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Royal Doulton figurine Jane Seymour, model HN3349, from the Six Wives of Henry VIII collection. Modeled by Pauline Parsons and issued in 1991 in a limited edition of 9,500 pieces, this hand-decorated porcelain figure captures the elegance of Jane Seymour, Henry VIII's third wife. She is depicted in a richly detailed Tudor gown in peach, blue, and gold tones, standing beside a small table with a lute and decorative vase. This is edition number 1777, marked on the underside with the Royal Doulton backstamp.Artist: Pauline ParsonsIssued: 1991Dimensions: 9.25"HCountry of Origin: EnglandCondition: Age related wear.
An early 20th century floral encrusted porcelain fruit bowl centrepiece. The centrepiece with pierced conical bowl featuring encrusted flowers surround, raised on floral column featuring two hand painted cherubs, one with tambourine, one lute. The base scrolled and gilded also featuring encrusted flowers. Extensive restoration to the bowl & losses to the encrusted decor.Measures approx. 37cm tall.
Modeled as a jester standing in a theatrical pose with one hand resting on his chin. The figure is dressed in a green tunic with yellow sleeves, a red and green jester's hood, salmon-red leggings, and green shoes. The back of the figure is detailed with a cream-colored satchel and a brown lute strapped across the shoulder. The figure stands against a tall, hand-painted black base with a marbled effect. Royal Doulton backstamp. Marked: The Property Of Royal Doulton Tableware LTD, Not Produced For Sale - For Market Research Purposes - Not For Sale.Artist: Charles NokeIssued: 20th centuryDimensions: 9"L x 6.25"W x 17"HCountry of Origin: EnglandCondition: Age related wear.
Edwardian inlaid satinwood etagere, removable tray top with glass base and brass carrying handles, two graduating tiers each inlaid with central oval panel depicting lute and flute with manuscript, enclosed within a scrolling acanthus leaf border, on square tapering supports with splayed feet, decorated with shaped and fan inlaid corner brackets, united by curved X-framed stretchers Dimensions: Height: 82cm Length/Width: 90cm Depth/Diameter: 56cm
A RARE PAIR OF LOWESTOFT PORCELAIN FIGURES MODELLED AS MUSICIANS. circa 1780, in the white, modelled as a man playing a triangle and a girl with lute, both standing with flowering bocage behind, on moulded bases, the glaze heavily blued, 17cm high J. Howell collection no. L.365 and L.366 Provenance- Phillips, June 18th 1980, lot 117, £880. Mercury Antiques, February 1981, £1,100 Note- For a pair of identical models with polychrome foliate decoration see Geoffrey A. Godden, The Illustrated Guide to Lowestoft Porcelain, colour plate IV. *CR the male musician with restored peak to hat, restored ponytail, head has been detached and reattached, triangle is missing, little finger of the right hand is missing, some losses to floral bocage decoration. Lady musician with break to ponytail, left hand and neck of the lute have been restored, bocage to one side has been broken and glued, some losses to floral bocage.
Manuscript Music. A William IV period album of manuscript folk songs, anonymously copied from various composers & lyricists including Charles Jefferys ("The Bonny English Rose", "The Rose of Allandale"), Miss Costello ("Queen of My Soul"), T. H. Bayly (Of What is the Old Man Thinking"), Charles Blondel (The Cachoucha), Mrs G Sharp (!) (Helen Trevor), I. A. Wade ("The Moorish Maid"), Miss E. Cook ("The Rover's Song"), The Hon. Mrs Norton ("The Captive's Song), Mr Ransford ("In the Days When We Went Gipsying"), and others, entirely handwritten, paper bearing manufacturer's watermark [Newey, 1832], filled to end, 144pp. (72 leaves), 4to (28.5cm x 23.5cm), contemporary half-calf with embroidered jacket, together with a loosely-inserted sheet of manuscript verse in French, "Partant pour la Syrie" [Leaving for Syria], the de facto national anthem of the Second French Empire, used 1852-1870 [originally composed by Hortense de Beauharnais], the verso with "My Heart and Lute" [originally written by Thomas Moore], in a different hand to the main book but of a similar or slightly later period, [c. 1832]
SÈVRES; a late 18th/early 19th century French porcelain cobalt blue jewelled shallow bowl, the central panel hand painted with decoration of a lute amongst baskets of fruit and foliage, surrounded by cobalt blue and gilt heightened border, diameter 14cm, and a further Sèvres French porcelain dish, the central panel depicting bagpipes amongst scrolling foliage, surrounded by blue and gilt decorated jewelled borders, diameter 12.5cm (2).
A large 19thC Meissen porcelain figural Group, emblematic of music, c. 1870, depicting seven figures including a violinist, tambourine player, lute player, etc. based on naturalistic setting, crossed swords mark to base, possibly a second, also marked 17 and incised, C59, W 18cm x D 20cm x H 35cm.
* Besler (Basilius). Rosa lute a flore simplici, Nuremberg: [1613 - 1713], hand-coloured engraving, slight text showthrough, 480 x 400 mm, Latin text on versoQTY: (1)NOTE:Published in the 3rd edition of the Hortus Eystettensis or 'The Garden of Eichstatt'. One of the most remarkable botanical books of the 17th century.
Swarovski Silver Crystal Lute figurine, crafted from precision-cut clear crystal with delicate detailing, featuring a metal stand. This elegant miniature instrument showcases Swarovski's signature brilliance and craftsmanship. Includes its original box.Artist: Martin ZendronIssued: 1992 - 1997Dimensions: 3"LCountry of Origin: AustriaCondition: Age related wear.
Early 20th century Karl Ens German porcelain classical figure of a woman playing a lute with a cherub raised upon an oval plinth style base, together with a French early 20th century baroque style ceramic mantel clock decorated with a floral transfer design and gilt detailing. Mantel clock features a brass clock face with Arabic number chapter ring. Makers mark to the underside of the Karl Ens figure. Largest piece measuring approx. 35cm x 16.5cm x 10cm.
This rare Royal Doulton prototype Toby jug features a unique color variation, making it a prized collector's piece. Crafted from fine bone china, this jug showcases a vibrant hand painted design, with the Lady Jester dressed in a striking red and green costume, complete with jester's hat and lute. Marked as The Property of Royal Doulton Tableware Ltd - Not Produced for Sale, this prototype was created as a test piece and never entered full production, further enhancing its rarity and desirability. The detailed sculpting and rich glaze application reflect Royal Doulton's craftsmanship and commitment to artistic excellence. A distinguished addition to any Royal Doulton collection.Artist: David B. BiggsIssued: c. 1998Dimensions: 6.25"HCountry of Origin: EnglandCondition: Age related wear.
Carel de Moor, 1656 Leiden – 1738 Warmond, zug.DIE LAUTENSPIELERINÖl auf Holz. Parkettiert.68 x 88 cm.In ebonisiertem Profilrahmen.Wir danken Dr. Pamela Fowler für freundliche Hinweise zur Katalogisierung.Vor einer palastartigen Parkanlage haben sich mehrere Figuren eingefunden, von denen eine junge Frau in feinem Seidenkleid und ein junger Mann hinter ihr in besonderem Maße Erleuchtung empfangen. Rechts ein Pfau und ein ihm zugewandter Hund - eine Gruppe die sicher in Bezug mit den erwähnten Hauptfiguren zu sehen ist.Anmerkung:Ein Gemälde, das einen vergleichbaren architektonischen Zusammenhang mit dem ebenfalls links befindlichen Repoussoirtuch zeigt, wird beim RKD in Den Haag unter Nummer 33040 verzeichnet. (14315816) (13)Carel de Moor,1656 Leiden – 1738 Warmond, attributedA LADY PLAYING THE LUTE Oil on panel. Parquetted.68 x 88 cm.We would like to thank Dr Pamela Fowler for her advice regarding the attribution to the artist. A painting showing a similar architectural context with the repoussoir cloth on the left is registered at the RKD in The Hague under no. 33040.
Jean Jacques Pradier (1792-1852), a 19th century French bronze group ‘L'Ange Gardien’, modelled with the angel holding a lute and shielding the infant Christ with a wing, signed Pradier Sculp, 28cm wide, 16cm deep, 36cm high Overall of a rich golden patination which is in good order, just a little dusty in the crevices, no faults noted, lacks any plinth.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A 19TH CENTURY ENAMEL AND DIAMOND PENDANT Designed as a polychrome enamel lute player within a pastel enamel floral surround with rose cut diamond points, to a later bale, fitted case by Wartski Size/dimensions: 5.0cm long Gross weight: 10.9 gramsProvenance: Private Collection Condition Report: Enamel losses, more pronounced to reverse, one foot broken off, one screw holding lute player to frame deficientCondition Report Disclaimer
Edwardian inlaid satinwood etagere, removable tray top with glass base and brass carrying handles, two graduating tiers each inlaid with central oval panel depicting lute and flute with manuscript, enclosed within a scrolling acanthus leaf border, on square tapering supports with splayed feet, decorated with shaped and fan inlaid corner brackets, united by curved X-framed stretchers Dimensions: Height: 82cm Length/Width: 90cm Depth/Diameter: 56cm
* Purse. An embroidered lute-shaped purse (or sweete bag?), early 18th century, purse in the shape of a powder flask, padded (probably with horse hair) and embroidered with coloured and metallised threads, using mainly long and short stitch and stem stitch, and incorporating two small beads (remaining few missing), with flowers tied in a bow and stems of daffodils, carnation, and tulip above, on a beige grosgrain ground, faded and dusty, backed with green silk, and with a pouch of the same sewn to the back, gathered with drawstring ribbon of woven cream, green, and metallised silver threads (a little frayed to one side), the two ends of the ribbon caught together in a metal thread toggle, purse edged with woven metallic braid, 9.5 x 6 cm (3.75 x 2.25 ins)QTY: (1)NOTE:Provenance: Lady Ottoline Morrell (1873-1938); thence by descent.A most unusual early purse; we have not been able to trace another the same either at auction or in an institution. The British Museum has a purse not wholly dissimilar, made of velvet and purporting to have been given by King Henry VIII to Anne Boleyn (registration number 1878,1101.635): 'Curator's comments - This is an unusual construction and its purpose is not clear'. The Rijksmuseum, Netherlands, also has a padded shaped purse of velvet (more akin to the British Museum's than that offered here), which they call 'in the shape of scissors (phallus?)' - object number BK-KOG-29.Although these two examples are referred to as purses, it seems more likely, given the contruction, that our receptacle was intended to be filled with sweet-smelling herbs such as lavender, so that a lady could wear it around her neck to ward off infection and unpleasant odours, much like the more commonly found sweete bags of the 16th and 17th centuries. The delicate silk could only have been used to hold something light, and the narrow opening at the top would have been enough for a lady's nose to imbibe the sweet scent within, rather like a perfume bottle.
* Circle of George Frederic Watts (1817-1904). Orpheus, oil on wood panel, showing a young male figure wearing an animal skin draped across his lower waist, playing a lute, a small bird by his feet, 23.7 x 13.2 cm (9 3/8 x 5 1/4 ins)QTY: (1)NOTE:Provenance: From the estate of John Watson (1939-2019).
Circle of Bernard van Orley, Flemish 1491/92-1541- Two angels, one playing the lute, and the other plating the rebec; oils on panel, each with a decorative scheme verso, each 44.5 x 12.8 cm., a pair (2). Provenance: Property of the Hon. James Bruce sale, Christie's, London, 7 March 1980, lot 84 (sold for £4,500). with Thomas Agnew & Sons, London, 1980 [no.43945]. The Collection of Professor W. M. Ballantyne (1922-2021), and thence by descent. Note: Despite never visiting Italy, Van Orley worked very much in the tradition of the Romanists, a group of Flemish painters who were heavily influenced by the work of Italian Renaissance artists, particularly, in Van Orley's case, Raphael (1483-1520). Indeed, as a central proponent of the Romanist approach, Van Orley also shaped the output of future generations of painters, including Michiel Coxie (1499-1592), Pieter Coecke van Aelst (1502-1550), and Pieter de Kempeneer (1503-1586), all of whom studied under him. The present work exhibits a clear debt to Van Orley, with the pose and features of the angel on the right-hand side of the composition bearing a striking similarity to the face of the Madonna in a painting by the artist which sold at Hampel, Munich, on 29 June 2023, lot 180.
An exquisite Wedgwood porcelain figurine titled Melody from The Classical Collection. This elegant figure embodies the essence of harmony and grace, portraying a flowing-robed musician delicately holding a lute. The soft pastel hues, floral headpiece, and ethereal drapery lend a timeless, almost mythical quality to the composition, reminiscent of classical muses. Designed and modeled by Jenny Oliver, this piece is hand-decorated and bears the Wedgwood backstamp, confirming its authenticity and production in 1996 in England. The intricate sculpting and delicate detailing make this a standout addition to any collection of fine porcelain figurines.Artist: Jenny OliverDimensions: 10"H Country of Origin: EnglandCondition: Age related wear.
Miniature Chinese Folding Tabletop Screen A decorative four-panel folding tabletop screen, likely of Chinese origin. Each panel features a hand-painted ceramic or porcelain tile set within a light-toned wooden frame, connected by brass hinges. The frames include pierced fretwork designs at the top and bottom, with darker-toned openwork detailing at the base adding to its craftsmanship. The painted porcelain tiles depict traditional Chinese scenes, carefully rendered with delicate brushstrokes. These include landscapes showcasing mountains, trees, rivers, bridges, and pavilions in soft tones alongside female figures in vibrant traditional attire engaging in cultural activities such as playing a pipa (lute), painting, or holding decorative objects. The paintings use a naturalistic palette with occasional bright accents. Each tile contains vertical Chinese calligraphy inscriptions and red seal stamps, likely artist markings or poetic verses related to the imagery. One panel includes a date, "1988.6.7," suggesting a late 20th-century creation, possibly drawing on traditional artistic styles. Approximate dimensions estimate the height of the panels to be 25–40 cm. This screen served as a decorative display item, highlighting traditional Chinese artistry and cultural themes. It is an intact example of craftsmanship, reflecting both aesthetic and collectible value.
Grahame (Kenneth) The Wind in the Willows, one of 80 deluxe editions signed by the illustrator in pencil, from a total limitation of 200, illustrations by Angel Dominguez, prospectus loosely inserted, 2016 § Kipling (Rudyard) The Jungle Book, one of 200 copies signed by the illustrator in pencil, illustrations by Lute Vink, 2015 § Barrie (J.M.) Peter Pan, one of 200 copies signed by the illustrator in pencil, illustrations by Steve Hutton, 2015, many illustrations colour and full-page, original morocco, gilt, g.e., housed in original cloth drop-back boxes, gilt, Books Illustrated Ltd., 4to (3)
A beautifully detailed Coalport bone china figurine titled Jane Seymour, HN3349. This figurine is part of a limited edition of 9,500, with this example numbered 2273. It portrays Jane Seymour, the third wife of King Henry VIII, elegantly dressed in a richly detailed Tudor gown with intricate patterns, jewelry, and a flowing cape. Beside her, a side table holds a small pot, while a lute rests against it, enhancing the historical theme. The base is fully marked with the Coalport backstamp, confirming authenticity.Issued: 1991Dimensions: 9.25"HCountry of Origin: EnglandCondition: Age related wear.
This exquisite Lladro porcelain figurine titled Troubador showcases a romantic musician playing a lute. The figurine features intricate detailing, from the musician's flowing tunic to the delicately crafted lute strings. Hand-painted with soft, muted tones, it reflects the timeless elegance and artistry Lladro is known for. The underside bears the iconic Lladro stamp.Artist: Antonio BallesterIssued: 1976 - 1981Dimensions: 15"L x 16"HCountry of Origin: SpainCondition: Age related wear.

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3276 item(s)/page