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PERU. Silver 5 Pesetas, 1882 LM. Ayacucho. Obv: REPUBLICA PERUANA LIMA.9 DECIMOS FINO.B.F. *CINCO PESETAS*, Peruvian Coat of Arms. Rev: PROSPERIDAD Y PODER POR LA JUSTICIA 1880, head left. Edge milled.Reference: KM-201.3Rarity: Scarce mint.Diameter: 37 mm.Weight: 25.04 g.Composition: 900/1000 Silver.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Viceregal School. Lima. Peru. 18th century. Pedro Díaz Circle (Painter active in Lima around 1770-1810)"Portrait of a nobleman"Oil on canvas.79 x 62 cm.This lot comes from the Miguel Iglesias collection (Celendín, 1830 - Lima, 1909).  He was a Peruvian military officer and politician who was president of Peru between 1882 and 1885, in what is known as the Government of Miguel Iglesias or Regenerating Government of the Peruvian Republic. This government was established in the middle phase of the War of the Pacific, an armed conflict between Chile and the allies Bolivia and Peru (1879-1884). He rose to power by designation of the constituent assembly in 1882, a year after the Chilean occupation of Lima, until he was exiled to Spain in the Peruvian civil war of 1884-1885.A high point of his political-military legacy is the "Grito de Montán", a manifesto in which he proclaimed the necessity of agreeing peace with Chile, even if this implied the cession of the southern provinces; the Treaty in Ancón or Treaty of Peace and Friendship between the republics of Chile and Peru, that put an end to the War of the Pacific and stabilized the post-war relations between them, where Peru ceded territory to Chile; and the Peruvian Civil War, between the Iglesias faction and that of the military leader Andrés Avelino Cáceres. The end of that war meant the exile of Iglesias to the south of Spain, where he moved with his descendants and his important art collection. He returned to his native country when he was elected senator for Cajamarca and died in Lima in 1909. His remains, which had been buried in a mausoleum in Lima's Presbítero Maestro Cemetery, were moved to the Crypt of the Heroes in 2011, within the same cemetery.Despite his return to Peru, his descendants continued to reside in Andalusia. There, his art collection has been preserved and has remained in the family, generation after generation, until the present day. Several lots from this collection are featured in the auction, from 92 to 111.Provenance:- Miguel Iglesias collection, military officer and president of Peru (1882 - 1885). Ayacucho Estate. Peru.- From the end of the 19th century the descendants and the collection moved and settled in the south of Spain until the present day. 

Important and large silver home stoup in embossed and punched silver. Viceregal workshop. Peru. 17th - 18th centuries.54 x 36 cm.Magnificent example of viceroyal gold work, with profusely and delicately embossed ornamentation. In the center in a reserve we observe the scene of the baptism of Christ, on both sides two mermaids come out of two horns of plenty and hold the sun with one hand. The rest of the surfaces are decorated with flowers, scrolls, angels, etc. Finally, the holy water basin has a two-headed eagle on its front. This lot comes from the Miguel Iglesias collection (Celendín, 1830 - Lima, 1909).  He was a Peruvian military officer and politician who was president of Peru between 1882 and 1885, in what is known as the Government of Miguel Iglesias or Regenerating Government of the Peruvian Republic. This government was established in the middle phase of the War of the Pacific, an armed conflict between Chile and the allies Bolivia and Peru (1879-1884). He rose to power by designation of the constituent assembly in 1882, a year after the Chilean occupation of Lima, until he was exiled to Spain in the Peruvian civil war of 1884-1885.A high point of his political-military legacy is the "Grito de Montán", a manifesto in which he proclaimed the necessity of agreeing peace with Chile, even if this implied the cession of the southern provinces; the Treaty in Ancón or Treaty of Peace and Friendship between the republics of Chile and Peru, that put an end to the War of the Pacific and stabilized the post-war relations between them, where Peru ceded territory to Chile; and the Peruvian Civil War, between the Iglesias faction and that of the military leader Andrés Avelino Cáceres. The end of that war meant the exile of Iglesias to the south of Spain, where he moved with his descendants and his important art collection. He returned to his native country when he was elected senator for Cajamarca and died in Lima in 1909. His remains, which had been buried in a mausoleum in Lima's Presbítero Maestro Cemetery, were moved to the Crypt of the Heroes in 2011, within the same cemetery.Despite his return to Peru, his descendants continued to reside in Andalusia. There, his art collection has been preserved and has remained in the family, generation after generation, until the present day. Several lots from this collection are featured in the auction, from 92 to 111.Provenance:- Miguel Iglesias collection, military officer and president of Peru (1882 - 1885). Ayacucho Estate. Peru.- From the end of the 19th century the descendants and the collection moved and settled in the south of Spain until the present day.

Carved mother-of-pearl box. Viceroyal workshop. Peru. 18th - 19th centuries.2,7 x 8 x 5 cm.This box, which represents on its lid in bas-relief the scene of the flight to Egypt, was a gift from the Peruvian government to Mr. Miguel Iglesias in 1884, in gratitude to His Excellency the Provisional President.This lot comes from the Miguel Iglesias collection (Celendín, 1830 - Lima, 1909).  He was a Peruvian military officer and politician who was president of Peru between 1882 and 1885, in what is known as the Government of Miguel Iglesias or Regenerating Government of the Peruvian Republic. This government was established in the middle phase of the War of the Pacific, an armed conflict between Chile and the allies Bolivia and Peru (1879-1884). He rose to power by designation of the constituent assembly in 1882, a year after the Chilean occupation of Lima, until he was exiled to Spain in the Peruvian civil war of 1884-1885.A high point of his political-military legacy is the "Grito de Montán", a manifesto in which he proclaimed the necessity of agreeing peace with Chile, even if this implied the cession of the southern provinces; the Treaty in Ancón or Treaty of Peace and Friendship between the republics of Chile and Peru, that put an end to the War of the Pacific and stabilized the post-war relations between them, where Peru ceded territory to Chile; and the Peruvian Civil War, between the Iglesias faction and that of the military leader Andrés Avelino Cáceres. The end of that war meant the exile of Iglesias to the south of Spain, where he moved with his descendants and his important art collection. He returned to his native country when he was elected senator for Cajamarca and died in Lima in 1909. His remains, which had been buried in a mausoleum in Lima's Presbítero Maestro Cemetery, were moved to the Crypt of the Heroes in 2011, within the same cemetery.Despite his return to Peru, his descendants continued to reside in Andalusia. There, his art collection has been preserved and has remained in the family, generation after generation, until the present day. Several lots from this collection are featured in the auction, from 92 to 111. Provenance:- Miguel Iglesias collection, military officer and president of Peru (1882 - 1885). Ayacucho Estate. Peru.- From the end of the 19th century the descendants and the collection moved and settled in the south of Spain until the present day.

Attributed to Angelino Medoro (Rome, circa 1565 - Seville, 1632)"Our Lady of Silence" Oil on copper. With a chased and embossed silver 18th century frame.23 x 19 cm.  Frame measurements: 54,5 x 38 cm. Italian painter who settled in the Viceroyalty of Peru, via Spain. His art was especially influential in that territory, fundamentally in the painting of Cuzco.In 1587 he moved to Santafé where he painted a Virgin of Antigua for the church of Santo Domingo, which was characterized by having a Sevillian style and being accompanied by figures such as San Francisco and the donors Diego Hernández Hervalle and his wife Polonia de Roa. It is one of the first portraits painted in New Granada, a fact that gives it immense value for the history of Colombian art, as noted by the Royal Academy of History. In addition, other important works are attributed to him, such as a Descent from the Cross, inspired by a painting by Pedro Pablo Rubens, and a Lamentation, which belong to the Convent of Santo Domingo de Tunja. He also painted a penitent Mary Magdalene for the church of San Francisco and was master of Fray Pedro Bedón in Tunja. In 1598 he finished his paintings for the chapel of Mancipe and in 1599 he moved to Cali, where he made works for the Franciscans, such as a San Antonio de Padua and a sculpture of Nuestra Señora del Socorro.In 1600, he traveled to Lima, where he made several paintings, including a Señor de la Columna and works for the chapel of the Ánimas in the cathedral.He taught in Lima in 1604 and was appointed painter to the Inquisition. In 1617 he painted the Portrait of Isabel Torres de Oliva, known as Santa Rosa de Lima. After being widowed, Medoro remarried María de Mesta y Pareja. He made several paintings for the Mercedarian Fathers and the Augustinians, some of which are still preserved. In 1623, he painted a Santa Margarita which is now in Bogotá. In 1629, he returned to Spain and settled in Seville. Despite being around seventy years old, he was still examined as a painter. He made a will in 1631 and died on February 22 of the following year. It also has a significant value another portrait made in Lima in 1617, “Portrait of Isabel Torres de Oliva”, who was the first saint of America, Santa Rosa de Lima. “It was widely disseminated not only in the American continent but even in Europe, through engraving.” Reference bibliography:- Fajardo de Rueda, Marta (n.d.). Real Academia de la Historia. https://dbe.rah.es/biografias/52375/angelino-de-medoro

Morrion in wrought iron. 16th century.It shows an engraved fleur-de-lis.23 x 33 x 23.5 cm.This lot comes from the Miguel Iglesias collection (Celendín, 1830 - Lima, 1909).  He was a Peruvian military officer and politician who was president of Peru between 1882 and 1885, in what is known as the Government of Miguel Iglesias or Regenerating Government of the Peruvian Republic. This government was established in the middle phase of the War of the Pacific, an armed conflict between Chile and the allies Bolivia and Peru (1879-1884). He rose to power by designation of the constituent assembly in 1882, a year after the Chilean occupation of Lima, until he was exiled to Spain in the Peruvian civil war of 1884-1885.A high point of his political-military legacy is the "Grito de Montán", a manifesto in which he proclaimed the necessity of agreeing peace with Chile, even if this implied the cession of the southern provinces; the Treaty in Ancón or Treaty of Peace and Friendship between the republics of Chile and Peru, that put an end to the War of the Pacific and stabilized the post-war relations between them, where Peru ceded territory to Chile; and the Peruvian Civil War, between the Iglesias faction and that of the military leader Andrés Avelino Cáceres. The end of that war meant the exile of Iglesias to the south of Spain, where he moved with his descendants and his important art collection. He returned to his native country when he was elected senator for Cajamarca and died in Lima in 1909. His remains, which had been buried in a mausoleum in Lima's Presbítero Maestro Cemetery, were moved to the Crypt of the Heroes in 2011, within the same cemetery.Despite his return to Peru, his descendants continued to reside in Andalusia. There, his art collection has been preserved and has remained in the family, generation after generation, until the present day. Several lots from this collection are featured in the auction, from 92 to 111.Provenance:- Miguel Iglesias collection, military officer and president of Peru (1882 - 1885). Ayacucho Estate. Peru.- From the end of the 19th century the descendants and the collection moved and settled in the south of Spain until the present day.

José Campeche (San Juan, Puerto Rico, 1751 - 1809)“St. Anthony of Padua and the Virgin Mary.”Oil on canvas, protected by water glass. Signed: “Josef Campeche fc.”. Framed in an imposing carved, gilded and polychrome wooden cornucopia.28 x 22 cm.Cornucopia measurements: 71 x 55 cm.Exquisite canvas signed by the Puerto Rican painter José Campeche, an intellectual painter who studied Latin and philosophy at the Royal Convent of the Dominican Fathers. Between 1776 and 1778 he was in contact with the Spanish court painter Luis Paret y Alcazar (1746-1799), who came to the island exiled by King Carlos III and from whom he learned techniques, colors and styles.Campeche was one of the most recognised Puerto-Rican artists. The Puerto Rico Art Museum has some of his works of art in their collection. His biographical index card there explains: "He mainly developed religious themes and portraits in his painting. His work is considered to be rococo because of its interest in detail and ornamentation. Bluish greys and pinks dominate his palette, which he assimilated from Paret. In 2006 the Ponce Museum of Art organised an exhibition which travelled to the prestigious Worcester Art Museum in Massachusetts and which included paintings by Campeche, Francisco Oller and Miguel Pou. Campeche has great mastery in portraits and miniatures, characteristics which lead him to be one of the most exalted and outstanding Hispanic-American painters of the late 18th century."Returning to this painting, it has a dove-necked frame, profusely carved in garlands and scrolls, polychromed in reddish tones and gilded on the corners and curled edges, with a shield plume that tops it with the Virgin Mary's monogram.  The delicate oil painting depicts the Portuguese saint being regarded and blessed by the Virgin Mary from heaven, to whom he dedicated several sermons to praise her and sing her glories, all surrounded by putti and angels.As one of his many religious themes, Campeche depicts a specific saint, here the Franciscan saint of Lisbon, next to the Virgin Mary, like so many other parallel paintings currently in the Museo de Arte de Puerto Rico that we have mentioned. Two stand out there, one of “The Vision of St. Simon Stock” and another of “Sacred Conversation with St. Joseph and St. John Nepomuk”, among others.Among the trades he learned and practiced in the family workshops, one was the design of coats of arms. It is therefore quite probable that he also designed the period frame with the coat of arms in which this devotional work is presented, possibly as a commission from a prominent family.Be that as it may, this work is of rococo character for all its interest in detail and ornamentation of the sky and clothing, colors and movement of fabrics and figures, dominating the palette of bluish grays and reds and pinks that, as reported by the Puerto Rican museum, relates it directly to de Paret and Alcazar.This painting comes from the Miguel Iglesias collection (Celendín, 1830 - Lima, 1909). He was a Peruvian military officer and politician who held the presidency of Peru between 1882 and 1885, in what is known as the Government of Miguel Iglesias or Regenerating Government of the Peruvian Republic. This government was established in the middle-low phase of the War of the Pacific, an armed conflict between Chile and allies Bolivia and Peru (1879-1884). That is: from his rise to power by designation of the constituent assembly in 1882, a year after the Chilean occupation of Lima, until his exile to Spain in the Peruvian civil war of 1884-1885.Highlights of his political-military legacy is the "Grito de Montán" (Montán´s call), a manifesto in which he proclaimed the necessity of agreeing peace with Chile, even if this implied the cession of the southern provinces; the Treaty in Ancón or Treaty of Peace and Friendship between the republics of Chile and Peru, that put an end to the War of the Pacific and stabilized the post-war relations between them, where Peru ceded territory to Chile; and the Peruvian Civil War, between Montán´s faction and that of the military leader Andrés Avelino Cáceres. The end of that war led to the exile of Iglesias to the south of Spain, where he moved with his descendants and his significant art collection. He returned to his native country when he was elected senator for Cajamarca and died in Lima in 1909. His remains, which had been buried in a mausoleum in the Presbítero Maestro Cemetery in Lima, were transferred in 2011 to the Crypt of the Heroes, within the same cemetery.Despite his return to Peru, his descendants continued to reside in Andalusia. There, his art collection has been preserved and has remained in the family, generation after generation, until the present day. Several lots from this collection are featured in the auction, from 92 to 111.Provenance:- Collection of Miguel Iglesias, military man and president of Peru (1882 - 1885). Ayacucho Estate. Peru.- From the end of the 19th century the descendants and the collection moved and settled in the south of Spain until the present day.Bibliographic reference:- Museo de Arte de Puerto Rico. (n.d.). "José Campeche". https://www.mapr.org/es/museo/cede/artista/campeche-jose

Leonardo Flores (La Paz, Bolivia, p. m. s. XVII – finales s. XVII - principios s. XVIII)"Alegoría de Europa"Óleo sobre tela.131 x 210 cm.El modelo iconográfico empleado en nuestra pintura se basa en la serie de grabados de los cuatro continentes creada por el pintor flamenco de estilo manierista Martin de Vos (Amberes 1532-1603). El artista los representa por primera vez desfilando en carros triunfales.“La imagen de la alegoría de Europa se inspira en el triunfo de la Eternidad de Petrarca, y el carro está tirado por dos caballos y no por los tradicionales leones, que normalmente representan a este continente”, informa el catedrático José Miguel Morales Folguera en su muy interesante estudio para la revista “Quiroga”, en el que analiza el uso de fuentes gráficas en el biombo del Museo de Navarra.Hay que recordar, como informa la doctora en Historia del Arte Mª Margarita Vila da Vila, “que en el Virreinato del Perú hay evidencia del interés por la temática mitológica y la historia antigua desde fines del siglo XVI. Lo mismo sucedió en los Virreinatos de la Nueva España y de la Nueva Granada, como testimonian los murales de la Casa del Deán de Puebla (México) –con hermosas figuras de Sibilas ecuestres y alegorías de los triunfos de las Virtudes, pintadas hacia 1580– y las de los dioses grecorromanos plasmados en la Casa del Escribano de Tunja (Colombia) hacia 1595. Respecto a la pintura histórica romana, J. de Mesa y T. Gisbert ya señalaron que en 1660 «14 lienzos medianos de los emperadores romanos» figuraban en la relación patrimonial cuzqueña de don Francisco de Villagra”.Como informa Vila da Vila respecto del que sería nuestro pintor, activo en La Paz hacia 1684, “sabemos que Flores, vecino de La Paz, fue un pintor itinerante que trabajó en diversos pueblos de lo que hoy son Perú y Bolivia en torno a 1683. Su prestigio parece acreditado por el encargo de 18 lienzos que en 1684 le hizo el obispo de La Paz para las iglesias de Italaque y de Puerto Acosta. Ignoramos si llegó a la ciudad de La Plata o recibió encargos de escenas triunfales, pero se sabe que era pintor acostumbrado a trabajar con grabados y a ejecutar ambiciosas composiciones, repletas de adornadas figuras, referidas a escenas del Antiguo Testamento e inspiradas en la ‘Monarquía Hebrea’ de Vicente Bacallar y Sanna y en otras estampas flamencas”.This lot comes from the Miguel Iglesias collection (Celendín, 1830 - Lima, 1909).  He was a Peruvian military officer and politician who was president of Peru between 1882 and 1885, in what is known as the Government of Miguel Iglesias or Regenerating Government of the Peruvian Republic. This government was established in the middle phase of the War of the Pacific, an armed conflict between Chile and the allies Bolivia and Peru (1879-1884). He rose to power by designation of the constituent assembly in 1882, a year after the Chilean occupation of Lima, until he was exiled to Spain in the Peruvian civil war of 1884-1885.A high point of his political-military legacy is the "Grito de Montán", a manifesto in which he proclaimed the necessity of agreeing peace with Chile, even if this implied the cession of the southern provinces; the Treaty in Ancón or Treaty of Peace and Friendship between the republics of Chile and Peru, that put an end to the War of the Pacific and stabilized the post-war relations between them, where Peru ceded territory to Chile; and the Peruvian Civil War, between the Iglesias faction and that of the military leader Andrés Avelino Cáceres. The end of that war meant the exile of Iglesias to the south of Spain, where he moved with his descendants and his important art collection. He returned to his native country when he was elected senator for Cajamarca and died in Lima in 1909. His remains, which had been buried in a mausoleum in Lima's Presbítero Maestro Cemetery, were moved to the Crypt of the Heroes in 2011, within the same cemetery.Despite his return to Peru, his descendants continued to reside in Andalusia. There, his art collection has been preserved and has remained in the family, generation after generation, until the present day. Several lots from this collection are featured in the auction, from 92 to 111.Provenance:- Miguel Iglesias collection, military officer and president of Peru (1882 - 1885). Ayacucho Estate. Peru.- From the end of the 19th century the descendants and the collection moved and settled in the south of Spain until the present day. 

Quantity of OO gauge model railway accessories to include rolling stock, Lima 0-6-0 4683 LMS locomotive, Hornby Roger 36 locomotive, locomotive bodies, tenders, boxed plastic trackside kits etc (4 boxes)

Four boxed Lima OO gauge train sets to include 101306AW with Meld locomotive, 106207 with Royal Scot Grey locomotive, 106006A W with D6506 and 107407 with Rapid locomotive, all appearing complete / very close to complete

Collection of various OO gauge model rail to include 42 x OO gauge items of rolling stock to include Hornby Eurostar coaches, 2 x Hornby Intercity locomotives and coaches, Lima Network Southeast, etc, quantity of track including curves and straights, transformers, trackside buildings, etc (6 Boxes)

11 OO gauge locomotives to include 2 x boxed Triang (R156 Suburban Motor Coach & R53 4-4-2 Princess Elizabeth loco in green livery), boxed Bachmann 31-801 93XX GWR green 9319, Lima Western Enterprise, Hornby Golden Eagle etc

Collection of boxed OO gauge model railway to include 2 x Hornby Railroad locomotives (R2773 BR Industrial 0-4-0 No 7 & R2878B BR Industrial 0-4-0 No 856), 2 x Hornby Operating Breakdown Cranes, 8 x items of rolling stock (4 x Triang / Hornby, 3 x Lima & 1 x Airfix), a boxed Faller B-268 and a Faller brochure

16 OO gauge 00 gauge locomotives to include Hornby Fighter Pilot, Hornby Flying Scotsman, Lima Meld, Hornby Robbie Burns, Triang 8509 4-6-0 LNER etc

29 Boxed OO gauge items of rolling stock, all various coaches to include 10 x Hornby, 10 x Lima, 4 x Palitoy Mainline, 2 x Airfix and 3 x Triang

19 OO gauge locomotives to include 2 x Hornby Flying Scotsman, Hornby LMS 635 4-4-0, 2 x Lima LNER 8920 0-6-0Triang Princess Elizabeth etc

23 OO gauge items of rolling stock including 9 with associated boxes, all coaches including Hornby, Lima, Airfix etc, condition varies with some repainting plus a quantity of track and card engine shed (three boxes)

10 Boxed OO gauge locomotives to include 6 x Hornby (R142 BR 2-8-0 Loco Class 2800, R310 BR 4-6-2 Loco Battle of Britain Class Lord Beaverstock, R2213B BR 2-6-2T 61XX Class Locomotive 6134, R2095C BR 0-4-2T Class 14XX locomotive 1445, R2095B BR 0-4-2T Class 14XX locomotive 1470 and 2322 0-6-0 BR black), 3 x Palitoy Mainline (37039 Class 6600 0-6-2T BR Black livery, 37043 Manor Class 4-6-0 Locomotive BR green livery & 37045 Class 43XX Mogul locomotive BR green livery) and Lima 205133 MWG W22

Around 70 OO gauge items of rolling stock to include 3 x boxed Airfix BR blue livery coaches (missing box windows), 2 x Lima coaches, 2 x boxed Hornby R213, boxed Hornby R018, Triang R115 Caboose examples, and unboxed examples from Hornby, Triang, Lima etc featuring coaches, wagons, tankers and vans

23 OO gauge locomotives to include Lima Johnny Walker, Hornby King Edward I, Triang R59 2-6-2, Lima Earl Mountbatten of Burma etc, condition varies with some showing repainting

19 OO gauge locomotives to include Hornby Railfreight 37063, Lima Ajax, Lima BR 20111, Hornby LNER 3111, Hornby D7097 etc

Four boxed OO gauge locomotives to include 2 x Hornby (R264 BR Class 9F 2-10-0 and R845 LNER Flying Scotsman), Lima King George V and Airfix 54100-6 AIA-AIA Class 31/4 Diesel locomotive BR Blue Livery, plus 8 x OO gauge locomotives featuring Hornby 0-6-0 2783 GWR, Airfix 2-6-2 6167 BR black livery, Hornby Britannia (loose shell), Hornby Smokey Joe etc, (12 items)

46 Boxed OO gauge items of rolling stock to include wagons, vans and tankers featuring 16 x Hornby, 9 x Palitoy Mainline, 7 x Wrenn, 9 x Bachmann, 2 x Lima, 1 x Dapol and 2 x Airfix

Seven OO gauge locomotives to include boxed Lima The Cardiff Rod Mill, boxed Lima Resurgent, Hornby Repta, Hornby D6119, Hornby R751 D6830, Hornby Phoenix and Hornby County of Norfolk

Three boxed Hornby OO gauge train sets to include R695 High Speed Train, R541 InterCity 125, and R175 GWR Freight Set plus a boxed Lima 104507 set, all appearing near complete, with locomotives and rolling stock (4 items)

Three Lima HO / OO gauge Powercar / DMU sets to include OO gauge 3 Car BR W51350/W51332/W59508, HO gauge 4 Car Golden Series Japanese Tokaido Shinkansen Bullet Passenger Set and 5 Car BR W51346/3 x W59484/W51350

10 Boxed OO gauge locomotives to include 5 x Airfix (54120-0 Royal Scots LMS, 54151-4 Prairie Tank Locomotive 2-6-2 BR back livery, 54150-1 Prairie Tank Locomotive 2-6-2 GWR green livery and 2 x 54152-7 0-4-2 1400 Class Tank GWR) and 5 x Lima (Sharpshooter, D6700, Dragon, Old Oak Common and 0-6-0 LMS 7120)

12 OO gauge locomotives to include Hornby Caledonian No. 86245, Lima The Fife & Forfar Yeomanry No. 9006, 2 x Lima British Railways D6506, Hornby Triang R758 D7063, etc

13 OO gauge locomotives to include Lima LNER 8920 0-6-0, Airfix 6110 GWR 0-6-2, Hornby R259 Britannia, Hornby 101 GWR 0-4-0 etc plus 2 items of rolling stock (15 items)

13 Boxed Lima OO gauge locomotives to include 205136 MWG W51334 Intercity, 205172 Class 37 Loch Rannoch Diesel Engine Locomotive, 205156 MWG D8138, 205114 MWG Intercity 33024, 205115 MWG Intercity 33025, 205188 BR 40106 Atlantic Conveyor, 205134 D1003 Western Pioneer, 205125 MWG City Of London 87005, 205105 MWG D9008 BR The Green Howards, etc

Two boxed Lima OO gauge Golden Series train packs to include 149742 GP IC and 149751 GW InterCity 125, plus a boxed Hornby OO gauge RR698 BR 3 Car Diesel Multiple Unit Pack set (tatty box) (3)

Three N gauge locomotives to include Grafar 2-8-0 8177 LMS, Lima D5519 BR and unmarked D6736 BR green

Collection of model rail to include boxed Lima OO gauge Class 31410 Regional Railways Granada Telethon, 5 x boxed Graham Farish N gauge items of rolling stock including 373-877A, No. 0624, No. 0634, No. 2139 and No. 2113, etc

100 OO gauge items of rolling stock to include wagons, vans and tankers featuring Hornby, Triang, Lima etc (two boxes)

Around 90 N gauge items of rolling stock to include coaches, wagons and tankers plus 6 x boxed examples, featuring Lima, Grafar, Peco and Trix (96 items)

12 OO gauge locomotives to include Lima Gordon Highlander, Lima Beethoven, Airfix Caerphilly Castle etc, condition varies with some incorrect boxes

Ten 00 gauge HST Inter City 125 power cars by Hornby and Lima, including six with motors, all playworn and untested.

Approximately ten 00 gauge diesel and electric locomotives by Hornby and Lima for spares or repair.

Approximately twenty-six 00 gauge BR Blue/Grey Mk1 and Mk2 coaches by Hornby, Lima and others, all heavily weathered and playworn, some with Kadee couplings.

Six 00 gauge BR Blue Diesel locomotives: a boxed Lima Deltic "The Fife and Forfar Yeomanry" (one buffer missing), two Triang Hornby Hymeks, a Hornby Class 29 Bo-Bo, a Hornby Class 08 shunter, and a Triang Class 37, all playworn and untested.

Six HO scale European diesel and electric locomotives by Lima, Fleischmann, Joueff and others including two DB Bo-Bo diesels; a DB electric; and an NS electric and two SNCF locomotives (one diesel, one electric); all playworn and untested, some small parts may be missing.

A large quantity of 00 gauge steel track by Hornby, Lima and others.

A Lima 'O' Gauge/7mm Class 4F 0-6-0 Steam Tender Locomotive, L.M.S maroon R/No 4683; plus a Lima 'O' Gauge/7mm Class 33 Bo-Bo diesel locomotive, BR green R/No D6506, both good untested condition, unboxed.

Three 00 gauge Diesel Multiple Units: two boxed Hornby two car "Pacer" trains, one in Regional Railways livery and one in Greater Manchester PTE orange; and a Lima two car Class 117 in Blue/Grey with weathered bogies, all untested.

Five 00 gauge LNER tank engines by Hornby, Mainline and Lima, including boxed Mainline J72, Lima J50, Hornby J52, Hornby J83 and Hornby N2 0-6-2, all in LNER livery, untested.

A Lima 0 gauge Class 33 Diesel in BR Blue livery, untested.

A 00 gauge BR Blue Parcels Train comprising a boxed Lima Class 33, two boxed Lima Full Brakes lettered "Parcels Express" and two Lima Siphon G bogie vans, all playworn and Locomotive untested

A Lima HO gauge South African electric suburban train comprising motor coach with pantograph, trailer car, boxed dummy motor coach with pantograph, two further suburban coaches and three restaurant/dining cars (one boxed) all in SAR red and grey livery, playworn and untested. and Grey livery

Ten N Gauge British steam locomotives: a boxed Minitrix Britannia; a boxed Grafar "Large Prairie"; a boxed Lima LMS 4F; a Grafar 2-6-0; two 0-6-0 tank engines; a Grafar "Battle of Britain" (without tender); and four 2-6-4 tank engines; some missing couplings and damage to motion noted, all playworn and untested.

A boxed Mainline Class 03 shunter in BR Green livery and ten heavily weathered tank wagons by Lima and Hornby (some missing couplings), locomotive is untested.

Approximately twenty-one 00 gauge British Railways DMU cars by Lima, Triang, Hornby and Trix including several four power cars, all playworn, some repainting,weathering and re-building evident.

Approximately twenty-four 00 gauge coaches in Blue-Grey livery, by Triang, Hornby, Airfix, Lima and others including two boxed and nine Mail coaches, all playworn.

A Lima HO scale LMS 0-6-0 locomotive and tender and two boxed Rivarossi HO scale LMS coaches, untested.

A pair of 00 gauge Great Western branch line trains including a Dapol 14xx 0-4-2 tank engine and Airfix Autocoach; and a Hornby 0-6-0 Pannier Tank, a Lima Siphon G bogie van, eight wagons by Hornby and Mainline and a Hornby Brake Van, all playworn and untested.

Three HO scale British outline diesel locomotives: two Playcraft Class 29 and a Lima Class 33; together with six boxed Lilliput HO British wagons, two Lima coaches; and a Playcraft brake van; locomotives playworn and untested.

Fourteen boxed 00 coaches by Hornby, Airfix, Lima and others.

Ten 00 gauge Inter City 125 power cars by Hornby and Lima, including a boxed Hornby pair, four other powered cars and four dummies, all playworn and untested.

A 00 gauge mixed goods train comprising a Lima 45xx 2-6-2 tank engine in BR black, nine wagons and a brake van by Hornby, Dapol, Bachmann and others, all playworn and locomotive untested.

Six Lima 'OO' Gauge/4mm Class 73 Bo-Bo Diesel Locomotives, either re-painted, re-named or re-numbered R/No 731-3 "Ethel"; 73145 "DB Shenker"; 73151 Railfreight; 73216 "Post Haste"; 73682 Direct Rail (no motor); and 73688 Direct Rail: good untested condition, custom boxed.

Three 00 gauge BR Blue electric locomotives: two Hornby Class 86 "City of Lancaster" and "Phoenix" and a Lima Class 87 "Cock o'The North" (missing pantograph), all playworn and untested.