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Click here to subscribe18th century mahogany longcase clock with 8-days movement, 11 inch square brass dial, seconds dial, square date aperture, signed Brounker Watts, London with incomplete movement, hood with swan neck pediment and plain brass capped columns, 220cm high Condition ReportAdditional photos uploaded
A VICTORIAN GOTHIC REVIVAL OAK AND MARQUETRY SIDEBOARD IN THE MANNER OF CHARLES BEVANthe upper section with a castellated pediment over a rectangular mirror plate and a single shelf, the base with parquetry inlaid surface over a single frieze drawer and two cupboards with foliate panelling, on a pedestal base and castors, 190cm high x 175cm wide x 70cm deep
An Arts & Crafts oak escritoire in the manner of "James Shoolbred", the carved swan-neck pediment over a shelved raised mirrored back and carved floral fall with leather scribe and key, the fitted interior over a single carved door cupboard/three short drawers and single long base drawer on arched bracket feet, 182cm x 92cm x 96cm
J. Butler, Reading, a Regency mahogany and brass strung bracket clock, circa 1820, pediment case, brass fretwork sound grilles, 20cm painted convex dial with Roman numerals, raised on brass ball feet, double fusee movement striking on a bell, 45cm high, 29cm wide, 17cm deep, (key and pendulum)
Exquisite miniature hutch cupboard crafted in sterling silver. This finely detailed piece features an arched pediment with ornate repousse scrollwork, twin paneled doors that open to a hollow upper cabinet, and three functioning drawers below. Raised on silver ball and bracket feet, the piece demonstrates intricate craftsmanship throughout. Stamped with Dutch sterling silver marks, including the lion passant, the letter "K," and maker's mark DA+. Weight 212g.Issued: 20th centuryDimensions: 2.5"L x 4.25"HCountry of Origin: NetherlandsCondition: Age related wear.
John Hancock of Yeovil (Sommerset) - oak cased 8-day longcase clock c1810, with a flat topped pediment, blind frieze and broad cornice, square hood door with attached wooden pilasters and capitals, long trunk door on a square plinth with applied skirting, painted dial with steel hands, gilt painted spandrels, Roman numerals, minute track and five-minute Arabic's, with seconds dial and date aperture, dial pinned via a falseplate to a rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 200cm Length/Width: 42cm Depth/Diameter: 24cm
James Hall of Newcastle-Late19th century mahogany longcase clock c1870, with a swan necked pediment and break arch hood door beneath flanked by ring turned pilasters, trunk with half-round inset pilasters and a short panelled trunk door, on a square plinth with a recessed panel, painted dial with spandrels depicting country cottages and a coastal scene of a child and fisherman to the arch, with Roman numerals, minute track, date and seconds dial and stamped brass hands, dial attached via a false plate to a rack striking movement striking the hours on a bell. With weights and pendulum. James Hall is recorded as working from King Street Newcastle-upon-Tyne from 1850 onwards. This clock was the subject of a detailed article on both the clock and maker, published in CLOCKS magazine in 2009. Dimensions: Height: 227cm Length/Width: 59cm Depth/Diameter: 27cmCondition Report: Glass in hood door cracked.
W. Phillips of Bromyard - 8-day mahogany longcase with a painted moon roller dial, c 1790,swans neck pediment with dog tooth moulding, raised carving and brass paterie, break arch hood door beneath flanked by reeded pilasters with brass Corinthian capitals, trunk with a blind fret, reeded quarter columns and long wavy topped door,Plinth with a deep moulding and canted corners raised on a shaped base, painted dial with gesso spandrels, Roman numerals, five minute Arabic's and minute dots, with steel hands, seconds dial and square date aperture, dial pinned to a rack striking movement with an anchor escapement, striking the hours on a cast bell. A clockmaker by the name of John Phillips is recorded as working in Bromyard (Worcs) in the early to mid 18th century, certainly by 1770-90. W. Phillips was possibly an unrecorded son or brother also working in the same family clockmaking business during the later part of the 18th century.Dimensions: Height: 250cm Length/Width: 54cm Depth/Diameter: 27cm
Mid-19th century-oak cased 8-day longcase clock, with a swan neck pediment, brass ball and spire finial and paterea, break arch hood door, detached pilasters with Corinthian brass capitals, trunk with canted corners and a spire topped door, square plinth with moulded feet, painted dial with images of the four seasons to the spandrels and a depiction of a boy and his dog to the arch, with Roman numerals, seconds and calendar dial and matching steel hands, dial pinned to a rack striking movement, striking the hours on a bell.Dimensions: Height: 220cm Length/Width: 36cm Depth/Diameter: 23cmCondition Report:No weights or pendulum.
Sinford, of Newcastle - mid 19th century Oak and Mahogany 8-day longcase clock c1840, with a break-arched pediment and three brass ball and spire finials, break arch hood door flanked by turned pilasters with wooden capitals, trunk with a long door with cross banding and a gable top, rectangular plinth with a integral shaped base, painted dial with floral depictions to the spandrels and a pastoral scene to the arch, with Roman numerals, seconds and date dials and stamped brass hands, rack striking movement , striking the hours on a bell. With weights and pendulum.Dimensions: Height: 230cm Length/Width: 50cm Depth/Diameter: 25cm
Thomas Holme of Hexham- mid 18th century 8-day oak longcase clock with a swan necked pediment and ball and spire finial to the centre, square hood door flanked by turned pilasters with brass capitals, trunk with canted corners and a long door with a gothic arched top, square plinth raised on an applied skirting, brass dial with "four seasons " spandrels, matted centre with seconds dial and date aperture, chapter with Roman numerals, quarter hour and minute tracks and fettled steel hands, dial pinned directly to a rack striking movement, striking the hours on a cast bell. With pendulum bob and two weights.Dimensions: Height: 210cm Length/Width: 43cm Depth/Diameter: 24cm
SCOTTISH MAHOGANY SECTIONAL BOOKCASE, PETER GRAHAM, HILLHEAD SECTIONAL BOOKCASES, EARLY 20TH CENTURY in four sections comprising a pediment, two sliding glazed doors and base, along with a single section bookcase with sliding glazed doorthe sectional bookcase 86cm wide, the section 99cm wide Qty: 2Good overall condition with normal signs of wear as per age and use.
AN ANGLO-INDIAN ROSEWOOD & IVORY TABLE BUREAU CABINET early 19th century, constructed in two sections and inlaid with elaborate scrolling bands of flowers and leaves, surmounted by a pediment incorporating an opposing pair of makara and subsidiary deer, the cabinet comprising a central bank of four graduated drawers flanked by pigeon holes and further banks each of three drawers and enclosed by a pair of side-hinged doors, the bureau with a fall-front supported by extending lopers, opening to reveal an arrangement of three central pigeon holes above a drawer, flanked by concealed letter compartments masked by pilasters and further banks each of three drawers with outsweeping outer corners, the base with divisions and fitted with a removable mirror, the whole raised on bracket feet, overall 91cm high, 61.5cm wide, 28.5cm deep, the mirror plate 20cm x 25.5cm. NOTE: Greenslade Taylor Hunt have applied for a de minimis exemption certificate for the ivory in this lot (Ref: 8GVEGZ29). Condition Report : Structurally sound; pediment with one deer and one floral detail cleanly detached (easily re-instated, as per supplied images), and with some closed splits to ivory inlay and small losses; cabinet lacking approximately two-thirds of the upper rear edge ivory inlay (unseen beneath pediment when in place); the interior main surface with some splits and now crazed old repairs; one door with small loss around hole for knob; cabinet with loss to lower left corner edging (unseen when in situ on the bureau); the fall front with a closed split of almost full-width below the uppermost band of inlay; the body with splits to the base sides, and with some splits to the lower front ivory edging strips; additional small losses to the ivory, and slight isolated lifting, but generally complete and presenting well. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A George III mahogany dressing table mirror, the rectangular mirror with a fretwork pediment, supported on tapering uprights extending to brass acorn finials, all upon a plinth base with a single frieze drawer and bracket feet, 64cm H x 40cm W x 24cm DCondition reportDrawer has been later re-constructed, back board to the mirror also later along with the mirror plate, feet also later re-constructed, please see additional images.Otherwise very light wear only, structurally sound.
A small collection of three antique silver wine labels, comprising: one by Phipps and Robinson, London circa 1790, rectangular form, pierced pediment with initials, incised 'Claret', plus one London 1791, banner form, pierced cone and foliate pediment, incised 'Madeira', and a William IV label, by Charles Fox, London 1830, shaped oval foliate form, pierced 'Madeira', approx. total weight 1.2oz. (3)Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.
A George III silver wine label, maker's mark twice, JT script, circa 1790, oval navette form, bright-cut borders and pieced raised pediment with a Bacchanalian cherub astride a barrel, incised 'Claret', length 5.4cm, approx. weight 0.2oz.Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.
A George III silver sauce label, unmarked, circa 1790, closed crescent form, incised 'Coratch', plus a George III silver sauce label, by James Long, London circa 1790, crescent form, pierced urn pediment, bright-cut borders, incised 'Elder', approx. total weight 0.1oz. (2)Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.
Four George III silver wine labels, by Susanna Barker, London circa 1790, oval navette form, pierced borders, one with mounted with a crest, incised 'Madeira', and two others incised 'Port' and 'Madeira', plus one with bright-cut borders and a pierced raised pediment initialled 'S' below a coronet, incised 'Calcavlla', approx. total weight 1.4oz. (4)Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.
A pair of George III silver wine labels, by Susanna Barker, London circa 1790, banner form, bright-cut borders, raised pierced oval pediment with foliate decoration and engraved with a crest, pierced 'Hock and 'Claret', plus another George III silver wine label by the same maker, similar form, incised 'White Whine' engraved with a crest, approx. total weight 1oz. (3)Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.
Four George III silver wine labels, by Susanna Barker, London circa 1780-92. comprising: one of banner form, with a pierced urn pediment, engraved with a crest, bright-cut borders, incised 'Claret', plus one of pierced rectangular foliate scroll form, incised 'Sherry', plus one with a pierced pediment incised 'Brandy' and one incised 'Rum', approx. total weight 1.4oz. (4)Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.
A pair of George III silver wine labels, by Hester Bateman, London 1784-85, scroll form, with a raised pierced pediment, vacant cartouche, bright-cut borders, incised and blackened 'Geneva' and 'Calcavella', length 4.2cm, approx. weight 0.6oz. (2)Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.
A George III Irish silver wine label, by William Law, Dublin circa 1790, banner form, with pierced and engraved decoration, with a raised oval pediment engraved with a crest, and with feathers above, incised 'Sherry', length 5.5cm, approx. weight 0.2oz.Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.
A small collection of three George III silver wine labels, comprising: one by Peter and Ann Bateman, London 1811, bright cut decoration pierced with Prince of Wales feathers incised 'Currant', length 5.2cm, plus one by John Rich, circa 1790, with a pierced raised pediment with a crest, bright-cut borders, pierced 'Madeira', and a pierced label by Margaret Binley circa 1770, foliate scroll decoration, incised 'Marsala', approx. total weight 1.1oz. (3)Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.
A 19th Century mahogany cased banjo barometer, the case with broken swan neck pediment and inlaid with boxwood lines, with dry/damp dial, thermometer, large silvered dial with scale from 28-31, the level signed Peter Giusani, Cook Street, Wolverhampton, incised mark to reverse 'W Lacy', 117cm high
George III longcase clock by Nathaniel Brown, Manchester with brass and silvered arched dial with revolving lunar and landscape to arch, subsidiary seconds and date in handsome oak case with swan neck pediment and blind fretwork with fluted brass spike finials, complete with two weights, pendulum and key. 241cm high (228cm without finials, 29cm deep)In good overall running condition. It does run for a while then stops probably as it needs levelling and setting up properly. It is currently not striking and will need some attention. The case is in good order apart from some missing blind fretwork to the pediment
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