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Eight designer silk scarves, all approx 85 x 85cm, including Yves Saint Laurent, Gustav Klimt, Eliso Firenze, Pablo Picasso, Joseph Janard, Rodier, Echo etc, also a Ralph Lauren cream silk lady's scarf, with tasselled ends, 135 x 28cm, a further silk scarf, 178 x 35cm, and a Berta Maria silk scarf (boxed) (11).

Ets "Le repos du sculpteur devant des chevaux et un taureau" uit de Vollard Suite 2 door Pablo Picasso. Het werk toont een beeldhouwer die rust voor een centaur en een vrouw. In spiegelbeeld rechtsonder in de plaat gegraveerd Paris en gedateerd 18 maart XXXIII, rechtsonder gesigneerd Picasso. 20e eeuw.Herkomst Galerie Wiek XX Bad Nieuweschans. Conditie: In goede staat. Afmetingen: 27 cm x 19 cm.

Ets "Le Repos du Sculpteur devant un Centaure et une Femme" uit de Vollard Suite serie door Pablo Picasso (1881-1973). Het werk toont een beeldhouwer, een centaur en een vrouw. Linksboven in de plaat gegraveerd Paris en gedateerd 18 maart XXXIII, rechtsonder gesigneerd Picasso. 20e eeuw.Herkomst Galerie Wiek XX Bad Nieuweschans. Conditie: In goede staat. Afmetingen: 27,5 cm x 20 cm.

PABLO PICASSO (1881 Málaga - 1973 Mougins)monochrome Lithografie auf Bütten, "Porträt Claude" (1950), unsigniert, ursprünglich Doppelseite mit "Paloma", ca. 32x24cm (montiert), in mit Blumenranken dekoriertem Rahmen (54x46cm), Papier leicht gebräunt

Nach PABLO PICASSO (1881 Málaga - 1973 Mougins)3 Radierungen auf Arches-Bütten, 1x "Sculpteur et modèle agenouillé" (1933, hier später), "Peintre devant son tableau" (1927, hier später) und "Jeune Sculpteur au travail" (1933, hier später), alle mit Stempel-/Drucksignatur "Picasso" unten rechts, jeweils rückseitig von fremder Hand bezeichnet, Druckmaß ca. 27,5x19cm (leicht variierend), ungerahmt, leichter Schmutzaufrieb

Tiffany Perlencollier750/000 Gelbgold signiert mit Paloma Picasso, achtreihiges Zuchtperlen Collier, ovale Perlen ca. 6,0 -7,0 / 4,5 - 5,0 mm, Gewicht 188,0g, Länge ca. 40cm

Venezia Castello tea set decorated with a Picasso / abstract design, seventeen pieces, tallest 23cm

TIFFANY & CO., DESIGNED BY PALOMA PICASSO: A GOLD 'OLIVE LEAF' CUFF BRACELETOf openwork design, embellished with curvilinear olive leaves throughout, in 18K gold, signed Tiffany & Co. and Paloma Picasso, inner diameter 5.5cm (accompanied with receipt from Tiffany & Co. in Canada, dated 2014) Condition Report: Normal signs of wear, overall in good conditionAccompanied with receipt from Tiffany in Vancouver dated 2014 for CAD 8,400Current retail price on Tiffany's website: €13,300.-https://www.tiffany.ie/en_IE/60020934.html?queryID=c410aa50a706cba67cc5c44f3d7b6bba&objectID=60020934&indexName=ecommerce_eu_products__en_IE&searchQuery=paloma+picasso+olive+leaf+cuff&variantId=1906368967Total gross weight approx. 44.2g

GEORG JENSEN, DESIGNED BY IBE DAHLQUIST: A SILVER NECKLACE, CIRCA 1960Composed of fancy fold-over links, in 925 silver, signed Georg Jensen, numbered 149B, stamped 925 S Denmark, French import marks, maker's mark, length 40.1cmA matching bracelet is illustrated page 120, 'Georg Jensen, A Tradition of Splendid Silver', by Janet Drucker (revised & expanded 2nd edition, with updated guide price)Inga-Britt “Ibe” Dahlquist (1924-1996) was a renowned Swedish silversmith whose nature-inspired, modernist jewellery left a lasting impact on the industry. Born on the Swedish island of Gotland, Dahlquist began incorporating natural elements such as fossils and beach stones into her work, creating pieces that were both unique and timeless. She studied at Stockholm’s Swedish School of Arts, Crafts, and Design, where she developed her distinctive style. Dahlquist gained early recognition for her work, particularly after exhibiting in the 1959 “Contemporary Jewellery” show at the National Museum of Sweden. At the 1961 International Exhibition of Modern Jewellery in London, Dahlquist captivated the public with her creations, while exhibiting alongside renowned names such as Harry Winston and Pablo Picasso. For nearly 30 years, Dahlquist worked in a shared studio in Visby, Gotland, alongside silversmith Olof Barve, a fellow graduate of Konstfack. While Dahlquist focused on design, Barve executed her ideas, allowing her to push the boundaries of silversmithing and modernist jewellery. In 1965, Dahlquist joined the prestigious Danish company Georg Jensen, where her naturalistic approach complemented the brand’s minimalist modernist aesthetic. Dahlquist’s work brought a distinctive organic touch to Jensen’s sleek, precise designs, blending the vitality of nature with the precision of modern craftsmanship. Today, Dahlquist’s work is held in high regard and can be found in prestigious institutions such as the British Museum, Stockholm’s National museum, and Goldsmith’s Hall in London. Her legacy continues to inspire, and her jewellery remains a symbol of the harmonious relationship between nature and craftsmanship.  Condition Report: Clasp closes securelyNormal signs of wear, overall in good conditionTotal gross weight approx. 114.8g

Pablo Picasso (1881-1973)-Graphic, portrait. Numbered on paper. 32 x 25 cm.

Pablo Picasso (Spanish, 1881-1973) Nature morte à la cuillere 1952 Faience plate painted in black, white and grey With foundry mark "madoura plein feu" and "empreinte originale de Picasso" verso  Provenance:  Private collection in Spain since 2015 Literature:  Alain Ramié, Picasso, Catalogue de l'oeuvre céramique édite 1947-1971, éd. Madoura, 1988, p.91, no 165, ill.  Dimensions:  12.9 in. x 13.1 in.

PICADOR ET TAUREAU (ALAIN RAMIÉ 101)Red ceramic plaque, 1950, from the edition of 100, incised Empreinte Originale de Picasso.3 1/8 x 3 inches; 79 x 76 mm.

HIBOU MAT (ALAIN RAMIÉ 284)Painted and partially glazed white ceramic plate, 1955, from the edition of 450, inscribed Edition Picasso and Madoura, with the Madoura Plein Feu and Edition Picasso pottery stamps on the underside.15 1/4 x 12 3/8 inches; 387 x 314 mm.

DANSEUSE NAINE (CZWIKLITZER 234)Color offset lithograph, 1966, on Arches paper, signed and numbered XL/LX in pencil, from Barcelona Suite, published by Museo Picasso, Barcelona, and with their blindstamp, with full(?) margins, framed.Image 22 9/16 x 12 9/16 inches; 573 x 319 mm.Sheet 29 5/8 x 21 5/8 inches; 752 x 549 mm.Frame 40 1/4 x 28 3/8 inches; 1022 x 721 mm.

PICASSO, CATALOGUE OF THE EDITED CERAMIC WORKS 1947-1971The complete catalogue raisonné of Picasso's ceramic editions, in English, published in 1988 by Galerie Madoura.Overall 11 3/4 x 9 5/8 x 1 5/8 inches; 298 x 244 x 41 mm.

VASE AU BOUQUET (SEE ALAIN RAMIÉ 302)White ceramic plate, 1956, with the Madoura Plein Feu, Empreinte Originale de Picasso and Edition Picasso pottery stamps on the underside.9 7/8 x 9 3/4 inches; 251 x 248 mm.

VASE DEUX ANSES HAUTES (ALAIN RAMIÉ 213)Painted and partially glazed white ceramic vase, 1953, with the Edition Picasso and Madoura Plein Feu pottery stamps on the underside.Height 15 1/4 inches; 387 mm.

SUJET POISSON (ALAIN RAMIÉ 139)Partially painted red ceramic pitcher, 1952, inscribed Edition Picasso, with the Edition Picasso and Madoura Plein Feu pottery stamps on the underside.4 1/2 x 8 1/8 inches; 114 x 206 mm.

SUJET COLOMBE (ALAIN RAMIÉ 435)Painted and glazed white ceramic pitcher, 1959, inscribed Edition Picasso and Madoura, numbered 198/500, with the Edition Picasso and Madoura Plein Feu pottery stamps on the underside.6 x 8 inches; 152 x 203 mm.

OISEAU AU SOLEIL (ALAIN RAMIÉ 174)Painted and partially glazed white ceramic dish, 1952, from the edition of 500, incised Edition Picasso, with the Edition Picasso and Madoura Plein Feu pottery stamps on the underside.6 1/2 x 6 1/2 inches; 165 x 165 mm.

CHOUETTON (ALAIN RAMIÉ 135)Painted and partially glazed white ceramic vase, 1952, from the edition of 500, inscribed Edition Picasso and Madoura, with the Madoura Plein Feu and Edition Picasso pottery stamps on the underside.Height 9 5/8 inches; 244 mm.

CHOUETTE (ALAIN RAMIÉ 543)Painted and partially glazed white ceramic vase, 1968, incised with number 174/500 and Edition Picasso and Madoura, with the Edition Picasso and Madoura Plein Feu pottery stamps on the underside.Height 11 1/2 inches; 292 mm.

20th Century Continental School, an abstract composition, oil on canvas, bears signature Picasso, 27 x 42cm.

A contemporary Pablo Picasso "Blue Nude" poster, published by Enormous Art, Sheffield, 1999, framed under glass, 88 cm x 69 cm overall

GROUP OF MUSEUM AND GALLERY POSTERS, all framed and under glass, including Glasgow Stained Glass, Pablo Picasso and Charles Rennie Mackintoshthe largest 97cm x 66cm Qty: 4

Artist's proof etching on paper by Vuk Vuchinich depicting Pablo Picasso in profile. This detailed and expressive portrait captures the Spanish artist in his later years with meticulous line work and a contemplative gaze. The annotation beneath the image reads Artist's Proof - Pablo Picasso - by Vuk Vuchinich, First Proof in Collection of Mme Jacqueline Picasso 1973, Chateau de Vauvenargues, Fr., referencing its connection to Jacqueline Picasso and the estate where Picasso lived and was buried. The etching is presented under glass in a gilt metal frame with cream matting. Professionally matted and housed in a gold-tone frame. Sight size: 8.50"L x 11.25"H. Frame size: 14"L x 1"W x 18.25"H. Artist: Vuk Vuchinich (Yugoslav/American 1901-1974)Issued: 1973Dimensions: See DescriptionCountry of Origin: Yugoslavia-USACondition: Age related wear.

PABLO PICASSO. LE CHARDONNERET - BIRD. small edition of 275, signed in the plate, suite: Dans l'Atelier de Picasso printed in 1957, off set lithograph, 18cm x 14cm, French vintage frame. (Subject to ARR – see Buyers Conditions)

PABLO PICASSO. MOTHER AND CHILD WITH SHAWL. suite: Les Bleus de Barcelone, numbered edition 500 lithograph with pochoir by Jacomet on BFK wove Rives paper, 1963, French vintage frame. 64cm x 57cm. (Subject to ARR – see Buyers Conditions)

PABLO PICASSO. Jeune Sculpteur Au Travail. Lithograph, 34cms x 28cms, Framed.

PABLO PICASSO. LA BOUTEILLE. (d) edition: 275, Dans l'atelier de Picasso, off set lithograph, dated in the plate, vintage French frame, 23cm x 19cm. (Subject to ARR – see Buyers Conditions)

PABLO PICASSO. After. COLOMBE DE PAIX. Ceramic,12cms diameter, Published XL ART 2002.

PABLO PICASSO. MATERNITE. Lithograph, 56cms x 43cms, signed and dated in the plate, published 1963, framed. (Subject to ARR – see Buyers Conditions)

AFTER PABLO PICASSO. TWO BIRDS. (d) Signed in the plate, Off set Lithograph, Vintage French frame, 23cm x 18cm. (Subject to ARR – see Buyers Conditions)

PABLO PICASSO. NATURE MORTE. pochoir signed in the plate, printed by Daniel Jacomet 1959, Montparnasse French vintage frame, 46cm x 33cm. (Subject to ARR – see Buyers Conditions)

PABLO PICASSO. POISSON CHINÉ. (d) earthenware ceramic plate, stamped 'Madoura Plein Feu / Empreinte Originale de Picasso'. Conceived in 1952 and executed in an edition of 200, 42cm W x 35cm. (Subject to ARR – see Buyers Conditions)

PABLO PICASSO. PICADOR. (d) Stamped signature in the plate, pochoir/lithograph - 1975, Edition:2000 - numbered certificate attached, printed by Daniel Jacomet, euroart, vintage cross frame, 63cm x 48cm. (Subject to ARR – see Buyers Conditions)

PABLO PICASSO. After. Portrait of Sylvette David. Oil on Board, 60cms x 42cms, Framed.

PABLO PICASSO. In the manner of. PAIX ET JOIE DANS LE MONDE. LAMBERT STUDIOS and LIMOGES, Porcelain, 24cms diameter.

PABLO PICASSO. Follower of. TETE DE FEMME. Ceramic, Signed and dated 1966 , 41cm x 27cm. (Subject to ARR – see Buyers Conditions)

PABLO PICASSO. PEINTURES ET BLEUE ET ROSE. (d) Series of Lithographs Colour plates, plates of varying size, 58cms x 38cms framed. (Subject to ARR - see Buyers Conditions) (13).

PABLO PICASSO. 'Portrait of Sylvette David'. limited edition giclée with a certificate of authenticity to verso. H.87 W.71cm, framed. (Subject to ARR – see Buyers Conditions)

PABLO PICASSO. LA FEMME AU CHALE: LES BLEUS DE BARCELONE. numbered edition of 500, signed in the plate, pochoir and lithograph 1963, Daniel Jacomet, published by Au Vent d'Arles: French vintage frame, 28.5cm x 33cm. (Subject to ARR – see Buyers Conditions)

PABLO PICASSO. FEMME SE COIFFANT. rare lithograph on arches paper, signed in the plate, edition: 575: San Lazzaro et ses Amis 1975, French vintage frame, 24cm x 31cm. (Subject to ARR – see Buyers Conditions)

PABLO PICASSO. LE POT - 1957. (d) Off set lithograph Suite: Dans L’Atelier de Picasso Small edition of 275 – printed by Atelier Mourlot French Vintage frame 27 x 22 cm. (Subject to ARR – see Buyers Conditions)

PABLO PICASSO. Les amants dans la rue 1903. Lithograph in colours, 47cms x 29cms, Printed by Daniel Jacomet, Published by Au vent d'Arles 1963, Framed.

Collection of four large scale unframed poster prints, two After Alphonse Mucha (Czech 1860-1939) 'Cherry Blossom and Water Lily' and 'Seasons: Autumn/Winter', two After Pablo Picasso (Spanish 1881-1973) 'Blue Nude 1902' and a poster for his 1980 retrospective exhibition at MoMA. All 92cm x 61.5cm.

PABLO PICASSO. FAUN WITH FLUTE. (d) off set lithograph – signed in the plate, French Vintage frame, 47cm x 37cm. (Subject to ARR – see Buyers Conditions).

PABLO PICASSO (1881-1973). TOROS Y TOREROS, 1959 (4). a set of four lithographs, each 40cm x 53cm, framed.

PABLO PICASSO. AVANT LA PIQUE. (d) Linocut in black, brown and tan 27cm x 33cm, framed, published by Editions D'Art 1962, framed. (Subject to ARR - see Buyers Conditions).

A framed and glazed Picasso style print of a nude study.

Pablo PICASSO (1881-1973), d’Après.Contemplation (1979)Lithographie éditée en 1979 par le Studio d’Arte Perna , Milano.Numérotée en bas à gauche en chiffres romains “/ CC” ( /200 exemplaires)Signée dans la planche.Accompagné d'un document notarial et d'un certificat d'édition.Dimensions : 48 x 34 cm.

Berggruen & Cie. - - Sammlung von 17 illustrierten Katalogen der Galerie Berggruen mit Original-Graphiken. Paris, Berggruen et Cie., 1953-86. 8°. Je ill. OBroschur, tls. als Orig.-Lithographien von Georges Braque, Roberto Matta, Zao Wou-Ki, Corneille, Pierre Alechinsky, Karel Appel, u.a. (tls. mit leichter Bereibung oder minimaler u. oberfl. Anschmutzung). Enthält: Braque. Graveur. 1953. - Severini. Oeuvres futuristes et cubistes. 1956. - Julio Gonzalez. Dessins et aquarelles. 1957. - Robert Motherwell. Collages. 1961. - Gravures originales contemporaines. 1963. - Picasso. 60 ans de gravures. 1964. - Hommage a Marc Chagall pour ses quatre-vingts ans. 1967. - Hommage a Picasso. 90 Gravures. 1971. - Maitres Graveurs Contemporains 1972, 1974, 1975-1979, 1982, 1984, 1986. - Tls. mit eingelegten orig. Preisübersichten u. Supplementen. Insgesamt ausgesprochen wohlerhalten. Die lithographierten Umschläge kräftig im Druck und in leuchtender Farbigkeit. Collection of 17 illustrated catalogs of the Berggruen Gallery with original prints. Each ill. brochure partly as original lithographs by Georges Braque, Roberto Matta, Zao Wou-Ki, Corneille, Pierre Alechinsky, Karel Appel, a.o. (partly with slight rubbing or minimal and superficial soiling). - Contains: as listes above. - Partly with inserted original price overviews and supplements. Altogether very well preserved. The lithographed wrappers in strong impression and bright in colours.

Picasso, Pablo - - Federico García Lorca. Chant funèbre pour Ignacio Sanchez Mejias. Mit 10 Textlithographien nach Picasso in schwarz-weiß im Text, 4 Prägedrucke nach Picasso von Guy Descouens und 4 farbige ganzseitige Lithographien nach Picasso. Paris, (Bièvres en Essone), Pierre de Tartas, 1976. 71 S., 2 Bl. Folio. Lose Doppelbogen in Original-Karton mit Prägedruck nach Picasso. In schwarzer OLeinen-Kassette (vereinzelt berieben). Monod 7276. - "5 empreintes gravées et compositions en couleurs et au lavis gravés sur bois". Eines von 220 nummerierten Exemplaren auf Grand Vélin d'Arches (GA 300 Ex.). Druckvermerk vom Verleger signiert. "Sanchez Mejias was a famous bullfighter, writer and passionate lover of literature. He and Lorca were destined to become friends, and did so through a mutual friend, Encarncion Lopez Julvez, who was a famous dancer and singer and was also known as 'La Argentinita'. Sanchez Mejias was her manager, and it was to her that Lorca dedicated the poem. On August 11th, 1934 at the age of 43, Sanchez Mejias re-entered the bullring at the request of another bull fighter who was injured. At this time Lorca was in the town of Santander. This seems to come across in the narrative style of the Lament, that Lorca has shown up sometime after the tragic event to see Mejias lying dead. Lorca used the lyrical devices learnt in his earlier poems and combined them with the narrative style of the historical ballad. Overall, the poem uses the rhythm of a 'gypsy lament' which carries the emotional impact of the tragedy. - Die Lithographien und Prägedrucke in der Platte von Picasso signiert. Stellenweise mit geringem Abklatsch, sonst sehr sauberes und wohlerhaltenes Exemplar. With 10 text lithographs in black and white in the text, 4 embossed prints after Picasso by Guy Descouens and 4 color full-page lithographs after Picasso. The lithographs and embossed prints in the plate signed by Picasso. - One of 220 numbered copies on Grand Vélin d'Arches (GA 300 copies). Printed note signed by the publisher. - In places with minor darkening, otherwise very clean and well-preserved copy.

XXe Siècle - - XXe Siecle. Nouvelle série. No 7. Paris, 1956. 4°. Illustrierte OBroschur (berieben und bestoßen, Rücken mit Einrissen und Fehlstellen, Gelenke angebrochen). Mit zahlreichen, tls. farbigen Abbildungen von Picasso, Giacometti, Poliakoff, Soulages, S. Delaunay u. a. Darunter 5 (von 7) Original Graphiken. - Ränder leicht gebräunt, Seiten tls. lose. Insgesamt gut erhalten. XXe Siecle. Nouvelle série. No 7. Illustrated paper cover (rubbed and bumped, spine with tears and missing parts, joints cracked). - With numerous illustrations, some in color, by Picasso, Giacometti, Poliakoff, Soulages, S. Delaunay and others, including 5 (of 7) original prints. - Margins slightly browned, some pages loose. Overall in good condition.

Ramon Casas and Pere Romeu on a Tandem is a color print poster on paper after Casas' 1897 original oil on canvas painted for the interior of the progressist Barcelona bar Els Quatre Gats (The Four Cats) that Pablo Picasso frequented. Includes card from the 4 Gats on verso. Housed in a metallic frame. Sight size: 14.75"L x 11.25"H. Frame dimensions: 15.50"L x 12.25"H x 1"W. Artwork can be unframed and rolled for shipment.Artist: After Ramon Casas i Carbo (Spaniard 1866-1932)Issued: c. 1980Dimensions: See DescriptionCountry of Origin: SpainCondition: Age related wear.

Tiffany & Co, Paloma Picasso, heart shaped pendant on a chain, together with a Tiffany & Co double heart tag pendant on a chain, 6g

Tiffany & Co, Paloma Picasso 925 silver cufflinks with a pouch, together with a Gucci, 925 silver ring, M, 43g

Elss Peretti, for Tiffany & Co, a 925 silver and brilliant cut diamond dress ring, S, with a pair of 925 silver Paloma Picasso for Tiffany & Co earrings with scroll backs, 13g

Five Kodak souvenir books with photographs, a stamp album, a Hugot & Eyraud case and a Picasso book.

Robin Symes (British, 1939-2023)Art sketchbook, circa 2004-05Colour pencil, ink, graphite pencil & more on paper To include sketches of religious icons, portraits of famous figures such as Frida Kahlo, still life scenes, studies after Picasso, erotic & nude scenes, studies of animals etc; three-quarters full.Robin Symes, (b.February 1939) was among London’s best-known and most successful antiques dealers in the seventies, eighties and nineties before being unmasked as a key player in an international criminal network that traded in looted archaeological treasures. Sometime during the 1960s, Symes met Christo Michaelides, a Greek heir to a family of shipping magnates, and separated from his wife. The encounter gave birth to a life-long relationship between the two, which ended with Christo’s sudden death in 1999. After Michaelides’ death, his family took legal action to recover his share of the Symes company's assets, and when the matter went to trial, Symes was found to have lied in his evidence about the extent and value of his property. He was subsequently charged with and convicted of contempt of court, and sentenced to two years' imprisonment, of which he served seven months. After these seven months in HMP Pentonville, Symes enrolled at the Prince’s Drawing School (now the Royal Drawing School at Kensington Palace) and started a life-drawing course. What you can explore in this exclusive auction are never-before-seen sketches, preparatory drawings, oil on canvas paintings, pastels, copper-plates, etchings and entire portfolios of projects. Each hand-painted / drawn by Symes during his time studying art.