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[SURREALISM]: A printed small 8vo exhibition catalogue (unsigned) for the Exposition Surréaliste at the Pierre Colle Gallery, Rue Cambacérès, Paris, 7th - 18th June (1933). The catalogue lists around seventy works that will be exhibited, arranged alphabetically by artist, including Jean Arp (three works), André Breton (´Objet´), Salvador Dali (one of the largest contributors with eight pieces including Harpe invisible, Chaise atmosphérique, Oeufs sur le plat atmosphériques, and Buste de femme rétrospectif etc.), Marcel Duchamp (´Pharmacie´), Paul Eluard (´Objet basé sur la perversion des oreilles´), Marie-Berthe Ernst (portraits of Max Ernst and André Breton), Max Ernst (seven pieces including Vol nupital, Un libertin attaqué d´une maladie mortelle..., Une lettre, and Objet sans prétention etc.), Alberto Giacometti (six pieces including Mannequin and Sucre minéral etc.), Georges Hugnet (´Le poil de la bête´), Valentine Hugo (seven pieces including Portrait d´Achim d´Arnim and La religieuse portugaise etc.), Rene Magritte (two pieces, both tables), Joan Miro (´Objets´), Man Ray (six pieces including Saucisse-artifice, Oeil-métronome, Portrait manqué etc.), Yves Tanguy (five pieces including Un risque dans chaque main, L´obsession de la prophétie, and L´opinion des oiseaux etc.) and others. Pablo Picasso was also due to exhibit three sculptures, however his name and entries have been neatly covered with a small piece of contemporary paper, evidently having withdrawn the artworks from the exhibition. Bound in the original brown paper wrappers with black printed title to the cover. About EXPierre Colle (1909-1948) French art dealer, painter and poet, a close friend of Max Jacob. Colle opened his second gallery on Rue Cambacérès where he organised notable exhibtions and was one of the first gallery owners to show the works of Salvador Dali.
JOHN AUGUSTUS: (1878-1961) Welsh painter. A good A.L.S., Augustus John, two pages, 8vo, Mallord Street, Chelsea, 10th October 1919, to [Catherine d´Erlanger] (´Dear Baroness´). John states that it was kind of the Baroness to have invited him to Shooter´s Hill, and he regretted not being able to come, continuing ´I have so much to get done just now that I cannot very well get away. As soon as I am freer I want to get on with the picture of Miss Jellybrand (sic) and your daughter. But first I want to get clear of my "official" work - after that I shall feel more like an artist........´ and concluding by remarking ´I should like to show you my things some day´. With blank integral leaf. VGCatherine d´Erlanger (1874-1959) Baroness Marie Rose Antoinette Catherine de Robert d'Aqueria de Rochegude. French patron of the arts and Hollywood nightclub owner, known as ´The Flame´ (La Fiamma) owing to her hair colour.Baba d´Erlanger (1901-1945) French style icon and model of the 1920s, daughter of Catherine d´Erlanger.Paula Gellibrand (1898-1986) English society beauty and mannequin, one of the favourite models of Cecil Beaton.Baba d´Erlanger and Paula Gellibrand (whose surname is amusingly misspelt by John in the present letter) were lifelong and inseparable friends known as ´The Twins´. John´s 1921 portrait of the two ladies, entitled Baronne Baba d’Erlanger and Miss Paula Gellibrand was begun at Deauville in 1919 whilst John was engaged as the official artist at the Paris Peace Conference. The fine art dealer Richard Green wrote that John considered it ´Much more fun to portray two young women´ and of the painting itself that ´despite their contrasting styles of beauty – Baba dark and intense, Paula shimmering and golden, John responds not only to their superb good looks but to the zeitgeist – their marcel-waved hair and simple dresses have a classical unfussiness that ushers in the Jazz Age, the Roaring Twenties. The brushwork has the witty fluidity of a foxtrot, while the composition is organized around bold blocks of colour: red, gold and deep sapphire´.
A COLLECTION OF VINTAGE CLOTHES, to include two pairs of leather gloves one pair say Morley and size 32, a pair of leather Taunton & Thorne evening gloves, with pearl button detail, a selection of undergarments, four varies vintage dresses approximately size 12, velvet lined skirt size 12 and two modern beaded items, together with four silk oriental style dressing gowns, etc. names include casuals by Susan small, TW, some items look like they are handmade, also includes a small blue case (qty), (Condition Report: most are in age worn condition and would benefit a careful clean) PLEASE NOTE THE RAIL AND MANNEQUIN ARE NOT INCLUDED
A beautiful & curvaceous, circa 1920's - 1940's, life-size painted lady, shop / store, fashion / clothing mannequin lovingly called 'Monica' by her owner, (who's sad to see her go , but he must!). No arms unfortunately, as shown.CONDITION: Very beautiful, no arms, paint is in fragile condition as shown, lots of dings, dents and wear, but as shown, she has survived decades intact overall and is here to be enjoyed once again!SHIPPINGWe are sorry but this lot cannot be shipped by our in-house packing and shipping department. Therefore, it must be collected from our premises in Royal Tunbridge Wells, or you can nominate a third party packer and shipper of your choice.We recommend Mail Boxes Etc in Tunbridge Wells. To obtain a quote and engage their services, please contact Greg or Kim on +44 (0) 1892 510 155 or via info@mbetunbridgewells.co.uk.Please note that you must inform us in writing by email using the email account that you registered to bid with that you are giving your permission for any third party to collect your items. You must include the name of the third party collecting, the date and time they will be collecting and send them an email which they can use as proof of ID. Lots must be paid for in full before they will be released.
A 19th century Continental religious mannequin Of a Saint or The Madonna, with movable arms, a painted head and hands, and with glass inset eyes, standing on the 'world' with clouds to either side and a plinth base.110cm highQty: 1In reasonable condition. A loss to her thumb and some movement to the metal joints. The base in need of some repair. Loss to the paintwork overall.
Star Wars: The Phantom Menace (1999) - Jar Jar Binks (Signed) Ahmed Best Costume. Jar Jar Binks,1:1 Scale replica suit with Latex head signed by actor Ahmed Best from Star Wars Episode I : The Phantom Menace. Ahmeds signature signed on the left ear in blue Sharpie. Displayed on a mannequin, Height measuring approx. 205cm tall. Costume breakdown: Feet, connected to branded sliders (2), Trouser, Leather-like material (1), Bodysuit, cotton and nylon (1), Gloves, rubber and latex (2), Headpiece, Latex and rubber (1).Costume produced for Lucasfilms prequel; The Phantom Menace, to be worn at the film premier by an actor as part of the promotional campaign. Believed to be 1 of 20 made worldwide.This lot also includes; Vanity Fair (Feb 1999) Star Wars front cover issue, Cinefex Magazine issue number 78. Ahmed portrayed the divisive character, Jar Jar Binks for the Prequel trilogy. He also returned in 2023 as Kelleren Beq in The Mandalorian, alongside various reprisals in Star Wars media spanning the past 20 years.Costume with mannequin, 2 magazines.
WIRE - LP/ 12"/ 7" PACK. A fine selection of 10 LPs/ 12"/ 7" by post-punk legends Wire, includes some factory samples/ promos. Titles include A Question Of Degree (7"), Map Ref (7"), Mannequin (7"), Dot Dash (7"), I Am The Fly (7"), Our Swimmer (7"), Outdoor Miner (7"), Ahead (12"), Document And Eye Witness: Electric Ballroom LP (ROUGH 29), The Ideal Copy (STUMM 42) and Eardrum Buzz (12"). Condition is generally VG+ to Ex+, the odd record may require a professional clean.

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6110 item(s)/page