A compelling 4-piece collection of sculptural art, featuring three carved stone heads signed by J.R. LaRate and a striking Mexican-Mayan style death mask. The trio of stone heads, each approximately 5 inches high, exhibit distinct ethnic expressions and are mounted on rustic, coiled metal stands. Crafted in various tones of stone, the faces display serene yet emotive visages, capturing an essence of timeless human form. Each is individually inscribed by the artist, adding authenticity and character. Accompanying them is a vibrant 4.75-inch high death mask adorned in a lustrous mosaic of abalone shell, exuding the aesthetic of traditional Mesoamerican ceremonial craftsmanship. This visually arresting grouping balances folk art with cultural mystique, offering both decorative allure and collectible appeal.Artist: J.R. LaRateIssued: 21st centuryDimensions: 5"HCondition: Age related wear.
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Group of twenty vintage architectural Guatemalan photographs. Marks on verso as follows: one pencil inscribed "Tropofot, Bolanos & Kabath," ten inkstamped "Tropofot, Bolanos & Kabath, (Antes Valdeavellano) Guatemala 6a. A. S., 13," the remaining unmarked.Alberto G. Valdeavellano (1861-1928) was a pioneering Guatemalan photographer, widely regarded as the country’s first landscape and sports photographer. Born in Guatemala City, he studied at the prestigious Instituto Nacional and later trained under Emilio Herbruger at Fotografia Imperial. He co-founded several important studios, including Fernandez y Valdeavellano (“El Siglo XXâ€), El Arte Nuevo, and Valdeavellano y Bolaños. Valdeavellano was known for photographing Guatemala’s elite, as well as for producing the country's first instant photograph in 1896 - an image of President Jose MarÃa Reina Barrios at a military event.He traveled extensively throughout Guatemala, capturing landscapes, colonial architecture, and Mayan archaeological sites like Quirigua. His work was published in cultural magazines and distributed widely as postcards and panoramas, documenting urban life in cities like Antigua, Quetzaltenango, and Amatitlan. Though he never married, Valdeavellano remained close to his family and left behind a rich visual record of Guatemala’s cultural and historical identity. He died in 1928 of liver disease in Guatemala City.Height ranges from 6 1/2 in to 9 1/2 in; width ranges from 6 1/4 in to 9 1/4 in. Condition: Wear throughout consistent with age including toning, some handling marks, and undulation. The works are not framed.
Set of three Mexican folk art "Tlaquepaque" tourist pottery pitcher and handled mugs or stein cups in the form of three Mayan or Aztec figures, ca. 1940s.(Pitcher) Height: 11 1/2 in x width: 4 in x depth: 4 in. (Cups, each) height: 6 1/2 in x width: 4 1/4 in x depth: 3 in. Condition: There is crazing to the glaze throughout. Several chips to all pieces, mainly along edges and high points. One larger chip along the headdress of the pitcher. Light wear to the footrims. No major repairs or cracks.
Group of 11 pieces of figural Taxco and Southwest jewelry including:One pair of Mexican sterling silver snake earrings on posts.One brooch of a pan piper with turquoise, marked DY sterling.Five Mexican vingette brooches depicting desert scenes, all marked Mexico, and silver or 925.One brooch depicting a road runner with turquoise stone eye.One stamped shield shaped pendant set with blue stone.One Ecuador 900 silver necklace with Mayan-esque pendant on a silver chain with hook and eye closure.Length ranges from 1 in to 13 in. Gross weight: 96.9 g. Condition: Some tarnishing and wear, no major breaks or losses.
Group of sixteen vintage anthropological Guatemalan photographs depicting cities and daily life. Nine pencil inscribed "Tropofot, Bolanos & Kabath" and seven inkstamped "Tropofot, Bolanos & Kabath, (Antes Valdeavellano) Guatemala 6a. A. S., 13".Alberto G. Valdeavellano (1861-1928) was a pioneering Guatemalan photographer, widely regarded as the country’s first landscape and sports photographer. Born in Guatemala City, he studied at the prestigious Instituto Nacional and later trained under Emilio Herbruger at Fotografia Imperial. He co-founded several important studios, including Fernandez y Valdeavellano (“El Siglo XXâ€), El Arte Nuevo, and Valdeavellano y Bolaños. Valdeavellano was known for photographing Guatemala’s elite, as well as for producing the country's first instant photograph in 1896 - an image of President Jose MarÃa Reina Barrios at a military event.He traveled extensively throughout Guatemala, capturing landscapes, colonial architecture, and Mayan archaeological sites like Quirigua. His work was published in cultural magazines and distributed widely as postcards and panoramas, documenting urban life in cities like Antigua, Quetzaltenango, and Amatitlan. Though he never married, Valdeavellano remained close to his family and left behind a rich visual record of Guatemala’s cultural and historical identity. He died in 1928 of liver disease in Guatemala City.Height ranges from 6 1/2 in to 9 in; width ranges from 7 in to 9 in. Condition: Wear throughout consistent with age including toning and some handling marks, such as creases along the corners. Some undulation to a few of the photos. The works are not framed.
Group of three vintage archaeological Guatemalan photographs. Depicting ancient ruins. All inkstamped "Tropofot, Bolanos & Kabath, (Antes Valdeavellano) Guatemala 6a. A. S., 13" along the verso. The two larger blindstamped "Valdeavellano" along the lower right and pencil inscribed "Quirigua Stela K" along the verso.Alberto G. Valdeavellano (1861-1928) was a pioneering Guatemalan photographer, widely regarded as the country’s first landscape and sports photographer. Born in Guatemala City, he studied at the prestigious Instituto Nacional and later trained under Emilio Herbruger at Fotografia Imperial. He co-founded several important studios, including Fernandez y Valdeavellano (“El Siglo XXâ€), El Arte Nuevo, and Valdeavellano y Bolaños. Valdeavellano was known for photographing Guatemala’s elite, as well as for producing the country's first instant photograph in 1896 - an image of President Jose MarÃa Reina Barrios at a military event.He traveled extensively throughout Guatemala, capturing landscapes, colonial architecture, and Mayan archaeological sites like Quirigua. His work was published in cultural magazines and distributed widely as postcards and panoramas, documenting urban life in cities like Antigua, Quetzaltenango, and Amatitlan. Though he never married, Valdeavellano remained close to his family and left behind a rich visual record of Guatemala’s cultural and historical identity. He died in 1928 of liver disease in Guatemala City.Height ranges from 8 1/4 in to 9 1/4 in; width ranges from 6 1/4 in to 7 in. Condition: The sheets are toned and there are some slightly faded areas, particularly along the edges. There are no major tears or losses. There is a crease along the upper right of one of the larger prints. The works are not framed.
Group of seventeen Guatemalan photographs of natural landscapes. With various marks along the verso as follows: two pencil inscribed "Chapultepec Park, Mexico", one inkstamped "Estudio V. Kabath, Guatemala, c.a.," two pencil inscribed "Tropofot, Bolanos & Kabath," and six inkstamped "Tropofot, Bolanos & Kabath, (Antes Valdeavellano) Guatemala 6a. A. S., 13".Alberto G. Valdeavellano (1861-1928) was a pioneering Guatemalan photographer, widely regarded as the country’s first landscape and sports photographer. Born in Guatemala City, he studied at the prestigious Instituto Nacional and later trained under Emilio Herbruger at Fotografia Imperial. He co-founded several important studios, including Fernandez y Valdeavellano (“El Siglo XXâ€), El Arte Nuevo, and Valdeavellano y Bolaños. Valdeavellano was known for photographing Guatemala’s elite, as well as for producing the country's first instant photograph in 1896 - an image of President Jose MarÃa Reina Barrios at a military event.He traveled extensively throughout Guatemala, capturing landscapes, colonial architecture, and Mayan archaeological sites like Quirigua. His work was published in cultural magazines and distributed widely as postcards and panoramas, documenting urban life in cities like Antigua, Quetzaltenango, and Amatitlan. Though he never married, Valdeavellano remained close to his family and left behind a rich visual record of Guatemala’s cultural and historical identity. He died in 1928 of liver disease in Guatemala City.Height ranges from 5 in to 9 in; width ranges from 6 3/4 in to 8 1/2 in. Condition: Wear consistent with age and use including toning. Some undulation to several of the photos. There chips or losses to the emulsion along the lower edge of the glass slides. The works are not framed.
A Mayan terracotta polychrome vessel, late classic period, circa 5th century CE, painted with stylised geometric motifs, 11cm dia. x 7.5cm high, recovered in 1935 at El Jaral, Lake Yojoa, Honduras by James Brannon Edwards, archaeologist for the National Museum of Honduras, according to the accompanying typed letter.
This mid-century cast metal ice bucket embodies the distinctive style of designer James Mont, renowned for integrating exotic motifs into functional decor. The exterior showcases intricate Aztec or Mayan-inspired patterns, lending a rich, historical aesthetic. The removable lid features a prominent handle, complementing the overall design. The interior is lined with a removable plastic insert, ensuring practicality for use. The piece stands on three sturdy legs, enhancing its sculptural presence. A stamp on the base indicates its origin as 'Made in Taiwan, reflecting the production practices of the era. This ice bucket serves as both a functional barware item and a statement piece, reflecting the opulent Hollywood Regency style associated with Mont's designs.Issued: 20th centuryDimensions: 14"H x 10.25" dia. Condition: Age related wear.
Vinyl / Box Set - 2 The Dead Weather (Jack White) limited edition Third Man Records items to include: Live At The Mayan, Los Angeles (TMR-455 / TMR 456, US 2017 double yellow vinyl album + yellow black marbled 7” single, DVD and a box to house all six singles from 'Dodge and Burn’) EX+ (in Third Man Records original mailer) and Dodge And Burn (TMR-331, US 2015, yellow with black streaks vinyl + yellow black marbled vinyl 7” single and a deck of Dead Weather playing cards) EX+ (vinyl in open shrink and in Third Man Records original mailer).
This collection features a silver raised relief wall hanging with an intricate Mayan calendar design, measuring 6.75"L x 8.5"H. It is accompanied by a rectangular lacquered wooden box with traditional Indian motifs, a colorful floral-patterned plastic tray, and a small hand-carved Buddha sculpture in gray stone. These unique pieces offer a blend of artistic and cultural craftsmanship, perfect for collectors or distinctive decor. Dimensions: See DescriptionCondition: Age related wear.
Group of three sand cast Southwest cuff bracelets, including:One sterling cuff with geometric motifs. Marked created by Marc Anita sterling along the interior.One sterling cuff with figural appliques, of quetzalcoatl with Mayan-esque glyphs. Marked sterling and Hand Made by Indians along the interior.One silver cuff with nine cabochon turquoise and additional spherical details. The interior with fine decorative arrows and suns, unmarked.Diameter ranges from 2 in to 2 3/4 in. Gross weight: 281.1 g.Condition: Some of the turquoise stones slightly loose. Tarnishing and wear overall.
HENRY SCOTT TUKE (BRITISH, 1858-1929)Samwell sitting on a blue dug-out signed and dated 'H.S. Tuke 1924' (lower right) oil on canvas 39 x 29cm Provenance Geoffrey Sainsbury (The artist's nephew); Henry Shemilt; Acquired from the above in 1963 by Brian D. Price; Acquired from the above by the present owner Literature The Diary of Henry Scott Tuke 1923-1925, transcribed by B.D. Price; Catching the Light - The Art and Life of Henry Scott Tuke, Catherine Wallace, 2008, plate 131.FootnoteTuke painted the present work on 10th January 1924, and recorded the following entry in his diary:‘Out with Samwell and Ralph again and went further on – nearly got a small nurse shark with the paddle, it was struck several times but eventually got away. Landed and did a good study of Samwell sitting in a bluish dugout, with flickering shadows from overhanging trees. Worked hard at it all afternoon at home.’Unable to resist an adventure, Tuke was 67 when, in November 1923, he set sail for Jamaica on the Fyffe banana-ship, S.S. Coronado; part of an expedition funded by the author and explorer Lilian, Lady Richmond Brown and including Fredrick Albert Mitchell-Hedges, a fellow explorer whom Tuke met at a Lecture in Falmouth. Mitchell-Hedges is perhaps best remembered for claiming to have discovered a crystal skull in Belize in 1924, but failing to mention the artefact until the mid-1940s, following the sale of a strikingly similar crystal skull at Sothebys in October 1943; modern testing of the skull has revealed the markings of modern machinery rather than Mayan tools. This illustrious party docked in Port Royal on 10th December before travelling the 100 miles or so to the Black River. Tuke spent the following two months painting numerous oils and watercolours of the local landscape and people. Samuel, known as Samwell, was one of his favourite models, whom he described as an ‘…interesting type. Looks like a fierce savage but as gentle as a dove.’ Samwell appeared in several works, most notably, Black River Boatmen, Jamaica, an oil begun on 9th January, the day before the present work, which went on to be exhibited at The Royal Academy in 1925, no.500, and sold at Christies 2nd-16thDecember 2021, lot 97, for £30,000 hammer. Tuke skillfully captures a charmingly uncontrived moment as his subject stares, unselfconsciously, out to sea, the dappled light and heat are beautifully and deftly rendered, strongly evoking the unique atmosphere of the Caribbean.Condition Reportoriginal canvas; the paint surface is in excellent, clean condition; no sign of retouching under ultraviolet light, held in a plaster gilt frame in fair condition.
Marvel Comics Hulk (2008-12) original issues 1-57 of Red Hulk 'Thunderbolt Ross' Complete set, chapters to include; Mayan Rule, Hulk Of Arabia, World War Hulks, Fear of Hulks and others, all individually housed in plastic packs in excellent condition (issues 14-16 are signed by Ian Churchill)
Hilda M. Ransome: 'The Sacred Bee in Ancient Times and Folklore', London, George Allen & Unwin, 1937, 1st edition, 12 full page plates + 35 ills. in text complete, original cloth gilt, dust wrapper (wrapper a/f). Scarce work on the folklore of bees and bee culture — from Egyptian, Babylonian, Chinese, Hittite, and other ancient sources as well as practices in modern England, France, and Central Europe. Thirty-five plates of rare black-and-white illustrations depict bees, hives, and beekeepers as they appear in ancient paintings and sculpture, on coins, jewellery, and Mayan glyphs; and carved into African tree trunks. Folk stories from Finland and the bee in America are also described.
This vintage Mexican themed collection will delight any fan of the culture and the country. Included are one 4" dia. glazed ceramic ashtray illustrated with a city scene of Teatro Juarez in Guanajuato, Gto. Also included are a pair of silver plated lidded salt or spice bowls with spoons adorned with beautifully detailed Mayan figures on the ends. Each plate is 2.75" dia. Issued: c. 1950Dimensions: See DescriptionCondition: Age related wear.
A large carved Green Jade Pectoral Plaque - Mesoamerica - Mayan area, late classical style. Ex Rothschild Collection. Label to verso. This jade pectoral plaque is masterfully carved in low relief with an elegant and highly detailed image of a lord, seated and gesturing in one of the most definitive images of a Maya elite. His strong and youthful body in a three quarter profile with cross-legs and his head is turned in sharp profile to his right showing the regal extended nose bridge, tear-shaped eye, and relaxed mouth. One hand is planted firmly on his thigh and his right hand is raised with delicate fingers flexed in a symbolic gesture, a posturing that is most famously depicted on the Nebaj jade plaque, indicative of a regal encounter or audience scene. The massive headdress features the mythic Principal Bird Deity with long plumes. The whole scene is enclosed in a graceful cartouche frame that represents the maw of the Otherworld, indicating we are looking into a portal to see the deceased continuing in rituals. Audience scenes of lords are frequently depicted on painted Maya vessels. However, illustrating such an event on jade involved another dimension of materiality. Jade was considered the most valued and sacred material of enduring capability; it was a 'material with soul or spirit' 19cm x 19cm In excellent condition
Original vintage travel advertising poster New York Mexico Non Stop Air France featuring a colourful design by Jean Colin (1912-1982) showing a Mayan with green and yellow decorative elements set over a light blue background. Printed by S.A. Courbet, Paris. Fair condition, restored tears, restored paper losses, staining, backed on linen. Country of issue: France, designer: Jean Colin, size (cm): 99x62.5, year of printing: 1957.
A collection of various decorative wares comprising, an Italian hand painted ceramic bowl, a Romainia style hand painted jug (h-18cm), a soap stone carved figure of a bird (h-18cm), a wooden figure of a seated bear, a Hartley's Ltd by Dee Cee Studio stoneware jug (marked verso) (21cm), a Folk Art Aztec Mayan clay flute figure and a wall hanging African Tribal wooden mask (l-59cm) (7)
INDIAN & OTHER ORNAMENTS including Indian folk bronze of seated Ganesha, small Chinese cast metal censer in the form of a Manchu Chinese head with pigtail, Mughal style box, twin handled bowl, Mayan style souvenir drum, and five Ghanaian brass gold weights (qty)Provenance: private collection Powys
Polychrom figürlich bemalte, zylindrische Vase der spätklassischen Maya-Kultur, 7. - 9. Jhdt. n. Chr. Zylindrische, handgeformte Vase aus orangefarbenem Ton. Auf der Außenseite polychrome Malerei mit geglätteter Oberfläche. Zwei gleichartig angelegte, rechteckige Bildflächen mit knienden, vorwärts gebeugten Kriegern mit reichem Federschmuck auf dem Kopf, getrennt durch zwei Register mit je drei Maya-Glyphen. Bildflächen und Glyphen-Register durch schwarze Doppellinien eingerahmt. Die weitestgehend gleichartig gestalteten Kriegerbilder unterscheiden sich durch die Haltung der nach vorne ausgestreckten Hand. Auf einem Bild zeigt die Hand nach oben über eine zylindrisch geformte Vase mit durch Punkte angedeutetem Inhalt (Opfergabe?), auf dem anderen Bild fehlt die Vase und die Hand zeigt nach unten. Höhe 14,5 cm. Durchmesser 15 cm. Ausgesprochen attraktive Vase der Spätphase der klassischen Maya-Kultur mit nur geringfügigen Abplatzungen, die das Gesamterscheinungsbild der künstlerisch hochwertigen Keramik nicht beeinträchtigen. Provenienz: Nordrhein-westfälische Privatsammlung, erworben 1992 in einer französischen Galerie anlässlich der 500-jährigen Wiederkehr der Entdeckung Amerikas. Original-Prospekt mit Abbildung der Vase liegt bei. A polychrome, figuratively painted, cylindrical vase of the Late Classic Maya culture, 7th - 9th century A.D. A polychrome, figuratively painted, cylindrical vase of the Late Classic Maya culture, 7th - 9th century A.D. Cylindrical, hand-formed vase in orange-coloured clay. Polychrome painting with a smooth surface on the outside. Two similarly arranged, rectangular scenes with kneeling warriors, bent forwards, wearing lavish feather headdresses, separated by two registers, each with three Maya glyphs. The pictorial spaces and glyph registers framed by double black lines. The almost identical images of the warriors are distinguished by the gesture of the hand being extended forwards. In one picture, the warrior's hand points upwards over a cylindrical vase with dots indicating its contents (a sacrificial offering?), while in the other picture, there is no vase and the hand is pointing down. Height 14.5 cm. Diameter 15 cm. Exceptionally attractive vase of the late phase of the classical Mayan culture with only minor spalling, which does not affect the overall appearance of the exquisitely artistic ceramic piece. Provenance: From a private collection in North Rhine-Westphalia, acquired in 1992 at a French gallery on the 500th anniversary of the Discovery of America. Original prospectus with an illustration of the vase is included. Condition: I - II
APOCALYPTO (2006) - Holcane Warrior Weapons and Mayan Sacrificial Tools - Holcane warrior weapons and Mayan sacrificial tools from Mel Gibson's Apocalypto.Weapons like these were used by the Mayan raiders whilst attacking Jaguar Paw's (Rudy Youngblood) village, to sacrifice the captured villagers, and then again whilst hunting Jaguar Paw through the forest when he escaped. Included in this lot is a chakram, two macuahuitls, two parts of a spear-type weapon, and a sacrificial knife and bowl. The weapons are made of wood and resin, and blades painted glossy black to resemble obsidian. Some of the weapons feature intricate carved designs, and the sacrificial knife and bowl are crafted to resemble bone, and are stained by stage blood. Dimensions: 82 cm x 30 cm x 10 cm (32.25" x 12" x 4")Edged, bladed or blunt object; see notice on Blades in the Buyer's Guide.Estimate: £1,000 - 2,000 M Bidding for this lot will end on Saturday, November 16th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th or Sunday, November 17th.
Two gold and enamel pendants, one set with an American 1914 five dollar coin applied with multicoloured enamel, in a gold mount, length 3.2cm including bail, dated 1914; and a medallion pendant of Mayan/Aztec inspiration, applied with multicoloured enamel, the reverse engraved 'Pierre du Soleil', length 4.2cm, stamped 750
HERMÈS Seidencarré "ASTRES ET SOLEILS", by Annie Faivre, Entwurf erstmals erschienen 1994. Akt. NP.: 495,-€. 100% Seide. Inspiriert von der Zivilisationen der Maya und Azteken, deren Mythologie uns eine Erde zwischen 13 Himmeln und 9 Göttern vorschlägt, die von den vier Kindern eines originellen Schöpferpaares regiert wird. 90 x 90 cm. Handrollierte Säume. Box anbei. Sehr guter Zustand.| HERMÈS silk scarf "ASTRES ET SOLEILS", by Annie Faivre, design first published in 1994. Retail price: 495,-€. 100% silk. Inspired by the Mayan and Aztec civilisations, whose mythology proposes an earth between 13 heavens and 9 gods, ruled by the four children of an original creator couple. 90 x 90 cm. Hand rolled hems. Box enclosed. Very good condition.
Great education and entertainment ahead. First, is Tutankhamen And The Golden Age Of The Pharaohs (2005) and includes a CD narrated by Omar Sharif. Next, is Dreamquests: The Art Of Don Maitz (1993) with great pics of his world-renown fantasy paintings. Next, the Mayan Oracle (1992) which gives great insights into the Mayan calendar and includes a set of cards to help with meditation exercises. Finally, is The Tarots Of The Gnomes which is unused with the cards still sealed. The books are hard bounds and first editions. The largest book measures 12"L x 9.5"W x 1"H. The Tarots measure 4.5"L x 2.5"W x 1.25"H. Issued: 20th CenturyDimensions: See description. Condition: Age related wear.
A brass figure of ganesha, a stone Buddha head, a Mayan stone figure, a Buddhist temple tile, a stone figure holding a drum, a carved stone frieze depicting deities, a Bedouin Coffee grinder, a framed carved wooden figure of buddha on a lotus leaf, a brass and copper charger (9) Condition Report:Available upon request
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