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Salvador Dalí (1904-1989)Grenade et l’Ange from FlorDalí (Field 69-11L ; M&L 355)Photolithograph printed in colours with engraving and embossing, 1969, signed and dated in pencil, numbered from the edition of 200, printed by Ateliers Rigal/Matthieu, published by Werbungs-und Commerz Union Anstalt, on BFK Rives paper, with margins, sheet 751 x 555mm (29 1/2 x 21 7/8in)With the Dalí Trade authentication inscription and signature in pencil verso. Dated (12/10/2023).

Salvador Dalí (1904-1989)L'ativisme desoxyribonucléique, from Les Dîners de Gala (Field 77-5H; M&L 1335)Photolithograph printed in colours with etching, 1971, signed and inscribed 'AP' in pencil, one of 50 artist's proofs aside from the edition of 395, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 555 x 745mm (21 7/8 x 29 3/8in)With the Dali Trade authentication inscription and signature in pencil verso (dated 9/18/24).

Salvador Dalí (1904-1989)Monarchial Flesh Tones, from Les Dîners de Gala (Field 77-5G; M&L 1336) Photolithograph printed in colours and etching, 1971, signed in pencil, numbered from the edition of 395, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in) With the Dali Trade authentication inscription and signature in pencil verso.

Salvador Dalí (1904-1989)Pêcher Pénitant, from Flordali (Field 69-11E; M&L 348c)Photolithograph printed in colours with engraving and embossing, 1969/1970, signed and dated in pencil, from the edition of 200, printed by Ateliers Rigal, Paris, published by Werbungs- und Commerz Union, Anstalt, on BFK Rives paper, with margins, sheet 634 x 405mm (25 x 16in)With the Dali Trade authentication and signature in pencil verso (dated 10/11/25)

Salvador Dalí (1904-1989)Les spoutniks astiques élasticots statisques, from Les Dîners de Gala (Field 77-5E; M&L 1338)Photolithograph printed in colours with etching, 1971, signed and inscribed 'AP' in pencil, one of 50 artist's proofs aside from the edition of 395, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 555 x 745mm (21 7/8 x 29 3/8in)With the Dali Trade authentication inscription and signature in pencil verso (dated 4/24/24).

A mid 20th century coloured photolithograph of the 'Grand National Cricket Match, played in the outer domain Sydney January 14th, 15th and 16th 1857 by Eleven Players of NSW and Eleven of Victoria', housed in a 19th century maple frame with a gold slip, 28 x 37cmThe sheet has yellowed with further darkening around the sheet border closed to the mount. Caused by the mount. There is a small area of foxing to the lower right, close to the mount. The frame has scratching and significant wear to the gold slip. Please refer to the additional photos provided.

After Vladimir Tretchikoff, Fighting Cockerals, photolithograph in colours on board, 66x63cm, unframed

* Payne (Charles Johnson, 'Snaffles'). "Enjoyin' yourself aren't yer?" circa 1940, colour photolithograph, signed by the artist in pencil to the lower right, uncoloured remarque to the lower left of a plough team with lapwings feeding in the newly turned furrows, additional remarque in the upper right of a dog fight, overall size 635 x 765 mm, framed and glazedQTY: (1)NOTE:One of the largest images produced by Snaffles.

Borneo. Molengraaff (Dr. G. A. F.), Borneo Expedition. Geological Explorations in Central Borneo (1893 - 1894) Atlas in 22 Sheets, Published by The Promotion of the Scientific Exploration of the Dutch Colonies, Leyden: E. J. Brill, Amsterdam: H. Gerlings, London: Kegan, Paul, Trench, Trübner & Co. Ltd. 1902, printed title and contents list with errata printed on the verso, photolithograph of Toras and Sepandoks at Merakau, double-page colour key plate printed in English and Dutch, 22 folding and double page colour printed maps, geological cross-sections and views, contained in the publisher's card portfolio with printed title to the upper siding, folio, portfolio size 520 x 350 mmQTY: (1)

* Munnings (Alfred J., 1878-1959). Gypsy Life, published by Frost & Reed, 1853, colour photolithograph, signed by the artist in pencil to the lower right, 535 x 640 mm, mounted, framed and glazedQTY: (1)

GOSSIPColor photolithograph and digital print, 2005, on Somerset white paper, signed, dated and numbered 98/200 in pencil, printed by the Rutgers Center for Innovative Print and Paper, New Brunswick, and with their blindstamp and print documentation, published by the New York Print Club, New York, and with their certificate of authenticity, with full margins, framed.Image 15 1/2 x 18 inches; 394 x 457 mm.Sheet 22 1/4 x 24 inches; 565 x 610 mm.Frame 25 x 26 7/8 inches; 635 x 683 mm.In good condition, framed with glass.

Serge Poliakoff (after) - Gouache, 1967Photolithograph on paper, plate signed, not numbered. Published by San Lazzaro, Paris, 1967. Very good condition, 31 x 23.5 cm.Photolithographie sur papier, signée dans la planche, non numérotée. Editée par San Lazzaro, Paris, 1967. Très bon état, 31 x 23,5 cm.

Alfred Manessier (after) - Aquarelle, 1967Photolithograph on paper, not signed, not numbered. Published by San Lazzaro, Paris, 1967. Very good condition, 31 x 23.5 cm.Photolithographie sur papier, non signée, non numérotée. Editée par San Lazzaro, Paris, 1967. Très bon état, 31 x 23,5 cm.

Gérard Schneider (after) - Gouache, 1967Photolithograph on paper, plate signed, not numbered. Published by San Lazzaro, Paris, 1967. Very good condition, 31 x 23.5 cm.Photolithographie sur papier, signée dans la planche, non numérotée. Editée par San Lazzaro, Paris, 1967. Très bon état, 31 x 23,5 cm.

Emilio Scanavino (after) - Peinture sur carton, 1967Photolithograph on paper, not signed, not numbered. Published by San Lazzaro, Paris, 1967. Very good condition, 31 x 23.5 cm.Photolithographie sur papier, non signée, non numérotée. Editée par San Lazzaro, Paris, 1967. Très bon état, 31 x 23,5 cm.

Giuseppe Capogrossi (after) - Gouache, 1962Photolithograph on paper, plate signed, not numbered. Published by San Lazzaro, Paris, 1967. Very good condition, 31 x 23.5 cm.Photolithographie sur papier, signée dans la planche, non numérotée. Editée par San Lazzaro, Paris, 1967. Très bon état, 31 x 23,5 cm.

Hans Hartung (after) - Pastel, 1967Photolithograph on paper, not signed, not numbered. Published by San Lazzaro, Paris, 1967. Very good condition, 31 x 23.5 cm.Photolithographie sur papier, non signée, non numérotée. Editée par San Lazzaro, Paris, 1967. Très bon état, 31 x 23,5 cm.

Pierre Soulages (after) - Gouache, 1966Photolithograph on paper, not signed, not numbered. Published by San Lazzaro, Paris, 1967. Very good condition, 31 x 23.5 cm.Photolithographie sur papier, non signée, non numérotée. Editée par San Lazzaro, Paris, 1967. Très bon état, 31 x 23,5 cm.

Govinder Nazran limited edition framed 'Gangster 1' 113/795 (photolithograph)  with certificate to rear & limited edition Helen Rhodes 'Lost in Love' 46/500 print

CHRISTOPHER DRESSER (1834-1904) MODERN ORNAMENTATION, 1886 being a series of original designs for the patterns of textile fabrics, for the ornamentation of manufactures in wood, metal, pottery, &c.; also for the decoration of walls and ceilings and other flat surfaces, 1st ed., Batsford, 1886, half-title, title and 4pp preliminary text, fifty photolithograph plates, printed in blue, green, brown and black

Salvador Dalí (1904-1989)Les Fruits trouées, from Flordali (Field 69-11F; M&L 349)Photolithograph printed in colours with engraving and embossing, 1969/1970, signed in pencil, numbered from the edition of 35, printed by Ateliers Rigal, Paris, published by Orangerie-Verlag, Cologne, on Japan paper, with full margins, sheet 739 x 555mm (29 x 22in)

* Payne (Charles Johnson 'Snaffles'). Oh! To be in Ireland Now that April's there, circa 1952, colour photolithograph, signed in pencil by the artist to the lower right, snaffle bit blind stamp, uncoloured remarque of three horses clearing a bank and ditch, overall size 465 x 610 mm, mounted, framed and glazed QTY: (1)

THOMAS WAY after EDMUND HORT NEW "The Towers of Oxford" photolithograph, F&G.

Salvador Dali (1904-1989), a limited edition (144/395) photolithograph in colours with an engraved Remarque titled 'Les spoutniks astiques elasticots statiques' 1977, signed in pencil to the lower right and to verso by Frank Hunter, in a gilt glazed frame with a signed certificate of authenticity to the reverse. H.100 W.124.5.cm

Gregory Davies (Born 1947) - An abstract landscape, pastel, signed, framed 24cm x 33cm, frame size 39cm x 48cm, also a photolithograph portrait study by Elain Walton. (2)

UNIT (BUFFALO) (SPARKS 41; FOSTER 105)Photolithograph printed in grayish-purple, 1969, on wove paper, signed, dated and numbered AP 4/4 in pencil, printed and published by Universal Limited Artists Editions (ULAE), West Islip, New York, and with their blindstamp, with full(?) margins, framed.Image 18 x 23 5/8 inches; 457 x 600 mm.Sheet 19 7/8 x 28 inches; 505 x 711 mm.Frame 29 3/8 x 34 3/4 inches; 746 x 883 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

* Aldin (Cecil, 1870 - 1935). The Links, published by Eyre & Spottiswoode Ltd, colour photolithograph, signed in pencil by the artist to the lower left, appears to be laid on card, 380 x 520 mm, mounted, framed and glazedQTY: (1)

Salvador Dalí (1904-1989)Reflection, from The Cycles of Life (Field 79-1C; M&L 929f)Etching with photolithograph printed in colours, 1977-1979, signed in pencil, numbered from the Grafos Verlag edition of 125, printed by Torrents, published by Duall Graphics for DALART, New York, with the DALART blindstamp, on BFK Rives wove paper, the sheet trimmed, sheet 375 x 555mm (14 3/4 x 21 7/8in)

* Lilien (Ephraim Moshe, 1874-1925). A Group of seven Ex-Libris by E. M. Lilien, including Anselm Hartog, Carl Messer, Leo Winz, Frans Roser, Martin Buber, F. A. Lattmann, and Siegbert Cohn, mixed method including wood cut, and photolithograph, on wove paper (one on Japon), 18 x 12.7 cm and smaller, contained in one clear plastic ring binder sleeveQTY: (7)

Mackenzie THORPE (1956) Lunchtime in South Bank Photolithograph, signed and titled, edition 81/850, COA verso, Washington Green blind-stamp, 49.5 x 39.5 cm, 65.5cm x 74cm.

Mackenzie THORPE (1956) You Only Need Love Photolithograph, signed and titled, edition 678/850, COA verso, Washington Green blind-stamp, 41cm x 43cm, 69cm x 79.5cm framed.

Salvador Dalí (1904-1989)Monarchial Flesh Tones, from Les Dîners de Gala (Field 77-5G; M&L 1336) Photolithograph printed in colours and etching, 1971, signed in pencil, numbered from the edition of 395, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in) With the Dali Trade authentication inscription and signature in pencil verso.

Salvador Dalí (1904-1989)Les Entre-plats sodomisés, from Les Dîners de Gala (Field 77-5D; M&L 1343)Photolithograph printed in colours and etching, 1971, signed in pencil, numbered from the edition of 395, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in)With the Dali Trade authentication inscription and signature in pencil verso.

Salvador Dalí (1904-1989)Soft Watches Half Asleep, from Les Dîners de Gala (Field 77-5H; M&L 1335) Photolithograph printed in colours and etching, 1971, signed in pencil, numbered from the edition of 395, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in) With the Dali Trade authentication inscription and signature in pencil verso.

Charles "Snaffles" Johnson Payne(1884–1967)"Forrard on me Lads, and Hit'em Bl-y Hard!",signed and titled in pencil to the margin,coloured photolithograph,32.5 x 43cms, in frame.

PETER SCOTT. Ducks on a Pond photolithograph. Signed in pencil and numbered 99/850, area inside mount 15" x 21.75" (38 x 55cms).

Klassische Moderne - Expressionismus - Neue Sachlichkeit George Grosz (1893 - 1959, Berlin)2 Arbeiten. Nach Ladenschluss / Deutsche Männer. Aus: Ecce Homo. Berlin, Malik, 1923. Photolithographie auf Velin. 20,5 x 26,5 cm / 27 x 18,5 cm, Blattmaße je 36 x 26,5 cm. Ein Blatt Signiert. Je in Punkten unter Passepartout montiert. - Ein Blatt punktuell mit oberflächlichen Anschmutzungen. Insgesamt sehr gut erhalten. Prachtvoll sowie ausgezeichneter und je kräftiger Druck, mit Rand. Dückers SI,45 und SI,71. - Eine Arbeit eines von 50 Exemplaren der Vorzugsausgabe A. 2 works. From: Ecce Homo. Berlin, Malik, 1923. Each photolithograph on wove paper. One work signed. Each mounted in dots under mat. - One sheet with isolated superficial soiling. Overall in very well preserved condition. Splendid and superb impressions, each with margins. - 1 work of one of 50 copies of the special edition A.

Klassische Moderne - Expressionismus - Neue Sachlichkeit George Grosz (1893 - 1959, Berlin)Dr. Huelsenbeck am Ende. Aus: Ecce Homo. Berlin, Malik, 1923. Photolithographie auf Velin. 26,5 x 20 cm (36 x 26,5 cm). Signiert. In Punkten unter Passepartout montiert. - Insgesamt sehr gut erhalten. Prachtvoller, kräftiger und kreidig anmutender Druck mit Rand. Dückers SI,40. - Eines von 50 Exemplaren der Vorzugsausgabe A. From: Ecce Homo. Berlin, Malik, 1923. Photolithograph on wove paper. Signed. Mounted in dots under mat. - Very well preserved. Splendid, bold and chalky impression with margins. - One of 50 copies of the special edition A.

Klassische Moderne - Expressionismus - Neue Sachlichkeit George Grosz (1893 - 1959, Berlin)O alte Burschenherrlichkeit. Aus: Ecce Homo. Berlin, Malik, 1923. Photolithographie auf Velin. 22 x 19,5 cm (36 x 26,5 cm). Signiert. In Punkten unter Passepartout montiert. - Die Ecken minimal und äußerst unscheinbar bestoßen, insgesamt sehr gut erhalten. Ausgezeichneter Druck mit Rand. Dückers SI,52. - Eines von 50 Exemplaren der Vorzugsausgabe A. From: Ecce Homo. Berlin, Malik, 1923. Photolithograph on wove paper. Signed. Mounted in dots under mat. - The corners minimally and very inconspicuously bumped, altogether very well preserved. Superb impression of the depiction with margins. - One of 50 copies of the special edition A.

* Munnings (Alfred J., 1878-1959). Stanley Barker and the Pytchley Hounds, Frost and Reed Ltd. 1948, colour photolithograph, blind stamp of the Fine Art Trade Guild to the lower left, signed by the artist in pencil to the lower right, 535 x 625 mm, mounted, framed and glazedQTY: (1)

* Munnings (Alfred J., 1878-1959). The Master of the Essex, published by Frost & Reed, 1936, colour photolithograph, signed in pencil by the artist to the lower left, 455 x 560 mm, mounted, framed and glazed, together with Going Home, published by Frost & Reed, 1929, colour photolithograph, signed in pencil by the artist to the lower right, blind stamp of The Fine Art Guild to the lower left, faded, 435 x 590 mm, mounted, framed and glazed, with, The Kilkenny Hounds, published by Frost & Reed, 1927, colour photolithograph, signed in pencil by the artist to the lower right, blind stamp of The Fine Art Guild to the lower left, a little faded, 460 x 655 mm, mounted, framed and glazedQTY: (3)

After Burne Jones, 'The Golden Stairs', photolithograph, image size 10" x 4.25" (25 x 11cm), and another. 'The Mirror of Venus', (2).

† TONY SMITH; a limited edition photolithograph print, 'Third Mini Monte', numbered 233/495, with blind gallery stamp lower left, 43 x 51cm, framed and glazed, with certificate of authenticity verso.

† TONY SMITH; a limited edition photolithograph print, 'Italian Job Going For Gold', numbered 262/295, signed lower right, 37 x 55cm, framed.

† TONY SMITH; a limited edition photolithograph print, 'Second Mini Monte', numbered 207/495, with gallery stamp lower left, 43 x 51cm, framed and glazed, with certificate of authenticity verso.

Sarah Jane Szikora(b.1971)"Conga", signed and titled to the mount,limited edition photolithograph, A/P 16/19,34 x 78cms, in frame.Note:With certificate of authenticity.

Salvador Dalí (1904-1989)L'Atavisme, from Les Dîners de Gala (Field 77-5L; M&L 1333)Photolithograph printed in colours and etching, 1971, signed and inscribed 'AP' in pencil, numbered from the AP edition of 50, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in)With the Dali Trade authentication inscription and signature in pencil verso (9/18/24)

Salvador Dalí (1904-1989)Les Entre-plats sodomisés, from Les Dîners de Gala (Field 77-5D; M&L 1343)Photolithograph printed in colours and etching, 1971, signed and inscribed 'AP' in pencil, numbered from the AP edition of 50, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in)With the Dali Trade authentication inscription and signature in pencil verso (9/18/24)

Salvador Dalí (1904-1989)Les Suprêmes de malaises liliputiens, from Les Dîners de Gala (Field 77-5C; M&L 1344)Photolithograph printed in colours with embossing and etching, 1971, signed and inscribed 'AP' in pencil, numbered from the AP edition of 50, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in)With the Dali Trade authentication inscription and signature in pencil verso (9/18/24)

Salvador Dalí (1904-1989) Les Caprices pinces princiers, from Les Dîners de Gala (Field 77-5A; M&L 1342) Photolithograph printed in colours and etching, 1971, signed and inscribed 'AP' in pencil, numbered from the AP edition of 50, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in) With the Dali Trade authentication inscription and signature in pencil verso (9/18/24)

Two antique maps; One hand coloured Street End Farm, Kent dated 1793 on vellum?, and one canvas backed of Hornton Estate, along with a photolithograph after the brass rubbing of the 'Records of the Beale Family'. Both maps with original hand written notes to the reverse. H.57 W.48cm (largest)

A rare Charles Johnson Payne aka Snaffles (1884-1967) photolithograph entitled The Gunner. Hand coloured. Dimensions 47x36cm

Quantity of 10x framed Vanity Fair supplement chromolithographs to include: 1st Baron Armstrong "The Ogre."' by Spy chromolithograph, published in Vanity Fair 4 March 1908, Earl of Plymouth “Good works” Dec 31st 1913 Photolithograph print by Spy, “Victor” Lord Lytton by Spy, John Eldon Bankes KC “Good form” 1906 Photolithograph vanity fair print by Spy, Colonel Calley C.B. 1906 ‘1st Lifeguards’, Field Marshall Earl Roberts K.G.V.C - Print from 'The World', Hon.Rupert Guinness - 'Rupert' by spy, “North London” – Mr.E.S.Fordham by Spy, H.L.C by Ash, and The Rt. Hon William Ewart Gladstone MP Prime Minister “The peoples Williams” 1st July 1879 chromolithograph.

After David Hockney (British 1937-): 'Two Apples One Lemon and Four Flowers', colour photolithograph on newspaper 37cm x 58cm (unframed)

* Munnings (Alfred J., 1878-1959). After the Race, circa 1930, colour photolithograph, signed and inscribed by Munnings "Tom Slocombe stood for the central figure holding the horse, and also for the jockey about to get off him a. j. m." and "To Tom Slocombe from Alfred Munnings" slight creasing, 500 x 625 mm, mounted, framed and glazedQTY: (1)

* Munnings (Alfred J., 1878-1959). The Saddling Paddock, Cheltenham March Meeting, Frost & Reed Ltd, 1952, colour photolithograph, signed by the artist in pencil to the lower right, blind stamp of the Fine Art Trade Guild to the lower left, 440 x 650 mm, mounted, framed and glazedQTY: (1)

* Munnings (Alfred J., 1878-1959). H. R. H. The Prince of Wales on Forest Witch, The Modern Art Society & The Field Press, 1921, colour photolithograph, boldly signed by the artist in pencil to the lower right, blind stamp of the Fine Art Trade Guild to the lower left, 460 x 575 mm, mounted, framed and glazedQTY: (1)

Artist: Helmut Newton (German/Australian, 1920-2004). Title: "Bergstrom over Paris". Medium: Original color photolithograph. Date: Composed 1976. Printed 1997. Dimensions: Image size: 8 5/16 x 12 5/8 in. (211 x 321 mm).Pricing:   Starting Price: $400  Reserve Price: N.A.  Auction Sale Price Estimate: $600/800Lot Note(s): Signed "Helmut" in black marker, lower right. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Through the photographer Henry Talbot; from an extensive private collection, Sydney, Australia. Comment(s): Image copyright © Helmut Newton Foundation. [26172-2-400-NA]

Artist: Helmut Newton (German/Australian, 1920-2004). Title: "After Velazquez, in My Apartment, French Vogue [Paris]". Medium: Original photolithograph. Date: Composed 1981. Printed 2000. Dimensions: Image size: 8 3/8 x 12 9/16 in. (213 x 319 mm).Pricing:   Starting Price: $800  Reserve Price: N.A.  Auction Sale Price Estimate: $1,200/1,500Lot Note(s): Signed in black marker, lower left. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Through the photographer Wolfgang Sievers; from an extensive private collection, Melbourne, Australia. Comment(s): Image copyright © Helmut Newton Foundation. [26192-2-800-NA]

Artist: Helmut Newton (German/Australian, 1920-2004). Title: "Hotel Suite I, after Dinner, Paris, 1977 [large format]". Medium: Original vintage photolithograph. Date: Composed 1977. Printed 1985. Dimensions: Overall size: 20 9/16 x 13 11/16 in. (522 x 348 mm). Image size: 20 9/16 x 13 11/16 in. (522 x 348 mm).Pricing:   Starting Price: $1,600  Reserve Price: N.A.  Auction Sale Price Estimate: $2,000/2,500Lot Note(s): Signed in black marker, upper right. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Fine condition. Provenance: Through the photographer Wolfgang Sievers; from an extensive private collection, Melbourne, Australia. Comment(s): From: Private Property Suite I. Image copyright © Helmut Newton Foundation. [30251-4-1600-NA]