A Pilkington's Viking Ship dust-pressed tile designed by Charles Francis Annesley Voysey, glazed in colours impressed P mark, 15.5cm. square ProvenanceThe Cornish Collection Literature Chris Blanchett 20th Century British Tiles, Schiffer Publishing, page 455 this actual tile illustrated. Fired Earth 1000 Years of Tiles in Europe, TACS/Richard Dennis Publishing, page 113 catalogue number 270 for an example illustrated. Karen Livingstone C.F.A Voysey Arts and Crafts Designer, V&A Publishing, page 292 for the original design illustrated and catalogue number 385 for comparable tiles illustrated. Angela & Barry Corbett Pilkington's Tiles 1891-2010, Pilkington Lancastrian Society, page 40 and also on the cover this design illustrated.British Art Pottery, Woolley and Wallis, 14th December 2017, lot 233 for a comparable tile.
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A Pilkington's Lancastrian vase designed by Walter Crane painted by William S. Mycock, dated 1912, shape 2469, painted with a frieze of lion Passant, above heart shaped foliage and Tudor rose motif in bronze lustre on red and green lustre, impressed marks, painted artist ciphers and date code, painted Crane monogram, restored top rim, 12.5cm. high, 21cm. diam.LiteratureA J Cross Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 9 plate III for a comparable example illustrated.A Catalogue of the Lancastrian Pottery at Manchester City Art Galleries, catalogue number 186 for a comparable piece. This design, also known as the Lion Bowl, painted by Richard Joyce was exhibited at the Franco British Exhibition in 1908.
Edward Radford and William S Mycock and Gladys Rogers - Royal Lancastrian - Two vases, the first of rounded ovoid form, with all over mottled orange glazes and geometric burnt umber glazes, impressed factory mark, inscribed monogram E.T. R. for Edward Radford WSM monogram for William Mycock, together with a Gladys Roger Royal Lancastrian Lapis ware vase, of bottle form, shape number 2581, with all over light blue and violet glazes with stylised flowers, GR monogram to base, height 20cm. (2)
WILLIAM S MYCOCK FOR PILKINGTON, A ROYAL LANCASTRIAN LUSTRE BOWL, dated 1921, the centre detailed with issuing flowers and bordered with the motto 'Virtus Est Vitium Fugere', the underside detailed with silver lustre against a green ground, the base inscribed with the motto's translation 'It is virtue to avoide (sic) vice', accompanied by a monogram and date, 36cm (d)Provenance: private collection Powys
15th century, Lancastrian supporters collar comprising pewter badges of Esses, 11mm x 7mm (24), each of an openwork letter S with a stud behind for attachment to leather, at the ends are two simple brass rings connected by a lozenge shaped hook. Generally fine, the badges have been mounted into a modern leather collar £200-£300 --- Provenance: Found at Nether Heyford in Northamptonshire July 1991 from a trench dug approximately 14 inches in depth and recorded with John Cherry at the British Museum. XRF analyser test results show 95% Tin with traces of Lead, Copper and Iron. Collars formed from Esses were popular from the 14th century as a badge of office or rank. John of Gaunt in 1389 was wearing a collar of Esses after his return from Spain, one theory is that the double Esses stood for Saint Simplicius. a Roman senator who became a martyr in 287 AD. Richard II, the nephew of John of Gaunt also wore a collar of Esses as a compliment to him. The Lancastrian kings Henry IV, V and Henry VI gave their supporters pewter collars made up links of the letter “S” (Museum of London A295).
WILLIAM S. MYCOCK (1872-1950) FOR PILKINGTON’S TILE & POTTERY CO. ROYAL LANCASTRIAN LUSTRE BOTTLE VASE, 1923 lustre-glazed earthenware, painted artist's monogram and date to the base, impressed makers mark stamped 2874 21cm high Literature: Cross, A. J., Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, 1980, pl. 50A, where a similar vase is illustrated
A rare and impressive Victorian Livery collar of the ‘Esses’ in 9 carat gold, 113g, unmarked, comprising sixteen stylised S’s linked in groups of four, separated by central crowned floral badge of the United Kingdom with heraldic symbols of England, Scotland and Ireland, combined with scroll inscribed ‘DIEU ET MON DROIT’, and three Beaufort portcullises, the central of these with push clip clasp, overall length 49cm, contained in its original domed velvet-lined case, 21cm diameter, the interior lid lined in white silk with maker’s details ‘J. W. BENNETT, GOLDSMITH & WATCHMAKER, 16, LLOYD SQUARE, W.C. MASONIC ORDERS EXECUTED.’, several minor test marks, the case with scuffs and signs of wear, otherwise generally good very fine £2,000-£3,000 --- The Lancastrian Collar of Esses was introduced in the late 1300s, but revived by Henry VII in 1845. As an important piece of the late-medieval livery system, the collar was a prestigious symbol of royal power. It would only be awarded to the rank of esquire and above. The ‘S’ has been widely research, possibly representing a combination of saintete (sanctity), sagesse (wisdom), and seigneurie (lordship). However, Soverayne, meaning Sovereign is the most supported, especially in relation to Henry IV. The Portcullis was the Badge of John Beaufort, Marquees of Dorset & Somerset, the son of John Gaunt, Duke of Lancaster and great-grandfather of Henry VII. Henry adopted the symbol and it was used by the first and second Tudor dynasties. Presently, the portcullis is crowned, officially making it a royal symbol and can be found in the Palace of Westminster. The design in which the central link or hanging badge depicts the Crowned Floral Badge is reminiscent of the Esses Collar of the Sergeant-at-Arms. The company of J. W. Bennett located in Lloyd Square was destroyed in the Second World War, along with all associated archives.
Collection of green glazed ceramics Comprising a Pilkington Lancastrian small tapering green glazed vase, impressed marks and numbers '2338' to the base, 13.5cm high, a large Royal Lancastrian vase, with impressed marks to the base, 20cm high, a Poole Pottery vase, stamped 'Poole England' and incised numbered '402' to the base, 9.5cm high and a Chameleon ware vase, marked to the base, 9cm high (4) All with surface dust, dirt and signs of wear. The Pilkington vase with repair to the footrim/base. The bottom of the Poole vase looks as though it has been ground down. Marks to the base of the Chameleon ware vase have run, partially illegible. Otherwise seems ok.
WILLIAM S. MYCOCK FOR PILKINGTON, an earthenware vase of squat baluster form, painted in sombre blue and red lustres on an olive green ground with a band of scrolling foliage, monogrammed very indistinctly marked ENGLAND 6253, Royal Lancastrian, 192?, 7 1/4" high (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Small chip to foot rim just visible from outside, and 2 further small chips to inner footrim, small scratch to glaze near base, glaze lightly crazed.
William S Mycock - Pilkington Royal Lancastrian - A lustre foliate patterned vase, circa 1922, of gourd form with raised tapered neck, decorated with scrolling denticulated leaves in tonal ochre and vermillion over a field of scrolling flowering leafy tendrils and blue ground, the shoulders decorated with zig-zag border below floral panels, impressed and painted marks to base, height 13.5cm.
William S Mycock - Pilkington Royal Lancastrian - A lustre vase, 1924, of shouldered form, decorated with gold and ochre lustre denticulated leaves within scrolling red flowers and foliate tendril field over mottled purple ground, the shoulders decorated with zig-zag running border, impressed and painted marks to base, height 10cm.
Series G, Tower mint, mintmark cross 3 (4) both sides. Lancastrian shield in double-tressure of eight arches, trefoils on cusps, annulet stops. Rev, floriate cross, leopards in angles [?], 1.73gm (S. 1498; N. 1189/1190). Good Fine but with edge broken off from 7 to 12 o’clock, some scuffs throughout.
A PILKINGTON'S LANCASTRIAN VASE DESIGNED BY WILLIAM S. MYCOCKCirca 1906-13 Of shouldered ovoid form, painted with a frieze of heraldic lions against a ground of heart shaped motifs in gold and green lustre, impressed marks, painted artist's monogram, 20.5cm highSmall glaze chip around the edge of the foot, approx. 3mm. square. Some wear to the lustre decoration
WILLIAM S. MYCOCK FOR PILKINGTON ROYAL LANCASTRIAN; a lustre squat vase painted with panels of stylised leaves in blue on a burgundy and gilt ground, marked with initials to base and dated 1927, impressed no. 2566, height 9.5cm.Condition Report: Overall good condition with no chips, cracks or restoration. Some minor faults in the glaze and minor scratches.
DAVID EVANS - ART DECO POTTERY FIGURE. A signed and dated pottery figure of a lady cradling a horse, with a rectangular shaped base. With an impressed signature and dated 1928 to one side of the base, and also with an impressed date to the base. 36.5cms high *David Evans designed items for Pilkington Royal Lancastrian, although this has no factory marks. *CR Good condition with general crazing.
° ° A group of twelve Arts and Crafts/Art Nouveau related reference books; Lennon & Joy - MousemanHalen, W. - Christopher DresserArt Nouveau Domestic MetalworkCorbett, A - Pilkington's LancastrianCross, A - Pilkington's Royal LancastrianEyles & Irvine - Doulton Lambeth WaresMoore, S. - Pocket Fruit KnivesAslin, E - E.W.GodwinMasini, L. - Art NouveauLarner - The Glasgow StyleCrawford - C.R.AshbeeTilbrook, A.J. - The Designs of Archibald Knox
A rare and probably unique set of ten Pilkington's Lancastrian Nursery Rhyme tiles by Margaret Pilkington, designed in 1917, each rectangular and tubeline decorated in colours, in ebonised wood frames, comprising;Simple Simon,Goosey, Goosey GanderHush a Bye Baby!Little Blue BoyLittle Miss MuffitI Had a Little Nut TreeLittle Jack HornerPussy Cat, Where Have You BeenRide a Cock Horse to Banbury CrossSing a Song of Sixpence 22 x 14.5cm (tile)25.5 x 18cm (frame). (10) ProvenanceLawrence Burton, thence by descent
GORDON FORSYTH FOR PILKINGTONS ROYAL LANCASTRIAN; a small lustre bowl, internally decorated with floral detail, diameter 10cm, a Ashby Guild bulbous vase, height 8.5cm, and a Long Park pottery vase, height 14cm (3).Condition Report: Pilkington bowl with large repaired piece broken out and glued, Ashby vase with stained crazing to the body, glaze fault (chip) to foot rim. Long Park vase with crazing.
William Salter Mycock for Pilkington, a Royal Lancastrian Heraldic lustre vase,, 1922, painted with four alternating red shields depicting Lions and Crosses, painted with flowering stems on a blue ground, painted and impressed marks, signed and dated 1922, numbered 3108 to base, approx 33cm high
A Pilkington's Royal Lancastrian lustre vase by William S Mycock, circa 1911, of footed compressed ovoid form with drawn swept neck, painted with alternating panels of stylised cornflowers over blue ground and interlocking stylised leaves in sage green and iron red, within red bands, over beige ground, impressed P and Bees mark, XI, and painted monogram, shape no.2904, height 18cm. Condition reports for each lot are available on our website.
A collection of mixed ceramics, to include a Royal Worcester Scottie Wilson sugar bowl and saucer, and a Pilkingtons Royal Lancastrian lustre bowl, decorated by Richard JoycePilkington bowl - broken and repaired, lustre loss to interior.Doulton sugar bowl - chips to rim of lid.Paint loss from bellboy.Man with basket, looks like repairs have happened to both arms.Royal Worcester - sugar bowl: discolouration, side plate: hairline crack and deep knife marks, crazing.
WILLIAM S. MYCOCK (1872-1950) FOR PILKINGTON’S TILE & POTTERY CO. ROYAL LANCASTRIAN LUSTRE VASE, 1926 lustre-glazed earthenware, impressed factory mark, painted artist's mark and dated 1926, 11cm high; together with a ROYAL LANCASTRIAN LUSTRE MINIATURE VASE, 1926, lustre-glazed earthenware, impressed factory mark, painted artist's mark and dated 1926, 8.6cm high; a GORDON FORSYTH (1879–1952) FOR PILKINGTON’S TILE & POTTERY CO., LANCASTRIAN LUSTRE BOTTLE VASE, 1909, lustre-glazed earthenware, impressed factory marks, painted artist's mark, 19.2cm high (3)
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1565 item(s)/page