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A GEORGE III MAHOGANY DESK IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1790 The central drawer with a sliding leather inset writing surface and a brass covered key hole, flanked by two drawers one with a printed paper label 'From the H. C. FOOT COLLECTION at ..6 High St., Oxford', with seven false frieze drawers, the panelled doors enclosing drawers, the plinth bases with recessed casters 80cm high, 126cm wide, 79cm deep Provenance: The Harold C. Foot Collection, Oxford Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.Observations, losses and restorations include: the gilt tooled brown leather top is later and has some lifting corresponding to construction joins; there are some missing and replaced veneers; the drawers have oak linings; the locks and handles are later, there is one key that operates the doors and two short drawers; there are some missing panelling mouldings; some fading to the side with false drawers and panelling; the drawer above the kneehole with a red leather inset writing slide; the kneehole with a door enclosing a shelf.A compact kneehole desk with good provenance.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer

19th century Victorian oak coffer blanket box. Features panelling to facade and raised on four short bun feet. Lid opening to reveal spacious interior. Measures approx: 71x135x50cm

19th century Victorian mahogany swivel top table with ornately carved base. Rectangular form with carved borders and side panels, on a scrolled base on a four point base raised by bracket feet. The carved base with foliate scroll carving and central column with carved panelling. Measures approx: 72x104x105cm

A Hornby 00 gauge Queen of Scots train pack R2365M comprising an A3 loco 4-6-2 No. 60093 Sandwich, together with three Pullman coaches, replaced by the earlier models, incorrect for the set, two have faded on the cream panelling, one has a replacement coupling, all housed in the original set box with original shipper's box, loco is NM-M, coaches are VG

Four Marklin HO gauge locos to include a Type 16 SNCF loco, in blue and yellow, a Typ D 109, in wood panelling, from the Swedish railway, a T5 in green, and a BB9200 in SNCF two-tone grey. All are housed in the original boxes and are in excellent condition.

Bindings. Sellars (David, 1949-2015). Pound (Ezra). An Autobiographical Outline. New York: Nadja, [1980], modern black mottled morocco by David Sellars, 3 onset morocco letters enclosing vellum tabs, oblong 8vo, limited edition, 114/200 copies, contained in black cloth box, together with:Camus (Albert). The Stranger, New York: The Limited Editions Club, 1971, signed and illustrated by Daniel Maffia, modern black mottled morocco by David Sellars, 4 onset morocco panels to upper cover, inset cross to lower cover, small 4to, limited edition, 935/1500 copies, contained in black cloth box, plusWilhelm (Richard, translator). The I Ching, or Book of Changes, 3rd impression, London: Routledge & Kegan Paul Ltd, 1965, all edges gilt, modern green morocco by David Sellars, inset morocco panelling with red and beige morocco onlays, gilt title to foot of spine, 8vo, black morocco-backed cloth box (some wear), plus a copy of Bernard Middleton's A History of English Craft Bookbinding and two copies of the journal The New BookbinderQTY: (6)

A quantity of 18mm chip board loft panelling

A WILLIAM IV OAK GOTHIC REVIVAL FONT the octagonal lead-lined basin with quatrefoil carved panelling, on a stepped plinth base, 69cm high x 84cm widePlease note: It is the sole responsibility of the buyer to ensure adequate personnel and equipment are provided for the safe removal of this Lot.

An Art Deco mahogany and walnut display cabinet, the top with a raised back carved with flowers, the base with two glazed doors with fan shaped panelling and sides enclosing two glass shelves, flanked by two slanting inlaid sections, raised on scroll carved cabriole legs with scrolling feet, 136cm high, 104cm wide, 33cm deep.

British modern design - Mid century teak wood bureau with ebonised panelling. Bureau with appointed interior within. Measures approx: 102x91x37cm

A group of 19th century moulded panelling uprights and cornice

Quantity of MDF panelling

A George III early 19th century mahogany inlaid bow front chest of drawers. The chest having a straight top over a bank of two over two drawers. Each drawer with chequed inlaid panelling and brass handles. All raised on splayed feet.Measures approx. 87cm x 87cm x 49cm.

A 19th century mahogany inlaid bow-front waterfall open bookcase. The bookcase having a straight gallery back with inlay panelling over two shelves. The bow fronted base with full-length twin-handled drawer. All raised on bracket feet.Measures approx. 90cm x 78cm x 35cm.

AN OAK COURT CUPBOARD 17TH CENTURY With channelled frieze and compressed spherical pendants, the panelled recessed front with two cupboard doors, the base with a central panelled cupboard door flanked by panelling on block feet 133cm high, 125.5cm wide, 58cm deep Provenance: The Davies-Cooke Collection from Gwysaney Hall, North Wales For further details about the collection, visit: www.dreweatts.com/news-videos/gwysaney-hall-a-welsh-family-s-portrait-of-british-history-14767/ Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW.With wear, marks, knocks and scratches commensurate with age and use Some old chips, splits, and losses Solid and stable Door has separated but is present with lot Historic worm Hinges replaced Signs of repair, please see images ADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot. Condition Report Disclaimer

Indian bone and tortoiseshell work box, casket form with pierced bone and penwork panelling, raised on four claw feet. Height 6.5cm, width 13.5cm, depth 9cm.

Late Victorian gothic carved oak bookcase cabinet with two glazed doors, later panelling to sides, 143cm wide

Stranger Things (TV) Autograph and Memorabilia Collection of Stranger Things items, to include; licensed boxed figurines from Minix Collectibles; Lucas, Mike (2), a miniature display featuring salvaged panelling from the Starcourt set, Includes COA (1), Elodie Grace Orkin, signed 10 x 8 inch photo. Signature in black Sharpie. COA included (1). (4).

An impressive carved wood doorway, India, probably Rajasthan, 18th or 19th century, the double doors with panelling and iron handles and mounts, surrounded by a thick frame and threshold with three progressively recessing borders, carved in relief, approximately 230cm high x 172cm wide  Provenance: Private English Collection  Please note this lot is to be sold without reserve.     

Registration No: USU 879 Chassis No: B25KU MOT: ExemptSupplied new to C.J. Dawson Esq. of ClaphamA very handsome post vintage sports saloonMuch expenditure during the 1990sStarts with ease and running very wellBy the mid-1930s, there was something of a horsepower war going on among the top British car manufacturers. With the advent of high-speed Continental roads such as Italy's autostradas and Germany's autobahns, the race was on to build a sports saloon that could crack the magic 100mph barrier. Thus, Alvis released first the 3.5 Litre and then the 4.3 Litre, Lagonda evolved the M45 into the more powerful LG45 and Bentley gave its customers the option of a larger 4¼ Litre engine during the 1936 season. A derivative of that fitted to the Rolls-Royce 25/30 the 4257cc OHV straight-six unit was suitably reworked gaining twin SU carburettors and a wilder camshaft in the process. Priced at £50, a comparatively small sum compared to the cost of a basic chassis, it proved so popular that the standard 3½ Litre powerplant was soon dropped. Nicely balanced to begin with, the Derby Bentley chassis was more than capable of handling the extra power and torque. Equipped with all-round leaf-sprung suspension, assisted drum brakes, a precise four-speed manual gearbox and worm and nut steering, its poise and responsiveness proved more than a match for many peers. Effectively the in-house coachbuilder to Rolls-Royce and Bentley, Park Ward crafted a new four-light saloon design for the latter’s 4¼ Litre model which utilised a metal rather than wooden support frame for its outer panelling. Lighter, stiffer and stronger than previous bodies, the all-steel structure also proved more durable. First registered as ‘EGJ 57’ and supplied new to C.J. Dawson Esq of Kings Avenue, Clapham, this particular 4¼ Litre Park Ward Saloon then belonged to A.D. Whitworth Esq. of The Connaught Club and W. Beaumont Esq of Huddersfield. Seemingly taken off the road for a while or perhaps resident overseas, the Bentley was re-registered with the DVLA as ‘USU 879’ during March 1990. Belonging to Jon Radgick Esq at the time, he had had the four-seater prepared for that year’s London to Peking Motor Challenge by V&R Autos of Finchley until an errant conrod prompted its withdrawal. Entrusted to PCW of Nottingham in early 1991, the engine was reportedly overhauled with a reground crankshaft, new clutch, replacement liners, fresh pistons and new conrods etc. The cylinder head was gas flowed in accordance with advice from Fiennes Engineering and the recirculating masses balanced. Bruce Young Coachworks of Weybridge installed a new headlining the following year with the exterior brightwork being refurbished too. The subject of a bare metal repaint in its current Burgundy over Claret colour scheme, the Bentley also benefited from a braking system upgrade. Previously fitted with overdrive for improved high-speed cruising, the 4¼ Litre Park Ward Saloon changed hands several times thereafter. Entered from a deceased estate, ‘USU 879’ has not seen much use of late but started readily for our photography session. Presenting as a well-preserved older restoration, it remains a very elegant Post Vintage Thoroughbred. Offered for sale with V5C Registration Document and paperwork file. For more information, please contact: Mike Davis mike.davis@handh.co.uk 07718 584217

WALTER DENDY SADLER (1854-1923) “Gentleman fitting shoe to young woman by oak panelling” oil on canvas, unsigned, 112cm x 82cm

This is an R2D2 VENDING MACHINE made in JAPAN by PEPSI in 2005. This was a contest prize and available in limited quantities. Good used condition. Refrigeration and vending functions are operational however will require a Japanese power convertor. Panelling has mild discolouration. A high quality unit standing approximately 32" tall. 

A VICTORIAN GOTHIC REVIVAL OAK AND MARQUETRY SIDEBOARD IN THE MANNER OF CHARLES BEVANthe upper section with a castellated pediment over a rectangular mirror plate and a single shelf, the base with parquetry inlaid surface over a single frieze drawer and two cupboards with foliate panelling, on a pedestal base and castors, 190cm high x 175cm wide x 70cm deep

Copper and brass cased barograph, hinged cover with mesh panelling, width 30cm, depth 14cm, height 21cm.

Oak three-piece bedroom suite, Inglesants, Leicester, with linen-fold and Gothic travery stye panelling, comprising a dressing table with a mirror back, two frieze drawers, and two drawers to each pedestal, width 118cm, depth 47cm, height 150cm; gent's compactum wardrobe width 96cm, depth 56cm, height 177cm; and a double wardrobe width 128cm, depth 59cm, height 182cm..Condition report:Dressing table: heavily worn top with various rings marks and other spot staining. Some speckling to the mirror plate. Drawers run stiffly.Both robes are generally in good order, some marks and scratches with use over the years, but ultimately both sound. No keys to operate the latch locks though so the right hand doors do not "lock" closed.

A pine and bamboo cabinet, Qing dynasty (1644-1911), Chinese, of tapering form with two cupboards, both with bamboo panelling, the lower pair with carved panels, with ring-turned handles and engraved circular escutcheons, locking with a latch, over a sliding cupboard, the sides with strip bamboo panels, 89cm wide 44cm deep174cm highCondition Reportone door loose, knocks and light scratches, the split bamboo panels bowing in places, overall fair useable conditon

FLOOR SCREEN. 3 fold with segmented antiqued mirrored panelling to one side, aged metal frame, 203cm x 51cm per panel approx.

A Jacobean style oak livery cupboard, 17th/18th century and later,  with two panelled doors over two short drawers, probably constructed from assorted earlier panelling and timber sections, 202cm, 143cm wide, 42cm deep

A Near Pair of Reproduction Walnut Display Cabinets, each with arched cornice above a central door, flanked by bowed glazed sides, and with burr walnut panelling, 115cm by 45cm by 189cm

19th Century oak blanket chest, all-over panelling, hinged top with brass latch lockDimensions: Height: 54cm  Length/Width: 93cm  Depth/Diameter: 44cm

Early 20th Century Burmese two door Multi drawer collectors cabinet with detailed Burmese God Panelling 51x55x34cm 

A SILVER MODEL OF THE SHORT BROTHERS EMPIRE FLYING BOAT CANOPUS, 1936modelled in frosted silver with 28in. wingspan, the detailed model including panelling and moving propellers mounted on two bronze supports to a green marble rectangular base with silver plaques inscribed THE EMPIRE FLYING BOAT, DESIGNED AND CONSTRUCTED BY SHORT BROS (ROCHESTER & BEDFORD) LTD FOR IMPERIAL AIRWAYS LTD, LAUNCHED JULY 4TH 1936, London hallmarks for Goldsmiths & Silversmiths, 1936, contained within baize-lined wooden fitted case, the model and base -- 12 x 22 x 28in. (30.5 x 56 x 71cm.); 4.3kg.(2) The Worshipful Company of Shipwrights, presented by H.O. Short, Liveryman, shortly after the Company's decision to admit people connected with the aircraft industries as well as the maritime industries. Displayed at the Air Fair, Biggin Hill, 1967.

Copper and brass cased barograph, hinged cover with mesh panelling, width 30cm, depth 14cm, height 21cm.

Four Doulton Lambeth stoneware tobacco jars: all one with moulded panelling with Gothic lettering 'Tobacco', 14cm; one with band of seaweed, dark brown ground, 14cm; one with shallow relief band with stylised birds enclosed by Celtic knot borders, 15.5cm; and one incised and moulded in shallow relief with stylised sunflowers, 13cm.Condition report:Small chip to inside rim on lid of jar labelled Tobacco. All other items in very good condition. Please see additional uploaded image.

MATHIAS LEYENDECKER (GERMAN, 1821-1871). STILL LIFE OF HANGING BIRDS ON TROMPE L'OEIL PANELLING. oil on canvas, signed and dated 1869 in a giltwood and gesso frame50cm H x 38cm W including frame.

TRUMEAU-SPIEGEL MIT GALANTER SZENE Frankreich, 19.Jh., Holz, tlw. geschnitzt und vergoldet, Wandspiegel einer Vertäfelung, die vergoldete Rahmung mit Schnitz-Dekor von Blattwellenfries, das obere Bildfeld mit Szenerie eines Paares in Ideallandschaft, HxB: 142/76 cm. Altersspuren. | TRUMEAU MIRROR WITH GALLANT SCENEFrance, 19th century, wood, partly carved and gilded, wall mirror of a panelling, the gilded framing with carved decoration of leaf wave frieze, the upper picture field with scenery of a couple in an ideal landscape, HxW: 142/76 cm. Traces of age.

CONTEMPORARY OPEN BOOK CASE painted in grey, with two drawers and with panelling details to back, 109 x 200 x 30cm

A VICTORIAN GOTHIC REVIVAL OAK AND MARQUETRY SIDEBOARD IN THE MANNER OF CHARLES BEVANthe upper section with a castellated pediment over a rectangular mirror plate and a single shelf, the base with parquetry inlaid surface over a single frieze drawer and two cupboards with foliate panelling, on a pedestal base and castors, 190cm high x 175cm wide x 70cm deep

GOVERNESS CART, made by F.W. Constable, Cirencester, to suit a 14hh, this elegant cart features green paintwork with gold lining, complemented by a black undercarriage and metalwork, including black lamp brackets and a brass rein rail. The interior is upholstered in buttoned black leatherette, while the exterior wood panelling is accented with brass-studded details. The rear door is upholstered and fitted with a brass handle. Shaft covers and stand included.

Indian bone and tortoiseshell work box, casket form with pierced bone and penwork panelling, removable tray, raised on four claw feet, width 23cm, height 10cm.

19th Century School -A trompe l'oeil still life with a dead kestrel hung against wooden panelling -Waxed watercolour on paper laid down on panel -44 x 35cm - 54 x 46cm framed -In a bird's eye maple frame -Together with a 20th Century oil on board still life with a hare, 39 x 59cm (2)

Seven large sections of pine panelling, some with painted finish.

Dry old English oak panelling, lozenge floral repeating design, 144cm x 202cm, together with further moulded carved friezes, etc, (af)

A four poster elm king size bed, with elm panelling, 235cm length, 203cm width

William and Mary late 17th century oak chest, the rectangular top with thumb-mould edge over two short and three long graduated drawers, having brass drop loop handles and shaped backplates, moulded panelling to sides, on bun feet, 84cm high x 96cm wide x 58cm deep Condition ReportSurface scratches, scuffs and knocks. Areas of fading/discolouration, stains. Splits to the top, area of old worm to back resulting in some small losses to wood.  There is a screw in the back left corner of top. Handles have been replaced, lock missing from one drawer. General wear and tear.

A Georgian Irish ebonised and gilt painted desk chair, with cane panelled back and seat on ash frame.Overall width 56cm, height 87cm, depth 62cm, seat width 47cm, height 40cm, depth 50cm.Structurally good overall condition, the cane panelling not original. Left arm has been broken and repaired near where it meets the seat pad. Back rail is missing three decorative diamond inserts.Some historic worm damage. Surface wear visible, through the ebonised finish in places. The legs have been lengthened.

4 PIECE INDIAN SILVER TEA SERVICE WITH ORNATELY EMBOSSED PANELLING DEPICTING ELEPHANTS, LIONS, TIGERS, COMPRISING TEAPOT, SUGAR & CREAM & TEA STRAINER, COMBINED WEIGHT INCLUDING HANDLE & FINIAL APPROX 1063.5 GRAMS

An impressive run of wall panelling incorporating a raised bathroom basin.

Y A GEORGE III KINGWOOD, AMARANTH, TULIPWOOD PARQUETRY AND LACQUERED GILT BRONZE MOUNTED BUREAU PLAT PROBABLY BY AN EMIGRE CRAFTSMAN IN THE MANNER OF PHILIPPE-CLAUDE MONTIGNY AND RENE DUBOIS, LAST QUARTER 18TH CENTURY The gilt-brass banded rectangular top inset with a gilt-tooled blue leather writing surface, above a panelled frieze inlaid with Greek-key motif with two frieze drawers centred by masks headed by acanthus flanked by rosettes and opposing false drawers, with lateral writing slides, the lower border with a ribbon-twist mount, the brass reeded incut square tapering legs headed by laurel swags with square sabots terminating in castors, with a paper label to the pine panelling to underside inscribed in ink 'Brynkinalt RM' 72.5cm high, 122cm wide, 63cm deep Provenance: Possibly supplied to Arthur Hill-Trevor, 2nd Viscount Dungannon (1763-1837) or acquired by Arthur Hill-Trevor, 3rd Viscount Dungannon (1798 - 1862) for 3 Grafton Street, London, thence by descent at Brynkinalt Hall, Denbighshire until sold, Of Royal And Noble Descent; Sotheby's, London, 19 January 2017, lot 382, where acquired by present owner. Although this sophisticated desk, with its 'Etruscan' decoration and interlaced key frieze, has the outward appearance of a French bureau à la grec, a number of constructional idiosyncrasies help to identify it as an unusual example of English craftsmanship. Until recently the bureau plat formed part of the resplendent Hill-Trevor collections at Brynkinalt Hall in Denbighshire and is most likely the output of an émigré ébéniste working in London in the last quarter of the 18th century. London had long tradition of attracting émigré craftsman with the perpetual cycle of European political and religious turbulence of the 17th and 18th centuries spurring their arrival. The lure of the capital reached new heights following the favourable conclusion of The Seven Years' War (1756-1763), a pan-European conflict which did little to dampen the appetite for French fashions in Britain. The maker of the present bureau plat would certainly have had excellent knowledge of French workshop practices and prototypes, namely the output of the celebrated Parisian cabinet-makers Phillippe-Claude Montigny (1734-1800) and René Dubois (1737-1799). The goût grec style swept to popularity in France from the mid-1750s with the celebrated suite of furniture supplied for the collector and financier Ange-Laurent Lalive de Jully. Veneered in kingwood, amaranth and tulipwood and decorated with rosette and laurel swag mounts, the Brynkinalt bureau plat closely follows a well-documented group of bureau à la grec by Montigny and Dubois. However, the Brynkinalt bureau plat diverges in several distinct ways which preclude the possibility of a French origin. Whereas French-made bureau plat use oak, the present desk employs pine in the construction. Further, the oak-lined drawers have front-to-back oak drawer bottoms, where French antecedents would have the grain running side-to-side. The dovetails, with the pronounced fan-shaped tails, are distinctly un-French and quite idiosyncratic being covered by a very thin veneer. The original locks are English, and the lacquered-gilt-brass banding to top, mounts, capping and castors (French models typically employ sabots without castors) all present as English derivatives or casts taken the originals. The presence of a distinctly English 'rococo' influenced ring-pulls to the writing slides further anglicises the French character of the present lot. Interestingly, an almost identical version of this model, sharing the same constructional traits but lacking brass reeding to the legs, is preserved in the collections of the Marquesses of Bute at Mount Stuart, Scotland. The Bute bureau plat is almost certainly from the same émigré workshop and points to a definitive group made for the most prominent families of the day. The present desk formed part of the collections of the Hill-Trevors at Brynkinalt Hall, Denbighshire, on the English-Welsh borders. The family fortune was built at first by Sir John Trevor (1637-1717), an unscrupulous lawyer-turned-politician, who twice held the position of Speaker of House of Commons before being unseated because of a bribery scandal involving the East India Company. He also served as Master of the Rolls 1685 to 1689 and from 1693 until his death in 1717. The financial gains Sir Trevor accrued in these prominent positions allowed him to acquire two London houses on St Clements Lane and Trevor Square, Knightsbridge. All four of his sons predeceased him and his estates, including Brynkinalt, passed to his daughter Anne who married Michael Hill of Hillsborough in Ireland.Arthur Hill, 1st Viscount Trevor (1694-1771), later Arthur Hill-Trevor, 1st Viscount Dungannon, was the second son and also pursued a political career, this time in Ireland as Chancellor of the Irish Exchequer and Commissioner of Irish Revenues. Arthur built Belvoir house in Ireland to designs of Christopher Myers in circa 1750. His son, the Hon. Arthur Hill Trevor (1738-1770), predeceased him also, making him an unlikely candidate for the acquisition of the present bureau plat. Instead, the Dungannon estates, including Belvoir and Brynkinalt, passed to Arthur Hill-Trevor, 2nd Viscount Dungannon (1763-1837) who inherited the title at the age of eight. In 1795, at the age of thirty-two, he married the Hon Charlotte Fitzroy, daughter of General Charles FitzRoy, 1st Baron Southampton (1737 -1797) and grand-daughter of Charles FitzRoy, 2nd Duke of Grafton (1683-1757), and consequently sold Belvoir Park choosing to live between No. 3 Grafton Street, London (built by the Augustus Henry FitzRoy, 3rd Duke of Grafton (1735-1811) to designs of Robert Taylor in 1767) and Brynkinalt Hall. It is conceivable to bureau-plat was acquired before or during this phase of ownership as the Viscountess was a woman of highly cultivated taste and oversaw the significant re-modelling of Brynkinalt which had not been altered since the early 18th century. Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.Observations include: the leather to the top has a different gilt tool edging and is either different to the leather on the sliding ends or is faded; the leather to the top also has cracks along the underlying constructions joints; some ormolu mounts are slightly loose eg the edging to to the top of the desk, one of the swags (with a later screw), some of the ribbon edging has vacant holes from missing pins, one brass inlay to one leg is sprung; it is not possible to remove the right frieze drawer as there is a fixed peg/screw preventing it from sliding out; there are two keys that operate the two different locks that suggest one is a later replacement; there is some evidence of old worm; some fading to the back.The Greek key parquetry and ormolu mounts to all sides.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer

GWR Station Architectural Features. GWR Station architectural features GWR Station architectural features comprising 3 9-pane arched windows with flowerhead decoration to each glazing bar intersection. Each has GWR etched into the top pane, HxW 78x78cm. Ticket collectors booth with carved wooden half glazed panel with 2 bevelled & cut glass windows at the top and a replacement perspex pane below, HxW 218x60cm, other window at back & wooden plank seat. Ticket office with perspex window & frame, wooden shelves, panelled door & frame & cast iron fireplace. 6 sections of pine panelling, all are 109cm tall x 135, 308, 110, 71, 95 & 98cm long. Wooden railing, HxW 93x223cm. Pair of hardwood entrance doors & frame, each HxW 202x86. Approx. 980cm of 41cm high wooden plank GWR Station style picketing along the lower edge of the roof & a cast iron fireplace with wooden surround which has "GWR" carved into the top.Buyer to dismantle (please see "Buyers Notes").

H.Elliott Grocer complete building. H.Elliott Grocer complete building comprising the 12-pane double shop frontage with glazed-top door frame & painted shop sign above, HxW 254x388cm. Wood panelling & shelves in the windows, door frame to side of building plus approx. 12 sq.m of terra cotta floor tiles, each 31x31cm. 4 section wooden railing with gate, H 84cm, L 100, 117, 111 & 58cm. Pair of sash windows upstairs.The Post Box built into the wall is a seperate lot and its removal will inevitably leave a hole in the front boarded wall, please take this into account when bidding.Buyer to dismantle (please see "Buyers Notes").

Riddaway's Ladies Outfitters Complete Shopfront. Riddaway's Ladies Outfitters complete shopfront comprising double frontage with large glass windows and replacement perspex windows to the curved door reveal, pair of shop doors (glass missing from one) & painted shop sign above, HxW 287x525cm.To include the wood panelling inside the windows with sign written glass above.Buyer to dismantle (please see "Buyers Notes"). we believe the signs are later mock ups made to decorate the exhibit

Registration No: VOF 378 Frame No: 010948 MOT: ExemptA very striking 1957 Triumph T110Always cared for and maintained by the current ownerRuns very well and starts easyOffered with V5C and old style logbookThe Triumph Tiger 110 is a British sports motorcycle that Triumph first made at their Coventry factory between 1953 and 1961. The T110 was developed from the Triumph Thunderbird and first appeared in 1954. Although it was supposed to be the sports model of the Triumph range, the Tiger 110 was later fitted with the rear panelling that was introduced with Triumph's 350cc 3TA twin in 1959. This Triumph T110 had only done 1,281 miles since 1982 when the vendor purchased it in 2019. Unfortunately, there is no history before 1982, except for the old buff logbook. The T110 has since been restored using quality British Triumph parts, including a top-end engine overhaul with 8.1 pistons instead of 9.1 due to the head being skimmed. The bottom end was in excellent condition and received an uprated oil pump. The oil pump was uprated and the magneto was refurbished along with a new carburettor. The restoration also included new fork stanchions and the front brake was rebuilt by Dick Hunt Racing. Attention was also paid to the clutch, front sprocket, chain, rear drum and bearings and shod with fresh tyres and a new font wheel with stainless spokes. It also benefitted from a new wiring harness and switches, cables, brake and clutch levers. Fresh Triumph Silver Grey and Black was applied, including transfers along with some re-chroming. The seat foam and cover were also renewed. The Triumph runs very well and is ready for its new owner for another summer. It is an excellent example of the model and comes complete with a V5C, sundry spares and some invoices for parts and work carried out. For more information, please contact: Mike Davis mike.davis@handh.co.uk 07718 584217

A pair of continental style oval marble topped occasional tables, with bergere panelling to the lower shelf and raised on cabriole legs. Height 64 cm, width 45 cm, depth 36 cm.

Peter Waals, an English walnut secretaire, circa 1930 with short wavy rail, two short drawers above a fall-front with graduated panelling and decorative carved escutcheon, the well fitted interior with an arrangement of ten drawers surrounding a cupboard above a recess, with ebony pulls and holly and ebony stringing, above two further drawers between the lopers, and a central cupboard flanked by banks of two short deep drawers, stepped block feet, adorned with scrolled drawer pulls likely by Norman Bucknell, width 93cm, depth 41cm, height 144cm.Footnote:Commissioned by Arthur Mitchell of The Glenfall, Charlton Kings, one of the key patrons of the Cotswold Arts and Crafts movement, for his daughter Ruth on her wedding to Kenneth Cole. The Cole's first home was a large house in The Vale, Chelsea, before moving to Beech Hill Cottage, Hambledon, Surrey. This bureau, along with the dressing table in this auction, were inherited by direct descent.Condition report:In very good overall condition. There is a 6-inch split to the right hand side panel along the back edge, around the mid-point. There are also two small notches to the front right hand edge adjacent to the second from the bottom drawer. The lower central drawer to the interior has a split to the lower left hand edge and a slight split to the base plank which could do with some attention. Otherwise there are no splits or significant losses to the exterior or interior. All stringing is intact. The fall front hinges are still perfectly functional; all drawers run well and close neatly. There is a key that operates the fall-front lock and lower cupboard, and a smaller key for the internal cupboard. Some spot staining to the interior, with some drawer linings having ink staining. The exterior colour is fairly even, ultimately with some fading; the left hand lower side has some historic splash marks and there is a long white drip mark to the side of the foot which we take to be a substance on the surface, not a scratch. The leather skiver is ok, a little shrinkage to the top margin, but not heavily worn or scratched. The drawer pulls remain tightly inset and are all original. It remains a handsome example of Cotswold furniture, with strong family provenance.

A pair of early 19th century Anglo Indian carved mahogany armchairs with tan leather upholstered backs, seats and arm pads, the frames carved with fluting and foliate motifs, 70cm wide, 70cm deep, 104cm high Both chairs restored within recent years and in fair to good condition, woodwork of dark brown tone and fair state of polish, one or two light scuffs here and there, leather faded and worn but with attractive colouration, further leather panelling to the back and sides with some scuffing and scratching.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Collection of Three Silver Multi-Strand Necklaces, One with Turquoise Panelling and Beads, One Gilt and a Further Shorter Example

A 19th century oak linen press With twin-panelled doors above two dummy drawers and two fitted drawers, standing on tapered feet.107cm wide x 57cm deep x 172cm highQty: 1Handles later replacements, one missing. Cracking to the panelling.

An 18th century oak tridarn with chip-carved decoration The top above twin-panelled doors raised on a base with twin-panelled doors opening to reveal a later shelf.153cm wide x 52cm deep x 186.5cm highQty: 1Scuffing, dents, nicks, and scratches throughout commensurate with use. Some later elements - possibly the balusters supporting the top tier and some of the side panelling to the top tier.

A section of 17th century joined oak wall panelling, 34" x 54", with other later small panels