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▲ Alan Wallwork (1931-2019), a split pebble form, stoneware, incised 'AW', 14cm highCondition ReportThere is a crack to the body of the ceramic going through the base and almost to the lip of the mouth rim. Surface dirt to the crevices.

This ancient-style glass vessel features a delicately rounded body, flared neck, and a single applied loop handle. Crafted in translucent glass with natural iridescence, the surface displays aged patina and encrustation consistent with burial or long-term exposure. Applied decorative threading wraps the neck below the lip, adding classical character. Measuring approximately 9.25"H, this piece evokes the utilitarian artistry of Roman or Byzantine-period glass. The base shows pontil scarring and weathered inclusions, enhancing its archaeological appeal.Dimensions: See DescriptionCondition: Age related wear.

A vibrant two-piece lot of Murano-style hand-blown art glass, distinguished by its fluid sculptural form and layered colorwork in brilliant oceanic tones. The centerpiece is a sculptural centerpiece bowl, flowing in a swirl of cobalt blue and emerald green with a pulled lip and organic, asymmetrical rim. It rests on a clear blue circular foot and measures approximately 13 inches long. Accompanied by a tall, flame-form teardrop sculpture with an open center and inner bubble detail, rendered in clear and turquoise sommerso-style layering. Though unsigned, the craftsmanship and coloration are highly indicative of Italian studio production, likely Murano, mid-to-late 20th century. Largest piece 13"L x 4.5"H.Issued: 21st centuryDimensions: See DescriptionCondition: Age related wear.

A vibrant and sculpturally engaging 6-piece collection of hand-blown art glass, featuring a range of vessel forms including decanters, pitchers, and vases in bold mid-century hues. The centerpiece is a tall emerald green decanter with flared trumpet neck and applied foot - elegant and architectural. Accompanied by two charming hand-blown pitchers, one in amber crackle glass, the other in emerald green, both with applied handles and pulled lips. A sunglow orange bottle form contrasts with a twisted amethyst vase on a dark foot, and a final smaller green handled ewer completes the display. Each piece exhibits variations in bubble patterning, pontil marks, and lip finishing consistent with small-scale studio production, likely from Italy or the U.S., mid-20th century. Largest piece 12.25"H.Issued: 21st centuryDimensions: See DescriptionCondition: Age related wear.

This Italian pottery pitcher by Fratelli Fanciullacci features a bold mythological horse motif in vivid orange glaze with speckled white texture and gilded accents. The stylized equine form is rendered with swirling gold embellishments, capturing the energy of midcentury Italian modern design. The pitcher is finished with a sculptural handle and flared lip, both accented in gold. Signed Elbee on the base, this limited edition piece reflects the whimsical artistry and refined craftsmanship of Fanciullacci ceramics. Approximate height 10.25"H.Dimensions: See DescriptionEdition Number: 30 of 500Condition: Age related wear.

Decorated with underglaze blue floral motifs across the interior and exterior. The interior features a central floral spray enclosed by a double line medallion, with scrolling blossoms and foliage. The bowl has a shallow form with a slightly flared lip and smooth glaze finish. Marked on the bottom.Dimensions: 6"W x 1"HCondition: Age related wear.

A large silver trumpet shaped vase - Chester with indistinct date, the lip and base of pierced foliate form, 38cm high, together with a silver cigarette box of square form with an armorial to cover, 8cm wide and a silver candlestick of columnar form. (2)

PINK FLOYD: THE WALL (1982) - Framed The Judge Production Cel Display - A hand-painted production cel of The Judge, from the notorious animated trial sequence in Alan Parker's film adaptation of Pink Floyd: The Wall (1982), designed and directed by artist Gerald Scarfe.The character of The Judge is one of the most memorable and disturbing of the animated figures Scarfe created for the film - part theatre of the absurd, part nightmarish authority figure. Rendered with a raw anatomical style and a lip-lined chasm where a face should be, The Judge acts as both a grotesque caricature and a symbolic enforcer of psychological punishment.This cel was sourced from the 1990 charity auction held at Christie's South Kensington, created to coincide with Roger Waters' The Wall - Live in Berlin. Only a small number of production cels were released at this time, each accompanied by a certificate of authenticity personally signed by both Gerald Scarfe and Roger Waters, as seen here.This cel, used in the film's production, depicts the grotesque character in his full fleshy form as he prepares to render his damning verdict on Pink. It shows him mid-movement, painted in vivid tones against a beautifully airbrushed starry background. This is a rare opportunity to acquire a screen-used production cel from arguably one of the most visually daring and culturally significant animated sequences ever committed to film. The cel comes displayed within a frame with the certificate situated underneath. Dimensions (framed): 83 cm x 56 cm x 2.5 cm (32.75" x 22" x 1")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

LOUIS VALTAT (FRENCH 1869-1952) TÊTE DE FEMME Terracotta Signed (to base of neck) Height: 26cm (10in.)Executed circa 1910. Condition Report: Very mild scuffing and ware for handling. Occasional small blemishing to surface the cheek, lip and nose, slight rubbing. Condition Report Disclaimer

This exquisite Waterford Crystal Glandore ice lip jug is hand crafted in Ireland and showcases the iconic brilliance and clarity of the brand's cut designs. The jug features the traditional Glandore pattern, characterized by intricate crosshatch and fan cuts, along with a flared ice lip to prevent ice from pouring. Complete with its original green and gold Waterford label, the jug is accompanied by the original Waterford box. Measures approximately 6"H. Box dimensions approximately 7"L x 6.5"H.Dimensions: See DescriptionCountry of Origin: IrelandCondition: Age related wear.

18ct gold channel set, princess cut diamond half eternity ring, Edinburgh 2000, total diamond weight approx 0.50 caratCondition Report:Approx 7.25gm, size N-O, diamonds bright, well matched, good colour approx G-H, eye clean approx VS clarity, max depth = 7.5mm, small lip at front for another ring to sit into, some light scratches to shank otherwise good condition

Model 4315, 1950sIn transparent dark cobalt blue color at the lip and neck transitioning to dark emerald green colored glass below, the body internally decorated with two wide horizontal bands in striated blue color. Height 13 7/8 inches. Provenance:Christie's, New York, March 26, 1997, lot 71.appears to be in generally good condition; no noteworthy condition issues were observed; there is a small concentrated area on the shoulder that has some old dirt residue, which seems that it should be removable with care; under examination with a light source, it seems there may be a very thin uniform film to the interior side, which may simply be old dirt, and may clean away with careappears to be in generally good condition; no noteworthy condition issues were observed; there is a small concentrated area on the shoulder that has some old dirt residue, which seems that it should be removable with care; under examination with a light source, it seems there may be a very thin uniform film to the interior side, which may simply be old dirt, and may clean away with careAny condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

A GROUP OF THREE LONGQUAN CELADON JARS Ming dynasty, globular squat form jar and domed cover, together with a taller ovoid jar with cover, both examples covered in pale-green glaze. Together with an ovoid jar with wide rounded shoulders, short neck and rounded lip, covered in a greyish-green glaze, unglazed burnished foot and base 9.5cm and 11.5cm high and 14.5cm high From a private Singapore family collection, acquired 1970s-1990s, and thence by descent Condition Information: The smaller jar has a chip the edge the cover and a chip to the inside rim This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale in the name of the owner, Loo Seh Chong.

Taff Vale Railway brass Guards Whistle stamped TVR on the lip along with the maker The Acme Thunderer. In working order.

Highland Railway brass Guards Whistle stamped HR on the lip along with The Thunderer Patent. In working order.

Great Northern Railway Acme Thunderer Guards Whistle lip stamped with company initials slight crack to lip. Together with a trio of LNER Guards Whistles one bakelite the others nickel. All working.(4 items)

George Tinworth for Doulton Lambeth two handled vase with moulded relief sections, dated 1874, 28.5cm tall (restored). Displays well and generally good condition, restored to the upper lip / rim. Minor grazes as expected.

Mouseman - adzed oak two handled tray, rectangular form with raised lip edge, two carved mouse signatures forming the handles, engraved with music notes to the top centre, by the workshop of Robert Thompson, Kilburn, 51cm x 34cmProvenance: This was specially commissioned circa 1950 for a wedding gift.Dimensions: Height: 34cm  Length/Width: 55cm 

A New Zealand 925 silver pill box with nephrite jade pull off cover, a Sterling silver rouge box, other silver and a silver plated lip stick holder.

Lulu Guinness; A black and cream striped beach bag, with signature 'Lip' logo, 38 x 41cm, a 'Flurry of Kisses' Tote, 31 x 41cm and a 'Lip Chess' Tote, 30 x 40cm, all made from recycled plastic bottles for John Lewis/Waitrose. (3)

A Chinese bronze censer, baluster form with cast bamboo feet and handles, fitted a pierced wooden cover with jade knop, overall 32cm high  Some pitting to the bronze, dents to lip rim. Sits well, wooden lid ok

A selection of assorted lip gloss/stain mostly Maybelline

AN EARLY 18TH CENTURY DUTCH DELFT FAIENCE TOBACCONIST JAR, C.1700. the rare and early Dutch 'Tabac de St Domingne' shop display tobacco jar with inscribed lettering within floral decoration motif adorning the front of the jar and decorated clam lip delft blue handles, unusual size, 24cm high and 26cm wide. CR* Condition as seen, very early piece, both handles with losses, right handle has been restored and chips and dings throughout to body, loss of white glaze.

A SMALL 19TH CENTURY CHINESE CELADON AND COPPER RED SPLASH FLAMBE GLAZED VASE, MEIPING. of slender tapering form, with everted lip and raised foot, with six character mark to base, together with an associated hardwood stand, (2). CR* overall in good order, some rubbing, nibbles to foot rim.

A MEISSEN MARCOLINI PERIOD TEA CANISTER AND COVER, LATE 18TH CENTURY. of fluted moulded arched square form, gilded rim and domed cover, decorated in iron red with chinoiserie scenes of two figures at a brazier beneath an arbor to one side and a seated figure with attendant swatting at an insect with a palm frond held aloft on the other, the sides, shoulders and cover delicately painted with exotic birds in flight, insects and branches, underglaze blue crossed swords mark and star, impressed number 58, 11cm high including cover, 7cm wide. CR* there is a small chip to the lip, small areas of rubbing to gilding. Remnants of glue from a paper label to the underneath. Otherwise in good order. .

A SMALL 19TH CENTURY CHINESE FAMILLE ROSE OVIFORM SCRIPT VASE (2). enamelled with a seated courtier and opposing scripted verse, 14cm high, together with a small cylindrical famille rose vase with enamelled courtier and opposing verse, 10.5cm high, (2). CR* the oviform vase with rubbed gilding to lip, a few small speckled marks to neck and body. The cylindrical vase with rubbed gilding to lip and some rubbing and marks to base.

* Gerich (Karl). No.37: EPCS 10th Anniversary Transformation Pack, England, Bath, 1994, the complete deck of 52 (plus two additional cards) etched playing cards (French suits), all cards fully hand-coloured, ink manuscript limitation number and maker's signature to one title card, the other includes the EPCS Ace, Deuce et Tray motif, single-figure courts portraying named characters from nursery rhymes and fairy stories, pip cards showing different named English nursery rhymes, 8S with (original varnish?) stain to upper right corner, 5D with tiny surface loss (affecting one letter), otherwise unused, versos Florentine patterned paper, each card 93 x 66 mm, original two-part box, covered in textured paper, gold inner lip, base interior signed by the maker and dated 20 April 1994, limited edition (35/72 packs)QTY: (1)NOTE:Provenance: Collection of Dudley Ollis.The World of Playing Cards website: EPCS Transformation.The limitation card also bears the date 22 Oct. 94, and an ink manuscript dedication For Dudley Ollis.

An attractive pair of carved marble Archaic style Ewers, each with shaped lip and decorated with vine leaves on square bases, 45cms (15") high. (2)

A very good early Waterford cutglass oval shaped Fruit Bowl, with turned down lip on a square lemon squeeze base and a large circular cutglass ditto. (2) Provenance: Purchased by the family of the present owner at Carton House Dispersal Sale on behalf of the Dukes of Leinster in the late 1940's.

A very good set of 5, 19th Century Irish cutglass Coolers, a pair of small Irish hob-nail cut glass Bowls, an unusual small plain glass bowl with turned in lip on square lemon squeeze base; a set of 5 large tall plain funnel shaped Drinking Glasses; a decorated glass Spirit Barrell with silver plated mounts; and 5 varied glass Decanters. A lot, 20 pieces. (1)

Three Scottish sycamore miniature snuff boxes, all with wooden hinges and transfer decorated comprising ‘Poor Smith Cant Find His Machine’, foil 95%, ‘Theres Many A Slip Between The Cup and The Lip’, foil 70%, and ‘If You Carry Snuff You Are a (image of a screw)’, foil 70%, a few small worm holes to last, all circa 4cms.     (3)

Nine whitewood label decorated Tunbridge ware and related circular boxes, comprising examples for Tooth Powder, 7.4cms, Imperial Plate Powder, Prince of Wales Lip Salve, Fine Lip Salve, Lip Salve, a pair silver/gold and two similar.     (9)                                                                                                 From the Collection of Anne Wick

A white metal and enamel compact, the hinged cover with orange enamel decoration, stamped 935, diameter 4cm, a white enamel and floral decorated lipstick case, the pull off cover bears partial hallmarks, height 5cm and a Continental white metal and pale blue enamel pill box, gilt interior, marked to inner lip including 925, diameter 5cm (3)

An early 20th century niello and yellow metal inset card case, with floral decoration throughout, gilt interior, indistinctly marked to inner lip, possibly French, width 7.9cm x 5cm, 63.7 grams

An early 20th century German silver and enamel shaped rectangular box, the hinged lid white guilloche enamelled and cloisonne style decorated with flowers on a black grouns, the sides and base plain, gilt interior, marked to inner lip, stamped 925 DEPOSE and German silver mark, width 8cm x depth 6.5cm x height 2.5cm, 127.4 grams

A 20th Century white metal and enamel circular box, the hinged cover with guilloche enamel and floral decotation, the side in white enamel, plain underside, the gilt interior bears indistinct marks and the lip stamped 925, diameter 7.7cm, 112.4 grams

An early 20th century Continental white metal and lavender guilloche enamelled card case or snuff box, engine turned sides and base, gilt interior, marked 935 to inner lip, possibly German, 7.7cm x 4.7cm ,95.2 grams

A finely detailed 3-piece hand painted porcelain serving set marked Limoges France, featuring richly colored botanical imagery of white hydrangea blossoms on warm amber and ochre-toned grounds. The set includes a large ruffled edge bowl with scalloped gilt rim, a flat plate with rounded lip, and a small curved tray. Each piece is adorned with floral sprays of lush green foliage and white blooms and finished with gilt accents. The large bowl and plate are signed by the artist T. Luc, while the tray is signed Duval. Undersides bear Limoges France, Hand Painted backstamps. Limoges, France has long been esteemed for its high-quality porcelain production dating back to the 18th century. This set exemplifies the excellence of French hand painted porcelain and the artistry of decorators working in the early 20th century.Issued: 20th centuryDimensions: Largest: 10"LCountry of Origin: FranceCondition: Age related wear.

DUFY RAOUL: (1877-1953) French Fauvist painter. A.L.S., Raoul Dufy, four pages, 8vo, Paris, n.d. ('Jeudi'; 5th October 1917), to Jean Emile Laboureur, in French. Dufy states that his despatch must have surprised his correspondent and continues to explain a delay in the printing of an almanac, which is to be so late that Poiret wishes to abandon the idea for the present year, further writing of other work, 'Je viens de terminer les gravures des Elegies Martiales et nous vous enverrons un exemplaire aussitot paru. Je vois avec plaisir que vous avez beaucoup travaille et je suis sur que vous avez amasse de quoi travailler longtemps. Avez vous fait de la peinture? Je me seus une furieuse envie de m'y remettre….' (Translation: 'I have just finished the engravings of the Elegies Martiales and we will send you a copy as soon as it appears. I see with pleasure that you have worked a lot and I am sure that you have amassed enough to work for a long time. Did you paint? I feel a furious desire to get back to it…..') and also making reference to Roger Allard, 'Vous apprendrez que notre ami Allard vient de se blesser assez grievement. Je viens de recevoir une lettre de lui est raide et immobile sur un lit d'hopital, il souffre blessures a la jambe gauche a la main droite, a la levre et brulures sur le corps. Il faut attendre des precisions et esperer que ces blessures ne seront que legeres' (Translation: 'You will learn that our friend Allard has just been seriously injured. I have just received a letter from him, he is stiff and motionless on a hospital bed, he suffered injuries to his left leg, right hand, lip and burns on his body. We have to wait for details and hope that these injuries will only be slight'). Accompanied by the original envelope hand addressed by Dufy. A couple of very light, extremely minor stains to the upper right edge of the first page, not affecting the text. VG Jean Emile Laboureur (1877-1943) French painter, designer, engraver, watercolourist, lithographer and illustrator. Roger Allard (1885-1961) French writer, art critic and translator whose book of poetry, Les Elegies Martiales (1917), was illustrated with woodblock prints by Dufy, and whose work L'Appartement des jeunes filles (1919) was the first book which Laboureur provided illustrations for.

PAIR OF PORCELAIN LIP VASES 39CMS (H)

A large 19th century Chinese 'One Hundred Boys' Famille Verte baluster vase, with painted double blue ring mark to base, height 31.5cm.Condition Report: There is some fritting around the foot rim with one very shallow 1cm x 5mm rim chip beside a further minute rim chip, the body of the vase itself is in good condition, no damage, repair or restoration, the ground section to the inner lip of the neck would suggest that at some stage it had a cover which is now not present, overall condition is good.

ÉMILE GALLÉ; a cameo glass circular jar and cover, decorated with leaves and floral sprays, signed, diameter 10cm, af.Condition Report: The cover has a minute knock or bruise forming a very small chip where the stem of the leaves forms round the lip itself, the base has a repaired section which spurs a 1cm hairline crack beneath the repair, light surface scratches to the underside of base, otherwise ok.

A Parker 51 aerometric fill fountain pen in Forest Green with lustraloy cap Condition Report Cap lip in good condition with no damage to barrel or shell

A Regency silver snuff box, of curved rectangular form, having all-over engine turned diagonal stripe decoration and vacant cartouche, with raised lip opening to reveal gilt-washed interior, makers mark worn, London 1817, dimensions 6.5 x 4 x 2cm, 1.85ozt

A Victorian silver and baleen toddy ladle - Chawner & Co, London 1870, the cupped bowl with everted lip, 18.7cm long.

W.A.S Benson - A small early 20th Century Arts & Crafts brass lidded pitcher with hand wrought thumb lift to the lip and loop handle, detailed with copper rivets and lined in white glazed ceramic, stamped marks, height 13cm, slight damage.

This terracotta jug features a warm orange clay body adorned with flowing white slip decoration in abstract and calligraphic patterns. The jug is equipped with a curved handle and a narrow neck leading to a flared lip.Dimensions: 6.25"L x 9"HCondition: Age related wear. As is. Chipped at the lip. Scuff marks throughout.

A Georgian 18ct gold pearl set mourning swivel top ring, one side with half pearls, the centre with later replacement mother of pearl, the reverse side with black paste (abraded) and later replacement black lip oyster shell, width approx 14mm, three row scrolled split shoulders, the centre row with black foliate enamel motif, the others with embossed foliate decoration extending to rest of the band, interior inscribed ob 20 June 1825 (repairs to shank which obscure hallmark) finger size K (approx) total gross weight approx 5.8gms Further details: wear and tear commensurate with age, some abrasions to stones, sizing and repairs to shank, later central shell section

George III silver straining spoon, Thomas Dicks, London 1810, Old English pttern handle with engraved initials, 30cm, and a William IV silver basting spoon, William Eaton, London 1832, fiddle pattern handle with engraved initials, 30.5cm, total weight 9ozt.Qty: 2Condition report:Straining spoon; generally good condition, the bowl has a small dent to the right hand edge (as looking from the handle), straining section is sound, hallmarks are clear, handle with engraved initials HC.Basting spoon; good condition, bowl has a good lip to it, marks clear but some polish infill, handle with engraved initials.

A George III oak and mahogany cross banded mule chest, the hinged cover opening to a fitted candle box, above the four fielded panels and a pair of lip moulded and oak lined drawers, all upon bracket feet, 83cm H x 142cm W x 56cm DCondition reportJoint split to the chest top along with very light rubbing wear.Otherwise the chest appears to be in good sound condition, both drawers run smoothly, no visible faults, losses or damage.

An estate made 19th century Country house pine scullery or kitchen work table, the substantial slab top over an arrangement of four lip moulded and pine lined drawers, applied with ebonised drawer pulls, all upon six legs of square section, 78cm H x 366cm W x 92cm D, apron clearance height on the drawer side 51cm, on the three other sides 54cm PROVENANCE: Gwysaney HallCondition reportEvidence of a spillage to the RHS of the table top and front, please see additional images, along with all over marks, scuffs and indentations, commensurate with use.Some separation in the plank top, very minor chips and wear to the feet.Table is structurally sound with little or no play in the joints, all drawers run smoothly, no significant evidence of woodworm.

A DAUM GLASS CARAFE, modern, of baluster form with trefoil lip and applied blue and amber leaf moulded pâte-de-verre handle, engraved Daum France, 12 1/4" high (Est. plus 24% premium inc. VAT)Condition Report: Good, no damage, possibly never used.

AN ELIZABETH II SILVER MOUNTED GLASS CLARET JUG of swept cylindrical form, cut and etched in the Edwardian style with bands of eliptical panels and scrolls, with plain silver mount, anthemion type lip, hinged cover with pineapple finial and high scroll handle, maker's mark SS, London 2000, 11" high overall (Est. plus 24% premium inc. VAT)

A TAPLEY S L MODULAR TEAK SET OF FLOATING CUPBOARDS, mid 20th century with Formosa teak trim, comprising a pair of cupboards with sliding doors and wood lip handles, 32" w x 14 1/2" d x 15 1/2" h, another pair with glass doors to match, and a tall glass door cabinet, 32 1/2" w x 11 1/2" d x 24" h (5) (Est. plus 24% premium inc. VAT)Condition Report: Generally good, minor areas with some loss of polish.

AN ELIZABETH II SILVER MOUNTED GLASS CLARET JUG of swept cylindrical form, cut and etched in the Edwardian style with baskets of fruit and scrolls on a star cut base, with plain silver mount, anthemion type lip, hinged cover with pineapple finial and high scroll handle, maker's mark WW, London 2000, 11" high overall (Est. plus 24% premium inc. VAT)Condition Report: Good, no damages

A JENTIQUE TEAK SIDEBOARD, mid 20th century, the fascia with a bank of four drawers with lip handles, the top one fitted for cutlery, flanked by a pair of sliding cupboard doors with inset wood handles, raised on turned legs joined by stretchers, 65" w x 17 1/4" d x 29" h (Est. plus 24% premium inc. VAT)Condition Report: Some minor scuffing consistent with age and use.

Tsoona Stella (Haida, 1937-2014). Carved wooden mask titled "Portrait Nax'Nok" depicting a solemn expression, 1990. With painted features and applied fur along the head as well as along the upper lip. Inscribed title, signature, and date along the verso.The Haida Nation are an indigenous Native American group that live near the Pacific Northwest coast of British Columbia, Canada. In Haida culture, "Nax'Nok" is a concept of cosmic-bestowed strength.Height: 13 in x width: 14 in x depth: 6 in. Condition: There are natural splits to the wood throughout, though none detract from the overall effect of the work. The colors are bold and bright. The fur is in good condition. No losses or repairs. Leather strap along verso is in good condition with minimal wear

Johnassie Mannuk (Inuit (Sanikiluaq / Belcher Islands), b. 1939). A stone sculpture of a kayak with a removeable seated hunter. Two harpoons and strapped to the boat along with a seal and bird. On a wooden stand and composite base. Signed with e disc number along the underside of the kayak.One model kayak made from a wood frame and sewn skin. Unmarked.Provenance: Heard Museum, Arizona; Private Collection, New York.Height ranges from 1 3/4 in to 6 in. Width ranges from 9 in to 11 in. Depth ranges from 2 in to 3 1/4 in. Condition: Mannuk boat with broken kayak lip, figure with broken hands showing glue residue. Skin boat with wear and accretions.

BOUCHERON CUSHION-SHAPE IN GOLD, 70s - Case: punched and hallmarked, n. 83515, gold, snap on casebacK. Bracelet/Strap: signed clasp, patent n. 7023160. Dial: signed, champagne, Roman numerals. Movement: manual-winding caliber Lip R100. Accessories: – Diameter: 26 mm Note: running at the time of cataloguing, but a servicing is suggested.

A 9 carat yellow gold enamelled rainbow trout stick pin, Alabaster & Wilson, Birmingham 1988, 60mm, 3.2g. Condition report:Please see further images. Possibly a tiny piece of enamel missing from the tip of the bottom lip of fish if it ever was taken to the edge? see image.