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Lot 931
A COLLECTION OF PALISSY 'ORCHID' AND POOLE 'TWIN-TONE MUSHROOM AND SEPIA' DINNERWARES comprising two tureens, two serving bowls (one with a hairline crack), an oval serving plate, four dinner plates (one chipped), six tea plates (three cracked, all heavily crazed), seven tea plates, five bowls (two dull when tapped), a sauce jug and stand (hairline crack to the stand), and a large collection of 'Poole' twin tone dinnerware comprising two tureens, a rectangular serving plate, a circular serving plate, four soup bowls with six saucers, a sauce boat and stand (chip to the stand), five dinner plates, seven tea plates, six side plates, a tea pot, a large (hairline crack to the interior, stained, crazed) and a small coffee pot, a milk jug, two sugar bowls, five espresso cups with six saucers (two cups chipped), three tea cups with six saucers (qty) (Condition Report: the Palissy set is heavily crazed, all could benefit from a through clean, itemised conditions above, scratch commensurate with usage)
Lot 789
High relief majolica plate in the style of Bernard PALISSY, richly glazed and modelled with a nature scene of a fish surrounded by aquatic plants, frogs, veins and shells, 19th centuryBord in majolica in hoog reliëf in de stijl van Bernard PALISSY, rijk geglazuurd en gemodelleerd met een natuurtafereel van een vis omgeven door waterplanten, kikkers, adders en schelpen, 19e eeuw6 x 36 x 23 cm
Lot 782
THREE BOXES AND LOOSE CERAMICS AND SUNDRIES, to include a variety of crested ware, names include Shelly, W&R Carlton, vintage tan leather travel bag with brass colour metal clasps, a pair of white metal and ceramic knife rests, a pair of West Germany Jasba vases, Ashworth pitcher with pewter lid, Palissy art deco blue bird biscuit jar Rd No. 6931, a collection of vintage tea ware, also included a new small sink unit and mixer tap, two Sony handycams, and a Samsung digital camera, etc. (3 boxes + loose), (sd/af)
Lot 935
SEVEN BOXES AND LOOSE CERAMICS AND MISCELLANEOUS ITEMS, to include a quantity of pink and white dinnerware, stoneware mugs and pots, odd teacups and saucers, plates etc. names include Crown Ducal, Midwinter, Johnson Brothers, Wedgwood 'woodland', Spode, Woods & Son, J & G Meakin, Palissy, Burleigh etc. also included a framed painting, records mostly classical, (7 boxes and loose), (sd/af)
Lot 770
SEVEN BOXES AND LOOSE CERAMICS, mostly dinnerware and tea ware, included a large oval Royal Albert 'Old Country Roses' meat plate, a hen on a nest by Portmeirion, new boxed Stechcol six piece mug set exclusively for Heath Mccabe, etc. other names include Palissy, James Kent, Royal Minton, and Devonware, Homespun Stoneware etc. (7 boxes + loose), (sd/af)
Lot 476
Savill (Rosalind). The Wallace Collection, Catalogue of Sèvres Porcelain, 3 volumes, London: Trustees of the Wallace Collection, 1988, colour and monochrome illustrations, original uniform maroon cloth gilt in dustwrappers, with matching cloth slipcase, small 4to, together with Préaud (Tamara). The Sèvres Porcelain Manufactory, Alexandre Brongniart and The Triumph of Art and Industry 1800-1847, Yale University Press, 1997, numerous colour and monochrome illustrations, original orange-brown cloth in dustwrapper (spine sunned), large 4to, plus others on French porcelain including Sèvres Porcelain in the Collection of Her Majesty the Queen, The Louis XVI Service by Geoffrey de Bellaigue, Cambridge University Press, 1986 (with slipcase), Discovering Secrets of Soft-Paste Porcelain at the Saint-Cloud Manufactory ca. 1690-1766, edited by Bertrand Rondot, Yale University Press, 1999, Porcelaine Tendre de Chantilly au XVIIIe siècle, Paris: Hazan, 1996, Palissy Ware, Nineteenth-Century French Ceramists from Avisseau to Renoleau, by Marshall P. Katz and Robert Lehr, Athlone Press, etc., mostly original cloth in dustwrappers, but including some paperback editions, mainly 4to QTY: (approx. 35)
Lot 466
A Palissy pottery ewer, cover and stand, c.1890-1900, Portuguese, Caldas, by A Mafra, modelled with a lizard-shaped handle, the body applied with reptiles and insects on a green mossy ground, with a circular stand, similarly decorated, 25.5cm wide25.5cm deep40.5cm high (3)Condition Reportoverall good order with light cosmetic wear and small chips to areas of high relief
Lot 314
Ceramics - A mixed lot of ceramics to include part sets of: Royal Doulton "The Coppice" jug and bowl in very good condition. Staffs Teaset Co Ltd Plex St Pottery "A Somerset Cottage" showing crazing. Royal Worcester "Palissy" Some picture ware to the dinner plates, cups and saucers G/VG and an egg coddler. Two Sadler Teapots, collectors plates and similar. (This does not constitute a guarantee) PLEASE NOTE THAT THIS LOT IS NOT AVAILABLE FOR IN HOUSE SHIPPING [L] (2)
Lot 345
A vibrant Majolica Palissy-style plate featuring a striking three-dimensional red crab, mussels, and marine flora set against a sandy-textured background. This intricately crafted ceramic plate exemplifies the 19th-century Palissy ware tradition, inspired by the works of French potter Bernard Palissy. The high-relief design and vivid glaze application make this a highly collectible decorative piece. The back is unmarked, consistent with European Majolica production.Issued: 21st centuryDimensions: 12.5"dia x 3"HCondition: Age related wear.
Lot 85
A London delftware 'La Fecondite' dish by the potter 'WP', circa 1657-59Signed on the reverse with the cipher 'WP' and indistinctly dated '16**', moulded after a French pottery prototype with a series of border panels, embossed masks and flower vases, painted in blue, manganese and yellow with green highlights, the central panel moulded with a reclining naked figure representing Fecundity, accompanied by five children or putti, a landscape with a windmill seen beyond pillars in the background and two figures of 'man with a stick' type, a decorative band of scrollwork, tulips, roses and carnations around the cavetto featuring two small portraits at the bottom, the outer border including four oval panels of 'artemisia leaves' and a circular panel at the top painted just in blue with a half-length portrait of a man wearing a 'Puritan Collar', believed to be the Lord Protector, Oliver Cromwell, 48.5cm wideFootnotes:ProvenanceBoynton CollectionHailstone CollectionSotheby's, 11 February 1931, lot 82Christie's, 13 December 1938, lot 199Ridout CollectionSotheby's, 5 June 1990, lot 324Graham Slater CollectionLiteratureBurlington Fine Arts Club Exhibition 1914, catalogue p.67, case D31Listed in Lipski and Archer, Dated English Delftware, p.44, no.118English Ceramic Circle Transactions, vol.17, pt.1 1999, col.pl.VIWhen Graham Slater acquired this remarkable dish in 1990, he embarked on a journey of discovery. Many celebrated examples are treasured in museums and in private collections but no detailed research had been published. Graham's paper, presented to the ECC at the end of 1997, was pioneering and comprehensive. He reported on forty-one dishes, while up to four further specimens were omitted or have come to light since his paper was completed.The model is based on a French prototype made in lead-glazed earthenware, such as the example in the Louvre (inv. no.OA.5014). Formerly attributed to Bernard Palissy, it is more likely that other potters in Fontainebleau were responsible. In 1958 Bernard Rackham discovered a Frenchman named Jean Laureau was in London in 1620 to represent the widow of a Fontainebleau potter Jean Barthelemy. Graham Slater felt it was highly likely that London delftware potters acquired from Barthelemy's estate actual moulds used in France to make these dishes. This would explain why London delftware copies are so exact, and of the same size as the French lead-glazed prototypes.Graham Slater divided the London dishes into ten distinct groups based partly on date but primarily on different features in the painted decoration. Dates painted on La Fecondité dishes range from 1633 to 1697. Slater placed his dish into Group Six, along with four others. The date appearing on the present lot is, of course, ambiguous as the last two numbers are unreadable. It had been published in the past as dated 1671, but Slater argues conclusively that it has to be earlier. Various decorative details, such as a man holding a stick and a very distinctive style of landscape painted in the distance, place the manufacture of this dish firmly in Southwark in the middle of the seventeenth century. Based on the evidence presented in his paper, Slater shows that this dish must date from circa 1657-59 and not any later.Three of the dishes in Slater's Group Six are inscribed on the back with the same initials WP. It is likely these initials relate to the maker, and Slater tried to identify a potter working in Southwark whose name was a match. Rhoda Edwards has published a List of London Potters that includes a William Price and a William Pocock, both living in the Parish of St Saviour in Southwark, but to date neither of these WPs can be directly linked to the nearby pottery at Montagu Place or the Pickleherring Pottery. This dish, and a closely related piece in the museum in Auckland, New Zealand, inscribed with the same initials, show that 'WP' was clearly a very accomplished maker of London delftware.In his ECC paper, Graham Slater attempted to identify the portraits on his dish. Although tempting to regard the two small panels at the bottom as royal portraits, he concluded they were too small and indistinct to recognise. The half-length portrait in the primary panel at the top is far more detailed, however. The bare-headed man dressed in armour wears what is usually described as a 'Puritan Collar'. Given that the dish dates from around the period of the Commonwealth, an obvious attribution of the sitter comes to mind. Searching at the British Museum's Prints and Drawings department, Slater was directed to likenesses of Oliver Cromwell. The man on this dish has more than a passing resemblance to a print that Slater reproduced in his paper as fig.39. The engraved portrait is loosely after Robert Walker. Here Cromwell is shown in similar dress with a big nose and a bulge in his body armour around his right shoulder. The portrait on the present dish could be said to depict similar features. If so, this dish, and another heavily-misfired La Fecondité dish formerly in the Billington Collection, are probably the only pieces of English delftware with a portrait of Britain's Lord Protector.For further information on this lot please visit Bonhams.com
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