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A very unusual antique pill or patch box of turned bone construction with inlaid enamel plaque to the top, the blue and white enamel likely made in Bilston and showing two birds on a branch, late 18th or early 19th century, 30mm in diameter

Crate of Silver plated wares; Claret wine jug, Fork rests, Framed Silver thread thistle patch- possibly military, EPNS Arts and crafts tea caddy and eagle finial dish.

Manner of Cecil Aldin Patch, A Sealyham Terrier Coloured chalks on paper Framed and glazed Picture size 17.5 x 22.5cm Overall size 28 x 32.5cm

ATTRIBUTED TO CHARLES MELLIN (FRENCH 1597-1649) PIETÀ Oil on canvas 106 x 77.5cm (41½ x 30½ in.)Provenance: Sale, Ader Tajan, Paris, 26 April 1993, lot 18 (as Attributed to Johann Heinrich Schonfeld, for FF 200,000) A photograph of the painting was requested in a letter dated 7 November 2006 for possible inclusion in the catalogue of the exhibition held at the Musée des Beaux-Arts de Caen from 21 September to 31 December 2007, Charles Mellin: un Lorrain entre Rome et Naples, curated by Mr. Philippe Malgouyres. However, the photograph ultimately did not appear in the published exhibition catalogue. Condition Report: The canvas appears to be relined relined. UV light reveals an approx. 15 cm patch of restoration to the dark section of the right arm of Christ, further scattered retouching is present to the torso. Further extensive retouching is present to the dark section of the drapery of the Madonna, as well as to her shoulder. Finally, further retouching is present to the visage, and a 'R' shaped restoration is present above her head - possibly a restoration covering a past tear. Condition Report Disclaimer

‡ THÉODORE ROUSSEAU (FRENCH 1812-1867) LA MARE AUX BICHES Oil on bevelled panel Signed (lower left) 15.5 x 20.5cm (6 x 8 in.) Painted circa 1848-50. Provenance: Collection Maurice Kann Boussod-Valadon, no. 23235 (Getty Research Institute, Los Angeles) Sale, Wallis & Son, London, 20 October 1894, lot unknown S.P. Avery, London, 1897 Literature: M. Schulman, Théodore Rousseau, catalogue raisonné de l'oeuvre peint, Paris, 1999, no. 411 Condition Report: The work has been re-varnished. Some very fine craquelure however the paint surface appears stable. Light rubbing and abrasions to the framing edges. There is a small patch of brown residue / varnish (approx. 1cm) just below the deer's head. Inspection under UV light reveals no evidence of restoration or repair, however there is a heavy green varnish which may be concealing some overpaint.Condition Report Disclaimer

Victorian Art and Crafts School oil on canvas - portrait of a young lady, 46cm x 36cm, in gilt frameThe canvas has not been lined, a scratch to the left side by her eye which has been patch repaired from the reverse. Some overpainting visible under a uv light. Would undoubtedly restore well, it has a very nice look. Various losses to the gilt frame.

Unusual bronze aquamanile of a dove, possibly Islamic, raised on circular base, with restorations, 22cm highSquare patch to front of the bird, and seams to the sides, the legs and base appear to be replaced, split towards base of one leg

A silver cylindrical box and cover, possibly by Rosenthal, Jacob & Co, tested as silver, the cover mounted with a coin within embossed decoration 5.7cm diametertogether with a Continental silver box with a hinged cover, embossed with figures, cherubs, and dogs within woodland, indistinct marks, 4.3cm diameter and a white metal pill or patch box with engine turned decoration, 6.2cm long, 2.6ozt (3)Condition Reportminor wear overall good

A Royal Worcester porcelain twin-handled vase, early 20th century, pattern 1969, enamelled with exotic birds, indistinct faint signature, printed marks,27.4cm highCondition ReportWear to the gilding. Small patch of sticky adhesive to the top of the rim.

Pair of Valentino women's jackets including one from the Valentino Boutique line in light gray tweed with a refined double-breasted silhouette and geometric silver-toned buttons, featuring structured tailoring and wide notched lapels. The second jacket is from the Miss V collection, showcasing a navy blue and beige vertical stripe pattern with round white buttons and patch pockets, offering a more relaxed, elegant layering option. Both pieces are made in Italy and reflect Valentino's signature sophistication and craftsmanship.Issued: c. 1980Dimensions: Approximately: 20 "L & 29"LCountry of Origin: ItalyCondition: Age related wear.

This exceptional 2-piece ensemble from Jil Sander showcases modern luxury and precise tailoring, blending refined minimalism with practical elegance. The grey jacket features a unique asymmetrical double-breasted button closure, adding an architectural edge to its softly structured silhouette. Crafted from a fine wool blend, it boasts functional patch pockets and buttoned cuffs, maintaining a clean yet sophisticated aesthetic. Accompanying the jacket is a warm camel-brown corduroy belted coat, defined by its casual-chic approach. Designed with a classic collar and buttoned front, it features a self-tie belt that cinches the waist for a flattering fit. Spacious flap pockets and a structured shoulder give it a timeless feel while maintaining the brand's signature understated sophistication. Both pieces are Italian made and labeled as Jil Sander, renowned for its commitment to luxurious materials and impeccable tailoring. Size 38, this set exudes modern European style, perfect for elevating any wardrobe with effortless versatility.Issued: c. 1980Dimensions: Approximately: 24 and 27"LCondition: Age related wear.

Add timeless sophistication to your wardrobe with this 2-piece ensemble from the esteemed MaxMara label, featuring a beautifully tailored blazer and matching shell jacket. Both pieces are crafted from luxurious pure linen in a soft beige hue that exudes effortless elegance. The single-button blazer showcases a classic notched lapel, front patch pockets, and a chest pocket for versatile styling. A rear vent ensures comfort and ease of movement, while the shell jacket is a perfect lightweight layering piece. Both garments feature the signature MaxMara label and pure linen tags, reflecting the house's dedication to craftsmanship and luxurious materials. Size 10, this ensemble offers endless styling options for both professional and casual occasions. While there are some light signs of wear and minor creasing consistent with gentle use, these pieces remain a testament to MaxMara's enduring quality and design.Issued: c. 1990Dimensions: Each approximately: 26"LCountry of Origin: ItalyCondition: Age related wear.

Memorabilia / Autographs - 3 Sex Pistols items to include: Sex Pistols LP inner sleeve signed by: Sid Vicious, Johnny Rotten, Paul Cook, Steve Jones and Glen Matlock, replica metal sign for their first US appearance, size 30x40cm and a patch.

Vinyl - 7 Iron Maiden 7” singles to include: The Soundhouse Tapes (Rock Hard Records – ROK.1, Japanese 1983 private pressing with ROK-IA / ROK-IB matrices), Fear Of The Dark - Live (EMI - EMP 263, UK 1993 limited numbered in poster sleeve), Bring Your Daughter... To The Slaughter (EMI – EMS 171, UK 1990 single sided etched), Infinite Dreams (EMI – EM 117, UK 1989), Can I Play With Madness (EMI - EM49, UK 1988), The Clairvoyant (EMI - EMS 79, UK 1988 clear vinyl in poster sleeve), Infinite Dreams (EMI - EMS 117, UK 1989 sealed with patch). Condition at least EX overall

This charming Deb Canham artist-designed bear named Violet is a delightful collectible, handmade in a limited edition of just 500 pieces worldwide. Crafted in a soft lavender mohair-like plush, Violet features a sweet embroidered patch of pink flowers over a black heart on her chest, expressive stitched details on her paws and nose, and a delicate lace ribbon bow on her head. This is bear #236 with its original tag still attached. A unique and sentimental piece from Deb Canham Artist Designs Inc., perfect for collectors of artist bears and limited edition plush animals.Issued: c. 2000Dimensions: 8.50"HEdition Number: 236 of 500Condition: Age related wear.

This charming Deb Canham artist-designed bear named Violet is a delightful collectible, handmade in a limited edition of just 500 pieces worldwide. Crafted in a soft lavender mohair-like plush, Violet features a sweet embroidered patch of pink flowers over a black heart on her chest, expressive stitched details on her paws and nose, and a delicate lace ribbon bow on her head. This is bear #158, signed by Deb Canham and dated May 2000, with its original tag still attached. A unique and sentimental piece from Deb Canham Artist Designs Inc., perfect for collectors of artist bears and limited edition plush animals.Issued: 2000Dimensions: 8.50"HEdition Number: 158 of 500Condition: Age related wear.

A bamboo cabinet, circa 1900, the top inset with lacquered panel decorated with birds over a pair of glazed doors104 x 83 x 33cmone foot slightly shorter so rocks from front right to back leftmultiple holes to the edge of the top, would have probably had a raised structure ontop or a gallerytop panel scratched with some minor rubbing to the gilt and painted decorationgeneral knocks and scratching consistent with age and useright panel with a bad patch of wear to the upper rightleft panel also worn Frame very knocked, bamboo has been painted to give an appearance of patinaSee images

A Derby patch mark figure, of a gallant, he stands wearing a tricorn hat, pink jacket and yellow breeches, holding a love letter, before bocage, scrolling circular base, 21.5cm high, c.1760

A Derby patch mark figure group, the Elements, Earth, modelled as two winged cherubs, one standing with a spade, the other seated with a basket of flowers, naturalistically moulded base, in polychrome, 21.5cm high, c.1765

A Royal Worcester Millennium coaster and patch pot, boxed; a Wedgwood green Jasper trinket pot and cover, others similar; decorative ceramics, Aynsley, Hammersley, Spode, Royal Albert, Minton; qty

A pair of early 20th century mahogany rectangular mirrors, with bevelled glass.  Frame size 75 x 59 cm.The first mirror is in good order. The frame shows signs of age-related wear, light scratches etc and there are a couple of holes, but we do not think that these are woodworm we think they are more than likely drawing pin holes. There is also one small patch of veneer which has been filled to the bottom right-hand side approx. 1 cm x 1.5 cm.  The second mirror is in the same condition as the first with the same pin pricks and small patches of filled missing veneer.

A PAIR OF GEORGE IV 12-INCH LIBRARY TABLE GLOBES BY J. AND W. CARY, LONDON, THE TERRESTRIAL PUBLISHED 1826 Each sphere applied with two sets of twelve hand-coloured engraved split half-gores, the terrestrial incorporating circular printed panel inscribed CARY'S, NEW, TERRESTRIAL GLOBE, DELINEATED, From the best Authorities extant:, Exhibiting the late Discoveries towards the, NORTH POLE, and every improvement in Geography, to the present Time., LONDON: London. Made & Sold by J. & W. Cary, Strand, Jan'y 4 1826., extensively annotated with fully graduated equatorial calibrated in minutes and degrees, ecliptic and meridians, the Pacific ocean with an analemma of the table of equation, many explorers' tracks and numerous notes and dates, Antarctica with no land shown, the continents with nation states faintly colour-outlined, showing cities, towns, rivers, mountains in pictorial relief; the celestial with printed panel inscribed CARY'S, NEW CELESTIAL GLOBE, ON WHICH, are currently laid down upwards of 3500 stars, Selected from the moft accurate observations, and calculated for the year 1800, with the extent of each constellation precisely delinat., By NR. GILPIN of the ROYAL SOCIETY., Made & Sold by J. & W. Cary, Strand... (date indistinct but probably Jan. 1st 1816), with fully graduated equatorial and ecliptic with twilight zone, the constellations depicted by mythical beasts and figures with dotted boundaries, the stars shown in seven orders of magnitude with clusters and nebulæ and labelled; both spheres with engraved brass hour dials to the poles and pivoted within brass meridian circles divided for degrees, the hand-coloured engraved paper horizon rings with compass points and degrees in both directions, annotations for the Zodiac, calendar scales and wind directions; each supported on mahogany tripod stand incorporating quadrants supporting the horizon ring, over ringed baluster upright and downcurved supports fitted with compass stretchers and terminating with brass cup castors each 69cm high, 43cm diameterThe celebrated Cary family business of scientific instrument and globe makers was established by John Cary at Johnson's Court, Fleet Street, London in 1782 moving to a new address at 'Corner of Arundel Square', Strand the following year. He was primarily an engraver of maps, charts and globes who moved again in 1783 to 188 Strand. By 1791 he had entered into what appeared to be a relatively casual partnership with his brother, William; this partnership lasted until circa 1816 by which time William and John Cary had moved again to 181 Strand before finally settling in 86 St. James in 1820. The following year he was succeeded by his sons, John (II) and George Cary, who continued from the firm's 181 Strand address until 1851/2 when the business was acquired by Henry Gould. John and William Cary first introduced their 12 inch table globes on 1798 with the terrestrial periodically updated up until at least 1829.An almost identical pair by Cary sold Christies 7th April 2021, lot 96 $17,500.  Condition Report: Terestrial - sphere is intact and apparently free of significant impacts or cracks. There is a slight glancing blow to the surface in the Caribbean and an old filled puncture near the Azores. A large section of the varnish has been carefully removed from the Pacific ocean revealing faded surface. The gores have noticeable openings where they meet most noticeably at the top pivot. Faults are otherwise limited to surface varnish loss, scuffs, fading and varnish browning. The sphere turns within the brass ring with nothing loose inside. The brass fittings are complete but in heavily tarnished condition. The horizon ring has a triangular scarf timber repair replacing a small section of the paper and there is general wear/losses and cracking to the papers. The underside of the ring shows evidence of it being broken and glued back together in two places. The stand is basically in sound original condition. The quadrants are missing three (of their eight) 'ears' where the join with the horizon ring. The compass is missing its needle and the paper is heavily browned/torn. The compass housing also has a crack to the circumference. Faults to the stand are otherwise limited to age related bumps, scuffs and wear.Celestial - Sphere has three significant filled impacts, there is also a puncture and the polar pivot areas have losses/distortion to surface. Otherwise faults are generally limited to bumps, scuffs and other age-related blemishes as well as browning to the varnish. The sphere will turn without rattles however it is no longer central within the brass ring so is prone to rubbing the horizon. The horizon ring is in similar condition to that of the terrestrial but with touched-in triangular patch (rather than veneer). The underside of the ring shows evidence of it being broken and glued back together in one place. The stand is missing five ears and two of the quadrants have been broken and glued near the junction with the upright. The compass is in similar condition as is the rest of the stand as the terrestrial.DUE TO THE NATURE OF THE CONDITION OF THESE GLOBES THIS REPORT CANNOT BE SEEN AS FULLY DEFINITIVE. PLEASE SEE ADDITIONAL DETAIL IMAGES AVAILABLE ON REQUEST WHICH FORM AN INTEGRAL PART OF THIS CONDITION REPORT.  Condition Report Disclaimer

After Bartholomeus Breenbergh (1598-1657)The Finding of the Infant Moses by the Pharaoh's Daughterinscribed lower rightoil on canvas40.5cm x 56cm After the original in the National Gallery, London. Central figure substantially overpainted. Retouching to main figure group. Patch of river to right of group and waterfall above them repainted, retouching to buildings and ruins and sky with large areas of overpaint

A collection of boxed dolls and teddy bears, comprising Harrods 2002, 2003 and 2004 bears, also a boxed House of Fraser Millennium bear and a boxed Cabbage Patch kids doll (5).

A George V circular silver and enamel Royal Western Yacht Club pin tray, maker William Base & Sons, Birmingham, 1929, 9cm diameter , together with an HMS 'Fisgard' silver marathon trophy, a silver plate HMS 'Iron Duke' rowing trophy, a pocket compass and a cloth patch. (5)

Charlie Bears - A jointed bear "Ashley" CB104683. Approx 36 cm long in two tone fur, wearing a bell studded collar. Comes with swing tag. Bear has a very small patch of bare fur on the wrist of the right paw, but otherwise appears to be in very good condition, but may have been on display and benefit from a clean. This does not constitute a guarantee) [L]

Cabbage Patch Kids - Fisher Price - David Halsall - A lot to include; 2 Cabbage Patch Kids without accessories in Good condition. A Fisher Price Baby Doll from 1982 in with accessory clothes in Good condition. A collection of David Halsall and mixed Dress-Up Dolls, dolls in packaging appear Excellent while loose dolls appear to be in Good condition. Items are unchecked for completeness. (This does not constitute a guarantee) (JF).

Lucien Whiting Powell (American, 1846 - 1930)Oil on Canvas. Signed lower left.Condition: patch verso to canvasSight Size: 16 x 20 in.Overall Framed Size: 20.5 x 24.5 in.

Artist unknown, oil on canvas, portrait of William Henry Nicholls, possibly a self portrait, unsigned, within a moulded and stained pine frame, 29cm x 24cm & 35.5cm x 30.5cm overall. Some abrasions and weak patch to canvas

GUCCI X BALENCIAGA SMALL JACKIE 1961 BAG. beige, ebony and white supreme coated canvasadjustable top handle/strap, green and red web detail, iconic piston closure with gold tone hardware, microfiber lining with a suede-like finish, one interior zipper pocket, and one interior patch pocket, 27cm W x 18cm H x 4cm, with dust bag.

DOLCE & GABBANA MISS SICILY VON BAG CHAIN WALLET. lemon printed in white and yellow leather, gold tone hardware, top handle in yellow grained leather, adjustable and removable chain strap, one flap fastener, yellow leather lining, two patch pockets, 5 slots for cards, Made in Italy, 15cm x 10cm H x 3cm.

Naive School (19th Century)The Craven Heifer at Bolton AbbeyOil on canvas, 53cm by 64cmOverall poor condition; Including a thick layer of surface dust and debris, and a thick layer of nictoine staining. Craqueleure and uneven texture throughout. Tear and patch repair to sky. General discolouration.Please see images.

A Chinese Bronze Vase, in archaic style, together with a Japanese bronze vase, cast iron soldier, Indian carved wooden statue of Lord Ganesh, Meiji boxwood foot, Isle of White glass vase, Meissen plate, cranberry glass, Art Nouveau tray (one shelf)Archaic vase - one handle/lug missing with a possible patch repair, some other minor dents and scratches. Vase is unmarked.Other items in the lot not reported

A Near Pair of Derby Porcelain Figures, circa 1770, modelled as a sportsman and his companion, stood before flowering bocages and on rococo style bases, patch marks17.5cm high (2)

Leigh (Charles) The Natural History of Lancashire, Cheshire, and the Peak, in Derbyshire, first edition, engraved portrait frontispiece (slightly creased and frayed at foot), double-page engraved map hand-coloured in outline, 24 engraved plates, 4pp. list of subscribers, 3 errata ff., plate at 3B1 & 3C2 with short marginal tear, the odd patch of light soiling, occasional very slight toning, overall a good and crisp copy, contemporary panelled calf, neat repairs to spine ends, joints and lower corners, extremities rubbed and little worn in places, [Wing L975], folio, Oxford, Printed for the Author, 1700.

Euclid. The Elements of Geometrie, first edition in English of the first complete translation, translated by Sir Henry Billingsley, preface by John Dee, title within fine woodcut border depicting Ptolemy and Strabo, amongst others, folding letter-press table (torn and repaired, without loss), numerous woodcut diagrams including 37 diagrams on 28 pp. with one or more printed overslips, woodcut portrait of John Day above colophon, woodcut historiated or decorative initials and tail-pieces, lacking final blank, title and final 2ff. with neat restorations to blank outer corners, occasional dampstaining, mostly marginal, 2D2 with burn hole to head, 2V2&3 with small patch of soiling partially obscuring text, small rust hold to 2D1, small paper flaws to 2T2&5 with some minor loss to text, modern antique-style calf with original covers laid down, [STC 10560; cf. PMM 25], by John Daye, [1570]. *** First edition of the first major science book in English. The clear and precise nature of the text coupled with the numerous illustrations ensured this work's continued popularity as a scientific textbook up to the present day. In addition the use of printed slips here (originally printed as six bifolia bound in at the end) mean that this work can lay claim to being the first illustrated popup work in the English language. John Dee's preface is considered by many to be his most important published work. It outlines the practical applications of Euclid's work, lays the foundations for later experimental science and hints at the use of magic and the supernatural in conjunction with the natural. In addition, Dee also contributed further theorems and annotations.

A RARE QUEEN ANNE WALNUT OYSTER VENEER BUREAU, CIRCA 1710. Having a shallow gallery to the top with herringbone cross-banding, above a figured walnut sloping fall with herringbone cross-banding, above a oyster veneer frieze and over two short over two long drawers with brass swan neck handles, and raised on bracket feet, the fitted interior set with five serpentine drawers and pidgeon holes and a red baize, 95cm high 92cm wide 54cm deep. CR* rare and interesting piece, lovely colour and patina, some surface scratches and cracks to veneer, appears to have a few patch repairs to the drawer fronts, some very minor woodworm to back boards which is not unusual, couple of splits to the sides, baize is later, feels solid and ready for use.

A quantity of Halcyon Days pill and patch boxes and figurines some in original packaging (17)

AFTER PETER PAUL RUBENS HELENA FOURMENT WITH HER CHILDREN Oil on canvas board Signed indistinctly (lower right) 34 x 24.5cm (13¼ x 9½ in.) After the painting in the Louvre Museum. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Surface dirt throughout. Abrasions to the framed edged. There is a loss of canvas at the lower left tip. At the top centre there is an uneven paint surface patch, possibly caused by the laying down of canvas. UV inspection revels scattered retouching with an uneven varnishing layer throughout. The picture is indistinctly signed. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS WILL BE AVAILABLE TO COLLECT FROM SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer

Milne (A. A.) Winnie-the-Pooh, 1st edition, London: Methuen & Co., 1926, illustrations by E. H. Shepard, short closed marginal tear to p. 32, a few light spots, light toning to endpapers, small contemporary ink inscription, top edge gilt, original green cloth gilt, spine darkened and a little rubbed at ends, 8vo, together with Now We Are Six, 1st edition, London: Methuen & Co., 1927, illustrations by E. H. Shepard, some toning to half-title, top edge gilt, original red cloth gilt, spine faded and rubbed at ends, small indentation at head of rear cover, small faded patch to upper cover, 8vo, with 2 others: The House at Pooh Corner, 1st edition, 1928, and When We Were Very Young, 16th edition, 1927QTY: (4)

English School (19th Century) Inn by a Bridge with figures walking by (possibly Trent Bridge)  oil on canvas, 24 x 35cm  signed with initials and dated 1876 lower left, framed Further details: patch to reverse, cleaned 

Crafted with signature sophistication, this Yves Saint Laurent Paris women's tailored jacket features a timeless silhouette in deep navy. Made in France, this design is constructed from a high-quality textured fabric with a soft, structured drape, showcasing sharp lapels, a single ornate swirl-engraved black button closure, and flap patch pockets at the hip and chest. The jacket's fully lined interior highlights its expert tailoring and luxurious craftsmanship, with the iconic YSL label prominently displayed. A classic wardrobe staple, ideal for formal or professional styling.Issued: 20th centuryDimensions: 26"LCountry of Origin: FranceCondition: Age related wear.

This sophisticated ensemble from Valentino Boutique features a tailored sleeveless dress and coordinating long coat in a classic charcoal grey with subtle gold pinstripes. The sleeveless dress is designed with a high neckline, decorative metallic buttons down the front, and dual front patch pockets. The matching coat enhances the look with sharp lapels, functional pockets, back venting, and double rear buttons for added elegance. Both pieces are fully lined, made in Italy, and display Valentino Boutique labels with original fabric content and size tags: the dress is marked US 8 and the coat US 6. Crafted from a wool blend with nylon and polyester, this set exemplifies timeless tailoring and luxurious Italian craftsmanship.Issued: c. 1990Dimensions: Coat: 39"L; Dress: 29"LCountry of Origin: Italy Condition: Age related wear.

PATCH BOX SILVER VESTA, POCKET COMPASS ETC

A rare 18th Century Bilston Enamel recumbent hare patch box. C.1770. 8.5x4.5x4cm

American, 1883-1960The Arrival, 1911Signed P.V.E.IVORY and dated 11 (lr)Oil on canvas36 x 24 inches (91.4 x 61 cm)(Framed 45 x 33 inches)Canvas is unlined. Scattered areas of restoration with associated overpainting, including two patch repairs in the lower center. Craquelure, particularly in the white pigment.

Turkey, ContemporaryThe central water bug medallion on the open indigo field flanked by terracotta spandrels is within a madder palmette and vine border. (10' 0" x 8' 6")Soiled areas, losses to fringes, small patch in one corner

American, 1849-1942In Birch Creek Valley, Ulster County, N.Y., 1897 Signed THOS. B. CRAIG, A.N.A. (lr); dated 1897 and inscribed as titled on the reverseOil on canvas20 x 30 inches (50.8 X 76.2 cm)Provenance:Covington Fine Arts Gallery, Tucson, Arizona(Framed 25 1/2 x 35 3/4 inches)Earlier conservation performed by The Linda Morris Studio, Tuscon, Arizona, in 1992. Two small, restored punctures are located in the center and the center left, and a repaired puncture in the lower left corner with patch verso, all with associated inpainting.

ETHEL LEONTINE GABAIN RBA ROI SWA (FRENCH/BRITISH 1883 - 1950), THE PATCH lithograph on paper, signed, titled label versomounted, framed and under glass image size 41cm x 25cm, overall size 67cm x 43cm Label verso: T. & R. Annan & Sons, Glasgow

Luis Pérez de la Oliva for Fase of Madrid, SpainPresident desk lamp, circa 1960black lacquered shade and base attached to a wooden support41cm high. Not recently PAT tested.  Last tested 2018. Standard UK plug. A rough patch base top.  A bit of light wear.

William Morris (1834-1896)A large 'Peacock and Dragon' tapestry, circa 1890woven fabric in blues and greens162 x 175cm.Provenance: Margaret Gimson; thence by descent. Looks like bottom right corner has square piece cut out, size approx. 15cm x 10cm. Some loose thread bumps.  One patch of moth damage although has not left a complete hole, it's just on one side and about 3cm.  Few light stains and marks.  On a wooden stick for hanging.  Looks a tad faded. No signature. New condition report photos added.

Jim Malone (b.1946) at Lesson Hall Pottery Bottle vasewith green glazeimpressed potter's seal to the footrim27.5cm high. Some firing imperfections with a noticeably darker patch to the body. Overall appears in good condition.

Catherine Yarrow (Surrealist School, 1904-1990) Bowlwith textured glaze and stylised decoration to the interior of the bowlunmarked17cm diameter x 6.8cm high overall. Provenance:Collection of Professor John Chambers. The rim is irregular; however, the glaze does cover these parts. The bowl does not sit straight, it leans to one side, although the base is stable. The interior has a patch about 2cm in length where the glaze has not covered, there’s a similar one of these to the exterior. Few other smaller, similar dots/dimples without glaze cover. No cracks, chips, harlines or restoration observed.

A World War 11 issue British Army large Pack or Haversack, as issued with 1908 pattern web equipment, manufactured by M.W.S. Ltd., patch on front flap 'White Rose Walk,' as is. (1)

A small etched Birmingham silver Vinaigrette, c. 1850; two miniature silver Hand Mirrors, and two Victorian decorated enamel Patch Boxes. a lot. (5)

A Coalport 'Cashmere' or 'Kashmir' group of two teacups, a coffee cup and one saucer, circa 1891-1919, with rich gilt decoration over an apple green, iron red and cobalt blue ground, raised gold jewelling around the central reserves with small central flower designs to the centre, retailers marks for A.B Daniell, 46 Wigmore Street, London, printed green factory marks to saucer, 14.2cm diameterCondition:Coffee cup - Some good re-touching to the gilding on the rim and a small patch of possible restoration below, the re-touching affecting approximately 1/4 of the gilt dentil section and related exterior. No visible original origin of damage under a bright torch.Teacups and saucer-Good condition with no damage or restoration. Some minor spots of flaking to some of the small gilded flowers, the gilt inner dentil rim of the and the base of the handle on the one teacup, together with further slight wear to the inner ring of the saucer, but none too disfiguring. The second teacup has crazing visible to the glaze.

William Moorcroft for Macintyre & Co, a 'Florian Ware' baluster vase, circa 1900-05, decorated with yellow tulips and lilies on a blue ground, printed brown Macintyre Florian mark and 'W Moorcroft Des' painted signature in green, 21.5cm high (restored to rim)Condition:There is a small patch of restoration to the interior of the rim, possibly to restore a chip. There is a small manufacturing flaw to the rim, a few small nibbles around the edge of the base and crazing to the glaze.

Newton, Isaac The Mathematical Principles of Natural Philosophy Translated into English by Andrew Motte. To which are added, The Laws of the Moon's Motion, according to Gravity. BY John Machin. London: for Benjamin Motte, 1729. 2 volumes, 8vo (19.2 x 11.6cm), contemporary calf, [36] 320, 393 [13] viii [3] 4-71 [1] pp., sigs. pi1 A2 ²A8 a8 B-X8, A-2D4 (-2D4, cancelled) a4 ²A-²D8 ²E4, engraved allegorical frontispiece to each volume, 47 engraved folding plates (numbered 1-25 and 1-19, with 3 unnumbered plates at rear of volume 2), 2 folding letterpress tables, 3 engraved headpieces. Bindings rebacked probably in the 19th century with endpapers renewed, worn overall, volume 1 rear board and volume 2 front board detached, intact joints cracked, occasional light spotting to margins, title-pages slightly spotted, volume 1 title-page with patch of browning in gutter and with faint crease across lower fore corner, small tear to head of D7, closed tear in I8, volume 2 title-page with a longitudinal strip of slight paper-thinning, one unnumbered plate at rear with creasing to fore margin and small nick to top margin [Babson 20; Wallis 23; cf. PMM 161] First edition in English of the Principia Mathematica, ‘the greatest work in the history of science’ (PMM). Originally published in Latin in 1687, the Principia ‘marked the culmination of the scientific revolution, […] ushered in modern science, and through its legacy the work may have done more to shape the modern world than any other ever published’ (ODNB). A complete copy with all text-leaves and plates.

A Bernard Moore flambe model of a rabbit, flambe with green glazed patch, applied glass eyes, a Royal Worcester rabbit netsuke figure glazed yellow and two small rabbits, printed BM monogram to main, 7.5cm. high (4) ProvenanceThe Cornish collection. LiteratureBernard Moore Master Potter 1850-1935, V&A cat. no.224 for a comparable rabbit illustrated.

Gilpin (William), Remarks on Forest scenery, and other Woodland View, relative chiefly to picturesque beauty illustrated by the scenes of New-Forest in Hampshire, 2 volumes, 1st edition, London: R. Blamire, 1791, 31 plates and 1 map, ink inscription to front flyleaf, ink inscription to rear endpaper, rebound in full calf with gilt tooled boarded, corners bumped and slightly worn, small repair patch to rear board volume 2, marbled text block, 8vo, together with; Tyas (Robert), The Sentiments of Flowers or language of Flora, 9th edition, London R. Tyas, 1842, with 29 colour plates, rebound to retain original gilt decorated spine and boards, extremities worn and rubbed, all edges gilt, 8vo, plus Pratt (Anne), Wild Flowers., 2 volumes, 1st edition, London: Society for Promoting Christian Knowledge, 1852, numerous colour illustrations, occasional minor light spotting, some pencil annotations, half green Morocco, gilt decoration to spine, boards rubbed and marked, small 4to, and Westwood (J. O.), The Butterflies of Great Britain with their Transformations, 1st edition, London: Wm. S. Orr and Co., 1855, period owner ink inscription to front endpaper, 19 colour plates, some minor light spotting, original gilt decorated green cloth, covers and spine rubbed with occasional marks, all edges gilt, large 8vo, plus other 18th and 19th century natural history reference and related, mostly original cloth some leather binding, some odd volumes, G/VG, 8vo/4toQTY: (4 shelves)