We found 2202 price guide item(s) matching your search

English School, Follower of Michelangelo Merisi da Caravaggio (Italian, 1573-1609) Lamentation over the body of Christ Oil on canvas, laid onto board, restorations 19½ x 24¼in (49.5 x 61.7cm), late 19th century gilt and composition frame

After Michelangelo, 20th century, a cast iron figure of a reclining male nude, emblematic of 'Day', raised on a scrolling stepped base,52cm wide25cm deep64cm highCondition Reportheavily rusted to the surface, this figure an alogorical figure of Day is taken from the tomb of Duke of Nemours Giuliano de Medici completed c.1524-1534 large crack to one leg, unstable and pitted surface

Collection of 80s onwards toys to include 30 x figures featuring The Real Ghostbusters (Egon Spengler, Ray Stantz, Peter Venkman, etc), Teenage Mutant Ninja Turtles TMNT (Michelangelo, Raphael and Leonardo), LJN Thundercats (Mumm-Ra and Cheetara), He-Man Masters Of The Universe MOTU (Beast Man, Roboto, Sy-Klone, etc), Pace Toys Earth Force Doctor Bronco, Transformers And Robots, etc, boxed Binatone TV Master TV Game and quantity of play worn Matchbox diecast models (2 Boxes)

John W. Mills PPRBS ARCA FRSA (1933-2023) - Head Study of Michelangelo, cast bronze on a wooden plinth, height 25 cm (including base)

Limited Edition with Fine Reproduction Photographic Prints Illustrated Volume: Chastel (Andre) The Vatican Frescoes of Michelangelo, elephant folio, N.Y. (Abbeville Press) 1980, 2 vols., Limited Edn., of 400 Copies, in quarter burgundy decorated leather, housed in blue and decorated clamshell box, together with custom made wooden stand (1)

A large collection of collectible items, to include - Kidrobot X The Simpsons Day of The Dead Homer (T13YL006), Kidrobot X The Simpsons Homer Buddah (T12YL022), box previously opened, Reel Toys Teenage Mutant Ninja Turtles Michelangelo (966N041420), Reel Toys Teenage Mutant Ninja Turtles Leonardo (966N061720), Reel Toys Teenage Mutant Ninja Turtles Donatello (966N061720), Reel Toys Teenage Mutant Ninja Turtles Raphael (966N061720), Reel Toys Teenage Mutant Ninja Turtles Splinter (966N062320), Reel Toys Teenage Mutant Ninja Turtles Foot Soldier (966N062320), Reel Toys Teenage Mutant Ninja Turtles Foot Soldier (966N062320), Reel Toys Teenage Mutant Ninja Turtles Shredder (966N062320), Replica of Bionic Arm from Metal Gear Solid V: The Phantom Pain, unboxed, Welly Back To The Future Delorean Time Machine 1:24 Diecast Metal, Hasbro Ghostbusters Mini-Pufts Plasma Series, Hero Club Bat Spotlight 1:6 scale movie props, Dream Batman Spotlight collectible movie scene fitting, DC Comics Variants Play Arts No.1 Batman figure, Supermad Toys 1:6 Cat Custom Made Action Figure, Running Press Batman Bat-Signal, Art By Art Hela 1: scale Headsculpt, King Arts Ant-Man Posed Character FFS003, Hot Toys Avengers Endgame Nano Gauntlet, and a Hot Toys Avengers Endgame Infinity Gauntlet

A Capodimonte limited edition figure made to commemorate the 500th anniversary of the birth of Michelangelo, this example number 114/500, 46cm high

Statue of David by Michelangelo in resin 26" tall and a plaster sculpture of Hercules & Diomedes wrestling

Teenage Mutant Ninja Turtles figures and figure sets x 10 including NECA Ninja Elite Series Leo & Mikey in Disguise, Michelangelo and Raphael, Action Vinyls 2016 Convention Exclusive Bebop & Rocksteady set, Mega Bloks Rocksteady Villain pack and large scale Raphael all within Good to Excellent sealed packaging, Teenage Mutant Inja Turtles vinyl figures x 2 (opened unused) and Giant Michelangelo figure, Near Mint (missing accessories), within Good opened box. SEE PICTURES. (10)

Action figure mixed group and other including: (1) Playmates TMNT Thrashin' Mike; (2) Playmates TMNT Mutatin' Michelangelo; (3) Playmates TMNT Biker Don; (4) ToyBiz WCW Wrestlers Thunder Slam; (5) ToyBiz WCW Wrestlers Flip 'n Flip; (6) ToyBiz WCW Wrestlers Nitro Champions; (7) The Ultimate Westerns 8 disc collection; all within Good to Good plus packaging; Good Plus to Excellent; (7).

Folio Society, comprising Stephen (Leslie) Hours in a Library vols 1-3, in shrink wrap, Leonardo Da Vinci, Michelangelo, and Mapping the World.

VISCONTI, TWO FOUNTAIN PENS REMBRANDT A PURPLE FOUNATAIN PEN, 2009 Cap and Barrel: Amethyst marbled resin with palladium clip and bands Nib and Filling System: Steel medium nib, cartridge filling system, uninked Accessories: Visconti box, outer box with bottle of ink, Visconti booklet and outer card box MICHELANGELO A BLUE FOUNTAIN PEN Cap and Barrel: Navy blue resin with palladium clip and bands Nib and Filling System: White gold medium nib stamped 14K 585, cartridge filling system, uninked Accessories: Visconti box, Visconti booklet and outer card box Condition Report: Both pens are uninked and appear unused. The packaging has some storage wear and marks, but otherwise good. Condition Report Disclaimer

Francesco Bartolozzi RA (1727-1815) After Giovanni Battista Cipriani (1727-1785), published by Michelangelo Perogosi - possibly for the series titled 'Designs for Various Ornaments',engraving44 x 31cmhoused in a maple verneer frame

A collection of mainly silver medallions (13), boxed and on covers, with medals commemorating Concorde, Apollo-Soyuz Space Mission, 1973 Royal Wedding, Michelangelo, UN 25h Anniversary, 1973 EEC Membership, Captain Scott 60th Anniversary, Caerphilly Castle 700th Anniversary twin set, 1965 Rhodesia twin set etc. Qty 13

Michelangelo bust figurine. Not available for in-house P&P

Set of 9 movie posters and ephemera items. 1. Original vintage pressbook for the 1964 classic musical comedy film My Fair Lady "When a Lady is applauded by 30 million people, she owes them an encore". The booklet features articles, pictures, caricatures, information on various posters and accessories, and two-colour door panels. Good condition, folds, creasing, minor staining. Country of issue: USA, designer: Unknown, size (cm): 36x28 (folded) 36x84 (unfolded), year of printing: 1964; 2. Original Monty Python Farewell Tour Official Programme, featuring photographs, cast, order of scenes, songs, The Python Story, instructions on What To Do After The Show, and autograph page. Monty Python was a British comedy troupe formed in 1969, made up of Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin. Good condition, creasing. Country of issue: UK, designer: Unknown, size (cm): 76x54, year of printing: 1973; 3. Original vintage movie poster for The Misadventures of Merlin Jones, a 1964 American science-fiction comedy directed by Robert Stevenson, produced by Walt Disney, starring Tommy Kirk, Anette Funicello, Leon Ames, Stuart Ewin, the poster features a lady giving a kiss on the cheek to a man in a science helmet wit ha monkey sitting on his shoulder eating a banana. Horizontal. Good condition, folds, pinholes, staining, creasing. Country of issue: UK, designer: Unknown, size (cm): 77x102, year of printing: 1964; 4. Original Vintage Poster for the American film Cruising. William Friedkin's Cruising, the 1980 William Friedkin gay homosexual serial killer crime thriller ("Al Pacino is Cruising for a killer."; "Based upon the novel by Gerald Walker"; about an undercover cop who has to pretend to be gay to catch a serial killer; at the time, the movie was quite controversial, both for its stereotypical depiction of gays as potential serial killers, and for straight actor Al Pacino perpetuating gay stereotypes in his performance) starring Al Pacino, Paul Sorvino, Karen Allen (in her fourth movie role!), Richard Cox, and Don Scardino Country: USA. Year: 1980. Artist: Unknown. Size (cm): 104x69. Good condition, folded as issued, creases; 5. Stars of the Silver Screen featuring an image of Marilyn Monroe (Norma Jeane Mortenson; 1926-1962). Copyright Athena International, London 1985. Very good condition, minor creasing on edges. Country of issue: UK, designer: Unknown, size (cm): 36x28, year of printing: 1985; 6. Reproduction poster for Vacances Romaines / Roman Holiday, a 1953 American romantic comedy film directed and produced by William Wyler, starring Audrey Hepburn and Gregory Peck, featuring an illustration of both characters, with smaller insets of them on a Vespa scooter, and Hepburn in a long pink gown. Large size. Very good condition, folded as issued. Country of issue: France, designer: Unknown, size (cm): 158x116, year of printing: Unknown; 7. Reproduction poster of Blow Up, for the 1966 award-winning film by Michelangelo Antonioni, starring David Hemmings, Vanessa Redgrave and Sarah Miles. The film tells the story of a mod photographer in London who realises he may have photographed a murder. Palme d'Or winner at the Cannes Film Festival 1967 - Grand Prix International du Festival du Cannes. Colourful image featuring a photographer taking photos of a lady lying down set over a red background. Published by Close Up posters. Good condition, folds, creasing, minor staining. Country of issue: Germany, designer: Unknown, size (cm): 84x60, year of printing: 1990s; 8. Reproduction poster of Blow Up, for the 1966 award-winning film by Michelangelo Antonioni, starring David Hemmings, Vanessa Redgrave and Sarah Miles. Published by Close Up posters. Good condition, folds, creasing. Country of issue: Germany, designer: Unknown, size (cm): 84x60, year of printing: 1990s; 9. Reproduction poster of Blow Up, for the 1966 award-winning film by Michelangelo Antonioni, starring David Hemmings, Vanessa Redgrave and Sarah Miles. Published by Close Up posters. Good condition, folds, creasing. Country of issue: Germany, designer: Unknown, size (cm): 83x60, year of printing: 1990s.

Unbekannte/r Künstler/in - 20.Jh.- Die Abenddämmerung („Crepusculo“), Öl und Collage auf Leinwand, dargestellt ist die Liegefigur eines unbekleideten bärtigen Mannes als Allegorie der Dämmerung, die Michelangelo zwischen 1526 und 1531 für das Grabmal des Lorenzo de’ Medici (1449-1492/genannt il Magnifico) in der Medici-Kapelle der Basilica di San Lorenzo in Florenz schuf, 50 x 60 cm, ungerahmt, Ränder mit Rahmenspuren

BOOKS, BINDINGS, THE EASTON PRESS. ART. Five volumes in superb modern bindings. They are: Rembrandt, El Greco, Rubens, Michelangelo, Leonardo.

After Michelangelo Merisi da Caravaggio (Italian 1573-1609) An 18th century oil on board depicting 'The Supper at Emmaus', 43cm x 31.5cm, the frame 51.5cm x 39.5cmIf there is no condition report shown, please request

Michelangelo Buonarroti (1475-1564) - After, Bust of David. 50 x 45 cm.

Various Teenage Mutant Hero Turtle figures, including Foot Clan, Splinter, Leonardo, Rafael, Donatello, Michelangelo, Shredder, Crang, etc. (1 box)

A John Pinches London set of sixty silver medallions celebrating the Genius of Michelangelo 1475-1564, within a gilt-decorated leatherette presentation folder with paperwork.

A 20th century European School, a sanguine study on canvas of a hand, reminiscent of Michelangelo Sistine Chapel, 40cm square

Margaret Bryan (Nottingham, 1903-1988), three unframed engravings of Old Masters, "The Deluge" 9/30, approx. 20cm x 20cm; "Decorative Figure from the Ceiling of the Sistine Chapel" after Michelangelo, 4/50, approx. 20cm x 25.5cm; and "The Deluge" (detail), 1/20, approx. 20cm x 25.7cm. (3) Some foxing, marks and wear, fraying to edges.

Two busts, one of David after Michelangelo, the other a lady, both on square plinths, the busts 55cm high, the plinths 44cm high (4)

French school, follower of Michelangelo (1475-1564): Moses, brown patinated bronze on a marble base, 20th C.H 44,5 cm (incl. the base) The sculpture marked 'Bronze Garanti Paris J.B. Deposee' and inscribed with a number.

PAUL MAXIMILIEN LANDOWSKI (1875-1961) | POEM WITH DEDICATION AND SIGNATURE (POLAND / POLISH) | 1939 | profession: Sculptor | country: Poland / France | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten poem dedicated to Karel Safranek | Lot information |Handwritten poem dedicated to Czech sculptor Karel Safranek. The text reflects the strength of the human spirit and its resilience against obstacles, while also paying tribute to the art of sculpture. The author compares Safranek's work to the masterpiece of the divine Michelangelo and extends his admiration to other artists as well. This unique manuscript is not only a literary artifact but also a rare testament to the artistic connections between creators from different fields.

AFTER MICHELANGELO, GRAND TOUR MARBLE SCULPTURE OF MOSES, LATE 19TH CENTURY modelled after the original, though without horns, the base with canted corners32cm high

2 Plaster reliefs of Michelangelo style hands total width 82cm x 25cm wide

Antonietta Brandeis, 1849 Miskowitz – 1910 VenedigVENEDIG – BLICK ÜBER EINEN KANAL MIT ZWEI BRÜCKENÖl auf Leinwand.29 x 48 cm.Rechts unten signiert.Gerahmt.Das Bildformat ist breit gewählt und bietet den Blick über den Verlauf eines Seitenkanals, der von zwei weitgezogenen Brücken überspannt wird. An den Ufern Kähne, weiter hinten in hellem Licht anliegende Gondeln. Auf der Brücke wenige Figuren, dabei eine Mutter mit Kind. Die Lichtstimmung zeigt – wie in allen ihren Bildern – eine hervorragende Malqualität. A.R.Anmerkung:Die Malerin studierte zunächst in Prag bei Karel Javúrek, war dann aber die erste Frau, die in Venedig 1867 von der Akademie bei Michelangelo Grigoletti (1801-1870) aufgenommen wurde. Sie widmete sich überwiegend der Genre italienischen Stadtansichten, nicht nur von Venedig, sondern auch von Florenz, Bologna und Rom. Daneben entstanden auch Altarbilder, die sie allerdings mit „Antonio“ signierte, um der geschlechtlichen Diskrimminierung zu entgehen. Die Galleria Revoltella in Triest erwarb bereits in der K.u.K.-Zeit eines ihrer Werke.Literatur:Vgl. Ettore Verga, Brandeis, Antonietta, in: Ulrich Thieme, Felix Becker (Hrsg.), Allgemeines Lexikon der Bildenden Künstler von der Antike bis zur Gegenwart, Bd. 4, Leipzig 1910, S. 527. Vgl. Christian Hornig, Brandeis, Antonietta, in: Allgemeines Künstlerlexikon. Die Bildenden Künstler aller Zeiten und Völker (AKL), Bd. 13, München u. a. 1996, S. 602. Vgl. Paolo Serafini, Antonietta Brandeis, 1848-1926, Ausstellungskatalog, Modena 13.-21. Februar 2010, Turin 2010. (1430181) (11))

Alessandro Algardi, 1598 – 1654, nach einem Modell vonCHRISTUS MIT DEM KREUZHöhe inkl. Stand: 23,8 cm.Auf getrepptem Sammlungssockel.Wohl im Spanien des 17. Jahrhunderts entstandenes Flachrelief Christus auf einer Erdnabe sein Kreuz haltend zeigend. Die Vorbilder für diese Darstellung sind einerseits in der Gotik, andererseits aber vor allem in der Renaissance zu suchen, als Michelangelo eine Skulptur für Santa Maria sopra Minerva in Rom und eine weitere Version 1519-20 schuf, wo ebenfalls der linke Arm hinüber zum Kreuz reicht. Die Gesichtszüge hingegen verweisen auf die schönsten Vergleichsbeispiele des Alessandro Algardi, die zumeist in Malta zu finden sind. (1430737) (13))

Standfigur des DavidHöhe: 173 cm.Italien.In Terracotta gestaltete Parkfigur den florentiner David des Michelangelo wiederspiegelnd und somit würdigend. Michelangelo wurde 1501 beauftragt und meißelte den David zwischen September 1501 und Mai 1504. Seine Figur ist jedoch über fünf Meter hoch und wiegt mehr als fünf Tonnen, sodass sich unser David für den häuslichen Parkgebrauch ausgesprochen zierlich ausnimmt. Witterungsspuren. (1360807) (13))

Meiffren Comte, 1630 Marseille – um 1705GemäldepaarPAAR STILLLEBEN MIT PRÄCHTIGEN KANNEN UND MUSCHELNÖl auf Leinwand. Doubliert.Je 96 x 68,5 cm.In vergoldeten Rahmen.In einem Innenraum, jeweils vor braunem Hintergrund auf einer Steinplatte stehend die präsentierten prachtvollen Gegenstände: das eine Gemälde zeigt einen silbernen, reliefierten Henkelkrug, auf dessen mittlerem Korpus ein Zug mit einem Königspaar zu Pferde in Begleitung zu erkennen ist. Der Standfuss mit einem Maskaron und Blumengirlande, der Bereich des Griffes mit Putti und Floraldekor verziert. Rechtsseitig zudem ein liegender, reliefierter Goldbecher, eine Frucht und eine übergroße Muschel vor dem im Hintergrund horchragenden Zweig einer weissen Stockrose. Links an der Tischecke ein leuchtend roter Samtteppich mit goldfarbenen Franzen, eine kleine Schnecke und ein Deckelgefäß. Das andere Gemälde zeigt erneut eine große reliefierte Kanne, wohl aus rosafarbenem Achat, deren Griff in Form eines Hundes gestaltet ist. Auf der rechten Tischseite eine reliefierte Schale, zudem eine kleine Truhe und ein leuchtend blauer Samtteppich mit goldenen Fransen, am linken Rand Schnecken und Muscheln, vor einem dahinter sich in die Höhe ragenden Zweig mit zartrosafarbenen Päonienblüten. Seine reich geprägten Kannen sind typisch für Pariser und flämische Silberschmiedearbeiten. Seine beiden Kannen werden durch eine starke Hell-Dunkel-Inszenierung besonders hervorgehoben. Ein häufig in seinen Werken wiederkehrendes Merkmal ist die Verwendung von wertvollen Stoffen mit ihren vergoldeten Fransen, die dem Betrachter entgegenfallen, als würden sie ihre Üppigkeit zur Schau stellen.Anmerkung:Der Künstler zog von Aix-en-Provence nach Rom, wo er u.a. die Werke von Michelangelo Cerquozzi und Mario dei Fiori studieren konnte. In seinen Werken lassen sich gewisse Gemeinsamkeiten mit ihnen erkennen. Sein Italienaufenthalt förderte seine künstlerische Entwicklung und seinen Ruhm nach seiner Rückkehr nach Frankreich.Literatur:Michel Faré, Le grand siècle de la nature morte en Frnace. Le XVII siècle, Paris 1974, S. 218-219.I. Maniscalco, in: Il Barocco e Noto, Ausstellungskatalog unter Pierluigi Carofano, S. 108-109.Ausstellungen:Nationalmuseum Palace of the Grand Dukes of Lithuania, From Sacro to Profano, The Giorgio Baratti Art Collection from Milan, 16.Februar-27.September 2020, Ausstellungskatalog, S. 678-682 mit Abb. (1430456) (18)Meiffren Comte,1630 Marseille – ca. 1705A pair of paintingsSTILL LIFES WITH MAGNIFICENT JUGS AND SHELLOil on canvas. Relined.96 x 68.5 cm each.His richly embossed jugs are typical of Parisian and Flemish silversmiths. His two jugs are particularly highlighted by a strong chiaroscuro. A frequently recurring feature in his works is the use of precious fabrics with their gilt fringes, which fall towards the viewer as if they are showing off their opulence.Literature:Michel Faré, Le grand siècle de la nature morte en Frnace. Le XVII siècle, Paris 1974, pp. 218- 219I. Maniscalco, in: Il Barocco è Noto, catalogo della mostra a cura di Pierluigi Carofano, pp. 108-109Exhibitions:Lithuania, National Museum – Palace of the Grand Dukes of Lithuania, From Sacro to Profano, The Giorgio Baratti Art Collection from Milan, 16 February – 27 September 2020, pp. 678-682 with ill.

Sofonisba Anguisciola, um 1530 Cremona – 1625 Palermo, zug.BILDNIS EINES ADELIGEN KNABENÖl auf Leinwand.84 x 64 cm.Links unten signiert und datiert „1556“ (58?).Das Knabenbildnis ist im Dreiviertelportrait geschaffen. Der in schwarze Seide gekleidete Knabe hat ein Schwert umgegürtet, was ihn als Mitglied eines hochrangigen Adelshauses zeigt. Zudem hält er einen Stock in der Linken, möglicherweise ein Verweis auf künftige Feldherrnaufgaben. Der hohe Rang seiner familiären Stellung wird zusätzlich durch eine Velumdraperie im Hintergrund angezeigt, aber auch durch die Goldstickereien an der Kleidung, die in Art und Erscheinug einer Goldkette gemalt sind. Eine Identifizierung des Dargestellten ist bislang nicht erfolgt. Das signierte Gemälde trägt die Datierung „1556“ (58?). Kleidung und Habitus weisen auf die Mode, die am Spanisch-Habsburgischen Hof üblich war. Dies um so beachtlicher, als die Malerin erst 1559, also nach Entstehung des Bildes durch den Herzog von Alba, Fernando de Toledo, an den spanischen Königshof berufen wurde, wo sie Philipp II und dessen Familie malte. Das Bild entstand also im Zeitraum ihres Selbstportraits vor der Staffelei mit dem Gemälde „Maria und Jesus“ von 1556-57 (Collection Sirling). Sie portraitierte neben der spanischen Königsfamilie auch viele italienische und spanische Adelige der Zeit. Viele Werke gingen in die Kunstsammlungen des Vatikans ein. Die Malerin war die erfolgreichste Künstlerin der Renaissance. Sie entstammte dem gehobenen Bürgertum Cremonas und erhielt in damals unüblicherweise eine Ausbildung als Schülerin von Bernardino Campi (1522-1592) und Bernardino Gatti (um 1495-1576). Zu ihrem Erfolg trugen auch die Bemühungen ihres Vaters bei, der mit führenden Meistern, darunter auch Michelangelo (1475-1564), in Korrespondenz stand, was für Aufträge sorgte. In vieler Hinsicht wird die Malerin als Ausnahmeerscheinung der Zeit sowie auch als begabte Künstlerin gewürdigt. Es ist überliefert, dass der junge Peter Paul Rubens (1577-1640) etliche ihrer Werke kopierte. In Sizilien besuchte der Maler Anthonius van Dyck (1599-1641) die inzwischen Neunzigjährige und schuf eine Zeichnung von ihr. (1430621) (11)Sofonisba Anguisciola, ca. 1530 Cremona – 1625 Palermo, attributedPORTRAIT OF AN ARISTOCRATIC BOY Oil on canvas. 84 x 64 cm.Signed and dated “1556” (58?) lower left.

A small bust of David after Michelangelo The cast terracotta bust of modern manufacture.21cm wide x 32cm highQty: 1In weathered condition.

° ° Historical chart and a cream leather bound folio of Michelangelo

This evocative original oil on canvas was painted after Italian painter Caravaggio's The Calling of St Matthew, originally commissioned for the Contarelli Chapel in Rome. Set in a dimly lit tavern, the interplay of light and shadow exemplifies Caravaggio's pioneering use of Tenebrism and chiaroscuro, which this piece replicates. Reproductions of Caravaggio's works gained popularity during the 19th and 20th centuries, when art enthusiasts sought to study and appreciate his contributions to Baroque art. This reproduction is a testament to Caravaggio's enduring influence and the timeless appeal of his masterpieces. Signature on lower right: WJB, illegible. Artwork dimensions: 19"L x 23.50"H. Frame dimensions: 24"L x 28"H x 1.50"W.Artist: After Michelangelo Merisi da Carravaggio (Italian 1571-1610)Issued: 20th centuryDimensions: See DescriptionCountry of Origin: ItalyCondition: Age related wear.

Nicholas Beatrizit (active 1540-65), after Michelangelo, Dream of Human Life, engraving laid on paper, circa 1540-66, 44x22cm (plate size), 51x36cm full sheet size, unframed.

Michelangelo Anselmi (1491-1554) attrib. Christi Leichnam von Engeln gehalten. Rötelzeichnung (25 x 19 cm / rest.). Provenienz: Auktionshaus Bassenge, Berlin 2016. Aus dem Nachlass von Prof. Dr. Dr. Erik Jayme.

Michelangelo, Bounarroti (1475 Caprese - Rom 1564) Schule/Umkreis Pieta (mit Engeln vor dem Kreuz). Tusche wohl mit Deckweiß/Papier (besch./rest., aufgezogen). 30,5x 24,5 cm. PP. Es gibt eine Zeichnung (Object I.2.0.I6) aus den frühen 1540er Jahren im Isabella Stewart Gardner Museum Boston, MA/USA.

Art. A collection of late 19th & early 20th century pocket artist biographies. The lot to include nineteen titles from the Gowans Art Books series incl. the Masterpieces of Reynolds, Raphael, Goya, Vermeer & Michelangelo among others; eight titles from the Duckworth Popular Library of Art series including Rembrandt, Rossetti, Whistler & the Pre-Raphaelites, along with a number of similar titles incl. Turner's Liber Studiorum miniature edition, Drawings from the Old Masters British Museum Drawings, Fourth Series in glassine wrap, Whistler by Haldane MacFall in glassine wrap, and others. Some in publisher's orig. paper or paper vellum wraps, others in cloth or paper covered boards, generally in smart condition with some edgewear and occ. loss. Small 8vo.

Folio Society. A collection of works on science and philosophy, art & music, including four titles by Richard Dawkins. Comprising The Selfish Gene, The Blind Watchmaker, Climbing Mount Improbable and Unweaving the Rainbow by Dawkins, along with Easy and Not So Easy Pieces by Richard F. Feynman, The Ascent of Man by Jacob Bronowski, History of Western Philosophy by Bertrand Russell, On Liberty by John Stuart Mill, Meditiations and Other Writings by Descartes and Rights of Man by Thomas Paine, Beethoven, Michelangelo, Mozart, Lives of the Engineers by Samuel Smiles (mint in shrinkwrap), Goethe Faust & Delacroix, and History of Western Music by Burtholder, Grout & Palisco. All presented in decorative cloth bindings (bar History of Western Philosophy & Music in leather), and in slipcases. Fine condition, with just very light shelfwear to the slipcases. Largest 4to.

Vittore Carpaccio, La Vie et L'Oeuvre du Peintre, half red morocco, published Librairie Hachette, Paris 1910, inscribed 'Alfred de Rothschild Esq, ... Dec 1909'; John Addington Symonds, The Life of Michelangelo Buonarroti, published by John C Ninno, London 1893, 2 volumes (with uncut pages); and W G Collingwood, The Life and Work of John Ruskin, published by Methuen & Co, London 1893, 2 volumes, bookplate for L de Rothschild, (with uncut pages).

Three silver coin first day cover presentation packs, Royal Wedding 1973, County Cricket 1873-1973, 500th Anniversary Della Nascita Di Michelangelo and a Canada dollar 1876-1976

Ulysse Nardin "Michelangelo"750 Gelbgold-Gehäuse Nr. 4270, 161-42. 45x29 mm. Sichtboden. Automatik Kal. Zifferblatt mit Vollkalender in Perlmutt. Lederband mit integriertem Stift für Kalenderjustierung. Gelbgold-Dornschliesse. Funktionstüchtig. Mit Zertifikat. - Gebrauchsspuren.

David von Michelangelo, Bronze, Steinsockel, H 25,5, neuzeitlich

AFTER MICHELANGELO BRONZE FIGURE, of 'Lorenzo de Medici', Duke of Urbino, 74cms (h)Provenance: The Cornelia Bayley Collection from Plas Teg, an important Jacobean house in Flintshire, North Wales Plas Teg: Once in a Generation Welsh House Clearance — Rogers Jones CoNote: the auction lots are contained in a warehouse near Wrexham. Viewing can be arranged by appointment by calling Richard Hughes on 07593 181017. Purchased lots require collection by appointment once invoices are settled and strictly within ten days (maximum) from the auction date. Purchases which are not collected by this time will incur a charge of £50 per item per day. Please note that most HGV vehicles can enter the warehouse for convenient collection, but we do not offer assistance for heavy and large objects, please be prepared.

ANTONIONI MICHELANGELO: (1912-2007) Italian film director whose works include Blowup (1966). Antonioni was the recipient of an Honorary Academy Award in 1995. Signed and inscribed colour 4 x 6 photograph of the director seated in a relaxed full-length pose. Signed in black ink to a light area at the foot of the image. VG

THOMAS AMBROISE: (1811-1896) French composer of the operas Mignon (1866) and Hamlet (1868). A good A.L.S., Ambroise Thomas, four pages, 4to, Paris, n.d. (c.1893), to Arthur Meyer, on the printed stationery of the Conservatoire National de Musique et de Declamation, in French. The letter, a draft copy with several corrections, is written in response to a request for Thomas to write a preface to an edition of Charles Gounod´s last compositions, Thomas stating ´Quoiqu´une preface ne puisse rien ajouter l´interet que ces oeuvres, encore inedites, offriront au public, pouvais-je ne pas m´associer au nouvel hommage que les admirateurs de Gounod se proposent de lui rendre?´ (Translation: ´Although a preface can add nothing to the interest that these works, as yet unpublished, will offer the public, could I not join in the new tribute that Gounod's admirers intend to pay him?´) and continuing ´Je me joins donc a vous de tout coeur en souvenir de l´ami avec lequel j´ai traverse la vie: tous deux egalement passionnes par notre art; ayant tous les deux le culte fervent des grands maitres, et nous aimant de plus en plus a mesure que nous avancions vers le soir de notre existence. L´eloge de l´auteur de Faust n´est plus a faire. Je puis donc, sans me livrer a une analyse detaillee des oeuvres qu´on publie aujourd´hui, me borner a constater ques dans les dernieres pages qu´il a ecrites, Gounod est reste fidele a lui-meme. Les Preludes et fugues pour l´etude preparatoire du clavecin bien tempere de J. S. Bach, morceaux excellents, dignes du grande modele qui les a inspires, temoignent, une fois de plus, de l´admiration que Gounod n´a cesse de professer pour celui dont il dit "J. S. Bach est, en musique une etoile de premiere grandeur; comme Dante, Shakespeare, Michel-Ange, il marque un des ces sommets qui ne se rencontrent pas deux fois dans l´histoire d´un meme art".´ (Translation: ´I therefore join you wholeheartedly in remembering the friend with whom I went through life: both of us equally passionate about our art; both of us fervently devoted to the great masters, and loving each other more and more as we moved towards the evening of our lives. The author of Faust is widely praised. I can therefore, without indulging in a detailed analysis of the works published today, confine myself to noting that in the last pages he wrote, Gounod remained faithful to himself. The Preludes and fugues for the preparatory study of the well-tempered harpsichord by J. S. Bach, excellent pieces, worthy of the great model which inspired them, testify, once again, to the admiration that Gounod never ceased to profess for the man of whom he said "J. S. Bach is, in music, a star of the first magnitude; like Dante, Shakespeare, Michelangelo, he marks one of those summits which do not meet twice in the history of the same art".´), further adding ´Quant a ce Requiem auquel il a travaille jusqu´a son dernier jour, c´est une oeuvre d´une haute valeur, ecrite dans un style severe et pur, ou l´on retrouve l´elevation de pensee, le sentiment mystique qui caracterisent toutes ses compositions religieuses. En nous leguant, pour ainsi dire, ses dernieres inspirations, ne semble-t-il pas que Gounod ait voulu encore nous venir en aide, nous defendre contre des tendances et des exces, contre une philosophie nebuleuse qui, chaque jour d´avantage, menacent de nous faire perdre les qualites essentielles et distinctives de notre race? Ne sont-ce pas, en effet, ces qualites qui constituent le genie de Charles Gounod et la beaute de son oeuvre? L´oeuvre de toute sa vie qui lui a conquis et assure a sa memoire une juste et universelle renommee´ (Translation: ´As for this Requiem, on which he worked until his last day, it is a work of great value, written in a severe and pure style, in which we find the elevation of thought and the mystical feeling that characterise all his religious compositions. In bequeathing to us, so to speak, his last inspirations, does it not seem that Gounod still wanted to come to our aid, to defend us against tendencies and excesses, against a nebulous philosophy which, each day more so, threatens to make us lose the essential and distinctive qualities of our race? Are these not, in fact, the qualities that constitute the genius of Charles Gounod and the beauty of his work? His life's work, which won for him and for his memory a just and universal renown´). A letter of good content in which Thomas writes a moving tribute to Gounod. Some very light staining and minor age wear to the edges, otherwise VGArthur Meyer (1844-1924) French journalist, director of the daily newspaper Le Gaulois.Charles Gounod (1818-1893) French composer of the operas Faust (1859) and Romeo et Juliette (1867) as well as Ave Maria (1853), an elaboration of a piece by Johann Sebastian Bach. Gounod spent his last years composing sacred music and died whilst working on the setting of a Requiem for his granson Maurice, who had died in infancy. Ambroise Thomas was one of the pallbearers at Gounod´s state funeral in Paris on 27th October 1893.

* Testa (Giovanni Cesare, active 1630-1655). The Last Communion of Saint Jerome, after Domenichino, circa 1650-55, etching on laid paper, published by Francois Collignon, Rome, trimmed to platemark, sheet size 548 x 360 mm (21 1/2 x 14 1/8 ins), together with other various Italian and French Old Master prints, mostly 17th and 18th century, including several plates from Valentin Lefebvre (circa 1642-1682), Opera Selectiora after Titian and Veronese (1682), Francois Joullain (1697-1778), Apollon Ecorchant Marsyas, after Veronese, Salvator Rosa (Apollo and The Cumaean Cibyl, a copy in reverse), Panini, Nicolo della Casa, Detail from the Last Judgement, after Michelangelo (damaged), etc. QTY: (50)

* Hamilton (Gavin, 1723-1798). The Erythraean Sibyl, after Michelangelo (1475-1574), later 18th century, black and red chalk on laid paper, sheet size 230 x 153 mm (9 1/8 x 6 ins), glued to outer corners verso to later laid cream backing paper, window-mounted, with inscription in pencil to lower right 'Gavin Hamilton (after Michelangelo) [done in Rome: Italian paper]' in the hand of Michael Jaffé, framed and glazedQTY: (1)NOTE:Provenance: Estate of Michael Jaffé (1923-1997) art historian and former director of the Fitzwilliam Museum, Cambridge.

After Michelangelo Buonarroti,  Italian 1475-1564- Two Engravings of Scenes from the New Testament: Christ crucified between the two Thieves; and Christ and the Woman of Samaria, engraved by Mario Cartaro; engravings on laid paper, the first with a watermark of an anchor in a circle surmounted by a star (similar to Briquet 563), the second with a watermark of an anchor in a circle, the first 37.1 x 28 cm., the second 37.4 x 28.4 cm., two (2). (unframed / mounted). Provenance:  Christie's, London, 25-26 April 1984, lot 533 (with others).  Property of the Late Professor Eric Gerald Stanley, FBA (1923-2018) (https://en.wikipedia.org/wiki/Eric_Stanley).Literature:  (Cartaro) Nagler 3; Passavant 29; see Bianchi 10 (by Beatrizet, in reverse).  Note:  These two large and rare engravings, created in the second half of the 16th century, have been largely ignored by earlier catalogues of Italian printmaking. The Crucifixion or Christ crucified between the two Thieves is inscribed in the plate 'Luca Bertelli formis', indicating that it was published by Bertelli, who was working in Venice as a bookseller and publisher, but engraved by another, yet-to-be-identified hand. To our knowledge, the print is not described in any of the literature relating to Bertelli's print production (Le Blanc, Meyer, M. Grosso, etc.). The only other impression we were able to find in public collections is in the Albertina, Vienna; catalogued as engraved by Bertelli after Michelangelo (inv. no. It/II/15/81). Only a few sources (Passavant, Nagler and Bianchi) mention the other print in this lot, Christ and the Woman of Samaria, by Mario Cartaro after Michelangelo, with the address of and published by Ferrando Bertelli, another member of the same family of Venetian librai. It is a copy of an earlier version by Nicolas Beatrizet, (B. 17), in the same direction. A third, anonymous version of the subject was sold at Christie's, London, on 19 January 2021, lot 39. 

Michele Lucchese after Michelangelo Buonarotti,  Italian fl.1534-1564- and Italian 1475-1564- The Climbers; engraving on laid paper, mid-16th century, with a watermark of a Ladder in Shield surmounted by a Star (similar to Woodward 249, circa 1550-60), a fine impression of this rare print, printing sharply and with good contrasts and depth, with many vertical wiping marks, signed with initials 'ML' (within the plate, lower right), bears collector's stamp for Benjamin Robert Haydon [Lugt 412] (lower right), 28.3 x 23 cm. (unframed / mounted). Provenance:  Benjamin Robert Haydon (1786-1846), London (Lugt 412).  With P. & D. Colnaghi & Co., London (according the label on the back of the former frame).  Private English Collection; gifted to the present owner. Literature:  Bartsch 487 (Raimondi, copy); Passavant 16. Note:  The present work is informed by Marcantonio Raimondi's (1480-1534) print after a detail from Michelangelo's fresco of the Battle of Cascina for Florence's City Hall, which was commissioned in 1504 but never completed. The original work was viewed by a number of artists, including Raimondi, before being destroyed, and was therefore known by later generations only through the work of these contemporary copyists. 

Anne Claude Philippe de Tubières, comte de Caylus, after Michelangelo,  French 1692-1765, and Italian 1475-1564- Mercury; etching on laid paper, inscribed 'Michel Ango In' (within the plate, lower left), 'Cab. du Roy' (within the plate, lower centre), and 'C Sculp' (within the plate, lower right), 41 x 22.5 cm. Note:  The Comte de Caylus's etching is after an original sketch by Michelangelo (1475-1564) depicting Mercury and Apollo, in reverse, in the collection of the Louvre [INV 688]. 

Michele Lucchese, after Michelangelo,  Italian fl.1534-1564, and Italian 1475-1564- The Prophet Ezekiel; engraving on laid paper, titled and inscribed 'EZECHIEL / M.L. cum privilegio. Ant. Lafrery' (within the plate, lower edge) and 'Michaelangelus inventor' (within the plate, below the figure's feet), bears later inscriptions to the mount, 30.7 x 24.5 cm. (unframed / mounted). Provenance:  Property of the Late Professor Eric Gerald Stanley, FBA (1923-2018) (https://en.wikipedia.org/wiki/Eric_Stanley).

DEUTSCHER BILDPLASTIKERTätig Anfang 20. Jh.GIULIANO DI LORENZO DE MEDICI Bronze, braun patiniert, auf einer Plinthe und Marmorsockel (H. 3,5 cm). Ges.-H. 30,5, B. 12, T. 12,5 cm, Gew. ca. 5,33kg. Seitlich an der Plinthe Giessereimarke 'R. Bellair & Co. Berlin Friedrichstrasse 182'. Nach dem Original von Michelangelo in der Medici-Kappelle von San Lorenzo in Florenz. Min. ber. und Verlust der Patina.

A Carded Playmates Teenage Mutant Hero Turtles Michelangelo. Unpunched.

Antonietta Brandeis, Gondoliere in Venedig, AquarellAntonietta Brandeis,1848 Miskovice, Böhmen, Kaisertum Österreich - 1926 Florenz, österreichische Malerin, Venezianischer Kanal mit einem Gondoliere, seine Gondel steuernd, Aquarell, 34 x 19 cm, r. u. sign.Zur Künstlerin: Antonietta Brandeis studierte in Prag bei Karel Javůrek und ab 1867 als erste Frau an der Akademie in Venedig bei Michelangelo Grigoletti. Sie blieb in Italien wohnen und bediente mit ihrer Vedutenmalerei die Italientouristen. Brandeis malte auch in anderen italienischen Touristenorten wie Bologna, Florenz und Rom.

Kleines Graphikkonvolut mit 7 Arbeiten, u.a. Albin Brunovsky, Leo Zogmayer, Otto W. Eglau, Olav Jenssen u. Hans HartungAlbin Brunovsky, 1935-1997, Lady with a hat III, Radierung, 1981. 39,5 x 29,5 cm / Leo Zogmayer, *1949, o.T., Radierung mit Kohlezeichnung, 1983, 50 x 38 cm, signiert / Unbekannt, Zeichnung/Mischtechnik, 34 x 27 cm, signiert, datiert (19)74 / Unbekannt, "Thanks to Michelangelo", Farbradierung, 20 x 26,5 cm, signiert / Otto Wilhelm Eglau, 1917-1988, Schiffsbug mit Seilen, Farbradierung, 49 x 59,5 cm, signiert, datiert (19)61, num., betit. / Olav Christopher Jenssen, *1954, Farblithographie, 32 x 21,5 cm, signiert / Hans Hartung, 1904-1989, Plakat Moderne Galerie Otto Stangl 1958

GROUP OF FOLIO SOCIETY BOOKS, comprising Winston Churchill My Early Life, The Act of War, Cities and Civilisation, Leonardo Da Vinci, Michelangelo and Mapping the World