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‡ JOSEPH CORNELL (AMERICAN 1903-1972) UNTITLED (LE CAIRE) Printed paper on cardboard box with printed paper reels and red thread 4.8 x 10.6 x 10.6cm (1¾ x 4 x 4 in.)Executed circa 1939-41.Provenance: Robert Schoelkopf Gallery, New York Castelli-Feigen-Corcoran Gallery, New YorkExhibited: New York, Castelli-Feigen-Corcoran Gallery, Joseph Cornell: Objects & Small Boxes, October 1977 Los Angeles, James Corcoran Gallery, Joseph Cornell: Box Constructions, February-March 1978 New Brunswick, New Jersey, Rutgers University Art Gallery, Vanguard American Sculpture: 1913-1939, September-November 1979, no. 24, travelled to Chapel Hill, New Carolina, Ackland Art Center, December 1979-January 1980; Omaha, Nebraska, Joslyn Art Museum, February-March 1980, Oakland, California, Oakland Art Museum, April-May 1980 Chicago, Betsy Rosenfield Gallery, Joseph Cornell, February-March 1982 Madrid, Fundacion Juan March, Joseph Cornell, April-May 1984, no. 47 (illustrated in colour in the exhibition catalogue); also travelled to Barcelona, Fundacion Joan Miro, June-July 1984 Condition Report: In fair condition commensurate with age. The top of the lid has become detached from the main part of the box. There is some fading and light staining with surface dirt and handling marks, particularly to the edges. The reels appear to be in generally good condition with their original blue and red thread. Condition Report Disclaimer

Joan Miro (1893-1983) A framed collection of surrealist prints, each showing impress marks, frame size 87 x 31cm.

Hunt Slonem (American, b. 1951)Early oil on canvas painting depicting birds in the artist's studio atrium. Acquired directly from the artist. Signed and dated (1988) verso on canvas.Recognized for his distinct neo-expressionist style, Slonem's works can be found in the permanent collections of 250 museums around the world, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation, and the New Orleans Museum of Art.Sight Size: 48 x 48 in.Overall Framed Size: 54 x 54 in.

Hunt Slonem (New York, Born 1951) "Mixed Breed" Original oil on canvas painting. Signed, dated and titled on reverse. Acquired directly from the artist. Size: 30 x 30 in. Recognized for his distinct neo-expressionist style, Slonem's works can be found in the permanent collections of 250 museums around the world, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation, and the New Orleans Museum of Art.

Vintage Austin Productions sculpture depicting a seated boy lovingly clutching a teddy bear, designed by artist Miro Musulin. Crafted in 1972, this expressive composition is rendered in a warm-toned composite material with a weathered finish that mimics stone. Signed on the side of the base and marked Austin Prod Inc 72, the piece captures the tenderness of childhood through its simplified yet emotive form. The artist's name is incised clearly on the opposite side of the base. Measures approximately 9.5"H.Artist: Miro MusulinDimensions: See DescriptionCondition: Age related wear.

Antoni Tapies (1923-2012)Lithograph for the poster of Joan Miro Foundation Exhibition, 197691/99, signed and numbered in pencil (in the margin)lithograph69 x 49cm.

Finlay, Ian Hamilton Ephemera A collection of 22 small publications and items of ephemera: Three Gates. Wild Hawthorn Press, 1996; Huff Lane. Wild Hawthorn Press, 2000; 5x1. Wild Hawthorn Press and Joan Miro Foundation Barcelona, 1999; echoes. A variation on Heidegger. Wild Hawthorn press; Fugit Hora [small pamphlet]; temple of fame - New Arcadians card; Gardens of Exile. New Arcadians, 1983; Art of Navigation. New Arcadians, 1983; Stephen Bann - Illustrated essay, 1972, copy owned by Tessa Ransford with her signature inside the front cover and annotations throughout; Unnatural Pebbles. Graeme Murray Gallery, 1981,  copy owned by Tessa Ransford; Cambridge Poetry Festival catalogue, 1977, with manuscript proofing and comments; Costly, Ron & Ian Hamilton Finlay. Heroic Emblems. Press Calais-Vermont, 1977; Grains of Salt. Wild Hawthorn Press, 1996,  copy owned by Tessa Ransford with her underlinings; My Friend Tree. Wild Hawthorn Press (Fettes Row), 1961; 3 posts for a stream; Wild Hawthorn art test; An early Picasso,1996; Eye Spy Trees. Arcadian; Finlay, Alec. Mesostic Interleaved, signed; Idem. Cantus (2006 pamphlet, Essence Press); Clark, Thomas A. Two evergreen horizons (22)  

PICASSO PABLO: (1881-1973) Spanish painter, a co-founder of the Cubist movement. A wonderful, visually appealing A.L.S., Picasso, one page, slim folio (approximately 10.5 x 56.5 cm), Mas Notre-Dame-de-Vie, Mougins, Alpes Maritimes, 18th December 1963, to Max [Pellequer] (´Mon cher Max´), in French. Writing in bold purple ink on an unusual sheet of fine watermarked folding stationery, Picasso states, in full, ´Voici le chèque (n'est plus présent) que vous me demandez. Le courrier part de suite. Amitiés de nous deux. Je vous embrasse´ (Translation: ´Here is the cheque (no longer present) you asked me for. The post is going out right away. Best wishes from both of us. I kiss you´). As well as adding a paraph beneath his signature, Picasso has filled the base of the page with a simple purple spiralling squiggle, transforming the letter into a piece of artwork in its own right. About EXMax Pellequer (1903-1973) French banker and art collector who would become Picasso´s private banker, financial adviser and close friend. Pellequer assembled an important collection of artworks in the 1920s and 1930s which included a number of significant early pieces by Picasso, as well as works by Paul Cezanne, Edgar Degas, Paul Gauguin, Henri Matisse, Joan Miro and others. Almost two hundred letters from Pellequer to Picasso are preserved in the Musee National Picasso in Paris.In 1961, Picasso, who had discovered Mougins in 1936, bought Mas Notre-Dame-de-Vie from the Guinness family as a wedding present for his future wife Jacqueline. Referred to by Picasso as the ´house of my dreams´, the large villa (set in three hectares and with views over the Bay of Cannes) would be the artist´s final residence.For Picasso, everything that passed through his hands was immediately transformed into a work of art, and the present letter is no exception.

MIRO JOAN: (1893-1983) Spanish painter. A.L.S., Miro, two pages, 4to, Hotel Récamier, Place St. Sulpice, Paris, 29th June 1935, to [Alice Frey] (´Chère amie´), in French. Miro thanks his friend for her assistance in finding a room for him, which he understands is very difficult at the present moment, further informing Frey that he will leave Paris on the morning of 3rd July and arrive in Brussels towards midday, continuing ´Voudriez-vous encore avoir l´extrême gentillesse de me retiner une chambre dans le petit hôtel dont vous m´avez parlé pour deux ou trois jours. Aussi, voudriez-vous m´écrire un mot pour m´indiquer l´adresse de cet hôtel, car aussitôt arrivé à Bruxelles. J´irai y déposer la valise et me rendrai immédiatement à l´exposition´ (Translation: ´Would you be so kind as to reserve a room for me in the small hotel you mentioned for two or three days? Also, would you mind writing me a note with the address of the hotel, as I will drop off my suitcase there as soon as I arrive in Brussels and head straight to the exhibition´). Miro concludes his letter remarking ´Si vous le permetter je viendrai vous voir chez vous le soir et vous donnerai avant un coup de téléphone pour vous dire bonjour´ (Translation: ´If you would allow me, I will come and see you at your place in the evening and give you a call beforehand to say hello´). Some very light, extremely minor age wear, VGAlice Frey (1895-1981) Belgian painter.

PICASSO PABLO: (1881-1973) Spanish painter, a co-founder of the Cubist movement. A good A.L.S., Picasso, one page, 4to, Vallauris (Cote d´Azur), 22nd November 1951, to Max [Pellequer] (´Mon cher Max´), in French. Picasso writes to make a request of his friend, ´Pour une exposition que m´intéresse beaucoup je voudrais que vous prétiez le tableau de la femme à la taie dans l´oeil de votre collection. Faites mois ce plaisir. Monsieur Aparicio est chargé de organiser cette exposition (vous pouvez à Sabartes qui est au courant)´ (Translation: ´For an exhibition that interests me greatly, I would like you to lend me the painting of la femme à la taie from your collection. Please do me this favour. Mr Aparicio is in charge of organising this exhibition (you can ask Sabartes, who is aware of this)´), and continues to add that he does not know when he will go to Paris, remarking ´Je suis fou de travail et je n´ose pas laisser trop de choses commencées sans a peu-près les terminer´ (Translation: ´I am swamped with work and don't dare leave too many things half done without finishing them´). A letter of good content for its reference to Picasso´s famous portrait La Celéstine. A few very light, extremely minor creases, VGMax Pellequer (1903-1973) French banker and art collector who would become Picasso´s private banker, financial adviser and close friend. Pellequer assembled an important collection of artworks in the 1920s and 1930s which included a number of significant early pieces by Picasso, as well as works by Paul Cezanne, Edgar Degas, Paul Gauguin, Henri Matisse, Joan Miro and others. Almost two hundred letters from Pellequer to Picasso are preserved in the Musee National Picasso in Paris.Jaime Sabartes (1881-1968) Spanish artist, poet and writer, a close friend of Pablo Picasso who would later become his secretary and administrator.La Celéstine (la femme à la taie) was created by Picasso in 1904, before his definitive departure from Barcelona to Paris, and marks the end of the artist´s famous blue period. The portrait is of Carlotta Valdivia, a Barcelona brothel owner, who becomes the enigmatic image of La Celestina, a matchmaker who, in Fernando de Rojas's eponymous work, is paid to foster Calixte's passion for Melibea. Also known as The Tragicomedy of Calixte and Melibea, this sixteen-act work recounts the misadventures of various characters who all meet a tragic end, with death triumphing over love corrupted by money. Once owned by Max Pellequer, the painting is now housed in the Musée Picasso in Paris.

[SURREALISM]: A printed small 8vo exhibition catalogue (unsigned) for the Exposition Surréaliste at the Pierre Colle Gallery, Rue Cambacérès, Paris, 7th - 18th June (1933). The catalogue lists around seventy works that will be exhibited, arranged alphabetically by artist, including Jean Arp (three works), André Breton (´Objet´), Salvador Dali (one of the largest contributors with eight pieces including Harpe invisible, Chaise atmosphérique, Oeufs sur le plat atmosphériques, and Buste de femme rétrospectif etc.), Marcel Duchamp (´Pharmacie´), Paul Eluard (´Objet basé sur la perversion des oreilles´), Marie-Berthe Ernst (portraits of Max Ernst and André Breton), Max Ernst (seven pieces including Vol nupital, Un libertin attaqué d´une maladie mortelle..., Une lettre, and Objet sans prétention etc.), Alberto Giacometti (six pieces including Mannequin and Sucre minéral etc.), Georges Hugnet (´Le poil de la bête´), Valentine Hugo (seven pieces including Portrait d´Achim d´Arnim and La religieuse portugaise etc.), Rene Magritte (two pieces, both tables), Joan Miro (´Objets´), Man Ray (six pieces including Saucisse-artifice, Oeil-métronome, Portrait manqué etc.), Yves Tanguy (five pieces including Un risque dans chaque main, L´obsession de la prophétie, and L´opinion des oiseaux etc.) and others. Pablo Picasso was also due to exhibit three sculptures, however his name and entries have been neatly covered with a small piece of contemporary paper, evidently having withdrawn the artworks from the exhibition. Bound in the original brown paper wrappers with black printed title to the cover. About EXPierre Colle (1909-1948) French art dealer, painter and poet, a close friend of Max Jacob. Colle opened his second gallery on Rue Cambacérès where he organised notable exhibtions and was one of the first gallery owners to show the works of Salvador Dali.

ROQUE JACQUELINE: (1926-1986) French model, muse and the second wife of Pablo Picasso from 1961. A.L.S., Jacqueline, to the verso of a colour postcard (the recto featuring an image of Picasso´s portrait La Celéstine), n.p., n.d., to Max [Pellequer], in French. Roque writes, ´Picasso me dit qu´il retrouve pas la derniere lettre de M. Vaidis, voilà´ (Translation: ´Picasso tells me he can't find Mr. Vaidis' last letter. Here it is´) and concludes by sending her warm regards. A few heavy creases to the left and right edges, only very slightly affecting the text and signature, GMax Pellequer (1903-1973) French banker and art collector who would become Picasso´s private banker, financial adviser and close friend. Pellequer assembled an important collection of artworks in the 1920s and 1930s which included a number of significant early pieces by Picasso (including La Celéstine), as well as works by Paul Cezanne, Edgar Degas, Paul Gauguin, Henri Matisse, Joan Miro and others. Almost two hundred letters from Pellequer to Picasso are preserved in the Musee National Picasso in Paris.

MIRO JOAN: (1893-1983) Spanish painter. A United States of America Federal Reserve One Dollar banknote featuring an original, bold purple crayon illustration by Miro (unsigned) to the recto, the abstract drawing open to interpretation, but possibly a representation of the Scales of Justice, imaginatively placed by Miro over the central portrait of George Washington. Accompanied by the original air mail envelope hand addressed by Miro to Madame Henriette Gomès at Rue du Cirque, Paris, signed (´Miro´) by the artist to the upper left corner and post marked at Paris, 10th July 1958. Some very light, extremely minor age wear, VGHenriette Gomès (d.1986) was a French art gallery owner who had been a model for Jules Pascin in the 1920s. Gomès first met Miro in 1934 and the two remained lifelong friends, and Gomès also collected several of Miro´s object-sculptures. The Galerie Henriette Gomès at Rue du Cirque exhibited works by Picasso, Balthus, Calder, Giacometti and Man Ray amongst others.

PICASSO PABLO: (1881-1973) Spanish painter, a co-founder of the Cubist movement. A.L.S., Picasso, to the verso of an 8vo printed invitation card to the 4th exhibition of works by candidates for the Paul Guillaume Prize at Bernheim Jeune from 1st - 8th December 1938, n.p., n.d. (December 1938?), to [Max] Pellequer, (´Mon cher ami´), attractively written in bold blue crayon, in French. Picasso writes, in full, ´Impossible d´aller vous voir ce matin. Vous pouvez donner la boite au porteur - et merci. Bien à vous et à cette après-midi ou demain matin´ (Translation: ´I won't be able to come and see you this morning. You can give the box to the delivery person - and thank you. Best wishes for this afternoon or tomorrow morning´). VGMax Pellequer (1903-1973) French banker and art collector who would become Picasso´s private banker, financial adviser and close friend. Pellequer assembled an important collection of artworks in the 1920s and 1930s which included a number of significant early pieces by Picasso, as well as works by Paul Cezanne, Edgar Degas, Paul Gauguin, Henri Matisse, Joan Miro and others. Almost two hundred letters from Pellequer to Picasso are preserved in the Musee National Picasso in Paris.

PICASSO PABLO: (1881-1973) Spanish painter, a co-founder of the Cubist movement. A wonderful illustrated A.L.S., Picasso, one page, oblong 4to, La Californie, Cannes, Alpes-Maritimes, 22nd October 1959, to Max [Pellequer] (´Mon cher Max´), in French. Picasso forwards a cheque (no longer present) for the Union de recouvrement de Sécourité Sociale in Nice, and continues ´M.J'ai demandé à Monsieur Bach à Vauvenargues les renseignements que vous me demandez.Je vais les recevoir de un instant à l'autre´ (Translation: ´I have asked Mr Bach in Vauvenargues for the information you requested. I should receive it any moment now´), further sending his best wishes to Pellequer´s wife, and concluding with a curious phrase, ´Court mon aiguille dans la laine......´ (Translation: ´Run my needle through the wool......´). To the upper left corner of the page Picasso has added a beautiful and vibrant original illustration of the brightly shining sun, drawn in blue, orange, green, yellow and black crayons; the orange and blue rays of the sun formed around two circles, one green and one yellow, and with a black dot in the centre. A magnificent and rare illustrated letter by Picasso. A couple of very light, extremely minor creases, and with a small, neat tear to the lower edge, close to, but not touching the paraph of Picasso´s signature. VGMax Pellequer (1903-1973) French banker and art collector who would become Picasso´s private banker, financial adviser and close friend. Pellequer assembled an important collection of artworks in the 1920s and 1930s which included a number of significant early pieces by Picasso, as well as works by Paul Cezanne, Edgar Degas, Paul Gauguin, Henri Matisse, Joan Miro and others. Almost two hundred letters from Pellequer to Picasso are preserved in the Musee National Picasso in Paris.

An Annelise Kalbak gallery print, overall 94 cm x 63 cm and a further Joan Miro print

Colorful abstract serigraph after Spanish surrealist artist Joan Miro (1893-1983), titled People and Dog in the Sun. The composition features whimsical, biomorphic figures composed of geometric forms in coral, turquoise, and black against a textured neutral ground, evoking a playful dreamlike quality characteristic of Miro's late works. The scene is anchored by a large coral sun and includes fine linear and dotted detailing. The artwork is presented in a black frame with a vivid orange mat that complements the palette and enhances visual impact.Artist: Joan Miro (Spanish, 1893 - 1983)Issued: 1994Dimensions: 22"L x 31"HCondition: Age related wear. Frame has scratches and scuffs.

ECOLINE ADRIENNE VAN REES* ( Buitenzorg 1890 - 1973 Aerdenhout )Mutter der DrachenKaltnadelradierung/Papier 39,5 x 28,5 cmsigniert "E van Rees", nummeriert "No 12"SCHÄTZPREIS / ESTIMATE °€ 100 - 200STARTPREIS / STARTING PRICE °€ 100Ecoline "Etie" Adrienne van Rees war eine niederländische Keramikerin, geboren in Niederländisch-Ostindien (heute Indonesien). Sie studierte für mehrere Monate bei dem Künstler Bernard Schregel im Haag. 1939 wurden ihre Werke in die Ausstellung und den Verkauf „Onze kunst van heden“ (Unsere Kunst von heute) im Rijksmuseum in Amsterdam aufgenommen. Als Mitglied des Pulchri-Studios im Haag und der Vereniging tot Bevordering der Grafische Kunst stellte sie in den Jahren 1938, 1940 und 1941 gemeinsam mit der Gruppe aus. 1964 hatte sie eine Einzelausstellung „Tussen mens en dier“ (Zwischen Mensch und Tier) im Museum Boijmans van Beuningen, Rotterdam, und weitere Einzelausstellungen im Stadtmuseum in Arnheim, im Groninger Museum und im Stadtmuseum Den Haag. Weiterführende Künstler und Begriffe: Surrealismus, Radierung, Salvador Dali, Max Ernst, Joan Miro, Skulptur, Tier, Traum, NaturBitte beachten: Der Kaufpreis besteht aus Meistbot zuzüglich des Aufgeldes, der Umsatzsteuer sowie gegebenenfalls der Folgerechtsabgabe. Bei Normalbesteuerung (mit ° beim Schätzpreis gekennzeichnet) kommt auf das Meistbot ein Aufgeld in der Höhe von 24% hinzu. Auf die Summe von Meistbot und Aufgeld kommt die gesetzliche Umsatzsteuer hinzu. Diese beträgt 13% bei Gemälden, Aquarellen, Zeichnungen, Grafiken sowie Skulpturen und 20% bei Fotografien und allen anderen Objekten. Bei Differenzbesteuerung beträgt das Aufgeld 28%. Die Umsatzsteuer ist bei der Differenzbesteuerung inkludiert.

* IAIN CARBY (SCOTTISH 1941 - 2023), DOWNSTREAM AT BESALU, SPAIN oil on canvas, signed, titled and dated '03 versoframedimage size 77cm x 122cm, overall size 92cm x 139cmNote: Iain Carby was one of our most popular artists and he consigned to our auctions frequently over many years until shortly before his sad passing. Inspired by Catalonian Surrealist Miro, Carby’s distinctive style reflects his lust for life and passion for warmer climates. Although Surrealist in its foundation, his work remains rooted in the landscape where brilliant azure skies and bright patchwork fields are suffused with brushstrokes of pure liquid sunshine. He was a Member of Aberdeen Artists Society.

* IAIN CARBY (SCOTTISH 1941 - 2023), LITTLE RED SKIRT oil on canvas, signed, titled and dated '06 versoframedimage size 31cm x 26cm, overall size 53cm x 47cmNote: Iain Carby was one of our most popular artists and he consigned to our auctions frequently over many years until shortly before his sad passing. Inspired by Catalonian Surrealist Miro, Carby’s distinctive style reflects his lust for life and passion for warmer climates. Although Surrealist in its foundation, his work remains rooted in the landscape where brilliant azure skies and bright patchwork fields are suffused with brushstrokes of pure liquid sunshine. He was a Member of Aberdeen Artists Society.

Signed modern first editions. A large collection of historical fiction & thriller titles, many signed, some limited editions. To include many titles by Luke Scull, Sebastien de Castell, Robert V. S. Redick, Simon Toyne, Karen Maitland, Scarlett Thomas, Alex Myers, J. M. Miro, Graeme Macrae Burnet, Kester Grant, Guy Saville and others. All in publisher's bindings, some dust wrappers protected in Mylar, an excellent collection. c24 titles. 8vo. (2 boxes) From the Greg Harrowing collection of modern first editions. Collected over four decades and seen to the auction market for the first time, Greg's collection demonstrates a broad & insatiable love and thirst for all manner of the contemporary printed word, covering every corner of literature and non-fiction. From the traditional modern collector's works - John le Carre, Quentin Blake, Hilary Mantel and numerous other Booker Prize winners - to the less commonly seen collections of contemporary Japanese and Korean fiction, Harrowing's collection was collected over four decades, and his care of the collection extended so far as to have beautiful leather slipcases custom made to house his favourite pieces.

Signed modern first editions. A large collection of signed literary fiction titles, all signed, some limited editions. To include works by Daisy Johnson, Lisa Taddeo, Tommy Orange, Jake Chapman, Francis Spufford, M. R. Hall, Nathan Hill, Wendy Erskine, Tim Winton, Eowyn Ivey, John Lanchester, Kate Atkinson, Douglas Coupland, J. M. Miro, Emma Glass, Naomi Ishiguro, Joel Dicker, Rian Hughes, Timur Vermes, Anthony Doerr, Tea Obreht, and Matt Haig. All in publisher's bindings, some dust wrappers protected in Mylar, an excellent collection. c40 titles. 8vo. (2 boxes)From the Greg Harrowing collection of modern first editions. Collected over four decades and seen to the auction market for the first time, Greg's collection demonstrates a broad & insatiable love and thirst for all manner of the contemporary printed word, covering every corner of literature and non-fiction. From the traditional modern collector's works - John le Carre, Quentin Blake, Hilary Mantel and numerous other Booker Prize winners - to the less commonly seen collections of contemporary Japanese and Korean fiction, Harrowing's collection was collected over four decades, and his care of the collection extended so far as to have beautiful leather slipcases custom made to house his favourite pieces.

Colorful giclee on canvas by Fanch Ledan titled Interior with Miro, featuring a vivid modernist room with soaring glass windows overlooking a serene ocean vista. The composition includes Ledan's signature stylized furniture and decorative elements, with framed homages to Joan Miro prominently displayed on the walls. The setting captures both elegance and whimsy, executed in Ledan's distinct precision and bold color palette. Fanch Ledan is a French-born artist acclaimed for his vibrant, imaginary interiors. His works often feature curated tributes to 20th-century art icons and scenic landscapes viewed through expansive windows. Internationally collected, Ledan's giclees and lithographs are prized for their precision and optimistic tone. Signed lower right. Artist: Francois "Fanch" Ledan (French/American b. 1949) Dimensions: 52"L x 38.50"HIssued: c. 1990Country of Origin: France-USACondition: Age related wear.

Φ Joan Miró (Spanish 1893-1983)John Miro und KatalonienLithograph35.8 x 58.2cm (image)

Joan Miro vibrant lithograph featuring bold black forms, colorful splashes, and playful abstract shapes, prominently displaying the artist's name. This dynamic composition exemplifies Miro's signature surrealist style, blending childlike wonder with sophisticated abstraction. Presented in a simple silver-tone metal frame under glass. Joan Miro was a pioneering figure in 20th-century modern art, celebrated for his imaginative use of biomorphic forms, bright colors, and whimsical designs that bridged Surrealism and abstraction. This lithograph is a proof aside from the signed and numbered edition of 150 before text.Artist: Joan Miro (Spanish 1893-1983)Issued: c. 1966Dimensions: 32.25"L x 38"HCountry of Origin: SpainCondition: Age related wear.

Miro, Joan (1893-1983), "Femme au Miroir", 37 x 55, 1956, Derriere le miroir, Maeght, Paris, besch., R.

Miro, Joan, Arbeit aus der Folge: "Spirale", Original-Farblithografie, 29 x 18, handsigniert, 1979, R.

Miro, Joan, drei Original-Farblithografien, 32 x 49,5, aus Lithograph VI, VIII, IX, ungerahmt

Géa Augsbourg (ill.) & Paul Budry: 'Ces Messieurs au Café', Lausanne, au Grand Saint-Jean, 1947, limited edition (200), 15 b/w plates by Géa Augsbourg complete, original pictorial printed wraps; F.E. Houdemer (ill.): 'Les Poissons et le Timbre-poste', Paris, Helio-Vaugirard, 1955, limited edition, No.23 of 500 copies, 8 colour plates, 4to, orig. printed wraps (worn), slipcase (worn); 'Olympia: A Monthly Review from Paris', 1961-1962, numbers 1 & 3, includes William Burroughs, J.P. Donleavy, HArriet Daimler etc, each orig. printed wraps; Marc Chagall: 'Les Vitraux de Jerusalem', Paris, 1961, colour and b/w plates, orig. pictorial wraps; Albert Camus: 'Resistance, Rebellion, and Death', New York, Knopf, 1961, 3rd printing, orig. quarter cloth gilt, dust wrapper; Gertrude Stein: 'Picasso', Paris, Floury, 1938, colour and b/w ills., orig. wraps very worn, loosely housed in leather gilt wraps monogrammed "H.G."; 'XXe Siècle (Twentieth Century)', 1938/39, 5 issues, comprising March, May/June & July/August 1938, No.'s 1, 2 & 3, and No.1, 1939, Sculpture, and No. 5/6 1939, colour plates/content includes Picasso, Miro, Kandinsky, Dali, Le Corbusier, Man Ray, Max Ernst etc, all editions for English market/in English, all orig, wraps; plus 2 other French art magazines similar (14)XXe Siecle, July/August/September 1938, No.3, 3 b/w and 3 colour woodcuts by Kandinsky complete (see images)

Mourlot, poster, Terres de Grand Feu Maeght 1955, 29ins x 20.5ins, together with Joan Miro, book cover, 10ins x 8ins

Joan Miro (Spanish (Catalan), 1893-1983). Pochoir print after a gouache by Miro titled "Le Crepuscule Rose Caresse Les Femmes et Les Oiseaux (The Rose Dusk Caresses the Woman and the Birds," 1959. Plate XXI from the "Constellations" portfolio, published by Pierre Matisse, New York.Sight; height: 17 in x width: 14 in. Framed; height: 25 1/2 in x width: 21 1/2 in x depth: 1 in.Condition: The colors are bold and bright. There is a crease along the upper left corner. Two pieces of old tape affixed to the upper edge of the verso. Floated in frame between two pieces of glass. Light wear to the frame. Not inspected out of frame.

Joan Miro (Spanish (Catalan), 1893-1983). Pochoir print after a gouache by Miro titled "Le Reveil au Petit Jour (Awakening in the Early Morning)," 1959. Plate XIV from the "Constellations" portfolio, published by Pierre Matisse, New York.Sight; height: 17 in x width: 14 in. Framed; height: 25 1/2 in x width: 21 1/2 in x depth: 1 in.Condition: The colors are bold and bright. No visible tears, losses, or restorations. Two pieces of old tape affixed to the upper edge of the verso. Floated in frame between two pieces of glass. Light wear to the frame. Not inspected out of frame.

Joan Miro (Spanish (Catalan), 1893-1983). Pochoir print after a gouache by Miro titled "L'oiseau Migrateaur (The Migratory Bird)," 1959. Plate XVIII from the "Constellations" portfolio, published by Pierre Matisse, New York.Sight; height: 17 in x width: 14 in. Framed; height: 24 3/4 in x width: 20 3/4 in x depth: 3/4 in.Condition: The colors are bold and bright. No major tears, losses, or signs of restoration. Light wear along the extreme edges, particularily along the upper right. Small area of soiling along the lower right, possibly original. Two pieces of old tape affixed to the lower edge of the verso. Floated in frame between two pieces of glass. Light wear to the frame. Not inspected out of frame.

European School, 20th Century, a collection of twentieth-century exhibition posters advertising the work of well-known European artists, with a particular focus on Henri Matisse, comprising further posters advertising exhibitions for the work of Marc Chagall, Joan Miro, Jean Cocteau, Pablo Picasso and Georges Braque, typically 76cm x 51cmThese are not reproductions.

Miro, Joan (Barcelona 1893 - 1988 Palma de Mallorca) Mappe "13 Lithographies", Halbleinenmappe bezogen mit Simile - Pergament mit drei Leinenbändchen, auf dem Deckel große Titellithographie, rückseitig weitere Lithographie, 58,5 x 46,5 cm, Maeght Editeur Paris 1948, Mappe leer (ohne die Lithographien), an den Kanten bestoßen, teils berieben mit Lagerspuren 7907 Seltene Mappe für die 1948 in einer Auflage von nur 75 Exemplaren erschienene Serie "Joan Miro 13 Lithographies", die verwendete Lithographie auf dem Deckel variiert die Darstellung des Titelblattes Lit.: Patrick Cramer 1989, Joan Miró - The Illustrated Books - Catalogue Raisonné, Nr. 18

A 20th century Pitcairn Islands miro wood? walking stick, the terminal carved as a clenched fist, 92cm.

Farblithographie Joan Miró1893 Barcelona - 1983 Palma de Mallorca "Hommage à San Lazzaro" 1975 u. re. sign. Miro. Exemplar H.C., 35,2 x 26,4 cm (Blattmaß) Wkvz.: Cramer 1080 Lichtrand.

Verve. Revue artistique et littéraire. Vol. 7, Nos. 27/28. Mit 29 teils farbigen/doppelblattgroßen Original-Lithographien und zahlreichen, teils farbigen, teils ganz- bzw. doppelblattgroßen Abbildungen. Paris, Verve, 1952. 153 S. 36 x 27 cm. Original-Pappband mit Illustrationen von Georges Braque (Rücken leicht gebräunt, Vorderdeckel mit leichtem Lichtrand, gering angestaubt).Enthält folgende Original-Lithographien: 2 (1 farbige) von Braque, 3 (1 doppelblattgroße farbige) von Matisse, 2 farbige von Laurens, 2 (1 farbige) von Giacometti, 3 (1 doppelblattgroße farbige) von Masson, 3 (1 doppelblattgroße farbige) von Leger, 3 (1 doppelblattgroße, 2 farbige) von Miro, 2 farbige von Borès, 2 farbige von Gromaire, 7 (3 farbige davon 1 doppelblattgroße) von Chagall. - Sehr gutes, vollständiges Exemplar.

Sammlung von 50 (davon 9 signiert; 8 Doubletten) Ausstellungsplakaten, meist aus Köln und Düsseldorf. Meist Farboffset auf Papier. Ca. 1973-2005. Blattmaße: von 30 x 21 cm bis 84 x 59 cm.Schöne Sammlung mit signierten Plakaten von: Wolf Vostell, Felix Droese, Rosemarie Trockel, Rebecca Horn, Anatol Herzfeld, Klaus Staeck (2) und Otmar Alt sowie mit unsignierten Plakaten von Picasso, Miro, Boltanski, Name June Paik, Filliou, Klee, Matisse, Hockney, Chillida, Panamarenko, Knoebel, Baselitz, Beuys (2), Kounellis, D. Roth, Polke, Marcel Brodthaers, Sol Lewitt u.v.a. - Teils mit leichten Randknickspuren, vereinzelt mit leichten Läsuren, insgesamt aber gut erhalten.

Sammlung: von 9 tls. unkompl. Schriften Chagall u. Miro. Versch. Formate u. Einbde. ╔Enthält:╗ DLM Nr. 182. Paris, Maeght 1969. Mit 2 (Umschl. u. 1 dplblgr.) Orig.-Farblithogr. v. Chagall. - DLM 132. Ebda. 1962. Ohne S. 5-8 (= Orig.-Lithogr. v. Chagall). - DLM 198. Ebda. 1972. Mit 2 (von 3) Orig.-Farblithogr. v. Chagall (ohne auf S. 11). - DLM 246. Ebda. 1981. Mit 1 dplblgr. Orig.-Farblithogr. v. Chagall. - 1 dplblgr. Farblithogr. "Vues des Paris" v. Chagall (verso s/w Lithogr.). - Chagall,M. Die biblische Botschaft. Genf, Weber 1972. Mit 1 Orig.-Lithogr. - Leiris,M. u. F.Mourlot. Joan Miro Litografo. Vol. I. Barcelona 1972. Mit 7 (von 12, inkl. Umschl.) Orig.-Lithogr. (ohne Nr. 1, 2, 3, 5, 6). - Dupin,J. Miro engraver II. Paris, Lelong 1989. Mit 2 (inkl. Umschl.) Orig.-Farbholzschn. - Ders. Miro engraver III. Ebda. 1991. Mit 3 (davon 2 farb., inkl. Umschl.) Orig.-Holzschn.

Miro, Joan: (1893 Barcelona - Calamajor 1983). Préface, aus "52 Affiches". Farblithographie auf Arches (1963). Blattgröße 64,5 x 47,8 cm. Signiert u. num. Unter Glas gerahmt. Murlot 316. Cramer 84. Ex. 74/125.

JOAN MIRO. NOUS AVONS. Etching in Colours, 13cms x 19cms, signed and inscribed. (Subject to ARR – see Buyers Conditions)

JOAN MIRO. COUVERTURE ON LINEN : MARAVILLAS SUITE. handsigned numbered justification page verso Suite: Maravillas con Variaciones Acrositicas French vintage frame, 49.5cm x 35cm. (Subject to ARR – see Buyers Conditions)

JOAN MIRO. LIBERTES DES LIBERTES (1971). Lithograph,45cms x 34cms, signed and numbered in pencil, Framed. (Subject to ARR – see Buyers Conditions)

MIRO JOAN (1893 - 1983)Joan Miro mixed media to be dated in 1974 : a painting on a lithograph as a draft for the poster of "Unesco - Miro - Human Rights"MIRO JOAN (1893 - 1983) werk in gemengde techniek te dateren in 1974 : een schildering op een litho als ontwerp voor de litho-affiche van "Unesco - Miro - Droits de l'Homme" - 66 x 53,5

MIRO JOAN (1893 - 1983)Joan Miro 'plate' signed and 1947 dated terracotta plaque with a typical composition - with on the back "Laurels Number One 1947"MIRO JOAN (1893 - 1983) ingekaderd plaket in terracotta met een typische compositie - 14,7 x 21 getekend en gedateerd 1947 in het werk met op verso "Laurels Number One 1947"

MIRO JOAN (1893 - 1983)Joan Miro signed etching dd 1979 titled "Rupestres, Pl.XIII" - in an edition of 30 Lit : D.1047MIRO JOAN (1893 - 1983) ets in kleuren (in een oplage van 30) dd 1979 getiteld "Rupestres, Pl.XIII" - 75,6 x 56,5 getekend Lit : D.1047

Miro, Delaunay u.a. - - Sammlung von 4 Werken mit insgesamt 7 Original-Farblithographien von Joan Miró, Sonia Delaunay, Maurice Estève und Marino Marini. 4°. Verschiedene Einbände. Enthält: A. Jouffroy u. J. Teixidor. Miró. Sculpture. Mit zwei doppelblattgr. Farblithographien. New York, Amiel u. Paris, Maeght, 1974. OLwd. in ill. OUmschlag. - 3 Ausgaben von XXe Siècle. Nouvelle Série. Je ill. OKt. - Nr. 24.95. Juni 1965. Mit einer Farblithographie. - Nr. 30. Juni 1968. Mit zwei Farblithographien. - Nr. 39. Dez. 1979. Mit zwei Farblithographien. - Einbände etwas gebrauchsspurig. Innen gute Exemplare. Die Original-Graphiken in farbleuchtendem Zustand. Collection of 4 works with a total of 7 original colour lithographs by Joan Miró, Sonia Delaunay, Maurice Estève and Marino Marini. Various bindings. - Contains: see above. - Bindings with slight traces of wear. Internally good copies. The original prints in brightly coloured condition.

Joan Miro, Abstract, original lithograph, printed by Mourlot, sheet 32cm x 49cm, framedGood condition

Two framed prints, Edvard Munch & Joan Miro

JOAN MIRO Montroig 1893 - 1983 Mallorca: Miró, Lithographe I - Miró, Der Lithograph II. Franz. bzw. deutsche Ausgabe. 2 Bände mit 4 (statt 12; einschl. Umschlag; 2 doppelseitig) und 12 (einschl. Umschlag; 4 doppelseitig) Orig.-Farblithographien, zahlr. Farbabb. und Text. Bearbeitet von F. Mourlot. Paris, A. C. Mazo & Cie., (1972) bzw. Genf, Weber, (1975). 4°. Lose in OPp.-Umschlag bzw. in Orig.-Umschlag und OKalikobd., jeweils in OLwd.- bzw. OKaliko-Kassette. Cramer B 160 und 198. M. 854, 857, 860 und 863 sowie Cramer L 1036-1047. - Band I mit Gefälligkeitssignatur (Lithographie VII, M. 863). Meist verso typographisch bezeichnet. Auf kräftigem Vélin. Umschläge gering fleckig (M. 854) bzw. knitterfaltig (C. L 1036). Kassette mit Rückenbeschädigung (Bd. I) bzw. leicht fleckig (Bd. II). Umfassen Mirós lithographisches Werk der Jahre 1930-1952 und 1953-1963. [ms]

JOAN MIRO Montroig 1893 - 1983 Mallorca: XXIIe Salon de Mai - Agora 1 - Joan Miró. Das plastische Werk. Ausstellungsplakate des Musée d’Art moderne (Paris 1966), Musée d’Art moderne (Strassburg 1971) bzw. des Kunsthaus Zürich (1972). 3 Bll. Farblithographien 1966-72. Mourlot 431, 704 und 847. - Abdruck vor dem Text (M. 847). Sämtlich mit dem Namenszug im Stein sowie 2 Bll. mit gedrucktem Text. Auf Vélin. 60 x 40 bis 89,8 x 56 cm. Bl. 3 mit geglätteter horizontaler Faltung (16 cm vom Unterrand) und kleinen Randläsuren. [ms]

JOAN MIRO Montroig 1893 - 1983 Mallorca: Jaillie du Calcaire. Farblithographie aus „Souvenirs et Portraits d’Artistes“ 1972. Mourlot 850. - Auf kräftigem chamoisfarbenem Vélin. 32,5 x 25 cm. [ms]

JOAN MIRO Montroig 1893 - 1983 Mallorca: Composition III. Kaltnadelradierung mit Farbaquatinta zu Erik Satie, „Poèmes et Chansons“ 1969. Dupin 524. - Expl. 43/75 einer bei Dupin nicht verzeichneten Auflage. Mit zwei winzigen Passlöchlein. Auf Vélin mit dem Verlegerwasserzeichen „LB“ (Louis Broder). 14 x 35,8 cm (Blatt: 38 x 54,98 cm). Ränder gering wellig. Beiliegt: Kopie der Justification du Tirage von Elizabeth Royer, Paris vom 5.3.2001. [ms]

JOAN MIRO Montroig 1893 - 1983 Mallorca: Miro, Der Lithograph II. Deutsche Ausgabe. Band mit 14 Orig.-Farblithographien (einschl. Umschlag; 4 doppelseitig), zahlr. Farbabb. und Text. Bearbeitet von F. Mourlot. Genf, Weber, (1975). 4°. Lose in Orig.-Umschlag, OKalikobd. und OKaliko-Kassette. 253 SS. Cramer B 198. Cramer L 1036-1049. - Expl. 91/150 der Vorzugsausgabe. Die beiden zusätzlichen Farblithographien (C. L 1048/1049) signiert und numeriert. Auf kräftigem chamoisfarbenem Vélin. Umschlag (C. L 1036 wellig). 2 Bll. (C. L 1048/1049) schwach stockfleckig bzw. mit kurzem Randeinriss. Umfasst Mirós lithographisches Werk der Jahre 1953-1963. [ms]

Farblithographie auf Japanpapier von " Joan MIRO (1893-1983) " Die Eidechse mit den Goldfedern, 1967Handsigniert u. Datiert : 6/10 E.A.Maße: 38,5 x 49 cm ( Ohne Rahmen ) 73,5 x 63 cm ( inkl. Rahmen )Hinter Glas Zertifikat anbei : ARTES Haus Galerie

Drawings by Miro, from the artist's studio and the Joan Miro foundation, Barcelona, softback book. Charity book auction. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99

DERRIERE LE MIROIR10 ans d'edition. 1946 - 1956. Paris: Maeght 1956. 37,5 x 28,2 cm. Mit jeweils einer doppelblattgroßen Farblithographie von Marc Chagall (Mourlot 153) und Joan Miró (Mourlot 174), einer Lithographie von Jean Bazaine, je einer Radierung von Joan Miró (»Série V«, Dupin 96) und Alberto Giacometti sowie einem zweifarbig gedruckten Holzschnitt von Raoul Ubac für den Umschlag, welcher hier lose beiliegt. OrPgt. mit Abb. nach G. Braque in Frottage-Manier auf dem Vorderdeckel sowie mit beiliegendem Abzug desselben. Goldschnitt. Zusammen mit lose beigelegtem Umschlagdeckel in PpKassette.Cramer, Chagall 26. Cramer, Miro 36. - Jubiläumsausgabe der Zeitschrift in einem Pergament-Einband einer privat gebundenen Pracht-Ausgabe mit dem Motiv "Profil greek" (vgl. Vallier 146) von George Braque auf dem Vorderdeckel.

Joan Miro (1893 - 1983), linocut, "Personage" 1938 for XX Siecle, 1200 copies, signed in plate, 31cm x 24cm, framedGood condition

Joan Miro (1893 - 1983), lithograph "Variant II" (1960) for XX Siecle no. 15, 31.5cm x 24cm, framedGood condition