen, was one of the first patrons of the Impressionist movement who not only supported his brother when he was poor and struggling to make his name, but also assisted other painters including Pierre-Auguste Renoir, Camille Pissarro, and Alfred Sisley. Léon Monet built a remarkable collection of art and had his portrait painted by Claude Monet in 1874.

2 vintage metal advertising signs - 'Miller Dynamo Lighting', 16.75" w x 14.5"h