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An antique specimen wood parquetry inlaid octagonal topped table with intricately carved triple pillar base, splayed legs and brass and ceramic castors, 19th century, possibly Italian Sorrento, 71cm H x 55cm diam

A small vintage mahogany side table or jardinière stand with rounded top and pillar support, 39cm in diameter x 54cm tall

A modern light oak dining table with pillar support and tripod base, 124cm in diameter x 71cm tall

An antique mahogany coat stand with reeded pillar and carved with wheat sheaths, five brass hooks and tripod base with pad feet, 162cm tall

T. Travis- mid-18th century 8-day oak longcase clock, with a flat pediment, broad cornice and frieze beneath, square hood door, with a long trunk and conforming break arch topped door, on a square plinth raised on aa bracket shaped skirt, brass dial with cast spandrels, matted centre, seconds dial, date aperture and steel hands, chapter with Roman numerals, five minute Arabic's and minute track,dial pinned to a rack striking four pillar movement, striking the hours on a bell. With weights, key and pendulum.Dimensions: Height: 203cm  Length/Width: 42cm  Depth/Diameter: 23cm

A William & Mary bracket timepiece by Joseph Williamson, London, in a later burr yew case, the 17cm brass dial with 5 pillar single fusee verge movement, winged mask spandrels, silvered chapter ring signed below ‘Williamson, London’, central alarm disc, shaped hands, date aperture, scroll engraved and signed backplate, shaped pierced back-cock, pull cord, the glazed case on bun feet36cm high, 27cm widePlease note this is a timepiece with alarm bell activated by a pull cord. It is currently ticking. It does not strike the hours. It all looks quite clean; the case is very well made, has some age but is 20th century. Wind/going duration not known. 

An ebonised table clock signed William Tomlinson, London, circa 1700, the gilt metal mounted case with folding brass figural cast handle, the 17.5cm dial signed above strike/silent lever, with gilt winged mask spandrels, silvered chapter ring, mock pendulum and date apertures to the centre, seven pillar verge movement with foliate engraved signed backplate, pull repeat on 4 bells and striking on a further bell, all on disc and claw brass feet 38cm high (handle folded), 28cm wide Noted that the crown wheel escapement needs some attention as the escapement does not interlock properly and the wheel jumps around as the pendulum swings. The pull quarter repeat is currently working. Brass retaining brackets look later and there are different position holes to case side for previous fixing (?) Possibly a married case therefore. Some age scratches to the case; replacement hinges to both doors. Private ownership of a deceased collector. Please see photos. 

A part set of Royal Doulton Pillar Rose pattern china to include twelve soup bowls, eleven coffee cups and twelve tea cups with maker's marks the the bases. W.15cm

Three boxes of Betty Boop limited edition models, together with a collection of Royal Mail model pillar boxes, and other figures

MEXICO. Silver 1 Onza, 2018Mo. Mexico City. Libertad. National coat of arms of Mexico, 10 past versions of this symbol surrounding it; ESTADOS UNIDOS MEXICANOS ./ Three-quarter side profile of the Angel of Independence. Winged Victory on pillar with a laurel wreath in her right hand and a broken chain in her left, with the Valley of Mexico and Popocatépetl and Iztaccíhuatl volcanoes in the background; 1 ONZAS PLATA PURO 2018 LEY .999. Edge milled.In secure plastic holder, graded PCGS MS70 , certification number 35848653.PCGS population in this grade: 1515, equal-finest graded.Diameter: 48 mm.Weight: 62.2 g. (ASW=1 oz)Composition: 999/1000 Silver.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

MEXICO. Silver 1 Onza, 2017. Mexico City. National arms; ESTADOS UNIDOS MEXICANOS./Winged Victory on pillar with a laurel wreath in her right hand and a broken chain in her left, with the Valley of Mexico and Popocatépetl and Iztaccíhuatl volcanoes in the background; 1 ONZA PLATA PURO 2017 LEY .999. Edge milled.In secure plastic holder, graded NGC MS 70 , certification number 4561615-014.Diameter: 40 mm.Thickness: 3 mm.Weight: 31.1 g. (ASW=1 oz)Composition: 999/1000 Silver.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

MEXICO. Silver 1 Onza, 2020. Mexico City. Libertad. National arms; ESTADOS UNIDOS MEXICANOS./Winged Victory on pillar with a laurel wreath in her right hand and a broken chain in her left, with the Valley of Mexico and Popocatépetl and Iztaccíhuatl volcanoes in the background; 1 ONZAS PLATA PURO 2020 LEY .999. Edge milled.In secure plastic holder, graded PCGS MS70 , certification number 41054290.PCGS population in this grade: 3346, equal-finest graded.Diameter: 48 mm.Weight: 62.2 g. (ASW=1 oz)Composition: 999/1000 Silver.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

John Watts of Canterbury - early 18th century 8-day oak longcase clock, with a flat topped hood, broad cornice, dentil moulding and blind fret beneath, baluster turned pilasters with wooden capitals flanking the square hood door, trunk with recessed beaded edge and a long ogee topped door with crossbanding, plinth with applied skirting, square brass dial with matching steel hands, cast spandrels and a matted and engraved centre, date aperture, seconds ring and ring turned winding apertures, silvered chapter ring with Roman numerals, five minute Arabics, minute and quarter hour tracks, five pillar movement with a recoil anchor escapement and inside countwheel strike, sounding the hours on a bell. With weights and pendulum.Dimensions: Height: 205cm  Length/Width: 47cm  Depth/Diameter: 23cm

Mouseman - 6' refectory dining table, adzed rectangular top on octagonal pillar supports, sledge feet united by floor stretcher, carved with mouse signature, by the workshop of Robert Thompson, Kilburn Dimensions: Height: 74cm  Length/Width: 183cm  Depth/Diameter: 87cm

Henry Fisher of Preston (Lancs)- a fine late 18th century Mahogany 8-day longcase clock c 1790, with a swan necked pediment, brass paterie and Verre Eglomise glass panels with a blue ground beneath, broken arch hood door flanked by reeded pilasters with brass Corinthian capitals, trunk with inset reeded quarter columns and a wavy topped door in figured mahogany, plinth with conforming canted corners, raised panel and bracket feet, with an early Wilson painted dial comprising a colourful depiction of birds of paradise to the centre and a working lunar disc to the arch, with painted floral spandrels within gesso borders and matching steel hands, Roman numerals, five-minute Arabic's, minute markers and matching seconds and date dials, dial pinned via a cast Wilson falseplate to a rack striking four-pillar movement, striking the hours on a bell. With weights and pendulum.Henry Fisher is recorded as working in Preston, c1742-95. Dimensions: Height: 240cm  Length/Width: 50cm  Depth/Diameter: 23cm

Rabbitman - Altar table, rectangular adzed top an octagonal pillar supports, sledge feet united by floor stretcher, carved with Rabbit signature by Peter Heap, WetwangDimensions: Height: 72cm  Length/Width: 122cm  Depth/Diameter: 76cm

Joseph Saer of London- Queen Anne 8-day walnut longcase cock, with a flat topped pediment and a wide moulded cornice, blind frieze beneath with a square hood door and attached pilasters, veneered trunk with a long trunk door and convex moulding to the edge, on a short plinth with a convex moulding and applied skirting, 12" brass dial with cherub and crown spandrels, matted dial centre with ringed winding holes, scroll steel hands, square date aperture and seconds dial, silvered chapter with Roman numerals, five minute Arabic's, minute track and inner quarter track with half hour markers, dial pinned directly to a five pillar movement with a recoil anchor escapement and countwheel striking movement, sounding the hours on a cast bell. With brass cased weights and pendulum. Joseph Saer is recorded as working from Penpool Lane, London, from 1687-1704 and is mentioned as an early member of the London Clockmakers Company. Dimensions: Height: 216cm  Length/Width: 42cm  Depth/Diameter: 23cm

Henry De La Feuille of London-early 18th century marquetry 8-day longcase clock c 1720, hood with a moulded upstand to the domed caddy top, set on a lower upstand above a wide cornice with a marquetry frieze beneath, square hood door with marquetry inlay and attached three-quarter columns with wooden capitals, hood sides with glazed panels, trunk and door inlaid with figural marquetry with various representations of people, birds, scrollwork and foliage, full length door with cock-beading surround and a circular glazed lenticle, the case sides veneered with bordered panels within crossbanded surrounds, plinth with a convex moulding and shallow moulded skirt, brass dial with a matted centre and ringed winding holes, date aperture and seconds dial, silvered chapter with Roman numerals, five minute Arabic’s, minute and inner quarter hour tracks and half-our markers, with pierced steel hands and matching cast scroll spandrels depicting angels supporting a crown, dial pinned directly to a four pillar movement with an outside countwheel and recoil anchor escapement, striking the hours on a cast and polished bell.With weights, pendulum and key.Henry De La Feuille was a French Huguenot, born in 1670, moving to Jersey c1690 and finally London where he is thought to have died c1730.Dimensions: Height: 240cm  Length/Width: 46cm  Depth/Diameter: 25cm

Mouseman - 8' oak refectory dining table, adzed oak top on twin pillar supports, by the workshop of Robert Thompson, Kilburn, Dimensions: Height: 73cm  Length/Width: 245cm  Depth/Diameter: 99cm

Silver Aagdan in the form of a two handled urn on a fluted circular pillar marked Sterling Silver K.P.D. H16cmCondition Report: A similar Aagdan was presented to the future Edward VIII by the Bengal Club 1921Approx silver weight 11ozt (344 grams )

Thomas Bridge of London-late 17th-century oak cased longcase clock c1690-1700, flat topped hood with two gesso ball finials, with blind fretwork beneath and a square hood door with attached pilasters, long trunk door with beading to the edge and a "bulls-eye" glass to the centre, on a plain plinth with applied skirting, brass dial with large cherub spandrels, matted dial centre, seconds dial and date aperture, ringed winding holes and pierced steel hands, silvered chapter with Roman numerals, five minute Arabic's, minute and quarter hour tracks, five pillar movement with an anchor escapement and inside count wheel strike, striking the hours on a cast bell. With brass cased weights and pendulum. Thomas Bridge was an early 18th century London maker, thought to have later moved to Bolton (Lancs) d.1717.Two of this makers clocks were formerly in the respected Wetherfield Collection.Dimensions: Height: 206cm  Length/Width: 42cm  Depth/Diameter: 23cmCondition Report: pendulum suspension broken

A Royal Doulton Pillar Rose pattern part tea service comprising, a serving dish, six plates (w-24cm), six teacups, a sugar bowl, a milk jug, eight saucers, six side plates (w-16cm) and six dessert bowls (w-17cm), all marked verso. (in good condtion) (35)

A George III long case clock with square brass dial with Roman and Arabic numerals and pierced spandrels, the centre decorated with buildings and foliage, brass 30 hour movement striking on a bell, the oak case with caddy top, half pillar decoration, a plain trunk door and box base, 193cm high

John Mercer Hythe, an 18th Century long case clock with brass and silvered dial decorated with pierced spandrels, fitted with a 30 hour movement, striking on a bell, face and movement likely a later marriage, the oak case with moulded cornice, blind fretwork and half pillar decoration, rectangular trunk door and a box base, 190cm high

Victorian wooden clock with pillar and lion head design

A pair of Victorian mahogany six drawer pillar chests, 124cm high x 34cm wide, (formerly part of a larger item).

A 19th Century Mahogany Twin Pillar Dining Table, on reeded down swept supports terminating on brass paw feet, 186cm by 107cm by 73cm, together with a set of six 19th century mahogany dining chairs including two carvers (7)

An Oak Eight Day Longcase Clock, signed John Pace, Bury St Edmunds, circa 1830, wavy shaped pediment with brass ball finials, arch trunk door flanked by fluted pilasters, inside trunk door with a Brian Loomes label and a brass oval presentation plaque, 12-inch arch painted dial with Roman numerals, dial centre with seocnds dial and date aperture, dial arch signed, four pillar movement with an anchor escapement and rack striking on a bell210cm highFrom the presentation plaque this clock was once owned by Earl Beatty, Admiral of the Fleet in the first World War.Right hand side of the hood with one crack, right hand side hood column is loose and need securing, left hand side of the base is cracked and the left hand side panel is slightly lifting, later bracket feet, dial with minor scratches, with two weights and a pendulum.

A Mahogany Serpentine Fronted Cross Banded Mahogany Serving Table, in Georgian Style, 114cm by 54cm by 81cm, together with a Regency Style Mahogany twin pillar dining table with two additional leaves, 250cm by 106cm by 71cm (2)

A Ferm FRTD-13/350 230v 5-speed pillar drill with 350 watt motorThis lot remains at the workshop in Bishops Stortford, collection to be arranged by appointment through the auctioneers, and must be carried out not later than Saturday 28th June.

THE CHURNING OF THE OCEAN OF MILK (SAMUDRA MANTHANA) PROPERTY FROM A CANADIAN COLLECTION Possibly Jaipur or Bikaner, Rajasthan, North-Western India, second half 19th century Opaque pigments and ink heightened with gold on wove paper, depicting the Hindu God Vishnu, Lord of Preservation, seated on a low throne at the top of a pillar, supposedly a stylised representation of Mount Mandara, holding his typical attributes (conch shell, lotus flower, mace and quoit), the pillar surrected by Kurma the Tortoise, Vishnu's second avatara, on each side the factions of Good and Evil represented respectively by the Hindu Gods Brahma and Shiva on one side and two horned demons (divs) on the latter, each party holding tight the serpent Vasuki as a rope to turn Mount Mandara, the demons tricked into pulling the head of the snake and weakened by its poisonous breath, the outfits of the Hindu gods and the pillar covered in repeating miniature pseudo-nagari letters, possibly representing the sacred monosyllable aum, set within concentric polychrome rules and gold-speckled brown and dark orange borders.35.5cm x 27.5cm 35.5cm x 27.5cm Qty: 1

Royal Mail silver stamps and stamp ingots, comprising 'Pillar to Post' silver five ingot set, 'Glory in the Details' silver five stamp set, 'The Castles Stamp Ingot Collection' silver four ingot set, 'The Coronation Anniversary' silver stamp ingot on cover, and 'Trafalgar' silver stamp ingot on cover

A 19th century oak snap-top pillar table on tripod support. 27" diameter

A 19th century oak pillar table on tripod support. 29" diam.

A pair of stone garden ball gate pillar finials. 10½" high

A Victorian papier-mache snap-top pillar table, the top painted with summer flowers, mother-of-pearl inlaid and parcel gilded. 21" diameter

A Victorian papier-mache snap-top pillar table, the chequer board top inlaid with mother-of-pearl parcel gilded and painted with summer flowers. 27" wide

Steam Engine - James Booth Rectilinear pillar steam engine of 1843, well engineered, main colour green on wooden base, approx 10" in height

Wadokei: A 19th Century Japanese Shaku-Dokei wall hanging pillar timepiece, hardwood case with the trunk having nineteen adjustable brass plaques. Brass and silvered movement with floral engraved front and turned column supports, having a verge escapement regulated by a short pendulum. Key drawer to base with key, token and note relating to "Drummond Robertson: The Evolution of Clockwork" page 275. Piece is a/f with missing hood. 54cm long.

Wadokei: A 19th Century Japanese Shaku-Dokei wall hanging pillar timepiece, hardwood case with glazed hood over the trunk having a brass thirteen division Namagata dial plate, read with a descending arm attached to a weight. Brass movement with floral engraved front and turned column supports, having a verge escapement. Key drawer to base with key inside. Piece is a/f throughout with crack in glass, loose wood, etc. 49cm long.

Wadokei: A 19th Century Japanese Shaku-Dokei wall hanging pillar timepiece of relatively small proportions, hardwood case with glazed hood over the trunk having a seven division wooden Namagata dial plate, read with a descending arm attached to a weight. Brass movement with floral engraved front plate and turned column supports, having a verge escapement. Key drawer to base with key inside, with note relating to "Drummond Robertson: The Evolution of Clockwork" page 275. 40cm long.

Wadokei: A 19th Century Japanese Shaku-Dokei wall hanging pillar timepiece, hardwood case with square glazed hood and the trunk having 24 adjustable brass plaques to one side and an indication to other. With a small hand/marker attached to inside weight with a bell. Brass movement with floral engraved front and turned column supports, having a verge escapement which would be regulated by a short pendulum (a/f). Key drawer to base with key, token and a 1945 dated note relating to "Drummond Robertson: The Evolution of Clockwork" page 275. Piece is a/f throughout with wood missing, tears to silk, etc. 62cm long.

Mappin Brothers; A Pair of Victorian Highly Decorative Hallmarked Silver Candlesticks, Sheffield 1890, each of pillar design with feather detailed finial, on square spreading base (weighted), decorated with scrolling foliage and urn design, gadrooned to rim, each approximately 19cm high.Both candlesticks rock on a flat surface, one also appears to have a slight tilt. Visible dents to lower part and stepped base.

A Mamod Steam Roller, boxed M.M.1 Stationary Steam Engine and a steam Pillar Drill

A Brights of Nettlebed style reproduction oak circular dining table with extra leaf, set on turned pillar and quadruple splayed legs

A late 19th / early 20th Century mahogany jardinière stand, set on turned and carved pillar and tripod base

A 59cm diameter 19th Century mahogany tilt-top pedestal table, set on triangular pillar and trefoil base

A 19th Century carved and stained mahogany torchère with turned pillar, set on tripod base - converted to standard lamp

A vintage stained wood standard lamp with turned pillar, set on circular base - sold with shade

A 100cm green marble torchère, set on turned style pillar and octagonal base

A late 19th/early 20th Century Arts & Crafts Movement wrought iron and copper gentleman's shaving stand with oblong mirror and flanking candle sconces, set on telescopic pillar and tripod base

A Victorian ebonised wood torchère, set on heavy barley twist pillar and square base

A Regency Mahogany twin pillar dining table, the plain top with rounded corners, plus one extra leaf on turned and ringed pillar supports to hipped splayed square tapered legs, brass caps and castors. approx. W115cm x H71cm x L194cm

A fine quality 19th Century mahogany Sofa Table, the top with wide rosewood crossbanding and demi-lune flaps, above two frieze drawers with turned handles on pillar supports, united by shaped stretcher on outsplayed legs with ornate brass capped castors, approx. 155cms wide (opened) x 79cms deep x 74cms high (61" x 31" x 29"). (1)

A Victorian walnut Yacht Table, of small proportions with demi-lune laps, with gate leg action and turned pillar supports, 53cms (21") wide. (1)

A fine quality Irish mahogany Regency Cellaret, possibly Cork, the lift top with fitted interior and ebony strung inlay above a conforming front, each side with attractive ornate circular brass handle, supported by a turned pillar on tripod base with reeded legs and brass castors, approx. 88cms (35") high. (1)

A Victorian walnut Ladies Writing Table, by Gillows, with tooled leather inset top, and moulded edge above two frieze drawers, stamped, with turned pillar uprights on carved outsplayed legs, approx. 109cms (43") wide. (1)

A 19th Century mahogany Cradle, of boat form with brass straps and latted supports, with turned pillar uprights and stretchers on scroll legs. (1)

A 19th Century bronze head and shoulder Bust of Mozart, on a rouge marble pillar base, approx. 23cms (9") high. (1)

A quality William IV Irish mahogany rectangular Breakfast Table, in the manner of Williams & Gibton, the top with rounded ends, on a bulbous turned pillar on shaped out- turned legs with brass caps and castors, approx. 147cms long x 100cm wide x 71cms high (58" x 39" x 28"). (1)