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Corgi Classics boxed diecast, including 97840 Scammell Highwayman tanker, 97951 Foden milk tanker, 97372 Atkinson trailer Mackison, 97162 Atkinson elliptical tanker Pollock of Musselburgh, and 97367 Scammell Highwayman tanker and trailer Pointer. (5)

Thirty-two assorted boxed model carriage kits including Proto 1000 Series, 60' Thrall Door Boxcar sets (x 3), Athearn sets, Accurail sets, Pollock 75 Ton Kling Hot Metal car with trunks and couplers (x 3), etc.

Cricket autographs, a 1967 Rothman's World Cup Souvenir programme with images of the 12 Rest of The World Players, each one individually signed inc. Sobers, Gibbs, Hall, Pollock, Nurse, Bland etc, the programme also includes 8 signatures of the Pakistan Team and also a single signature of Clive Lloyd (gd)

Corgi Toys 1/50 scale group of 13 loose modern issue haulage diecasts to include Man ERF Norman Emmersons & Sons Ltd, Scania Class L400 Pollock Scottrans Ltd, Renault Premium James Earlham & Sons Ltd, and others (models in varying conditions)

Corgi Toys 1/50 scale group of 33 loose modern issue diecast haulage models to include Volvo FH12 Globetrotter A Wishart & Sons Ltd, Scania Class L 460 D Stephen & Son Ltd, Scania Class L Pollock Express, ERF ECS Stan Robinson Express Pallets, and others (models in various conditions)

Corgi Toys, 1/50 scale group of four Limited Edition boxed modern issue haulage diecasts to include ERF EC Series Curtainside Pollock Scot Trans Ltd, Scania Topline Stepframe Curtainside Arches Transport, Scania R Moving Floor Trailer, and a Scania Curtainside Norfolkline, all housed in the original boxes

Corgi Toys 1/50 scale group of 11 loose modern issue haulage diecast to include Scania Class L420 Olivers Transport Gypsy Drifter, Man ERF Torridge Transport, Volvo FH Malcolm Logistics Services, DAF 95 XF Pollock Express Ltd, and others (models in varying conditions)

1930 Rolls-Royce 20/25hp Doctor’s Coupé with coachwork by Hooper Registration Number: RX 6000 Chassis Number: GDP 28 Engine Number: I7W In wonderful condition throughout and with the most impressive of history files, this grand Rolls-Royce is presented in blue over black coachwork with a fine red coach line. The car features a folding pram hood and dickey seat, Lucas lighting, wheel discs, rear-mounted spare wheel carrier and fishtail exhaust. As it has been used as regular transport over the years, indicators and seat belts have been added for safety. Inside, the car is extremely comfortable and well appointed, with blue-grey leather trim and beautiful wooden dash and door cappings, with a Paddon Bros. Ltd. supplier's plate to the dash. The engine compartment is extremely nicely presented and to very original specification, and has a fabulous Boa Constrictor bulb horn present. First owned by the 7th Marquess of Downshire until after the Second World War, the car was purchased by the current owner’s parents in 1947. They used it as their only car until they could no longer fit in their three children (one of whom was the present owner!), so with great regret they sold it in 1955 and bought a Rolls-Royce saloon instead. In 1984, the car came into the possession of David Pollock, a surgeon from Shrewsbury. By this time it was in very poor condition and Mr Pollock performed an amazing restoration job over six years, winning a number of trophies and prizes as a result. In 2003, the present owner was invited as a guest to the Rolls-Royce Enthusiasts' Club National Rally at Towcester. Incredibly, he spied the well-remembered registration number 'RX 6000' and introduced himself to the owner. The long and short of it was that he purchased his father's old car and was able to reacquaint himself with it after nearly fifty years! Running and driving very well and in regular use, the Rolls-Royce comes with an incredible history file spanning nearly a century of documentation. This includes copies of the original build sheets, a quantity of MoTs over the last six decades and details of its ownership history, extensive maintenance and various restorations over the years. It is, of course, MoT-exempt and benefits from free 'Historic' road fund licence. In the owner’s words, 'it is a wonderful motor-car which has fully repaid all the love and care it has received over the past twenty years'.

Corgi Kings of the Road, a boxed Commercial group to include CC10301 AEC Ergo Sheeted Platform Trailer "Willmotts Transport Limited", CC12504 Atkinson Borderer Flatbed Trailer "Pollock" and others. Although not checked for completness conditions generally appear Good in generally Good boxes. See photo.

Corgi Limited Edition and Limited Edition Collectables, a boxed 1:50 and similar scale "Pollock" group to include CC13809 Mercedes-Benz Actros Curtainside, CC13107 Volvo F88 Sheeted Flatbed Trailer and others. Although not checked for completness or working order conditions generally appear Good in generally Good boxes. See photo.  

Corgi Limited Edition Collectables, a boxed 1:50 Scale CC99130 "Scotland's Finest Pollock (Scotrains) LTD" Musselburgh. Although not checked for completness conditions generally appear Good in a generally Good box. See photo. 

Corgi, a boxed and partly boxed Commercial group comprising of "Limited Edition Collectables" and similar, to include CC13611 DAF CF Curtainside Lorry Pollock (Scotrans) Ltd, CC11509 AEC MkV 8 Wheel Platform Lorry "William Nuttall & Sons Ltd, Clifton, Lance" and others. Although not checked for completness conditions generally appear Good in generally Good boxes and polystyrene where applicable. Please note one model has a broken rear axle. See photo.  

Corgi Limited Edition and Haulers of Renown, a boxed 1:50 Scale Commercial group to include CC13809 Mercedes Benz Actros Curtainside "Pollock (Scotrans) LTD", CC19906 Curtainside Trailer "jack Richards" and others. Although not checked for completness conditions generally appear Good in generally Good boxes. See photo. 

Corgi Classics, a boxed Commercial group to include 97931 AEC Flatbed "Greenall Whitely", 97162 Atkinson Elliptical Tanker "Pollock Of Musselburgh" and others. Although not checked for completness conditions generally appear Good in generally Good boxes. See photo.  

JAMES FILLANS (SCOTTISH 1808 - 1852) BUST OF ROBERT BURNS marble bust, raised on a socle and plinth base, inscribed to base ROBERT BURNS, FILLANS64cm tallNote: An exciting new discovery of 19th Century Marble bust of Robert Burns by James Fillans (27 March 1808 – 27 September 1852) Fillans was a Scottish sculptor, poet and artist with a short but influential career in the early 19th century. The sculpture was discovered languishing in a garden in the West Midland for over thirty years. There are examples of the artist’s work, in the collections of Glasgow Museums Resource, Kelvingrove Art Gallery, Pollock House, Institution of Mechanical Engineers and Dumfries Museum and Camera Obscura. It is believed that the National Trust for Scotland hold a plaster version of this same sculpture.

Colonial Auxiliary Forces Long Service Medal, G.V.R. (Sergeant J. A. Pollock. 3rd Regiment. C.G.A.); Efficiency Medal, G.VI.R. (2), 1st issue, Canada (A/R.S.M. L. K. Baird Regina Rif.); 1st (bilingual) issue, Union of South Africa (No. 127715 (V) W.O. II F. R. Easton - S.A. Int. C.) nearly extremely fine (3) £100-£140 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---

Corgi Limited Edition Scotland's Finest Pollock Transporter Set, boxed CC99130 (1)

A wooden "Pollock Cycle Co" sign.

* ALAN DAVIE CBE RA HRSA RWA (SCOTTISH 1920 - 2014), ASCENT TO A HIGHER PLANE (G 2188) mixed media on paper, signed, titled and dated '93mounted, framed and under glassimage size 56cm x 66cm, overall size 76cm x 86cm Note: Scottish painter, graphic artist, poet, musician, silversmith, and jeweller, born at Grangemouth, Stirlingshire, son of a painter and etcher. Davie studied at Edinburgh College of Art, 1937–40, and after serving in the Royal Artillery, 1941–6, had his first one-man show at Grant's Bookshop, Edinburgh, in 1946. He then briefly worked as a professional jazz musician (he plays several instruments) before spending almost a year (1948–9) travelling in Europe. This gave him the chance to see works by Jackson *Pollock and other American painters in Peggy *Guggenheim's gallery in Venice, and he was one of the first British painters to be affected by *Abstract Expressionism. Other influences on his eclectic but extremely personal style are African sculpture and Zen Buddhism. His work is full of images suggestive of magic or mythology (some based on ancient forms, some of his own invention) and he uses these as themes around which—like a jazz musician—he spontaneously develops variations in exuberant colour and brushwork: ‘Although every work of mine must inevitably bear the stamp of my own personality, I feel that each one must, to be satisfactory, be a new revelation of something hitherto unknown to me, and I consider this evocation of the unknown to be the true function of any art.’ After his return to Britain in 1949, Davie settled in London, where he worked until 1953 as a jeweller. By the mid-1950s, however, he was gaining a considerable reputation as a painter (he has had regular one-man exhibitions at *Gimpel Fils Gallery since 1950), and in the 1960s this became international. His many awards have included the prize for the best foreign painter at the São Paulo *Bienal of 1963 and first prize at the International Graphics Exhibition, Cracow, in 1966. Retrospectives were held at the Barbican Art Gallery, London (1993), and Tate St Ives (2003). Since 1971 he has spent much of his time on the island of St Lucia and this has introduced Caribbean influences into his imagery. Further Reading A. Patrizio and S. D. McElroy, Alan Davie: Jingling Space (2003). One hundred and forty eight of his works are held in prominent UK public collections.

* ALAN DAVIE CBE RA HRSA RWA (SCOTTISH 1920 - 2014), PRETTY BUBBLE BIRD (OPUS 0.1372) oil on canvas, signed, titled and dated '97 verso framed image size 97cm x 77cm, overall size 108cm x 88cm Label verso: Gimpel Fils, London Note: Scottish painter, graphic artist, poet, musician, silversmith, and jeweller, born at Grangemouth, Stirlingshire, son of a painter and etcher. Davie studied at Edinburgh College of Art, 1937–40, and after serving in the Royal Artillery, 1941–6, had his first one-man show at Grant's Bookshop, Edinburgh, in 1946. He then briefly worked as a professional jazz musician (he plays several instruments) before spending almost a year (1948–9) travelling in Europe. This gave him the chance to see works by Jackson *Pollock and other American painters in Peggy *Guggenheim's gallery in Venice, and he was one of the first British painters to be affected by *Abstract Expressionism. Other influences on his eclectic but extremely personal style are African sculpture and Zen Buddhism. His work is full of images suggestive of magic or mythology (some based on ancient forms, some of his own invention) and he uses these as themes around which—like a jazz musician—he spontaneously develops variations in exuberant colour and brushwork: ‘Although every work of mine must inevitably bear the stamp of my own personality, I feel that each one must, to be satisfactory, be a new revelation of something hitherto unknown to me, and I consider this evocation of the unknown to be the true function of any art.’ After his return to Britain in 1949, Davie settled in London, where he worked until 1953 as a jeweller. By the mid-1950s, however, he was gaining a considerable reputation as a painter (he has had regular one-man exhibitions at *Gimpel Fils Gallery since 1950), and in the 1960s this became international. His many awards have included the prize for the best foreign painter at the São Paulo *Bienal of 1963 and first prize at the International Graphics Exhibition, Cracow, in 1966. Retrospectives were held at the Barbican Art Gallery, London (1993), and Tate St Ives (2003). Since 1971 he has spent much of his time on the island of St Lucia and this has introduced Caribbean influences into his imagery. Further Reading A. Patrizio and S. D. McElroy, Alan Davie: Jingling Space (2003). One hundred and forty eight of his works are held in prominent UK public collections.

Corgi, 1:50 Scale, CC99130 Scotland’s Finest Set “Pollock (Scotrans) Ltd, Musselburgh”, boxed.  Although unchecked for completeness condition generally appears to be Excellent in a Good box & Good inner packaging.  See photo.

Corgi Classics & similar, a boxed Commercial group.  Includes 97920 Scammell Highwayman “R. Edwards Amusements, 97892 A.E.C. Mercury Truck & Trailer “S. Houseman” & 97162 Atkinson Elliptical Tanker “Pollock of Musselburgh”.  Although unchecked for completeness condition generally appears to be Good to Excellent in Fair to Good boxes.  See photo.

Corgi Hauliers of Renown & similar, 1:50 Scale, a boxed Commercial group.  Consisting of “Greyhound Lines”, “Pollock (Scotrans) Ltd / Smith Anderson” & “Texaco”.  Although unchecked for completeness condition generally appears to be Excellent in Good boxes.  See photo.

Corgi, 1:50 Scale, a boxed Commercial group.  Consisting of “William Nicol”, “Pollock” & “Massey Wilcox”.  Although unchecked for completeness condition generally appears to be Excellent in Good boxes.  See photo.

Signed modern first editions. A large collection of approx. forty-four literary fiction titles, all signed, some limited editions. To include titles by Fiona Mozley, Ann Patchett, Colin Bateman, Richard Flanagan, Polly Samson, Maja Lunde, Sophy Roberts, Farth Rick Hallberg, Graham Swift, Hernan Diaz, Peter Heller, Melvin Burgess, Claire Louise-Bennett, Jeremy de Quidt, Tom Pollock, Samantha Shannon, Mohsin Hamad, and others. All in publisher's bindings, some dust wrappers protected in Mylar, an excellent collection. c44 titles. 8vo. (2 boxes)From the Greg Harrowing collection of modern first editions. Collected over four decades and seen to the auction market for the first time, Greg's collection demonstrates a broad & insatiable love and thirst for all manner of the contemporary printed word, covering every corner of literature and non-fiction. From the traditional modern collector's works - John le Carre, Quentin Blake, Hilary Mantel and numerous other Booker Prize winners - to the less commonly seen collections of contemporary Japanese and Korean fiction, Harrowing's collection was collected over four decades, and his care of the collection extended so far as to have beautiful leather slipcases custom made to house his favourite pieces.

Signed modern first editions. A large collection of literary fiction & thriller titles, many signed, some limited editions. To include signed titles such as The Glass Republic by Tom Pollock, Now that You're Back by A. L. Kennedy, Hex by Jenni Fagan, Idiopathy by Sam Byers, Our Lady of the Street by Tom Pollock, How a Gunman Says Goodbye by Malcolm Mackay, Stone's Fall by Iain Pears, and Master of Shadows by Neil Oliver. Unsigned including by Jonas Jonasson, David Foster Wallace, James Ellroy, Mark Mustian, Miriam Toews, Nicolas Narker, Jenny Erpenbeck, Wang Xiaobo, and others. All in publisher's bindings, some dust wrappers protected in Mylar, an excellent collection. c18 signed titles, c20 unsigned. 8vo. (2 boxes) From the Greg Harrowing collection of modern first editions. Collected over four decades and seen to the auction market for the first time, Greg's collection demonstrates a broad & insatiable love and thirst for all manner of the contemporary printed word, covering every corner of literature and non-fiction. From the traditional modern collector's works - John le Carre, Quentin Blake, Hilary Mantel and numerous other Booker Prize winners - to the less commonly seen collections of contemporary Japanese and Korean fiction, Harrowing's collection was collected over four decades, and his care of the collection extended so far as to have beautiful leather slipcases custom made to house his favourite pieces.

Private Press  - prospectus, printing, ephemera - to inlude Libanus Press, Jardine Press, Count Potocki of Montalk, The Camberwell Press, Peter Koch Printer 1998, The Imprint Society, The Pear Tree Press, The Basilisk Press, Nottingham Court Press, The World's End Press, The Inky Parrot Press, Ian Tyson (ills.) " A Line That May Be Cut",  Nicola Hicks exhibition catalogue, Michael Kuch Prints prospectus The Oxbow Press, Parrot Press, etc. (collection) two folders, Wright Thomas "Hearts Desire" with ten illustrations by Cecil W Paul Jones Long's Publications Ltd 1925 decor edges, green cloth with gilt titles, various menus from Cunard White Star Line with illustrations to the front cover to include Dame Laura Knight, Algernon Newton, Duncan Carse (4 menus), Ffinch Michael "Simon's Garden" Titus Wilson 1981, woodcut illustrations, limp covers with illustrated front cover, catalogue for Kyffin Williams, Keen Laurence and Lindgren Charlotte "William Barnes The Dorset Engravings", published by Dorset Natural History and Archaeological Society, signed by  Laurence Keen ffep, limp covers, Aldiss Brian W "Brothers of the Head" illustrated by Ian Pollock, limp covers, Crane Walter "The Baby's Bouquet" pictorial boards very bumped and worn, and one other volume (12)

Georges Mathieu, French 1921 -2012 - Composition, 1948; ink on paper laid down on card, signed and dated in pencil lower right 'Mathieu 48', 51 x 66.5 cm (ARR) Provenance: Galerie Armand Zerbib, Paris, ex.4739; Galerie Diderot, Paris;  Gimpel Files, London, GF7203, purchased from the above (according to the various labels attached to the reverse) Note: Georges Mathieu was a French painter and theorist credited with launching the Lyrical Abstraction movement and the greater trend of Informalism in post-WWII Paris. Mathieu was known for his distinctive calligraphic and rhythmic pictures, which notably resembles Jackson Pollocks (1912-1956) drip paintings, which is evident in this work from 1958. His work can be found in the collections of the Solomon R. Guggenheim Museum in New York and the Art Institute of Chicago, amongst others. 

Aubrey Williams,Guyanese/British 1926-1990 - Myth Dream, 1959; oil and mixed media on canvas, signed, dated and titled on the reverse 'Aubrey Williams 59 Myth Dream', 79 x 55.8 cm (ARR) Note: This piece is typical of Williams's style, combining abstract impressionist tendencies with the forms and symbols of the pre-Colombian art of the indigenous inhabitants of the Americas. Williams was strongly influenced by American artists associated with Abstract Expressionist such as Jackson Pollock, Mark Rothko and Willem de Kooning, having seen major exhibitions of their works at the Tate Gallery in London in 1956 and 1959. After moving to the city in the 1950s, Williams became a major figure in the London art world, especially through his connection with the South African artist Denis Bowen, who founded the New Visions Gallery in London. Williams co-founded the Caribbean Artists Movement with other London-based Caribbean artists and intellectuals, such as Ronald Moody, Stuart Hall and Orlando Patterson. His artwork is currently in the collection of the Tate in London, the Arts Council, the Royal Albert Memorial Museum and the Bristol Museum and Gallery, among others. His work was central to the 2022 exhibition, 'Post-war Modern: New Art in Britain 1945-1965' at the Barbican Centre, London and other recent internationally acclaimed shows including 'Life Between Islands: Caribbean-British Art 50s – Now', 2021 at Tate Britain and 'The Gift of Art', 2018 at the Perez Art Museum, Miami. 

Aubrey Williams, Guyanese/British 1926-1990 - Torso, 1960; ink on paper, signed with monogram and dated lower right '60' and titled in pencil 'Torso', 34.4 x 25.4 cm (ARR) Provenance:with Marjorie Parr Gallery, London; UCLH NHS Foundation Trust, donated by the above in 1970 Note:this piece is typical of Williams's style, combining abstract impressionist tendencies with the forms and symbols of the pre-Colombian art of the indigenous inhabitants of the Americas. Williams was strongly influenced by American artists associated with Abstract Expressionist such as Jackson Pollock, Mark Rothko and Willem de Kooning, having seen major exhibitions of their works at the Tate Gallery in London in 1956 and 1959. After moving to the city in the 1950s, Williams became a major figure in the London art world, especially through his connection with the South African artist Denis Bowen, who founded the New Visions Gallery in London. Williams co-founded the Caribbean Artists Movement with other London-based Caribbean artists and intellectuals, such as Ronald Moody, Stuart Hall and Orlando Patterson. His artwork is currently in the collection of the Tate in London, the Arts Council, the Royal Albert Memorial Museum and the Bristol Museum and Gallery, among others. His work was central to the 2022 exhibition, 'Post-war Modern: New Art in Britain 1945-1965' at the Barbican Centre, London and other recent internationally acclaimed shows including 'Life Between Islands: Caribbean-British Art 50s – Now', 2021 at Tate Britain and 'The Gift of Art', 2018 at the Perez Art Museum, Miami. 

Aubrey Williams, Guyanese/British 1926-1990 - Requiem, 1975; acrylic on paper, signed and dated lower right 'Aubrey Williams 75' and titled lower left 'Requiem', 45 x 59 cm (ARR) Provenance: private collection, gifted from the artist Note:this piece is typical of Williams's style, combining abstract impressionist tendencies with the forms and symbols of the pre-Colombian art of the indigenous inhabitants of the Americas. Williams was strongly influenced by American artists associated with Abstract Expressionist such as Jackson Pollock, Mark Rothko and Willem de Kooning, having seen major exhibitions of their works at the Tate Gallery in London in 1956 and 1959. After moving to the city in the 1950s, Williams became a major figure in the London art world, especially through his connection with the South African artist Denis Bowen, who founded the New Visions Gallery in London. Williams co-founded the Caribbean Artists Movement with other London-based Caribbean artists and intellectuals, such as Ronald Moody, Stuart Hall and Orlando Patterson. His artwork is currently in the collection of the Tate in London, the Arts Council, the Royal Albert Memorial Museum and the Bristol Museum and Gallery, among others. His work was central to the 2022 exhibition, 'Post-war Modern: New Art in Britain 1945-1965' at the Barbican Centre, London and other recent internationally acclaimed shows including 'Life Between Islands: Caribbean-British Art 50s – Now', 2021 at Tate Britain and 'The Gift of Art', 2018 at the Perez Art Museum, Miami. 

Robert Goodnough, American 1917–2010 - III B, 1968; oil on canvas, signed indistinctly lower right 'Goodnough 68' and signed, titled, annotated and dated on the reverse, 50.5 x 50.5 cm Provenance: a Private Collection of Post-War Art Note: Goodnough was part of the vital community of artist's working in an abstract language in Post-War New York, exhibiting alongside Lee Krasner, Willem de Kooning and Jackson Pollock at the seminal 1951 '9th Street Art Exhibition'. In the 1960s, he developed an more hard-edged approach to abstraction, as can be seen in the present work, overlaying geometric forms of luminous colours. His works are in all major US museums, including the Art Institute of Chicago, MoMA and the Whitney Museum of American Art. 

Aubrey Williams, Guyanese/British 1926-1990 - Untitled, 1963; gouache on paper, 50.2 x 63 cm (ARR) Provenance:with October Gallery, London; private collection, purchased from the above Note: the work is accompanied by a copy of a signed photo-certificate from October Gallery dated the 15th May 2025. This piece is typical of Williams's style, combining abstract impressionist tendencies with the forms and symbols of the pre-Colombian art of the indigenous inhabitants of the Americas. Williams was strongly influenced by American artists associated with Abstract Expressionist such as Jackson Pollock, Mark Rothko and Willem de Kooning, having seen major exhibitions of their works at the Tate Gallery in London in 1956 and 1959. After moving to the city in the 1950s, Williams became a major figure in the London art world, especially through his connection with the South African artist Denis Bowen, who founded the New Visions Gallery in London. Williams co-founded the Caribbean Artists Movement with other London-based Caribbean artists and intellectuals, such as Ronald Moody, Stuart Hall and Orlando Patterson. His artwork is currently in the collection of the Tate in London, the Arts Council, the Royal Albert Memorial Museum and the Bristol Museum and Gallery, among others. His work was central to the 2022 exhibition, 'Post-war Modern: New Art in Britain 1945-1965' at the Barbican Centre, London and other recent internationally acclaimed shows including 'Life Between Islands: Caribbean-British Art 50s – Now', 2021 at Tate Britain and 'The Gift of Art', 2018 at the Perez Art Museum, Miami. 

In the manner of Pollock Sinclair Nisbet ARSA (Scottish 1848-1922) The interior of a Romanesque church, oil on canvas.Qty: 1Generally the canvas is sitting well on its stretcher with good tension, the painted surface is flaking in places leaving some spots of bare primed canvas notable in four places with very high flaking in danger of further losses to the paintwork, notable surface dirt throughout, scuffing around the edges of the canvas where it meets the frame

Corgi Toys - CC13404 Man TGA Curtainside, Moffett Mounty Norman Emerson & son Ltd, 1/50 scale, boxed; 76401 Scania Curtainside, Pollock (Scotrans) Ltd, 1/50 scale, boxed; 74903 ERF EC Powder Tanker, Castle Cement Ltd, 1/50 scale, boxed; CC12421 Volvo FH Globetrotter Feldbinder Tanker, Lomas Distribution, 1/50 scale, boxed; 75603 Renault Curtainside, Norbert Dentressangle, 1/50 scale, boxed; 75406 Leyland DAF Curtainside, Kenny Thomas Ltd, 1/50 scale, boxed (6)

A Benjamin Pollock Ltd. Pollocks Theatre with assorted plays, card characters, backdrops etc.

Corgi Toys 1:50 scale limited edition diecast articulated lorry models to include 75205 ERF EC Series Curtainside Pollock Scotrans Ltd, 75206 ERF Curtainside Massey Wilcox, 75302 Leyland DAF Petrol Tanker Jet and 75601 Renault Premium Curtainside Eddie Stobart Ltd, each boxed. (4)

Corgi Classics diecast model vehicles to include 97366 Tennant, 97920 R Edwards, 97895 British Road Services, 97840 Shell Mex/BP, 97162 Pollock of Musselburgh, 18801 Eddie Stobart, 59538 Eddie Stobart, 97369 Eddie Stobart, 26101 D W Ward of Stirling, 21501 Limmer & Trinidad, 10001 William McEwan & Company Limited etc. each boxed. (15)

Corgi "Hauliers of Renown" - a boxed pair of 1/50 scale to include CC14010 Volvo FH Curtainside "Pollock" (Scotrans) Ltd/Smith Anderson and CC14803 Scania 113/143 Curtainside "Mulgrew European". Conditions generally appear to be Good to Excellent in Good to Excellent boxes. See photo. 

THREE BOXED LIMITED EDITION CORGI MODEL HAULAGE TRANSPORT TRUCKS, to include a Scania Topline Curtainside Trailer 'Ian Hayes Transport', certificate number 933 of 3310, item number CC12935, a Scania Topline Curtainside Trailer 'Olivers Transport', certificate number 544 of 1410, item number CC12937, and a Scania Topline Curtainside Trailer 'Pollock (Scotrans) Ltd', certificate number 870 of 1510, item number CC12931, each appear in good condition, outer cardboard boxes showing slight storage and handling wear on corners and edges, unchecked for completeness

A COLLECTION OF LIMITED EDITION CORGI 1:50 SCALE DIECAST TRANSPORT VEHICLES, to include a Leyland Octopus Platform Lorry, certificate 1212 of 1760, item number CC10606, a Bedford TK Platform Lorry, certificate number 990 of 1760, item number CC11416, an AEC Ergomatic Platform Lorry, certificate number 337 of 1760, item number CC10309, and a Scotland's Finest Pollock (Scotrans) Ltd, Musselborough set which includes one, trailer and three trucks, item number CC99130, each appear in good condition, outer cardboard boxes showing slight storage and handling wear on corners and edges, unchecked for completeness

Oxford Diecast - 4 x boxed Oxford Haulage diecast 1:76 scale articulated model lorries in perspex boxes with card sleeves with the following liveries: D R Macleod, Pollock, McGawn Bros, Wm Armstrong. The models appear to be about mint in excellent boxes. The items have not been checked for completeness. (This does not constitute a guarantee.) [GM - 4]

Oxford Diecast - 6 x boxed Oxford Haulage and Construction diecast 1:76 scale model lorries in perspex boxes with card sleeves with the following liveries: Pollock (Scotrans) Ltd, John Mackirdy, Shell and BP Petroleum Products tanker, Stobart Biomass, Watling JCB and red ERF flatbed (no sleeve). The models appear to be about mint in about excellent boxes. The items have not been checked for completeness. (This does not constitute a guarantee.) [GM]

Oxford Diecast - 4 x boxed Oxford Haulage diecast 1:76 scale articulated model lorries in perspex boxes with card sleeves with the following liveries: Gibb's of Fraserburgh, Pollock (Scotrans) Ltd, Whitelink Seafoods, BP petrol tanker. The models appear to be about mint in excellent boxes. The items have not been checked for completeness. (This does not constitute a guarantee.) [GM - 4]

Continental Art Glass Pollock Style Drip/Splatter Vase

George Morrison (Grand Portage Anishinaabe, 1919-2000). Acrylic on canvas-laid board painting titled "Ice Flow: February: Lake Superior Landscape," from the Horizon series, 1986. Signed, titled, and dated along the verso. Housed in an original frame custom built by Morrison.Lot Essay:Regarded as the founding figure of Native American modernism and among the top American abstract expressionist painters is George Morrison. Also highly regarded as a master collage artist, he assembled large collages of found driftwood and woodcut in framed, puzzle-like forms. In the 1940s, he was formally trained at the Minneapolis College of Art and in the 1950s at the Art Students League in New York before receiving a Fulbright to study in France. Taking his place as part of the modern art movement in New York in the 1950s after World War II, he was friends with Jackson Pollock and Willem de Kooning, regularly exhibiting with de Kooning, Philip Guston, Hans Hofmann, and Franz Kline. Morrison helped bring the New York Modern Art movement to Minnesota, where he was based and worked with pure form via Abstract Expressionism. Later in his career, in the mid-1970s, Morrison shifted to a new theme and started to really explore his heritage when he and his family built a home with an art studio on the Grand Portage Indian Reservation on Lake Superior, naming it Red Rock.Rather than portraying an overt depiction of identity, Morrison was in the process of exploring his identity so he looked to nature, stating “in this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.†Translating nature into paintings was Morrison’s way to navigate learning and absorption, and in turn produce self-expression. His token theme was the horizon, taking on dynamic form as colors or shapes in the eternal motion of nature. His inspiration was provided by Lake Superior, observing and documenting the temporary sight of the revered sky meeting landscape that he beheld in the moment.His artworks are spotted today in the collections of the Heard Museum, Philadelphia Museum of Art, and Whitney Museum of American Art, US National Gallery of Art, Minneapolis Institute of Art, and the Walker Art Center. In 1997 he was honored in a ceremony at the White House when his work was included in the Twentieth Century American Sculpture at The White House: Honoring Native Americans exhibition. In 1999 Morrison was honored as inaugural Master Artist in the Eiteljorg Museum of American Indians and Western Art, Indianapolis.Sight; height: 5 in x width: 14 1/2 in. Framed; height: 6 1/2 in x width: 16 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface appears stable. There are no major visible losses or signs of restoration. Housed within a wooden frame, not under glass or plexiglass. Light wear to the frame. Not inspected out of frame.

George Morrison (Grand Portage Anishinaabe, 1919-2000). Woodgrain collage woodcut print titled "Wood Collage Fragment - Silver," 1976. Editioned "Artist Proof," signed, and dated along the lower right; titled along the lower left.Lot Essay:Regarded as the founding figure of Native American modernism and among the top American abstract expressionist painters is George Morrison. Also highly regarded as a master collage artist, he assembled large collages of found driftwood and woodcut in framed, puzzle-like forms. In the 1940s, he was formally trained at the Minneapolis College of Art and in the 1950s at the Art Students League in New York before receiving a Fulbright to study in France. Taking his place as part of the modern art movement in New York in the 1950s after World War II, he was friends with Jackson Pollock and Willem de Kooning, regularly exhibiting with de Kooning, Philip Guston, Hans Hofmann, and Franz Kline. Morrison helped bring the New York Modern Art movement to Minnesota, where he was based and worked with pure form via Abstract Expressionism. Later in his career, in the mid-1970s, Morrison shifted to a new theme and started to really explore his heritage when he and his family built a home with an art studio on the Grand Portage Indian Reservation on Lake Superior, naming it Red Rock.Rather than portraying an overt depiction of identity, Morrison was in the process of exploring his identity so he looked to nature, stating “in this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.†Translating nature into paintings was Morrison’s way to navigate learning and absorption, and in turn produce self-expression. His token theme was the horizon, taking on dynamic form as colors or shapes in the eternal motion of nature. His inspiration was provided by Lake Superior, observing and documenting the temporary sight of the revered sky meeting landscape that he beheld in the moment.His artworks are spotted today in the collections of the Heard Museum, Philadelphia Museum of Art, and Whitney Museum of American Art, US National Gallery of Art, Minneapolis Institute of Art, and the Walker Art Center. In 1997 he was honored in a ceremony at the White House when his work was included in the Twentieth Century American Sculpture at The White House: Honoring Native Americans exhibition. In 1999 Morrison was honored as inaugural Master Artist in the Eiteljorg Museum of American Indians and Western Art, Indianapolis.Sight; height: 16 in x width: 15 1/2 in. Framed; height: 22 1/2 in x width: 21 1/2 in x depth: 1 3/4 in.Condition: The colors are bold and deep. There are no major visible tears, losses, or signs of restoration. Housed under a nonacidic mat. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

George Morrison (Grand Portage Anishinaabe, 1919-2000). Acrylic on canvas-laid board painting titled "Alpenglow: Lake Superior Landscape," part of the horizon series, 1986. Signed, titled, and dated along the verso. Housed in an original frame custom built by Morrison.Lot Essay:Regarded as the founding figure of Native American modernism and among the top American abstract expressionist painters is George Morrison. Also highly regarded as a master collage artist, he assembled large collages of found driftwood and woodcut in framed, puzzle-like forms. In the 1940s, he was formally trained at the Minneapolis College of Art and in the 1950s at the Art Students League in New York before receiving a Fulbright to study in France. Taking his place as part of the modern art movement in New York in the 1950s after World War II, he was friends with Jackson Pollock and Willem de Kooning, regularly exhibiting with de Kooning, Philip Guston, Hans Hofmann, and Franz Kline. Morrison helped bring the New York Modern Art movement to Minnesota, where he was based and worked with pure form via Abstract Expressionism. Later in his career, in the mid-1970s, Morrison shifted to a new theme and started to really explore his heritage when he and his family built a home with an art studio on the Grand Portage Indian Reservation on Lake Superior, naming it Red Rock.Rather than portraying an overt depiction of identity, Morrison was in the process of exploring his identity so he looked to nature, stating “in this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.†Translating nature into paintings was Morrison’s way to navigate learning and absorption, and in turn produce self-expression. His token theme was the horizon, taking on dynamic form as colors or shapes in the eternal motion of nature. His inspiration was provided by Lake Superior, observing and documenting the temporary sight of the revered sky meeting landscape that he beheld in the moment.His artworks are spotted today in the collections of the Heard Museum, Philadelphia Museum of Art, and Whitney Museum of American Art, US National Gallery of Art, Minneapolis Institute of Art, and the Walker Art Center. In 1997 he was honored in a ceremony at the White House when his work was included in the Twentieth Century American Sculpture at The White House: Honoring Native Americans exhibition. In 1999 Morrison was honored as inaugural Master Artist in the Eiteljorg Museum of American Indians and Western Art, Indianapolis.Sight; height: 7 in x width: 14 in. Framed; height: 9 in x width: 16 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface appears stable. There are no major visible losses or signs of restoration. Housed within a wooden frame, not under glass or plexiglass. Light wear to the frame. Not inspected out of frame.

A 16mm Sound Cine Film of the 1950 Film ''Something In The City'', black & white, staring Richard Hearne, Ellen Pollock & Stanley Baker, on two spools, viewed by vendor, G

Corgi 1:50 Scale Boxed Road Transport Heritage Group, to include CC11608 Albion (Lad) Cameronian 8 Wheel Tipper "Russel of Bathgate, CC10503 ERF KV 8 Wheel Platform Lorry "Pollock", CC11504 AEC Mammoth Major Platform Lorry & Tyre Load "Spiers of Melksham, and CC10707 Scammell Highwayman "Dept. of the Environment", although unchecked for completeness, conditions generally appear to be Excellent, within Good to Good Plus boxes. See photo. 

Corgi 1:50 Scale Boxed Commercial Trio, to include 76401 Scania Curtainside "Pollock (Scotrans) Ltd", CC12409 Volvo FH Globetrotter Fridge Trailer "McBurney Transport", CC12420 Volvo FH Globetrotter Fridge Trailer "Scotlee Transport", Although unchecked for completeness, conditions generally appear to be Good Plus to Excellent, within Fair to Good Plus window display boxes. See photo

Corgi Trackside - A collection of boxed limited edition models in 1/76 railway scale including Foden S21 flatbed in Pollock livery, Sentinel low loader and excavator in Tarmac livery, Scammell Handyman in Blue Circle livery and similar. The models appear Mint in Very Good boxes. (This does not constitute a guarantee) [ba]

Corgi - #CC12427 Volvo FH Globetrotter crane trailer and palletised load together with 2 x diecast 1:50 scale trailers, namely for #CC12609 Morris Young Ltd Scammell Crusader sheeted flatbed and #CC13107 Pollock Volvo F88 sheeted flatbed trailer. The two trailers appear to be about excellent to about mint and come with part of their packaging. #CC12427 comes unboxed but appears to be about excellent or better and with certificate and accessories noted. The items have not been checked for completeness. (This does not constitute a guarantee.) [GM]

UNBEKANNT (19. Jahrhundert)Öl auf Leinwand (auf Platte montiert), "Segler auf stürmischer See" (1858), unten rechts signiert "Charles Pollock" und datiert, ca. 80x114cm, in Prunkrahmen (93,5x130cm), Firnis, umfangreiche Retuschen (unter Firnis), craqueliert, umlaufende Druckstellen (wohl aufgrund früherer Rahmung), leicht berieben und gebräunt

4 Corgi Limited Edition. 3x "Truckfest" series Tractor Units,- CC12815 Scania T Cab Topline, John Toulson. CC13410 MAN TGA XXL, Pollock (Scotrans) Ltd and CC13218 DAF XF Space Cab, Jack Richards & Son Ltd. Also a CC12405Volvo FM Tractor, Eddie Stobart. Together with 2x Moffett-KOOI M5 20.3 rear mounted pallet loaders. All boxed, one with a creased window. Contents VGC-Mint. £40-60

British Armorial Bookplates. A collection of approximately 430 ex-libris, 17th-19th century, for Belton House, Woburn Abbey, Georgiana Bedford, Charles Bedford, Hoare, Corfe Castle, William Wilberforce, John Johnston, Francis Fulford, William Gataker, Longleat, Thomas Walpole, Edward Warpole, Edward Charles Windsor, Charles Hamilton, William Constable, John Mitford, Sir William Forbes, Thomas Walker, Frederic Pollock, Charles Thomas Stanford, Bridgewater Library, Woollcombe, Constance Penn, George Heath Viner, Margaret A. J. C. Plowden, Dame Alice Jane Chestwode, John Liddell, Katharine Corbet, Dora Grosvenor, Lord Battersea, Chelsea Public Library and others, 19 x 12 cm or smaller, many with wide margins, some duplicates, each displayed in transparent sectioned sleeves and contained within a ring binder box, 4to QTY: (1)

Corgi Hauliers of Renown, 1: 50 Scale, a boxed Commercial pair.  Consisting of CC12825 Scania T Fridge Trailer “P. & C. Hamilton” & CC15309 Scania 111 2 Axle Flatbed & Load “Pollock (Scotrans) Ltd”.  Although unchecked for completeness condition generally appears to be Excellent in Good boxes.  See photo.

Corgi & similar., 1:50 Scale & similar, Marques of Distinction, “Pollock” & similar, a boxed Commercial group.  Although unchecked for completeness condition generally appears to be Excellent in Good boxes.  See photo.

Corgi Kings of the Road, 1:50 Scale, a boxed Commercial group.  Includes CC12503 Atkinson Borderer Fridge Van “Gibbs of Fraserburgh” & CC12504 Atkinson Borderer Flatbed Trailer “Pollock”.  Although unchecked for completeness condition generally appears to be Excellent in Good boxes.  See photo.

Corgi, a boxed group comprising of Classics, Kits, Limited Edition, British Railways and similar, to include 20301 Bedford S Platform Trailer and Railway Contailer "British Rail", CC10606 Leyland Octopus Platform Lorry "Pollock", Corgi Kits 607 Circus Elephant and Transport Cage and others. Although not checked for completeness conditions generally appear Good in generally Fair to Good boxes. See photo.