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Lot 324
Frank Richards (Newlyn School) (British, 1863-1935), The Old Sea Dog, signed and dated 1885 l.l., watercolour, 52 by 34cm, framed. Provenance: with correspondence from Bournemouth Museums, 1976, and a valuation letter from Sotheby's, 1986, describing the work as 'a very high-quality work of the Newlyn School'
Lot 198
▲ Bryan Pearce (1929-2007) 'The Stone Boat at Newlyn'etching, signed and dated 'Bryan Pearce/72' in pencil l.r., and numbered '7/30', also signed, inscribed with title and dated versoplate 11.5 x 14cmCondition ReportFramed: 28 x 31cmDiscolouration and foxing. Undulations to the left side. Not viewed out of glazed frame.
Lot 78
Ray BARRY (1931-2022) Three Original Works Each signed, titled to artist's label, 23cm x 15.5cm, 23cm x 18cm and 24.5cm x 18.5cm (3) Postage is available on this lot from £19.76 to a UK address.Ray Barry loved Cornwall and art. A Director of the St Ives Society of Artists, appointed in 2010, and Associate of both the Newlyn and Penwith Society of Artists, Ray originally started painting in the 1950s while working for Cable and Wireless in the Sudan. He exhibited at the Red Sea Club, Port Sudan and The New Stanley Gallery, Nairobi as he began to cultivate his artistic talent. Subsequent to his career with Cable and Wireless, Ray settled in Cornwall and evolved his art style while scooping top prize as the winner of 3 Spires Arts Festival, Truro. He solo exhibited at Falmouth Arts Club, Penzance Arts Club, The Crypt Gallery St Ives, The Cornerstone Gallery St Ives, Bakehouse Gallery St Ives, as well as jointly exhibiting with fellow artists Jenny Woodhouse, Bob Devereux, Rachel Kantaris, Patricia Dearden, Stephen Dove, John Beer and Victor Bramley. An established artist locally by the 1990s, Ray Barry graduated Falmouth School of Art in 1997 (with other alumni graduating that year including Paul Wadsworth and Jenny Woodhouse), with a degree in Fine Art and had a studio in St Ives before relocating his studio to Ludgvan. An established fellow artist among his peers, a hand-written invite to Bryan Pearce’s 75th birthday lay amongst his treasured possessions. Ray Barry constantly strove to explore colour and textural values with passion, working primarily in oils and acrylics. Of his work, he quoted, “I enjoy creating order out of chaos and conversely 'deconstructing' order to the point of meaningful abstraction….I paint with a sense of adventure rather than premeditation…I love the poetics of Abstraction “. Away from his career as an artist, Ray was also a keen stamp collector with his talent and interests overlapping when he created, established and designed stamps for Gugh Island, Isles of Scilly, with the designs of these sold in our Stamps and Collectors auction earlier this year.
Lot 296
Ray BARRY (1931-2022) Glimmer Acrylic on card, signed, titled to artist's label verso, 27cm x 18.5cm, 48cm x 37.5cm framed. In-house postage to UK postcodes would cost £25.22. Ray Barry loved Cornwall and art. A Director of the St Ives Society of Artists, appointed in 2010, and Associate of both the Newlyn and Penwith Society of Artists, Ray originally started painting in the 1950s while working for Cable and Wireless in the Sudan. He exhibited at the Red Sea Club, Port Sudan and The New Stanley Gallery, Nairobi as he began to cultivate his artistic talent. Subsequent to his career with Cable and Wireless, Ray settled in Cornwall and evolved his art style while scooping top prize as the winner of 3 Spires Arts Festival, Truro. He solo exhibited at Falmouth Arts Club, Penzance Arts Club, The Crypt Gallery St Ives, The Cornerstone Gallery St Ives, Bakehouse Gallery St Ives, as well as jointly exhibiting with fellow artists Jenny Woodhouse, Bob Devereux, Rachel Kantaris, Patricia Dearden, Stephen Dove, John Beer and Victor Bramley. An established artist locally by the 1990s, Ray Barry graduated Falmouth School of Art in 1997 (with other alumni graduating that year including Paul Wadsworth and Jenny Woodhouse), with a degree in Fine Art and had a studio in St Ives before relocating his studio to Ludgvan. An established fellow artist among his peers, a hand-written invite to Bryan Pearce’s 75th birthday lay amongst his treasured possessions. Ray Barry constantly strove to explore colour and textural values with passion, working primarily in oils and acrylics. Of his work, he quoted, “I enjoy creating order out of chaos and conversely 'deconstructing' order to the point of meaningful abstraction….I paint with a sense of adventure rather than premeditation…I love the poetics of Abstraction “. Away from his career as an artist, Ray was also a keen stamp collector with his talent and interests overlapping when he created, established and designed stamps for Gugh Island, Isles of Scilly, with the designs of these sold in our Stamps and Collectors auction earlier this year.
Lot 299
Maria HEITEL (1937-2023) Three Works - Red Bull of Bollowal, nr Cape Cornwall / Valhalla R.Y.S (1892) / Spring Morning Red Bull, oil on canvas, signed and dated '09, titled verso, 63.5cm x 63.5cm framed; Valhalla, oil on board, signed, titled and dated '88, 29cm x 24cm, 41cm x 35.5cm framed; Spring Morning, oil on canvas, signed, titled verso, 61cm x 45.5cm, 63.5cm x 48cm framed. Maria trained at St Martins in London alongside her very good friend Bryan Ingham who later became a god-parent to one of her children. In later years, during the 1960's, she became the proprietor of Newlyn Art Gallery, showcasing works by artists including Karl Weschke, Wilhelmina Barns-Graham, Roger and Rose Hilton, Jeremy Le Grice, Bryan Wynter and they all became friends of hers and remained so throughout their lives. It was only during the final twenty years of her life that Maria began to paint again herself, exhibiting in Morvah Gallery and Newlyn Arts Club.
Lot 173
Ray BARRY (1931-2022) Untitled Acrylic on board, signed, 45cm x 54.5cm, 51cm x 61cm framed. In-house postage to UK postcodes would cost £32.50 Ray Barry loved Cornwall and art. A Director of the St Ives Society of Artists, appointed in 2010, and Associate of both the Newlyn and Penwith Society of Artists, Ray originally started painting in the 1950s while working for Cable and Wireless in the Sudan. He exhibited at the Red Sea Club, Port Sudan and The New Stanley Gallery, Nairobi as he began to cultivate his artistic talent. Subsequent to his career with Cable and Wireless, Ray settled in Cornwall and evolved his art style while scooping top prize as the winner of 3 Spires Arts Festival, Truro. He solo exhibited at Falmouth Arts Club, Penzance Arts Club, The Crypt Gallery St Ives, The Cornerstone Gallery St Ives, Bakehouse Gallery St Ives, as well as jointly exhibiting with fellow artists Jenny Woodhouse, Bob Devereux, Rachel Kantaris, Patricia Dearden, Stephen Dove, John Beer and Victor Bramley. An established artist locally by the 1990s, Ray Barry graduated Falmouth School of Art in 1997 (with other alumni graduating that year including Paul Wadsworth and Jenny Woodhouse), with a degree in Fine Art and had a studio in St Ives before relocating his studio to Ludgvan. An established fellow artist among his peers, a hand-written invite to Bryan Pearce’s 75th birthday lay amongst his treasured possessions. Ray Barry constantly strove to explore colour and textural values with passion, working primarily in oils and acrylics. Of his work, he quoted, “I enjoy creating order out of chaos and conversely 'deconstructing' order to the point of meaningful abstraction….I paint with a sense of adventure rather than premeditation…I love the poetics of Abstraction “. Away from his career as an artist, Ray was also a keen stamp collector with his talent and interests overlapping when he created, established and designed stamps for Gugh Island, Isles of Scilly, with the designs of these sold in our Stamps and Collectors auction earlier this year.
Lot 67
Ray BARRY (1931-2022) Untitled Acrylic on board, signed, 50cm x 40cm, 56cm x 46cm framed. In-house postage to UK postcodes would cost £32.50Ray Barry loved Cornwall and art. A Director of the St Ives Society of Artists, appointed in 2010, and Associate of both the Newlyn and Penwith Society of Artists, Ray originally started painting in the 1950s while working for Cable and Wireless in the Sudan. He exhibited at the Red Sea Club, Port Sudan and The New Stanley Gallery, Nairobi as he began to cultivate his artistic talent. Subsequent to his career with Cable and Wireless, Ray settled in Cornwall and evolved his art style while scooping top prize as the winner of 3 Spires Arts Festival, Truro. He solo exhibited at Falmouth Arts Club, Penzance Arts Club, The Crypt Gallery St Ives, The Cornerstone Gallery St Ives, Bakehouse Gallery St Ives, as well as jointly exhibiting with fellow artists Jenny Woodhouse, Bob Devereux, Rachel Kantaris, Patricia Dearden, Stephen Dove, John Beer and Victor Bramley. An established artist locally by the 1990s, Ray Barry graduated Falmouth School of Art in 1997 (with other alumni graduating that year including Paul Wadsworth and Jenny Woodhouse), with a degree in Fine Art and had a studio in St Ives before relocating his studio to Ludgvan. An established fellow artist among his peers, a hand-written invite to Bryan Pearce’s 75th birthday lay amongst his treasured possessions. Ray Barry constantly strove to explore colour and textural values with passion, working primarily in oils and acrylics. Of his work, he quoted, “I enjoy creating order out of chaos and conversely 'deconstructing' order to the point of meaningful abstraction….I paint with a sense of adventure rather than premeditation…I love the poetics of Abstraction “. Away from his career as an artist, Ray was also a keen stamp collector with his talent and interests overlapping when he created, established and designed stamps for Gugh Island, Isles of Scilly, with the designs of these to be sold in our upcoming Stamps and Collectors auction in November.
Lot 176
Ray BARRY (1931-2022) Golden Lode Acrylic on card, signed, titled and dated 2014 to artist's label verso, 36.5cm x 54.5cm, 55.5cm x 73.5cm framed. In-house postage to UK postcodes would cost £32.50Ray Barry loved Cornwall and art. A Director of the St Ives Society of Artists, appointed in 2010, and Associate of both the Newlyn and Penwith Society of Artists, Ray originally started painting in the 1950s while working for Cable and Wireless in the Sudan. He exhibited at the Red Sea Club, Port Sudan and The New Stanley Gallery, Nairobi as he began to cultivate his artistic talent. Subsequent to his career with Cable and Wireless, Ray settled in Cornwall and evolved his art style while scooping top prize as the winner of 3 Spires Arts Festival, Truro. He solo exhibited at Falmouth Arts Club, Penzance Arts Club, The Crypt Gallery St Ives, The Cornerstone Gallery St Ives, Bakehouse Gallery St Ives, as well as jointly exhibiting with fellow artists Jenny Woodhouse, Bob Devereux, Rachel Kantaris, Patricia Dearden, Stephen Dove, John Beer and Victor Bramley. An established artist locally by the 1990s, Ray Barry graduated Falmouth School of Art in 1997 (with other alumni graduating that year including Paul Wadsworth and Jenny Woodhouse), with a degree in Fine Art and had a studio in St Ives before relocating his studio to Ludgvan. An established fellow artist among his peers, a hand-written invite to Bryan Pearce’s 75th birthday lay amongst his treasured possessions. Ray Barry constantly strove to explore colour and textural values with passion, working primarily in oils and acrylics. Of his work, he quoted, “I enjoy creating order out of chaos and conversely 'deconstructing' order to the point of meaningful abstraction….I paint with a sense of adventure rather than premeditation…I love the poetics of Abstraction “. Away from his career as an artist, Ray was also a keen stamp collector with his talent and interests overlapping when he created, established and designed stamps for Gugh Island, Isles of Scilly, with the designs of these sold in our Stamps and Collectors auction earlier this year.
Lot 480
A collection of boxes to include an Arts & Crafts Newlyn style twin compartment cigarette box having a hammer beaten pewter clad exterior, decorated with stylised fish, width 18.5cm, a Victorian walnut and marquetry strung twin compartment tea caddy, and a late 19th century Indian blind fret carved sandalwood table box, together with various other items to include a Black Forest carved softwood figure of a bear, art glass paperweights, and a miniature mauchline ware rolling pin
Lot 74
* EVELYNE OUGHTRED BUCHANAN SSA (BRITISH 1883 - 1978), EDINBURGH CASTLE oil on board, titled versoframedimage size 64cm x 72cm, overall size 72cm x 81cm Note: Buchanan was born in Stockton-on-Tees in the north-east of England. She attended school there before spending a single term at the Glasgow School of Art after which she moved to Newlyn in Cornwall. There, during 1910, she spent four months at the art school run by Stanhope Forbes and was greatly influenced by the work of other artists active in the area, notably Laura Knight and Lamorna Birch. Although largely self-taught as an artist, Buchanan later studied portraiture with Robert Heriot Westwater in Scotland and would eventually settle in Edinburgh. She abandoned painting for some years but resumed doing so in 1933 and continued until the early 1970s when her eyesight began to fail. She died in an Edinburgh nursing home on 21 November 1978. Buchanan was elected a member of the Scottish Society of Women Artists in 1937 and the Society of Scottish Artists in 1939. She also exhibited at the Royal Academy, the Royal Scottish Academy and with the Society of Women Artists. In 1971 she held a joint exhibition in Edinburgh with her daughter, the artist Elspeth Buchanan, and her son-in-law, Nicholas Horsfield. Glasgow Art Gallery hold examples of her paintings.
Lot 269
* JOAN GILLESPIE (SCOTTISH b. 1954), QUAYSIDE NEAR TOULON oil on board, signed and dated '90, titled labels versoframed and under glass image size 34cm x 30cm, overall size 47cm x 42cm Handwritten artist's label verso Label verso: The Open Eye Gallery, EdinburghNote: Born in Dundee in 1954, Joan Gillespie studied painting at Duncan of Jordanstone College of Art, Dundee and completed her Diploma course at Edinburgh College of Art. Over the years she has found affinity with the works of some of the Impressionists, the Nabis, the Newlyn School, the Glasgow Boys and the Scottish Colourists. Composition, paint quality and colour distribution in painting are very important to her. Her works are in the collection of Lord McFarlane of Bearsden, Trinity International Holdings and in private collections in Spain, Australia and USA. Joan Gillespie has exhibited in galleries throughout Scotland since 1987 including the Macaulay Gallery in East Lothian, The Open Eye and Flying Colours Galleries in Edinburgh, the Atholl Gallery in Dunkeld and the Contemporary Fine Art Gallery in Eton. Her paintings have been hung in the Royal Scottish Academy, The Royal Glasgow Institute, The Royal Scottish Society of Painters in Watercolours and the Society of Scottish Artists and Artist Craftsmen. She was a finalist in the Morrison Portrait Competition 1991 at the Royal Scottish Academy in Edinburgh as well as a finalist in the Laing Landscape Competition 1992 at the Mall Galleries, London.Condition of the picture is good overall, with no visible or known issues.
Lot 544
WILLIAM HENRY KNIGHT (1859-1934) 'Miss Margery Chiffers, aged 15 (died 6th Nov 1917)' signed and dated 1918 lower right, titled and inscribed verso, oil on canvas, 50cm x 40cmNote: Margery Chiffers, of Newlyn, Cornwall was the daughter of Job Chiffers, a fish merchant. A copy of her death certificate dated 7th November 1917 lists the cause of death as acute nephritis.
Lot 32
▲ Roger Hilton (1911-1975) 'Black Tree'signed with initials and dated '74' l.r., mixed media46 x 38cmProvenance: The estate of the artist;with Jonathan Clark & Co. Fine Art, London;the property of a private collector.Exhibited: Newlyn Art Gallery, Newlyn, 'Roger Hilton: A Centenary Celebration', 29 January - 2 May 2011.Literature: 'Roger Hilton: Night Letters', edited by Timothy Bond, published by Archive of Modern Conflict, 2009, illustrated p.261.Condition ReportFramed: 59.5 x 50.5cmMixed media including charcoal, pastel, watercolour and gouache. Cockling and creasing to the edges. A little time staining. Splashes of paint to upper area, appears to be intentional by artist. Pinholes to the corners. Well presented and ready to hang. Not viewed out of glazed frame.
Lot 40
▲ Roger Hilton (1911-1975) 'Red and Orange'signed with initials and dated '74' l.r., charcoal, gouache and pastel44 x 34cmProvenance: The estate of the artist;Jonathan Clark & Co. Fine Art, London;the property of a private collector.Exhibited: Newlyn Art Gallery, Newlyn, 'Roger Hilton: A Centenary Celebration', 29 January - 2 May 2011.Literature: 'Roger Hilton: Night Letters', edited by Timothy Bond, published by Archive of Modern Conflict, 2009, illustrated p.179.Condition ReportFramed: 58 x 47cmPinholes to corners. Very light time staining. The right edge is deckled and uneven at the bottom. A little smudging to the orange pastel in the lower right. Minor handling creases. Faint dirty marks and smudges, however presents well overall and ready to hang. Not viewed out of glazed frame.
Lot 210
A diverse collection of domestic metalware, predominantly 19th century; including a brass watering can, 23cm high; a pewter tea caddy, 12cm high; a copper chamberstick, 9.5cm high; four various copper food moulds, the largest 9.5cm high; four Newlyn copper coasters or platters, the largest 21cm diameter; various measures; a set of domestic postal scales; and other items
Lot 111
‡WILL EVANS (1887-1957) watercolour - Newlyn Harbour, Cornwall with numerous figures and boats, signed, 37.5 x 52.5cmsProvenance: private collection Carmarthenshire, Old Harbour in Newlyn Cornwall was the home of the Newlyn School of Artists pre WW1, from the type of fishing boats in the painting (Cornish luggers) would indicate it was painted pre WW1 and the building in the foreground LHS was demolished in the late 1930sComments: some foxing, framed and glazed
Lot 350
Newlyn School A Summer Pastime Oil on canvas, 76.5 x 56cmCataloguer's NoteWe believe this painting portrays the end of Newlyn Harbour wall, facing Penzance, with St Michael's Mount just out of view. We also see a resemblance between the boy in this painting and the one depicted in Stanhope Forbes's Chadding in Mount's Bay. This oil, reminiscent of the work of the best of the Newlyn artists, has been lined and cleaned, but under UV light there are few signs of overpainting. Our vendor tells us that it was bought in these rooms decades ago.
Lot 595
Jason Wason (1946). Bowl Unglazed with applied stud decoration, impressed personal seal mark, height18.5cm, diameter 35cm. Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024 The stud decoration displays some wear. One has a rather large chip to the tip, and the others suffer loss to the black decoration.
Lot 237
Roland Morris collection. Local interest. Books relating to Penzance, Newlyn and West Cornwall. (32) Roland Morris was a well known maritime archeologist, historian, writer and entrepreneur based in Cornwall, particularly Penzance. His most famous discovery was the wreck of the Association also working on other major wrecks around the Cornish coast. He also opened the Admiral Benbow a much celebrated pub filled with nautical themed decoration.
Lot 242
Local interest, Penzance, Lamorna, Newlyn, West Cornwall mostly pre 1940 including street scenes, harbour, ships, etc Paul Bros and Gibson examples approximately 90. Roland Morris was a well known maritime archeologist, historian, writer and entrepreneur based in Cornwall, particularly Penzance. His most famous discovery was the wreck of the Association also working on other major wrecks around the Cornish coast. He also opened the Admiral Benbow a much celebrated pub filled with nautical themed decoration.
Lot 244
An album of postcards, Roland Morris collection, all of ships and figureheads Nautical Photo Agency, Amos & Amos, with names approximately 120 with some photographs together with another album of photographs of Penzance and Newlyn. Roland Morris was a well known maritime archeologist, historian, writer and entrepreneur based in Cornwall, particularly Penzance. His most famous discovery was the wreck of the Association also working on other major wrecks around the Cornish coast. He also opened the Admiral Benbow a much celebrated pub filled with nautical themed decoration.
Lot 239
Roland Morris collection. Art reference books to include Jack Pender A Tribute by Frank Ruhrmund, Christopher Wood Sr Ives Artists, Painting in Newlyn 1900-1930, Newlyn Flowers The Floral Art of Dod Procter, and three other art books. Roland Morris was a well known maritime archeologist, historian, writer and entrepreneur based in Cornwall, particularly Penzance. His most famous discovery was the wreck of the Association also working on other major wrecks around the Cornish coast. He also opened the Admiral Benbow a much celebrated pub filled with nautical themed decoration.
Lot 228
Roland Morris Collection. Shipwreck text by John Fowles Photography by the Gibsons of Scilly reprint together with The Savage Sea Photographed by the Gibsons of Scilly, two Early Photographs The Lands End Peninsula Reg Watkiss one First edition the other revised and reprinted 1978, Early Photographs Penzance and Newlyn Reg Watkiss First edition together with four other local history photography books. (9) Roland Morris was a well known maritime archeologist, historian, writer and entrepreneur based in Cornwall, particularly Penzance. His most famous discovery was the wreck of the Association also working on other major wrecks around the Cornish coast. He also opened the Admiral Benbow a much celebrated pub filled with nautical themed decoration.
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