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An abstract metal sculpture of spiral form surrounding central pillar, mounted on a wooden base, 65cm high

A Regency-style mahogany twin pillar dining table late 19th century, with D shape reeded ends and central leaf, on turned bulbous supports and downswept fluted legs carved to knee with ancathus, terminating in brass capped castors,193cm wide115.5cm deep73cm highCondition ReportAll pieces with knocks, scuffs and surface scratches.Ready for use.

A skeleton hand-cranked petrol pump in a ‘pillar box’ and cover, painted red and blue, Cleveland Guaranteed Please see our terms and conditions in relation to collectionWe are unable to move this lot - please see our Terms & Conditions relating to removal times and storage costs

Parkside benchtop pillar drill.

Clarke Metalworker CDP151B pillar drill.

George III mahogany pillar wine table on tripod base 24 in wide

A carved rosewood longcase clock, late 19th century, Anglo-Indian, with a four-pillar single fusee movement, the ornately carved case with a pierced and carved crest, decorated profusely with floral and foliate designs, the case and hood mounted with carved fist handles, the white-painted dial signed 'Burlton', London Bridge',50cm wide26cm deep211cm highCondition ReportHood separate to the trunk of case but movement integral to hood, the creating damaged and loose, light knocks and chips throughout, key and short pendulum present 

A Power Devil 375W Pillar Drill, model PDW5010. [W]

A very fine Chinese Canton black and gilt lacquered work table, circa 1855,  with a rounded rectangular hinged lid, opening to a fitted interior, the lid inscribed and dated internally, ‘S.G to X.M Canton 30th January 1855’, set over a slide out crimson silk covered work basket, within turned pillar supports with gilt carved feet, the whole profusely decorated with chinoiserie, 76cm high, 64cm wide, 43cm deep IVORY EXEMPTION:   YEEP194T

A fine George IV rosewood hall table, circa 1825, by S.Jamar with a circular tilt top, inlaid with a wide band of gilt brass fretwork, decorated with interlocking panels of arabesques, on a tapered pillar and tri-form platform base, with stepped drum feet and ceramic and brass inset castors, 76cm high, 128cm wide (includes later glass top) This table is stamped twice ‘S.Jamar’, once on the top of the pedestal and once on the support frame of the table top. There is also a Waring & Gillow paper label to the underside,  S.Jamar is a celebrated furniture maker working circa 1818-1845 mainly in Soho, London. He claimed it ‘was ‘equal to any made in Paris, and at a rate that upon calculation will be admitted considerably advantageous than importing from abroad, also without incurring the risk of being damaged on the journey’. Refer: Gilbert, A Pictorial History of London Marked Furniuture 1700-1840, 1996. His work was strongly influenced by 19th century Emprire french furniture design and the Boulle inlaid works by Thomas Bullock.

A composition stone pillar, 64 cm,  with two small decorative urns and a lion (4)

A George III mahogany snap top wine table, mid 18th century,  with a plain circular top, on a baluster turned pillar and tripod base, 68cm high, 82cm diameter.

A late Regency tripod wine table, early 19th century, with rounded oblong top, ebony line stringing and set on a turned pillar with three outs rolled legs and brass caps and castors,, 74cm high, 76cm long, 53cm wide

Four local pictures and prints, limited edition print by Albert Rosser of Ennerdale Lake and Pillar Rock

A Quantity of Pre-War Hornby, including tinplate station, and other accessories, including pillar box, boxed watchman hut, all playworn.

A Quantity of Mid XX Century Lead Pillar Boxes and Telephone Boxes, by various manufacturers, including Dinky, all playworn.

A Regency mahogany snap top dining table of circular form raised on a turned pillar and swept tripod with cast brass hairy paw caps and castors, 125 cm diameter approximately to seat four to six

A Regency mahogany and crossbanded drop leaf worktable fitted with two frieze drawers raised on a lyre shaped pillar and swept supports, 73 cm high x 46 cm x 46 cm approx (closed)

A late Regency fold over top tea table on turned pillar and quadruped, 74cm high x 98cm x 50cm deep when closed

An inlaid Italian centre table, the circular top with floral marquetry bands, raised on a carved pillar and tripod base, 130cm diameter

A Regency rosewood D end fold over top card table on turned and carved pillar, platform base and lions paw feet, 75cm high x 90cm x 45cm deep when closed

A reproduction Georgian twin pillar D end extending dining table on swept supports, 215cm long x 100cm wide, together with a collection of eight Regency style chairs with rope twist splats and sabre supports each with individual hand work tapestry seats

A Pro pillar drill with stand, 380mm, model CLM380PD.

Hardy Bros brass salmon fly reel 4 ¼" wide spool, bone handle, constant check, 6 pillar frame, stamped enclosed oval logo and Rod in Hand trademark. Runs well

C Farlow & Co Maker, 191 The Strand, London 3.5" brass fly reel, domed horn handle (with split), small dent to face, 3 pillar frame with block reel seat (bent), constant check, runs well, in cloth bag

P D Malloch brass and ebonite salmon fly reel, 4 ½" wide spool, white handle, good check, 6 pillar frame with full foot and nickel silver rims, runs well. P D Malloch brass and ebonite salmon fly reel, 4 ½" wide spool, brown handle, good check, 4 pillar frame, bridge foot, small crack to back plate, nickel silver rims, small dents, runs well. (2)

Macleay Inverness brass plate wind reel, 3 ½" spool, large brown handle, 6 pillar frame with full brass foot, strong check, good finish. Please Note: Whilst impressive the scratch built wooden reel cases are optional

Malloch of Perth maker 4" ebonite and brass salmon reel with six pillar construction, rolling pillar, maker's details, white handle, constant check, appears G overall

Introduced as a concept car at the January 2003 North American International Auto Show, the FJ Cruiser was approved for production after positive consumer response and debuted at the January 2005 North American International Auto Show in final production form. It features a short wheelbase, stocky frame, and grille-headlight arrangement much like the original FJ40. Other throwback design cues include a nearly vertical windshield with three windshield wipers for maximum surface area coverage. The FJ's body features rear opening access doors that give a unique look to the SUV. Special high-strength steel was used to give the vehicle side impact protection without the need for a door pillar.  The interior of the FJ features many design elements focused on enhancing off-road practicality. All interior surfaces are covered with washable rubber materials to aid in fast cleanup after heavy outdoor use. The FJ also incorporates oversized controls to aid drivers with gloved hands. The ‘Final Edition’ of the FJ Cruiser went on sale in Japan on 12th September 2017 and sales were discontinued there on 31st January 2018.This great example of this striking Toyota FJ Cruiser from Japan, is presented in bright orange with a white roof. It has only covered 26,169 miles and performs and drives commensurate with this exceptionally low mileage. An iconic legend that was sadly never available in the UK, fitted with a super smooth V6 4.0 petrol engine, selectable 4x4 automatic transmission and very expensive off-road wheels and tyres, it is based on the mechanicals and short chassis of the Land Cruiser, enough said! Offered with air conditioning, cruise control, electric windows and not a whole lot else, this car is designed to be good looking but not pretty, tough, last for ever and not go wrong. Presented with a mileage guarantee certificate and serviced immediately prior to auction, this FJ is in fabulous condition and all importantly ULEZ exempt! Consigned by James GoodLOW MILEAGE EXAMPLE FROM JAPANV6 4.0 LITRE ENGINE AND GOOD SPECIFICATIONRARE COLOUR COMBINATION

Pine dining table, rectangular top on pillar supports united by sledge feet and floor stretcher (152cm x 76cm, H75cm); together with a set of four pine dining chairs with rush seats and a rectangular bench (120cm x 28cm, H45cm)

A Victorian pillar box hall cabinet. 

Four various, decorated pillar-form cabinets. 

A Wilesco D-141 Work Station (Workshop), comprising boiler with tablet burner, lineshaft driving bench saw, grinder, reciprocating saw and pillar drill, complete with funnel, manometer, hand valve, safety valve, and other expected fittings, sold with two packs of 12 Wilesco solid fuel tablets and 3 packs of 20 MSS solid fuel tablets, model is in very good condition and boxed

A magnificent set of four silver George III candlesticks by Robert Hennell II, London assay marks dated 1819,  approx 30.5 cms h. Each candlestick of twisting pillar form cast with a leaf and berry design, supported on an eight-segment flower form base moulded with repeating scroll pattern heightened with shell and mask motif, approx 5000 gms.  Condition Report Candlestick I:**  Good, clear hallmarks. There is some minor surface abrasion beneath the removable nozzle, which is numbered 4. No other splits, dents, or bruises were observed. Weight: 1230 grams.Candlestick II:** Good, clear hallmarks. The removable nozzle is numbered 3. A small ding is visible beneath the removable nozzle. No other splits, dents, or bruises were observed. Weight: 1229 grams. (see image).Candlestick III:** Good, clear hallmarks. The removable nozzle is numbered 2. The liner beneath the removable nozzle has a vertical split and has dropped into the column (please see the accompanying image). No further splits, dents, or bruises were observed. Weight: 1230 grams.Candlestick IV:** Good, clear hallmarks. The removable nozzle is numbered 1, though it appears slightly rubbed. No other splits, dents, or bruises were observed.

EIGHT MATCHBOX 1-75 SERIES SUPERFAST WHEEL MODELS comprising a No.4, '57 Chevy, red and white 'Cherry Bomb'; No.5, U.S. Mail Truck, blue and white; No.10, Plymouth Gran Fury Police Car, white and black 'Police'; No.10, Plymouth Gran Fury Police Car, white and black 'Metro Police'; No.54, Mobile Home, cream; No.62, Chevrolet Corvette, black, orange and yellow; No.62, Chevrolet Corvette, metallic red and white; and No.74, Cougar Villager, metallic green, each mint or near mint and boxed, the boxes generally good (No.62 black box slightly crushed). Condition Report : No.62 red with scrape to one wheel arch, chip to one windscreen pillar and rubbed nose printing. ; No.5 box with one torn and almost detached end flap). Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

Over 70 topographical photographs of Kenya capturing the 1973 total eclipse on June 30th taken at Lokichar Northern Kenya-well known wildlife conservationists of the 70/80s period such as Keith David Jones-Mark Easterbrook-Judith Rudnai-Keith Shackleton-Warden Tipis-Gordon Harvey-Syd Downey-Phil Sneider-Joy Adamson to name some and photographs of contemporary and ancient architecture includes-Mbarak Hinawy street Mandhry Mosque Mombasa old town-Fort Jesus-Gedi ruins-Pillar tombs-Kongo mosque. Also includes a small group of Nostalgic views of Kenya railways and crossing a river on a pontoon in 1938Location: BWRIf there is no condition report shown, please request

A novelty silver money box/stamp dispenser, by S Blanckensee & Son Ltd, Chester 1932, in the form of a pillar box, with a pull-off base, height 10.3cm, approx. weight 3.9oz. Provenance: A Private Collection (Part II)

A late-Victorian novelty silver pillar box,by Deakin & Francis Ltd, Birmingham 1899,in the form of a pillar box with a pull-off cover, height 11cm, approx. weight 3.4oz. Provenance: A Private Collection (Part II)

A silver novelty inkstand, by Goldsmiths & Silversmiths Co., London 1923,in the form of a pillar box with an applied crown and 'GR', the hinged front reveals an interior inkwell with a pen rest to the front of the pillar box, on a square base with four bracket feet, height 17.4cm, approx. weight 12.4oz. Provenance: A Private Collection (Part II)

A Victorian novelty metal combination pillar box,by T.W. Hopkins, 22 New Bond Street, London circa 1880,pillar post box form, a stamp compartment to the hinged top, the hinged top reveals a candlestick with a spring interior base, the front opens to reveal a swivelling candlestick and a card compartment, to the interior side of the door is a matchstick slot and striker, the base swings open to reveal an inkwell, on later felt stand, height 19.2cm.Provenance: A Private Collection (Part II)

A novelty silver money box/stamp dispenser, by Deakin & Francis Ltd, Birmingham 1916,in the form of a pillar box, pierced letter slot and a twist-off cover to the underside of the base, height 9.5cm, approx. weight 2.9oz. Provenance: A Private Collection (Part II)

TWIN PILLAR CORKSCREW, 19th Century wood and brush handled, side winding corkscrew, 18cm height

A MAHOGANY AND BRASS MOUNTED COUNTRY HOUSE LETTERBOX, the domed octagonal top with central roundel above a rectangular letter slide, the body with cupboard door applied with paper-slip register, on circular plinth base, 43cm high, 25cm diameterThe Late Victorian and Early Edwardian period, 1870–1910 has been acknowledged as the apex of popularity for these charming desktop post-boxes. A favourite of the aristocracy, they were generally found in a country house estate or foyer of a well-appointed hotel and accumulated letters from the family as well as those in the employ of the house. The footman was then charged with emptying the box and transporting its valuable content to the local post-office every day, twice a day. It is worth noting that the street post-boxes and pillar boxes that have become so iconic today were only introduced to the Great Britain in 1853 and so we can assume that this early model was installed in quite a sophisticated and affluent home.

A VICTORIAN WALNUT AND PIETRA DURA CIRCULAR OCCASIONAL TABLE, CIRCA 1870, the centre inset with a song bird perched on fruiting branches in various coloured stones enclosed by a beaded and leaf carved border on carved centre pillar on arched triform base, 71cm high, 59cm diameter

AN INLAID WALNUT SWIVEL TUB CHAIR, 19TH CENTURY, with padded seat on turned revolving centre pillar and tripod base

AN EGYPTIAN PALE GREEN FAIENCE GLAZED USHABTI LATE PERIOD, carved in standing position with folded arms, wigged and bearded inscribed with eight bands of hieroglyphs on square base with back pillar. 19cm high

Henry VII, Penny, Sovereign type, Durham, Bp Fox, throne with single pillar, dr at sides of shield, mitre above, 0.67g/9h (Allen 198ff; N 1731; S 2233)Elizabeth I, Fifth issue, Sixpence, 1582, mm. sword, bust 5A, 2.93g/7h (N 1997; S 2572); Charles I, Tower mint, Shilling, Gp E, type 3a, mm. tun, 5.55g/2h (Sharp E2/2; SCBI Brooker 507; N 2225; S 2791); together with a continental Iron Age silver unit and an English Sceatta [5]. Fair to fine £80-£100

Guatemala, Republic, countermarked coinage, 2 Reales, a Spanish-American ‘Pillar’ cob, with type VI countermark · repub · del cent · de amer · 1846, rev. stamped habilitada en costa-rica · j · b, 6.30g (KM 94). Coin worn and pierced, countermark very fine, scarce £80-£100

Chrome Pillar Floor Lamp

Decorative Pillar Table Lamp

Pair of Brass Pillar Table Lamps with Fiona Haddow Painted Shades

Stone Carving, Pillar and Top

Modern Oak Pillar Chest of 6 Drawers, 53x141cm, 117cm h

English, early 19th century, the steel beam with ovoid box ends and circular brass pans, with tray for six circular nesting weights, marked for 4, 2 and 1 Lb and unmarked 8, 4, 2 and 1Oz, all with 1826 ewer, Victoria and Avoirdupois verification marks, in oak case with threaded mount for pillar

A small Parian model of the Tournai font in Winchester Cathedral, 2nd half 19th century, possibly Copeland, the sides moulded with figures and birds, raised on four columns flanking a central banded pillar over a square foot, the top with a glazed recess, a small chip, 18.8cm high.

A Bow blue and white sweetmeat stand or pickle dish, c.1765-70, formed as three joined scallop shells, a circular dish rising from a central pillar, all painted with a figure crossing a bridge beside flowering plants, within trellis borders, the stem applied with small shells and coral, raised on three peg feet, some restoration, 13.5cm high.Provenance: the Barbara Horn Collection.

James Gillray (1757-1815) etching - 'Design for the Naval Pillar', published Feb. 1st 1800 by H. Humphrey, BM 9513, 56cm x 30cm, in glazed frameNot examined out of the frame. Closely cut along the top edge as seen in the image. Some discolouration to the paper which is not laid down. Otherwise ready to hang.

18th century Chinoiserie lacquered longcase clock with brass and silvered arched dial by Henry Cooley, London, four pillar movement striking on bell, complete with pendulum and two weights. 210cm high

An alabaster figure of Dionysus, holding a ewer to his side and leaning on a pillar clad with grapes, on a fluted sqaure plinth, 52.5cm high

A George III-style satinwood and marquetry revolving bookcase, late 19th century, in the Sheraton taste, with three independently rotating tiers on a tripod base, each inlaid with a classical urn, on four outswept supports with brass paw feet and castors,47cm diameter 142cm highProvenance: From the Collection of Nigell and Heather D’Oyly.Condition ReportGeneral light surface wear and scratches throughout commensurate with age and use. Some small chips, knocks and losses to edges. Wear, damage and lifting to velvet linings. Some small knocks, wear and repairs to supports. Joints sound and solid. Tiers revolve well. Castors wheel freely. Overall appears in fairly good structural and cosmetic condition.The internal height of the upper section is 24cm, space between pilaster is 18cm and depth to central pillar 17cm.The internal height of the midde section is 24cm, space between pilaster is 21cm and depth to central pillar 18cm. The internal height of the lower section is 28cm, space between pilaster is 23cm and depth to central pillar 19cm.