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Selection of ceramics, including a 19th century Chinese Canton sleeve vaseThe tallest vase has chips to the top lip, there are no signs of restoration to the tallest vase, measuring approximately 27cm tall

Unusual Victorian Cut Glass Invalids Tankard / Drinking Cup with engraved initials to the Cartouche, 15cm in height. Good condition, very minor nibbles around the lip/mouth piece. No cracks.

of ovoid shape rising to a narrow short neck with rolled lip,with four stylized loop handles attached to the shoulder, and with floral sprays around the body painted in black over white slip Dimension: H:46cm Provenance: From Geoffrey Middle Collection; National Museum of Philippine, RP-NM Stamp no.0098971. Compare Mino, Freedom of Clay and Brush ,p.188, plate 82. Condition: Relatively good condition Link of detail photos:

of deep form with the loop handle attached just below the flared lip, Dimension: H:6.5cm Provenance: From Geoffrey Middle Collection; Condition: Good condition Link of detail photos:

A pair of silver fluted candle sticks, London 1973, with detachable sconces, 22cm. In overall good condition.They stand straight and flatNo repairsOne has several tiny dings to the top lip of sconce.No other issues

A G Plan teak low chest of drawers - the three graduated drawers with twin curling lip handles, raised on a platform base. (LWH 81 x 46 x 54cm)

A VICTORIAN RIVETTED COPPER COAL OR LOG BINwith planished surface and carrying handles to the side, 32cm high x 32 cm diameter; together with an engraved Asian brass tray with raised lip, 37.5cm diameter (2)

Dame Lucie Rie and Hans Coper, a studio pottery salad bowl, circa 1972, squashed oval form with lip, black manganese tenmoku type glaze with white slip rim, impressed seal marks, 27cm wide. Note: Artist Resale Rights apply

A carved hardwood mask, probably 20th century, Côte d'Ivoire, Dan people, a carved wood mask with perforated eyes and mouth, woven matting and hair coiffure, mounted with seven bells, with further woven matting and hair, on an iron stand,18cm wide28cm deep26.5cm highCondition Reportopen grain and light splits to the face, split to the lip, loss to the hair and damages to the rafia, adornement, ingrained with dirt throughout,

Three Boxed Integrity Toys Modern Fashion Dolls. To Include Luchia Z "Fabulous Fields" (Fading To Lip Colour) and Others. All Clothed. Accessories Noted. Small Marks To Dolls Noted. Faults To Boxes Noted.

COLLECTION OF EAR/LIP PIERCINGS TO INCLUDE SILVER BRACELETS & RINGS

Pflueger Scoop, USA wooden lure with glass eyes, 3.75" body with wounded minnow style side/rear hooks, front/rear 3 blade props, good, a Paw Paw 3.5" jointed wooden minnow, painted eyes, metal lip and double hooks, a Pflueger Mustang made in Hong Kong, 4.5" jointed wooden lure with metal lip, rainbow colour, some chips to paint. Southbend Oreno model 940-48, 4" early wooden lure with metal diving nose vane, c1929, a Surestrike mouse 3" wooden bait with glass eyes, some cracks to finish, and a Pflueger jointed Pike lure, 3.5" in green scale finish, glass eyes and metal lip, comes in Creek Chub worn box. (6)

A selection of vintage wristwatches, including Sekonda, Lip and Timex Condition report: Leonidas watch face has no glass

One of just 50 UK B3 Coupe’sLow mileage and owner exampleDevelopment of the B3 began in 2006 before the car was introduced in 2007. It utilised a modified version of the BMW N54 inline-six engine used in the 335i. The B3 was available with rear-wheel-drive or all-wheel-drive drivetrains. The engine was modified by the addition of an Alpina specific ECU, oil cooler and lighter and stronger MAHLE pistons. These modifications allowed the engine to generate 355bhp between 5,500rpm to 6,000rpm and 369 lb⋅ft of torque at 3,800rpm to 5,000rpm. The engine has a red line of 7,000rpm. The engine was mated to a six-speed ZF automatic transmission paired with a control system called Switch Tronic. Shift times had been significantly improved, taking 100 milliseconds to shift gears.The car could be ordered in any colour from the standard exterior colours as offered on its predecessor. The exterior changes included optional Alpina pinstripes, a front spoiler with Alpina lettering, a rear lip spoiler and a light weight Akrapovic stainless steel exhaust system with quad exhaust tips. The exhaust system had a floating tip design, a first to be used on an Alpina vehicle. The interior included heated sport seats, wood trim, Lavalina leather upholstery, cruise control, Alpina floor mats and Alpina gauges with the speedometer reading up to 190mph on the European models. The interior could be customised to the customer specifications by the Alpina interior department. The suspension system of the B3 utilised a mixture of in-house developed components and BMW components. The B3 can accelerate from 0-62 mph in 4.8 seconds and can attain a claimed top speed of 177mph.No. 052, this lovely petrol B3 Coupé was first registered on 18th April 2018 and is presented in black coachwork. Boasting only four former keepers and a low mileage for Alpina modes, showing a mere 73,200 miles from new. Offered with an MoT test certificate until March 2026, this well-maintained example had its last service in March 2025 where it was treated to new front brake discs. Described as having very good tyres all round and offered with two sets of keys, this is as collectable as it is enjoyable to drive. Consigned by Mathew Priddy BLACK ON BLACK 73,000 MILE FOUR FORMER KEEPER BI TURBO B3RECENT NEW FRONT BRAKE DISCSONE OF JUST 50 B3 COUPES

Georgian design mahogany tripod table, circular top with raised lip edge, turned pedestal with twist baluster on three out splayed supports Dimensions: Height: 67cm  Depth/Diameter: 68cm

A Collection of Perfume bottle stoppers and spare parts; Includes Bakelite dice lip stick dispenser. Small Cut crystal barrel scent bottle. Silver plated stoppers. Stoppers in the form of crowns and so much more.

A Selection of Collectables; Snake skin Compact holder & lip stick holder, Shagreen turned hinged compact & Small enameled brass perfume bottle

A black and white painted rounded pottery bowl,  Kashan, central Iran, 12th/13th century, On short foot, with flat lip, with black radial decoration, the well plain, lightly iridescent, inventory label "149" in blue ink, smaller red inventory label "٩٤" 19.3cm. diam.Provenance: Private London collection formed in the 1960s-70sCondition Report: This bowl is repaired and restored form multiple breaks. Some breaks lines have been filled in with paste or resin. As can be seen in the catalogue and website illustrations some not. The surface is lightly stained and pitted. It would require some light attention and cleaning.

A cobalt, turquoise blue, black and white rounded pottery bowl,  Kashan, Central Iran, 14th century, On short foot, the radial decoration consisting of alternating bands of scrollwork and rising lobed cartouches bordered in black and turquoise blue, the lip picked in black, the rim picked in black to the exterior, the body's exterior with a continuous arcade in black, lightly iridescent19.7cm. diam.Provenance: Private London collection formed in the 1960s-80sCondition Report: This bowl is repaired and restored from multiple breaks, now filled in with either paste or resin.

A small conical pottery bowl,  Nishapur, north east Iran, 10th century, On short foot, the base incised, the cavetto with a garland of roundels intersected by three palmettes rising from the dotted well, label "52" in blue ink19cm. diam.Provenance: Private London collection formed in the 1960s-70sCondition Report: This bowl is repaired and restored form multiple breaks. The break lines and lacking shards have been filled with paste or resin and repainted. Further repaints to cavetto and lip. Some of the repaints are lifting off. Some large and smaller losses to the painted decoration affect this work as can be seen in the online and catalogue illustrations. The foot is incised with a cross. 

An etched clear glass mosque lamp,  Possibly Syria, Ottoman provinces, 19th century, Of typical form, with recessed base, a wide calligraphic band below a wide register of repeating rising palmettes flanked with scrollwork, the neck with a register of hanging palmettes within foliate medallions interspersed with scrolling tendrils bearing trefoils between two narrow band of scrollwork, the shoulders applied with three suspension loops31.5cm. highFootnotes: Roseberys, 25 Jan 2019, Lot 63 Condition Report: This lamp is repaired and restore from multiple breaks sustained mostly on an area approximating the third of its body surface. The mouth with a filled in crack running close to its lip. One circular repair and restoration to the recessed base. Thick black deposit to exterior. This lot would require further attention.The department would advise an inspection of this lot in person before bidding.

A conical pottery bowl,  Nishapur, northeast Iran, 10th century, On short foot, the well and cavetto painted with perpendicular strokes along three radial lines forming a loose incomplete lattice, the lip picked in black and the rim with short black strokes, inventory label "164" in blue ink, the base marked 3/2 in pencil26.1cm. diam.Provenance: Private London collection formed in the 1960s-70sCondition Report: This bowl is repaired and restored form multiple breaks and losses. The break lines and lacking shards have been filled in with paste or resin. Extensive repaints can be noticed as seen on the catalogue and website illustrations.The department would recommend an inspection of this lot in person before placing bids.

An attic-black- lip-cup,  circa 575-550 B.C., Signed on each side in the handle zone: XENOKLES EPOIESEN, "Xenokles made me," palmettes with added red on either side of the handles, black bands encircling the cup above and below the inscription, the reserved tondo centered by a single black circle8.9 cm. high; 14 cm. diameter excluding handlesProvenance: Kerr Collection; with Charles Ede Ltd, London, 1989 (Pottery from Athens XI, no.22); Anonymous sale; Christie’s, New York, 16 June 2006, lot 95.Condition Report: Repaired from fragments, some V-shaped restoration on part of lip

A gilt-copper gadrooned bowl (tombak),  Ottoman Turkey, late 18th century, On plain base, the slightly rounded body rising to a straight lip, the well with a central bosse engraved with a rosette, the exterior with an upper register of a single floral tendril, the gilt rubbed18.2cm. diam. Footnotes: A similar tombak hammam bowl sold at Christie's London, 11 October 2013, lot 819.Provenance : Sold at the James Julia auction of the Robert Lang collection in July1999, Fairfield, Maine. Robert Lang collection (died 1997)

A small calligraphic rounded pottery bowl,  Nishapur, northeast Iran, 10th century, On straight ribbed foot, the rim with a wide calligraphic register in foliated kufic script underlined in pale yellow and ruled in black, the well with a simplified bird, the well with inventory label "23" in blue ink, the base with old label written in modern script and numbered "7"19.2cm. diam.Provenance: Private London collection formed in the 1960s-70sCondition Report: This bowl is repaired and restored form multiple breaks. Some breaks are not filled in as can be seen in the catalogue and web site illustrations. The surface shows some losses to the exterior and interior. The glaze is pitted and sand blasted. The lip is shipped in multiple places, the larger measuring approximately 3.5cm.. 

A small white, black and cobalt blue painted conical pottery bowl,  Kashan, central Iran, 12th/13th century, On short foot, with radial decoration, the rim picked in black, the lip in cobalt-blue, splashed and vertical cobalt blue lines to the exterior, old inventory label "83" applied to well, iridescent, intact14.5cm. diam.Provenance: Private London collection formed in the 1960s-70s

A large pseudo calligraphic conical pottery bowl,  Nishapur, north east Iran, 10th century, On short foot, the well with a simplified knot, the rim with three pseudo calligraphic panels, the lip picked in black and with three pairs of inverted triangles, inventory label "20" in black ink applied to well, smaller blue inventory label "30" applied to the base26.6cm. diam.Provenance: Private London collection formed in the 1960s-70sCondition Report: This bowl is repaired and restored from multiple breaks affecting the well and the calligraphic panels. The break lines are filled with paste or resin and have been repainted. Further repaints to the panels. The surface is tarnished, pitted. This lot would require further attention.The department would recommend an inspection of this work in person before placing bids.

Three near clear glass cylindrical lamps,  Syria or Ottoman provinces, 19th century, Each with flat lip, loose gilt calligraphic inscriptions within black or blue arcades, one with broken lip20.5cm., 20cm. and 19.6cm.Condition Report: The inscriptions rubbed and near illegible in places. The arcade rubbed and lacking in places. One lamp with significant loss to its lip.

A large and impressive Iznik “Damascus” style high footed pottery basin (tazza), Ulisse Cantagalli, Florence, northern Italy, circa 1880, The rounded body rising from a slightly waisted foot to a straight lip, the blue, turquoise blue, green and red painted decoration consisting of bold elegant floral spray, one to the well within a medallion of simplified strapwork picked in red, and a repetition thereof to the cavetto, a thin register of a stylised ropework above, the exterior with bolder and larger floral blooms and serrated saaz leaves borne by a swaying tendril, on white ground, the base with maker’s mark painted in black,42cm. diam., 27cm. highProvenance: Purchased from Lady Manton, Houghton Hall in East Yorkshire over 40 years ago for £100Footnotes: The oversize blooms born by scrolling tendrils, elegantly swaying saaz leaves, and the bold flowers with lobed petals recalls two stunning Iznik works : a blue and white mosque-lamp-shaped vase, and a pottery tile panel. The first dated to the 3rd quarter of 16th century is kept at the David Collection in Copenhagen (inv. 18/1967), the second, circa 1550 - 1650 and attributed to Syria, at the Fitzwilliam Museum in Cambridge (inv. C.5-1909).Our large basin's blooms mirror the decoration of the vase seen on the panel at the Fitzwilliam Museum from which rises an impressive flower bouquet and flanked with cypresses. Its wide scrolling tendril with lobed petals flowers are clearly seen on the blue-and-white vase in Copenhagen. Here, on our lot, Ulisse Cantagalli, like other late 19th century European ceramicists  such as Samson, Lachenal, Deck and others, was extremely successful in replicating these mid-16th Ottoman patterns marrying them onto the exterior of this work and rendering the exact tones of the colours seen on the Cambridge panel.Condition Report: With a very fine hairline crack to one side, minor chips to rim

A small pottery bowl,  Samanid Iran or Central Asia, 10th century, On short conical foot with full base, the flaring body rising to high straight lip, the rim highlighted in black, the well with bold black kufic inscription, repaired and restored9.4cm. diam.Provenance: Private UK collection acquired 1959-60Condition Report: Under U. V the reverse left half of this bowl fluoresces in white. Its interior mostly does also suggesting this half of the bowl is the most heavily restored. The other half shows repaints cracks, losses tot he glaze, light pitting. The calligraphy remains strong. This bowl would require some attention and cleaning. 

An engraved copper alloy circular tray,  Ottoman provinces, early 20th century, In the Veneto-Saracenic style, the large central roundel with intricate interlocked scrolling tendrils bearing leaves, the borders with strapworks within lobed cartouches interspersed with lobed quatrefoils, a wide register with calligraphic inscriptions against profuse field within lobed pointed cartouches and alternating lobed roundels with spiralling tendrils, the flat lip with rounded rim with elegant entrelacs forming cartouches and polylobed medallions, the first with inscriptions, the second with lattices and scrollworks, the reverse, plain, toll or maker's mark "T" 39.5 cm. diam. Footnotes: Provenance : The Butler collectionCondition Report: As can be seen on the catalogue and website illustration some light corrosion and staining can be noticed overall. Some occasional remnants of incrusted white matter can also be seen. Lightly dented. This lot would benefit form light cleaning. 

A large and shallow lustre and cobalt blue figural pottery charger, Kashan, central Iran, 12th-13th century, On straight foot, the slightly rounded and gently sloping lip and cavetto painted with an inverted arcade inhabited with seated figures, the well with another seated figure within a lobed roundel, the rim splashed in cobalt blue, the exterior cobalt blue33.3cm. diam.Condition Report: This dish is heavily repaired and restored form multiple breaks. Under U. V approximately 50% of its interior's surface renders a bright light. Under the same condition, 80% of its exterior renders a dull return. The department would strongly recommend an inspection of this lot in person before placing bids.

A large Corinthian trefoil-lipped oinochoe Late 7th – early 6th Century B.C. with an animal frieze, decorated in three registers divided by encircling bands of varying width, the central register decorated with a siren, panthers, wild goat and a goose, the top register with panthers and a grazing antelope, the lower register with panthers, wild goat, a swan, a bull and two elephant-headed mythological creatures, floral motifs in the field of each register, rosettes on the neck and lip and rays emanating from the base, stylised rotelles on either side of the triple-reeded handle, 40cm. highProvenance: The Private Estate of Michael and Jill Barrington acquired at the latest in the 1970s based on photographs of the work. Footnotes: NB. There are two photographs (now in the lever arch file) taken by Prudence Cuming Associate Ltd, 41 Dover Street, London W1X 3RB. It’s the first item on her typed list and we still have the original envelope with Silver Jubilee Stamps 1977, so dating the provenance back to at least the latter part of the 1970s. 

Clear glass water pitcher featuring an elegant organic form with a sculpted wave-like design and an integrated ice lip for easy pouring while retaining ice. The hand-applied handle and asymmetrical contours suggest a mid-century modern influence, ideal for both functional use and display. Measures 8"L x 6"W x 6.5"H.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.

A George III silver wine funnel, mark of Rebecca Emes and Edward Barnard I, London, date indecipherable, the body of baluster form with flared lip, part marked detachable inner with pierced grille, shell locator and gadrooned edge, both parts crested, 8.5cm diameter, 14cm high, 146g (4.5ozt)

A George III silver wine funnel, mark of Rebecca Emes and Edward Barnard I, London 1817, the body of baluster form with flared lip, part marked detachable inner with pierced grille, shell locator and reeded edge, 9cm diameter, 14cm high, 202g (6.5ozt)

Mattel Barbie Sun Sensation Barbie doll, 1390, 1991, Excellent Plus (lip gloss loose from ties / tip of nose marked by plastic / jewellery tarnished / wear and tear), within Fair Plus box (token cut away from side of box / plastic split / wear and tear).

DAVID LEACH, a pottery jug, impressed mark, 8.5cm high, together with a tenmoku pottery tea pot and cover, bearing a seal mark similar to the Blackadder pottery, two pottery bowls, a pottery jug, impressed marks to thumb piece, a pottery mug, a stoneware jar and cover, a Truro Pottery serving tureen and cover, decorated with leaves, iron red and celadon, impressed mark, a celadon glazed stone ware jardinière, possible Willow, Somerset, impressed mark indistinct, 14.5cm high and a glazed pottery vase, decorated with floral sprays( 10)Condition Report: Leach jug has losses to glaze on lip

SABINO. a frosted glass turkey, marked to back, 5cm high, together with a Lalique perfume bottle and stopper, signed to base, 6.5cm, a pale pink glass perfume bottle, with label for Pompadour, 15.5cm high, two green perfume bottles with stoppers, the tallest 16cm high, a smoky grey perfume bottle and stopper, 16cm high, together with a Poole pottery biscuit barrel and a late 19th Century pale blue overlay glass vase glass vase (8)Condition Report: The pale blue overlay glass vase, appears to have the top rim reground.pink bottle-good condition.The Sabino turkey, one bubble to the body. No cracks breaks.Lalique-ok.Smoked bottle, chips to lip of bottle.One of the green bottle has minor nibbles to rim.Poole barrel is in good condition.

A George III oak dresser base, formed with two lip moulded and pine lined drawers over a shaped wavy apron, all upon five supports of square section, united by a pot board base, 74cm H x 132cm W x 40cm D

A George III style Shropshire type oak dresser, 20th century, the enclosed plate rack with a moulded cornice over a wavy frieze and a central spice cupboard, flanked by three shelves either side, upon the base formed with three lip moulded drawers and conforming apron, upon cabriole fore legs and plain rear legs of square section, dresser base measures, 77cm H x 148cm W x 48cm D, with plate rack, 205cm H x 158cm W x 48cm DCondition reportMinor marks to the dresser top where the rack sits, along with a split to the LH rear corner and a central age split, please see additional images.No visible evidence of woodworm, joints feel tight with little or no play, drawers run smoothly, LH drawer a little tight.Very light fading to the RHS.General light wear commensurate with age and use.

A mid 18th century oak side table, the twin plank moulded and oversailing top, above a single oak lined lip moulded, frieze drawer and a shaped apron, all upon cylindrical tapering legs and pad feet, 66cm H x 82cm W x 52cm D

EMILE GALLE, red cameo flask vase decorated with apple blossom design and signed Galle, 9cm height 365 - the lip appears to have been lightly ground. Some faint surface marks, otherwise good condition

18TH CENTURY WORCESTER STYLE, Cabbage leaf jug, floral painted sprays and mask lip restored, 20cm height

An Islamic Silver Bowl with Fish and Floral Motifs, Iran or Afghanistan, 4th Century A.D.The bowl features a gently rounded form with a subtly flared rim, decorated on the exterior with alternating floral arabesques and arabic inscriptions in a rhythmic frieze just beneath the lip. The interior presents a stylized central rosette surrounded by a circular arrangement of incised fish.D: Approximately 17cmH: Approximately 5.5cm307gProvenance: Private collection from a distinguished W London gentleman.

Contemporary silver mounted claret jug, with cut glass body, silver lion's head mounted handle, face mask pouring lip and hinged domed cover (Sheffield 1998) maker's mark rubbed. 31cm overall height.

A George IV silver-gilt pap boat, by Rebecca Emes & Edward Barnard, London 1825, with a cast edge and engraved to the interior 'Sweets to the Sweet', 14cm wide, and another Victorian silver-gilt pap boat, London 1844?, 13.2cm wide, 4.9ozt overall (2)Condition ReportRubbed marks gilt good. Some knocks, minor dinting. Surface scratches. Etched writing into the lip of the Rebecca Emes & Edward Barnard example. No apparent splits. very minor tarnishing. Please see additional images. 

REGGAE/DUB LPs (WITH ORIGINAL RARITIES). Dropping the biscuit on these 28 x (largely) LPs (including a few twelves). To include Scientist - Scientist Meets The Space Invaders (UK original, GREL 19 - glossy VG+ record/VG+ light edge/corner wear), King Tubby, Prince Jammy And Scientist - First, Second And Third Generation Of Dub (UK original, KGLP 002 - nice Ex record/VG+), Black Beard - Strictly Dub Wize (TEMPLP 001 - VG+ copy) and I Wah Dub, Joe Gibbs/Professionals - African Dub All-Mighty and Chapter 3 (LIP 10 and 12 respectively, UK copies) and Majestic Dub (LASL 3), Prince Jammy - ...Destroys The Invaders... (GREL 29 - VG+ copy), Burning Spear - Hail H.I.M. (RDS 2003 - Ex+/printed inner/Ex), Basement 5, Keith Hudson - Nuh Skin Up (GRED 26 og - Ex+/Ex), UB40 inc. Present Arms In Dub, The Selecter (x2), Linton Kwesi Johnson - Forces Of Victory and In Dub, Bob Marley/Wailers, Sly & Robbie, Black Slate - Ogima (TCD LP2), Nuroy & U. Roy - The Originator (CGLP 107), Mikey Dread and Steel Pulse. The records are typically VG+ to Ex+; some may require light cleaning which would likely take the majority to Ex better. The sleeves are typically in well presented VG+ to Ex+ condition - some may drop a little below this which in most cases will be due to storage wear, though again, the majority of these could be cleaned up nicely

A KASHAN STYLE LUSTRE CHARGER, PROBABLY SPAIN, 20TH CENTURY of wide shallow form, painted with a figure of a seated musician, surrounded by a band of pseudo-calligraphy, the lip with a scrolling arabesque design, 45.5cm diam.Repaired break with restoration and retouched decoration on one side of lip

A BRONZE MORTAR, ANDALUCIA, SOUTHERN SPAIN, 13TH/14TH CENTURY of gently flared cylindrical form, with convex base, the sides with six projecting lugs and engraved rings under the lip, 9.5cm high; 18cm max. diam.Worn with numerous minor dents, base with cracks from pounding

A CENTRAL ASIAN POTTERY DISH, PROBABLY KOKAND, UZBEKISTAN, 19TH CENTURY of shallow form, painted in cobalt, manganese and green on white slip ground, the central medallion containing a mesh design, surrounded by leafy arabesque medallions, with twin bands of feather and chequerboard motifs on the lip, the underside with painted spirals, 6.5cm high; 33cm diam. Ceramics of this type, mostly painted in cobalt blue combined with other colours such as green and purple were produced in a number of centres in what is now Uzbekistan from the end of the 18th century onwards. This dish is closely related to an example in the Victoria and Albert Museum which is thought to be from Kokand, near Ferghana in the east of the country, C.137-1909Small chips around rim, partly repaired, glaze crackled, spur marks to centre

SEVEN METAL WATERPOTS (LOTA), INDIA, 19TH-20TH CENTURIES each of bulbous form with overhanging lip, four of brass with engraved and hammered decoration, two smaller brass pots, one with gangajumna copper inlaid decoration, the last of copper with figural design of deities within arches, 14.5cm and smallerEach with some wear and minor knocks, copper pot with old repair

A SILVER TRAY, ISFAHAN, PERSIA, MID-20TH CENTURY of circular form, with shallow raised lip, intricately engraved and hammered with a radiating floral arabesque design with stylised flowers and pairs of parakeets, embossed mark on one edge, 1cm high; 30.7cm diam. 597gr For a related tray previously sold in these rooms, see 24th November 2024, lot 35.Good condition

Old Kingdom, 4th to 6th Dynasty, 2613 BC to 2181 BC. An alabaster vessel with a tall body that narrows towards the flat base and expands to a slightly everted lip. The surface reveals gentle veining arranged in harmonious, curved lines.Size: 220mm x 110mm; Weight: 2.1kgProvenance: Private London collection; previously French art market 1970s/1980s.Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.

Ca. AD 300 - 500.A translucent pale green glass amphoriskos with a globular body tapering to a pointed base with four rounded feet. The cylindrical neck widens into a thick, rounded rim with an outward-folded lip. Two single handles are drawn from the shoulder to the rim. A short ridge encircles the base of the neck.For similar see: Christie's, 8 Dec 2021, Live Auction, 19876, Antiquities, Lot. 21.Size: 110mm x 90mm; Weight: 145gProvenance: Ex. Russkin collection, formed in the 1980s.

Ca. 330 - 300 BC. A black-glazed hydria with an ovoid body, broad shoulder, cylindrical neck and overhanging lip, all resting on a flaring foot. It has two horizontal handles for lifting and a third vertical handle at the back for pouring. The surface is decorated in the red-figure technique with added white and yellow details. Side A depicts a nude youth with a cloak draped over his left shoulder. He holds two bunches of grapes in his extended right hand, reaching towards a draped female figure standing to the left. She holds a large phiale in her left hand, beneath which a small rosette is placed. Side B shows a large palmette with volute side scrolls extending outward. A band of vertical stripes marks the base of the neck as well as around the handle roots. A meander frieze with alternating squares runs below the figural panel.For similar see: MET Museum Object Number: 56.171.65Size: 370mm x 260mm; Weight: 1.67kgProvenance: Private UK collection; previously acquired on the UK art market in the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. AD 900 - 1100. A cylindrical terracotta grenade with a lower body tapering to a pointed tip. The upper part gently rounds and culminates in a short neck with an overhanging lip. The central section is encircled by a central band of diagonal strokes flanked above and below by rows of impressed triangles alternating with small punched dots.For similar see: D. Nicolle, Medieval Islamic Fire Grenades: Further Evidence from a Military Context February 2017Journal of Islamic Archaeology 3(2):163-177, Figures n. 4-5-6.DOI:10.1558/jia.v3i2.32824Size: 130mm x 90mm; Weight: 520gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

A collection of Halcyon Days enamel patch boxes to include musical example inscribed "Love Makes the World Go Round", boxed, together with a Limoges porcelain box and cover, the elid decorated in gilt with a courting coupleChristmas 1996 - chip to base.Ornamental Perennials - grubby, scratched.Blue Limoges - chipped to lip.Others appear in good order.

A collection of three planters comprising, a hanging terracotta planter with four punched holes to perimeter and hanging rope (d. 18cm), together with a stoneware planter decorated with an abstract pattern glaze and multiple punched holes to top finished with hanging rope, and an unglazed stoneware planter with open lip (d. 20cm x h. 11cm) (3)

Decorative Pictures and Prints, to include: "Monument", an indistinctly signed and numbered 20th century abstract; a pen and ink signed *Lip depicting the Ringmer Restaurant; a Robert Morden map of Chester; a late 20th century watercolour study of a bird in Oriental style; etc. (Qty)