Extensive Paris (Brevet Brianchon) porcelain monogrammed dinner and dessert service, circa 1900, printed red marks, impressed GD and incised numerals, printed with entwined initialled monogram centred with a "B", in iron-red and lustrous pale apricot, within pale apricot and gilt lined rims, comprising: an oval two-handled footed tureen and cover, four oval two-handled vegetable dishes and covers, eight oval serving-dishes in sizes, two oval two-handled tureens and stands, two small circular tureens and covers with pierced liners, a circular two-handled tureen stand, a large oval fish serving dish and pierced strainer, an oval double-lipped sauce boat on fixed stand, two small shaped oval dishes, five footed flat topped comports, two bowl-shaped footed comports, 19 pierced fluted shell-shaped dishes, a miniature condiment tureen and cover of oval form on fixed stand, 24 custard cups and 23 covers, two oval two-handled trays, three serving dishes in two sizes, 24 soup plates, 38 dinner plates, 21 smaller luncheon plates, 13 side plates, a milk jug, a two-handled sugar bowl, 22 breakfast teacups, eight coffee cups, a large beaker, two smaller beakers, a smaller flared teacup, six large saucers, five medium and six smaller, two saucer-dishes, two small shaped rectangular dishes, possibly salts (some damages, repairs and minor restoration)
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A collection of five porcelain ashtrays, of recent manufacture, each of rectangular form, comprising:three Hermès examples, featuring 'Chasse en Inde', 'Couvertures et Tenues de Jour' and double horse head designs, stamped and marked to the base 'Hermes Paris Made in France',together with two other examples by Elie Saab and Limoges,largest 17.5 x 21.5cm (5)Condition ReportAll in good overall condition. Some minor rubbing to decoration on the Limoges example. The Hermes 'Chasse en Inde' example with tarnishing to the gilding.
Two porcelain figures of parrots in the Meissen style by Samson of Paris - both perched on a tree stump, one in blue and gilt with a gold anchor mark, 19.5cm high; one in red with a Vienna style beehive mark in underglaze blue, 18.8cm high (restoration to one wingtip on both birds); together with a small Samson figure of a bird in green and gilt, gold anchor mark, 7.75cm high. (3)* The red parrot has old restoration to the left wingtip and two three of the leaves on the tree stump. There is also small chip to the lower leaf and two small losses to the leaf beside the bird's left claw. The blue/gilt parrot has some gilt wear throughout and restoration to the left wingtip. There is also a loss to the upper leaf above the bird's feet. The small bird has a tiny frit to the edge of the base and minor gilt wear.
Charming hand-painted Limoges porcelain treasure box in the shape of a woven basket with a twisted bronze handle and clasp. The lid is vibrantly decorated with colorful produce and market signs reading "Letrilot de Paris" and "Look de France," capturing the spirit of a bustling Parisian market. The underside is marked "Limoges France Peint Main," and the interior features a blue maker’s stamp reading "Paris." Measures 2.75"H.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
A rectangular porcelain tray made in Limoges, France, featuring a vibrant reproduction of Henri de Toulouse-Lautrec's iconic poster Moulin Rouge: La Goulue. The image depicts the famous can-can dancer La Goulue with her partner Valentin le Desosse in bold colors and expressive lines. Marked on the reverse with Limoges France and Reproduction Toulouse-Lautrec, this decorative piece reflects both the artistry of French porcelain and the celebrated imagery of Belle Epoque Paris.Issued: 20th centuryDimensions: 5"LCountry of Origin: FranceCondition: Age related wear.
Two porcelain figures of horses and their Turk grooms, Samson, France, late 19th/early20th century, Each horse prancing in a meadow, its bridle held by a turbaned groom in pink garb, maker's mark to the rear, each with pierced hollow base23.5cm. and 22cm. high(2)Footnotes: A comparable figure of a prancing horse and groom is kept at Petit Palais, musée des Beaux-arts de la Ville de Paris (museum number : OTUCK 163).Condition Report: The horse held by a white skinned groom : The figure is repaired and restored from one or multiple break and some losses at the horse's neck. The groom's head and raised arm are restored and repainted.The horse held by a black skinned groom : The horse is repaired and restored from multiple breaks. The break lines are mostly visible around its neck actual left front and back upper leg. Under U. V inspection the groom shows extensive yellow-orange areas suggesting repairs or repaints, especially to his torso, shoulders and arms.
Two gilt and painted porcelain orientalist standing figures : a sultan and sultana, Possibly porcelaine de Paris, 19th century, Each on base, leaning against a facetted vase, the former depicting holding a pipe, the latter holding a twin handled vase and a fan, her turban's topper lacking23.2cm. highCondition Report: Figure of a sultan : The base cracked.Figure of a sultana : The head is repaired and restored form a break. The break line and some losses are visible to the neck under U. V light. The turban stopper is now lacking.
A porcelain figure of a horse and its Turk groom, Samson, France, late 19/early 20th century, prancing in a meadow, its bridle held by a turbaned groom in pink garb, maker's mark to the rear, hollow base22.5cm. highFootnotes: A comparable figure of a prancing horse and groom is kept at Petit Palais, musée des Beaux-arts de la Ville de Paris (museum number : OTUCK 163).
Hand-painted bisque porcelain figurine titled Elegance de Paris, part of the Diana Vreeland Presents collection by the Franklin Mint. Issued in 1987, this refined sculpture captures the essence of Parisian fashion, depicting a stylish woman in a deep cobalt gown with gold scroll accents and pearlescent highlights throughout her ensemble. The base features the Franklin Mint and Diana Vreeland backstamp.Issued: 1987Dimensions: 11"HCountry of Origin: United StatesCondition: Age related wear.
Formerly the gift of Napoleon Bonaparte, Pair Early 19th century French Paris porcelain, simulated porphyry and ormolu mounted candlesticks with painted berry and ribbon bands and gilt borders on circular bases, 27cmProvenance:By family repute given by Napoleon to General Edward Buckley Wynyard C.B. (1788-1864),who during his distinguished military career served from 1816-1820 as Military Secretary to Sir Hudson Lowe GCMG, KCB, the Governor of St Helena and jailor of Napoleon Bonaparte until Napoleon's death on 5th May 1821. Thence by family descent.
A SARREGUEMINES MAJOLICA PORCELAIN WALL CLOCK BY ALEXANDRE DE GEIGER (1808-1891) & PAUL DE GEIGER (1837-1913), CIRCA 1875, circular glazed door enclosing a white enamel dial inked with Arabic numerals, twin winding apertures, with scroll work cresting, the body decorated with fruiting vines and ribbon tied bough. c.66cm highProvenance: Galerie Vauclair, Paris, where acquired
A LOUIS XV ORMOLU AND PORCELAIN MANTEL CLOCK, THE MOVEMENT BY ANTOINE-ROBERT BUNON, MID-18TH CENTURY, the white enamelled dial with Roman and Arabic numerals and movement signed 'BUNON A PARIS', framed by flowers and foliate rockwork, on shaped supports decorated with flowers, on a pierced base decorated with windmill with figures of a shepherd and shepherdess playing music, originally with further ormolu elements. 52cm high, 46cm wide, 26cm deepProvenance : Almost certainly, sale, Christie's, Paris, 17 November 2011, lot 194
A Paris porcelain coffee service, c.1808-18, decorated by Stone, Coquerel et Le Gros with pastoral scenes of figures and landscapes within gilt-edged panels on a white ground, the rims with continuous black and gilt palmette borders, the spouts and handles formed as mythical beasts and masks in the Egyptian manner, printed circular marks. Comprising: a coffee pot and cover, a hot water jug and cover, a milk jug, six cups and seven saucers, plus two associated plates with similar decoration within sepia fruit rims. (20)
A French enamel egg bonbonniere or box, late 18th century, decorated with gilt flower sprays within panels on a turquoise ground, and an unusual Paris porcelain snuff box, the triangular form painted with maritime landscapes within a raised gilt border, crossed arrows mark possibly for La Courtille, some cracking and chipping to the egg, 7.7cm max. (2)
A Sèvres coffee can, date code for 1785, painted with the initial J within a painted bead panel amid rose and forget-me-not sprays, two pink rose sprays flanking the handle, blue interlaced Ls mark enclosing date letters hh, painter's mark mb, and a Paris porcelain coffee can painted in the Sèvres manner with diagonal bands of flowering stems and gilt foliate designs, some gilt wear to the first, 6.5cm max. (2)
A Sèvres jar and cover, c.1790, painted with small yellow oval panels reserved on a dark blue ground, a Sèvres saucer painted by Noel with vignettes of vases on a formal scrolled ground, a Sèvres-style cup painted with a putto and flowers, and a Paris porcelain small saucepan and cover painted with flowers, some damages and repairs, 17.4cm max. (6)
Pair of limited edition porcelain vases produced by Royal Doulton for Minton in 1992 to commemorate the bicentenary of the company, 1793–1993. These vases are reproductions of the Paris Exhibition Vase of 1878, based on the original shape designed and sculpted by Jean-Baptiste-Jules Klagmann and decorated by John Moyr Smith. Both the form and decoration were recreated by Minton artists and raised paste gilders using archival drawings. Each vase is hand-painted and hand-gilded in 22-carat gold on English fine china. This edition was limited to 25 pieces, and each vase is signed by various Minton artists, including W.R. Tipton, J. Wright, and others. The decoration features classical figures and architectural elements. Each vase is mounted on a custom square pedestal base, also included in this lot. Certificate of Authenticity included. Measurements are an approximate.Artist: Jean-Baptiste-Jules Klagmann, and John Moyr SmithIssued: 1992Dimensions: 11"W x 22"HCountry of Origin: EnglandCondition: Age related wear.
19th Century French Louis Phillipe mantel clock with a circular white enamelled dial, Roman numerals enclosing an 8 day movement by Raingo Freres, Paris, (1834-c.1860), striking the hours and half hours on a bell, in an ornate gilt bronze case with inset Sevres style panels, on rectangular feet, H.31cm, (crack in porcelain beneath back door), and a pair of similar candlesticks, H.22.5cm. (3)
Late 19th Century French ormulu mantel clock, the circular white enamelled dial with black Roman numerals, inscribed "F. Glading A Paris", enclosing an 8 day movement striking on a bell, inscribed "S. Marti et Cie Medaille de Bronze", "F. Glading A Paris", "G M", and numbered "3868", in a breakfront case surmounted by a vase with flowers flanked by a recumbent cherub and a putto holding a flagon and a cup, inset porcelain panels with gilt bordered reserves of cherubs and floral sprays on a bleu celeste ground below, on reeded bun feet, H.40 x W.43.5cm overall, (working when catalogued)Condition: Enamel loss and cracking by left winding hole
A 19th century continental large porcelain figurine of a lady in traditional dress holding a wealth of flowers, pink floral jacket with black head dress, with Chelsea style gold anchor mark to rear, probably Paris Chelsea, 53cm tall, with seated lamb and tree stump to rear. Displays well from a distance, closer up, damages can be seen to flowers and the lambs ears etc with other small damages apparent.
George, Prince of Wales: an English porcelain cup and saucer painted in colours upon gilt oval panels on a cobalt blue and gilded reserve, circa 1814(commemorative, pottery, royal, royalty, coronation).* Most probably produced in celebration of the 1814 Peace of Paris when the Prince of Wales was Regent.
Vincenti et Cie for Dent, a mid-Victorian French ormolu and porcelain mantle clock, the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel and stamped with the trademark of the maker Vincenti et Cie, the white enamel dial having blue Roman numerals set within an individual gilt cartouche, blued-steel trefoil hands and signed for the retailer Dent, Paris, the shaped ormolu case with floral, c-scroll and bird mounts and inset with painted porcelain panels, with glass dome and base, height 34cm including base. Notes: Vincenti started his workshops before 1823 in Montbeliard, France making the blancs roulants (rough movements) for clockmakers to finish and use, but went bankrupt a year later, whereupon the clock manufacturer Roux took on the management. Although Vincenti died in 1834, the business continued, winning a number of awards including the Medaille d'Argent (silver medal) in 1855
Six Porcelain Ashtrays, including - a Porcelaine de Paris square ashtray decorated with Chasses Royales, 7.25ins x 7.25ins, an S.T. Dupont rectangular ashtray in checkered pattern, 6.5ins x 7.75ins, a Gucci ashtray decorated with duck, 5.75ins x 5.75ins, and four other ashtrays and two lighters
A PARIS PORCELAIN (DAGOTY) SHELL-SHAPED CHAMBER POT CIRCA 1800 With handle and foot naturalistically modelled as pink coral, foot with script mark Dagoty à Paris 16cm high, 26.5cm long Provenance: With Klaber & Klaber, London, 12th June 1997 Condition Report: Discoloured/gold painted section to rim, some firing faults to the coral. Please see additional images available upon request from the Dept.Condition Report Disclaimer
A late 19thC French Ormolu mantel clock, by Le Roy & Flis, Palais Royale Paris, and 296 Regent Street London, circular enamel dial bearing Roman and Arabic numerals, eight day movement with bell strike, the case with an urn finial, and two putti supporters, inset with porcelain plaques, raised on four floral feet, with pendulum and key, 32cm wide.
A late 19thC German porcelain figure group, of a gallant and lady raised on an oval base, 22cm high, a Meissen porcelain figural candlestick, of a seated lady with a basket of flowers, on a rococo scroll base, 16cm high, a Paris porcelain coffee can, gilt decorated in reserves with vases and ewers on plinths, against a blue ground, and an English porcelain mug, painted with sprays of flowers, and named in gilt to 'Maria Louisa Hoare 1837'. (4)
A collection of continental porcelain comprising: a part tea set, probably Paris c1870, comprising teapot and cover, milk jug and sucrier, painted with trophies and swags within ribbon tied floral borders, painted marks to pot, teapot 9cm high, a similar pedestal tea bowl, 8cm diameter, a mug, with gilt decoration and paw feet, painted mark SM(?) 1816, 9cm high, and a coffee can, with classical and gilt decoration, 6cm high (7)Provenance: The David and Sarah Battie Collection.Condition ReportTeapot, spout chipped,Mug, handle missingRest, good
A Paris porcelain cup and saucer c.1805, with gilt neo classical decoration, gilt mark to base saucer 13cm diameter and a 19th century two handled chocolate cup, with enamel floral decoration7cm high (3)Provenance: The David and Sarah Battie Collection.Condition ReportParis GoodTwo jandled cup, minor rim chips, small chip to base of one handle
A French porcelain mounted engraved brass manicure box, late 19th century, of oval form, fitted with accouterments, lacking penknife, 14.5cm wide, andtwo Paris porcelain scent bottles, late 19th century, each painted with floral panels, and gilt decoration, one inscribed, 13 and 16cm high (3)Condition ReportMissing penknife. Bottles worn, larger stopper restored to barrel.
A Charles X Paris porcelain tea service, 19th century, the white grounds decorated with oak leaves forming continuous bands heightened in gilt, comprising a teapot, 24.5cm high, a cream jug, 17cm high, an associated sugar bowl, 11cm high, and nine cups and saucers, 7cm high (qty.)Condition ReportRubbing to gilding.Restoration to finial on teapot.
A 19th century porcelain part dinner service with bands of hand painted scrolling gilt foliate decoration over a scarlet ground within geometric gilt borders and starburst medallion lozenge cartouches to include square and oval lobed and quatrefoil dishes, one on a splayed foot along with a set of ten small plates in the manner of Vieux Paris. W.31cm
Assorted ceramics and glass including a Queens Hookers fruit pattern part tea service, an Aynsley Harlequin pattern part breakfast service, two Wedgwood majolica green glazed leaf moulded dishes, a cut glass star cut footed tazza, an Art Deco silver plated green guilloche enamel part dressing table set, various items of continental porcelain including two 18th century-style figures, a Paris porcelain two-handled sugar bowl, a cased set of butter knives, cased fish set, knives and forks, a 20th century gilt metal foliate oval wall mirror and a studio pottery celadon ground dish by Jill Pryke, decorated in slip with a radiating foliate design (2 boxes)

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