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Rectangular picture frame by Jay Strongwater featuring a gold-toned enamel surface with a guilloche-style texture and silver-tone edging. The frame includes a shaped inner bezel and is accented by a hinged easel back. The rear backing displays an array of oval openings and includes the original Jay Strongwater tag and label. The structure is composed of a metal base overlaid with translucent enamel, showcasing a diagonal lined pattern under the finish. Designed for tabletop display, the frame incorporates an integrated stand with a polished metallic finish. Marked on the reverse with the Jay Strongwater name. Model number: J50004 - 692 Gold. Frame size when resting on easel: 10.25"L x 7.5"W x 12.25"H; sight size: 7.75"L x 9.75"H.Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.

Vibrant and iconic, this framed Gucci silk scarf features a fierce jungle tiger prowling through lush foliage in a vivid botanical setting, bordered by a bamboo motif. The rich coloration and dynamic composition showcase the high design standards of Gucci textiles. The scarf is framed under glass with a sleek silver-tone frame, preserving the textile and its bold imagery. Visible Gucci branding is featured on two corners of the scarf, and the original Gucci fabric label is affixed to the back, confirming it is 100 percent silk and made in Italy. The piece is personalized on the backing paper with a handwritten note reading Merry Christmas 80, and includes a framer's stamp from Henrys Picture Framing in Birmingham, Alabama. Artwork can be unframed and rolled for shipment.Issued: c.1980Dimensions: 32.75"L x 32.75"HCountry of Origin: ItalyCondition: Age related wear.

Two boxes of floral posies, Aynsley picture frame, wheelbarrow, clocks and trinkets, empty Bells Whisky bell

Border Fine Arts Jocks Pride framed print, large empty picture frame and flower floral picture

Late 20th century, profile of a wave, mixed media, indistinctly signed (Zacio or Zac 10?) and inscribed. 43 x 52 cmsize given is the overall size of the picture in its frame, the artwork is 20 x 25 cm plus signature and title

ROCKY HORROR PICTURE SHOW, THE (1975) - The Rocky Horror Picture Show Gold Disc Award Presented to Susan Sarandon - A gold disc presented to Susan Sarandon (who played the role of Janet Weiss) to commemorate the sale of more than 500,000 copies of the soundtrack for Jim Sharman's The Rocky Horror Picture Show. The large gold-coloured disc comes mounted under glass in a black frame. Below the disc is a metal plaque which states that it is a certified Ode Records sales award. Along the bottom of the display is a CD, a printed copy of the album cover, and a gold-coloured cassette. A metal hanging bracket is fitted to the back, and there are some marks on the top edge of the frame. Dimensions: 55 cm x 44.5 cm x 2.5 cm (21.5" x 17.5" x 1")VAT Status: M

JACOB VAN GEEL (DUTCH CIRCA 1585 - CIRCA 1648) A WOODED LANDSCAPE Oil on panel Signed (lower centre, below frame) 19.5 x 28.5cm (7½ x 11 in.) Painted circa 1636. Condition Report: The panel presents an evenly applied varnish across, as well as a few dirt stains. UV light reveals a few small dotted meticulous retouches in the lower left corner, and a few patches in the foliage to the right border slightly fluoresce, but might be caused by the varnish fading. On a whole, the picture appears to be in good condition. Condition Report Disclaimer

Collection of eleven porcelain pieces, each decorated with delicate violet floral sprays and fine gold trim. This coordinated vanity and tea service set includes a lidded jar, heart-shaped ring dish, small tray, perfume bottle with dauber, two picture frames, teacup and saucer, dessert plate, vase, and additional accent dishes. Bonwit Teller backstamp. Tray measures: 11"W x 0.75"Picture frame measures: 5"L x 4"W Perfume bottle measures: 2.75"L x 2"W x 4.5"H. Small vase measures: 3"W x 3.75"H. Largest vase measures: 3"W x 5"H. Egg shaped lidded candle measures: 3.75"W x 2.75"H. Heart shape box measures: 3.5"W x 1.25"H. Lidded soap dish measures: 4.25"W x 6.25"H. Cup measures: 4.25"W x 3"H. Saucer measures: 5.75" dia. Plate measures: 7.5" dia.Dimensions: See DescriptionCondition: Age related wear.

19th century gilt gesso frame to take a picture measuring 54cm x 44.5cmThe frame has been stored with a collection of others in a garage and as a result the damp has peeled the gesso off, however it does give a rather nice weathered look. Some other moulding losses.

Good quality gilt gesso picture frame with foliate borders, to take a picture measuring 61cm x 64.5cm

Georgian woolwork picture after George Morland, depicting a family sitting at a table outside a cottage, in glazed gilt frame, total size 43 x 37cm

Victorian gilt gesso frame to take a picture measuring 38.5cm x 51.5cm

Large 19th century gilt gesso picture frame to take a work measuring 143cm x 77cm

A late 19th century Kinora mutoscope viewer, with japanned hood viewer manual hand crank drive on an oak plinth base, maker's plate to frame' The Kinora, Bond's Ltd 138 New Bond Street' retailers plaque 'Hamleys Regent St' together with ten cased flick reels. Length 34cm. Invented by Lumiere in France 1897, the rights to the Kinora were purchased by the British Mutoscope & Biograph Company in 1898. First sold in 1902 originally marketed by Bond's Limited, London. Mutoscope.There are several random surface holes to the front of wooden upright as can be seen in the picture, a small nick and crack to the lower left of wooden upright, the small brass hinge needs re-attaching (2 screws missing)Both glass lenses are present.One lense (base) has two tiny pinhead sized nibbles to the outer edge – otherwise both in good clear conditionNo other issues. We can offer postage and packing on this lot, at a cost of £15 + VAT

Three-dimensional illuminated miniature diorama titled "Blessings of Christmas", from the Gallery of Light series by Robert Olszewski. This piece depicts a winter holiday scene based on artwork by Thomas Kinkade, known as the Painter of Light. The diorama features a detailed snow-covered landscape with a snowman, Christmas tree, and a lit house in the background, all framed in a golden resin border designed to resemble an ornate picture frame. The reverse of the frame houses the light function switch, enhancing the interior scene with illumination. This item includes the original box and a Certificate of Verification, verifying its authenticity and design origin. The dimensions are approximate. Artist: Robert OlszewskiIssued: 2008Dimensions: 4.25"L x 3.5"W x 4"HCondition: Age related wear. Tested. Functionality not guaranteed.

After Sir Anthony van Dyck Group Portrait of King Charles I and Queen Henrietta Maria with their two eldest children, Prince Charles, later Charles II, and Princess Mary oil on canvas, in a mid 18th Century carved and gilded frame decorated with a running floral pattern 169 x 141cm Provenance: Bavington Hall, Capheaton, By descent to Mrs R D Shafto, Her Sale, Christie's, London, 11 November 1994, lot 66, when acquired by the present owner The present picture is a reduced copy after the original, known as The Greate Peece (303.8 x 256.5cm) which used to hang at Whitehall and is now at Windsor Castle (see O. Millar Pictures in the Royal Collection: The Tudor, Stuart and Early Georgian Pictures, London, 1963, no. 150, p. 98). A copy by Remigius van Leemput (1607-1675) is also known (288 x 228cm, Birmingham Museums Trust, no. 1970P264). During the Restoration, artists such as van Leemput were commissioned (sometimes by Charles II himself) to produce copies of such portraits in support of the Royalist cause, and it is likely the present picture was executed at a similar time. The painting is executed in oil on a canvas support which has been lined. The lining appears early and the painting is attached to a wooden stretcher with a horizontal cross bar and diagonal corner braces, one of which is missing at the top left corner (seen from the reverse). The canvas tension is slightly slack but the picture is generally in plane. The paint layers are in a good, stable condition overall. There is a network of age cracks including a regular diagonal crack pattern, possibly relating to the canvas weave. The varnish appears to have been partially cleaned, with residues of an older varnish visible in the background. The upper varnish is semi-matte, clear and even. There are localised areas of overpaint around the figures. The appearance of the picture is good. There is a thick layer of dust across the surface creating a matte, dull surface.Total framed dimensions 195 x 165cm 

Continental School, 19th century A panoramic view of the Western Ghats, India, with a Maratha fort, possibly Pratapgad Fort, Maharashtraoil on canvas50 x 71cmWe are grateful to Charles Greig for his assistance in cataloguing this lot.The painting is executed in oil on a canvas support which is unlined. The canvas is attached to an open window, wooden stretcher which is missing some keys. The canvas tension is slack which has caused general undulations across the surface and stretcher bar marks, following the edges of the wooden frame behind. There is a small puncture to the canvas near the upper edge which has resulted in paint loss. In the darker paint passages wrinkling has formed at the paint layer dried, this has led to small scattered losses. There is also some wear and abrasion around the edges. The varnish is sull and yellowed and has imbibed significant dirt. There are some splashes of gold paint along the lower edge caused when the frame was repainted, but there is no obvious evidence that the picture has been restored in the past.

Attributed to Jean-Baptiste Van Loo (French, 1684-1745) Portrait of a gentleman in brown velvet coat and red waistcoat, standing by a table oil on canvas, in a carved gilt wood frame 124 x 100.5cm Provenance: Christie's, London, 14 June 1935, lot 45 as 'Hudson'; Gurney's Manor, Hingham, Norfolk We are grateful to Dr Brian Allen for his assistance in cataloguing this lot. The painting is executed in oil on a canvas support which has been lined. The canvas tension is slightly slack but the picture is in plane. The paint layers appear to be in a good, stable condition. The work is hard to assess due to the very poorly degraded varnish layer present on the surface. The picture appears to have been partially cleaned, with residues of old varnish visible in the sitter’s face which have discoloured, In the background the varnish has become crazed and opaque, obscuring the lower layers and no longer adequately saturating the paint. There may be some wear and abrasion in the background with some overpaint, but the extent is difficult to determine in the current condition. The figure looks in good condition with no obvious signs of overpaint.Christie's stencil 941GB

Interior Decoration - a 19th century style furnishing picture, portrait of a lady, gilt frame

A Victorian woolwork picture, lady on horseback. 26 cm square in original mahogany frame.

Teresa Sylvester Stannard (1898-1947), watercolour of a cottage scene "Watching The Thatcher".  35 x 25.5 cm in gilt frame and mount.The picture is in very good order.  We can see no signs of any foxing or damage.  There is however a little mould behind the glass but this does appear to be around the mount rather than on the image.

An antique silver purse, Birmingham 1908, picture frame, dressing table CWJ, specimen vase and case of silver mounted knives.

An early 20th century silver picture frame, in the Art Nouveau style, hallmarks rubbed. 30 cm x 25 cm.

Adrian Heath (British 1920-1992), oil on canvas on board, signed to the rear A Heath dated 88. 16.5 x 16 cm, framed.The picture is in very good order and is behind glass  The frame is in good order, however there is a small dent to the inside rim on the bottom left-hand side although, in our opinion, this is nothing to worry about.

Decorative metal picture frame holds, 14 x 20cm picture with a glass hanging picture of a ship / T42

Two small hallmarked silver oval picture frames, largest 8cm high; another larger silver plate oval picture frame (unmarked,back support needs fixing ) and a silver plate four footed stand, 19cm diameter / SF

Florentine Frame , wood curved with open work, original gilding, 19th Century. Picture size 32 x 24 cm total size 43 x 35 cm

Gallery Frame , in Roccoco design with extended decorations in a textile bar . Picture size 16,5 x 23,3 cm Total size 38 x 31 cm

Italian Frame, curved and stepped bar with gilded renaissance ornaments on blue ground , Picture size 26,5 x 38,5 cm Total size 49 x 36 cm

Gallery Frame , Curved bar with Roccoco ornaments, extended decorations, white inner bar , paper label by E. A. Drouant . Picture size 28 x 23 cm Total size 42 x 37 cm

A GEORGE III EMBOSSED PAPER BIRD PICTURE ATTRIBUTED TO WILLIAM HAYES (1729-1799), LATE 18TH CENTURY Depicting a grey heron (Ardea cinerea) by reeds and river, basso relievo with hand tinting, glass eye, later mounted in a glazed giltwood frame with Cambridge blue and gilt mount, reverse with hand inscribed label "Sacher" and further faintly inscribed in pencil "Centre left hand side" the image approximately 49 x 29cm, the frame 63 x 42.5cm William Hayes was an ornithologist and artist who in 1771 published a volume containing forty hand-coloured engravings "A Natural History of British Birds etc.". In the late 1780s, he was employed at Osterley, recording the exotic birds in the Child's 'menagerie'. This resulted in the publication between 1794 and 1799 of his "Portraits of Rare and Curious Birds with their Descriptions". Drawing on first-hand experience he produced a series of basso relievo bird pictures such as this- much in the manner of his Irish contemporary Samuel Dixon. The present bird picture incorporates a glass eye - a feature favoured by Hayes. Condition Report: well presented in current frame, original picture with some typical small losses and marks and with some shrinkage visible to neck and tail. residual dirt visible under glass and careful cleaning may help improve overall presentation. some mild scuffing and marks to frameCondition Report Disclaimer

A religious silk work picture, 19th Century, depicting Abraham being stopped by the Angel of God from sacrificing Isaac, 30cm x 24cm It has moved in it frame and some loose threads but otherwise looks to be in overall good condition

A Chinese silkwork picture 20th Century, of a lady with a deer, within a faux bamboo carved frame, 60cm wide, 120cm highSilk ground a little faded. Small tear near left arm facing. A few loose threads, wear a d minor losses as pictured.

A vintage early 20th century oleograph picture painting. Depicting chickens / cockerels in a form scene. In a gilt gesso frame. Measures approx: 42x52cm

Four 1980s prints by Meredith Miller titled 'Gentle Warrior', 'Heralder of Dreams', 'Temples of Inner Wisdom' and 'Sounds of Love', all signed to the lower right in glazed frames along with a silver plated picture frame. H.52.5 W.42.5cm

Mixed Lot: An oversized modern Spode cup and saucer, rolled gold bracelet, box, picture frame etc

Early picture & picture frame

THREE CONTEMPORARY AFRICAN MIXED MEDIA PICTURES, comprising two pictures in the Kibera style, both depicting a female figure before a village of corrugated houses, signed Masoko bottom right, largest approximate size 62cm x 87cm, together with a picture by N.E. Ramovha depicting figures on a suspension bridge above a train station, approximate size 45cm x 58cm - frame of largest picture is damaged

A SMALL QUANTITY OF PICTURES AND PRINTS, to include a framed oil on board 'Down Wapping Way' by Norman Ruscoe, frame size 97cm x 66cm (a few small areas of paint loss, possible repainting and marks), and a framed print 'Westminster Lights' after Ronald Norman Folland (British 1932-1999), frame size 66cm x 123cm, Jonathan Roberts 'Only Fools and Horses' print, Monet poster prints, an oak and glass tea tray with a cottage garden scene to the centre, a Singapore gem picture of an exotic bird, other prints etc

C. BROWN (20TH CENTURY) DUTCH CLASSICAL STYLE LANDSCAPES, comprising two winter landscapes painted in the Dutch 18th / 19th century style, signed bottom right, oils on board, approximate sizes 12cm x 17cm, frame sizes 33cm x 38cm, Condition Report: over painted loss to the snow picture, small knocks to the corners of the frames

Gilt carved wood and moulded picture frame of rectangular form with bead, egg and dart and acanthus borders, 99cm x 86cmCondition Report Apperture size requested (only). Verso aperture: 75cm x 59cm approx. (excluding cork spacers) Front aperture: 72cm x 56cm approx. 

Five assorted wall mirrors in gilt frames and a gilt picture frame (6)

A handpainted still life depicting flowers in a vase in oval frame 28m x 22cm sold along with a comical sheep picture

A gilt metal framed triple heart shaped picture frame, 33 x 25cm overall

A 19th century woolwork picture, of a Religious scene, 69 x 52cm, in a maple frame, together with three others smaller (4)

Rabbitman - adzed oak square picture frame with incised rabbit signature by Peter Heap of Wetwang containing a print of a 19th century sampler 39cm x 39cm

A Gilt Gesso Picture Frame, with moulded scrolling floral decoration, 107 x 65cm; Another, with gadroon and foliate decoration, 86 x 71cm. (2)Inside dimensions 71.5 x 92 and 61.5 x 51.

Constable Burton Hall - English Naive School (19th century); Study of a Farm Worker, oil on canvas, badly damaged, and a 19th century picture frame, aperture approx. 170cm x 190cmPOA  https://www.bradleys.ltd/quotation-request-form

After Alexander Miller (b.1960)"Bring Me Laughter"Giclée print, 58cm by 46cmThe picture is in good condition. The frame with two opened mitres at opposing cornersWe are unable to ship this in house, but recomend Mailboxes - Leeds.

An 18th Century Silk Needlework Picture, depicting a lady stood beside a tree, in oval gilt frame, 23cm by 16.5cm

A Regency Porcelain Plaque, circa 1830, painted with a rose, carnation and other flowers, 21cm by 17.5cm in rosewood frameNot examined out of frame. Plaque free from cracks and restoration. Some surface scratches to glaze. Enamel free from flaking. Frame in good condition, picture ready for immediate use. Compared to other floral plaques of the period, the compostition is well painted.

This elegant Swarovski Crystalline picture frame adds a refined sparkle to cherished memories. Designed by Annabelle Adie, the small-sized frame features a hinged design that allows it to fold closed like a compact. One side is adorned with hundreds of clear crystal chatons, while the other holds a portrait window framed by a scalloped metal border. A dangling tassel of faceted clear crystal beads adds a graceful finishing touch. The piece includes the impressed Swarovski swan logo and comes with its original box.Issued: 2008-2012Dimensions: Frame (closed, excluding charm) measures approximately 3"L x 3"HCountry of Origin: AustriaCondition: Age related wear.

GEORGE THOMSON (BRITISH 1860-1939) "A FINE DAY ON LAKE MUSKOKA". Oil on board, signed lower left, housed within a gilt frame 42.5cm by 37cm including frame 29cm by 24cm picture size Provenance - label to the reverse for Laing Fine Art Galleries Toronto Canada. CR* very small chip to paint lower left.

A Riuskin Arts and Crafts hand hammered picture frame, A Holland Morn, retailed by Liberty, image 25 x 48cm, frame 40.5 x 65cm

AFTER J. STURGESS PUNCHESTOWN, THE CONYNGHAM CUP 1872; THE START; THE STONE WALL; THE DOUBLE; THE FINISH A set of four hand coloured engravings by E. G. Hester, published by Thomas Cranfield, Dublin, 1874 40 x 75cm (15½ x 29½ in.) (4) Condition Report: Please Note: All Lots In This Auction Are Not Available To View All unexamined out of glazed frame. The Start: Light discolouration and surface dirt throughout. The sheet appears slightly undulated and has some bumps to the mount on the right edge. There is a light discolouration mark to the upper left edge of the mount. The Stone Wall: Light discolouration and surface dirt throughout. The sheet appears slightly undulated and has some bumps to the mount on the right edge. There is a dark brown stain mark to the mount to the centre of the upper edge. The Double: Light discolouration and surface dirt throughout. The sheet appears slightly undulated and has some bumps to the mount on the right edge. The sheet and the upper left corner of the picture display some evidence of staining, possibly water damage. A light dark mark is to the extreme upper edge, seen as approximately 2 cm of staining. The Finish: Light discolouration and surface dirt throughout. The sheet appears slightly undulated and has some bumps to the mount on the right edge. Light stains to the mount to the left edge. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA.  Condition Report Disclaimer

CIRCLE OF SIR EDWIN LANDSEER (BRITISH 1802-1873) THE EXHIBITION OF HAYTER'S PICTURE OF THE TRIAL OF QUEEN CAROLINE Pen and ink Bears later inscription and dated 1820 (lower right) 18.5 x 23cm (7¼ x 9 in.)Provenance: Sale, Sotheby's, King & Chasemore, 15 December 1982, lot 1346 Thomas Agnew & Sons, Ltd., London (label affixed, verso) Private Collection, purchased from the above on 31 January 1985   Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Unexamined out of glazed frame. The corners have been unevenly trimmed. Evidence of abrasion is present, resulting in minor loss, particularly tp the upper right edge. Surface dirt is visible throughout, with more pronounced marks scattered across the surface. The edges of the sheet are darkened, possibly due to prolonged exposure while unglazed and unframed, suggesting the work may have previously been kept in a sketchbook.High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS WILL BE AVAILABLE TO COLLECT FROM SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer

MANNER OF HENRI FANTIN LATOUR STILL LIFE WITH ROSES Oil on canvas laid to board 27 x 38cm (10½ x 14¾ in.) Provenance: Property of a private London collector  Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts.   Condition Report: Please Note: All Lots In This Auction Are Not Available To View Surface dirt and dust throughout. There are scuffs and minor scratches to the left edge of the picture. A scratch circa 5cm is on the background next to the plate. The picture would benefit from a clean. UV inspection reveals no evidence of restoration or retouching but shows an uneven layer of varnish High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS WILL BE AVAILABLE TO COLLECT FROM SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer

MARIE STUANT (19TH/20TH CENTURY) TWO PUGS BY THE FIREPLACE Oil on canvas Signed and dated '1898' (lower right) 36 x 30.3cm (14 x 11¾ in.) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Surface dirt and discolouration throughout. The picture surface is showing craquelure throughout and some minor flaking and minor paint loss, circa 0.5 cm) to the picture's upper centre. Examination under UV light reveals no evidence of restoration or retouching. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer

A GEORGE III NEEDLEWORK PICTURE PROBABLY LATE 18TH CENTURY Depicting farmyard scene, later set in glazed frame 94cm high, 80cm wide Condition Report: Please Note: All Lots In This Auction Are Not Available To ViewUnexamined out of glazed frame. Some losses to fabric, with pulling from threads, please see additional images. Some stitches have come undone, with some losses to threads. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS WILL BE AVAILABLE TO COLLECT FROM SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA.  Condition Report Disclaimer

A 19TH CENTURY GILT PICTURE FRAME WITH FOLIATE MOULDED DETAIL, overall 95 x 69 cm, rebate 75 x 50 cm