Gilbert Artaud (French, 1934- ) Colour lithograph Eight limited edition still life prints of flowers in vases, signed and numbered within margin, unframed 30cm x 22cm, together with two limited edition lithographs by Jean Fernand (1948-?) of continental canal scenes, signed and numbered within margin, unframed, 26cm x 60cm (10)
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Nine assorted prints, watercolours and oils, comprising a rural scene by W S Carlton, 17.5 x 31cm, framed and glazed, a further pair of watercolour rural scenes by E M Cross, both 16.5 x 24cm, framed and glazed, three further watercolours, a pair of oils and an oil on board by Rebecca Boyd Allen, still life of flowers, 20 x 25cm, unframed (9).
CRICKET INTEREST; a collection of engravings, signed photographs and score cards including aquatint print 'Cricket match at Balmoral between Abergeldie and Balmoral teams', 15 x 23.5cm, mounted and unframed, print of Jack Hobbs, a signed photograph of Graham Gooch, a century test match case First Day Cover, two further prints, etc.
Two Japanese wood block prints, 19th century, comprising: one, by Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864), Snow (Yuki): Actors Nakamura Fukusuke I as Hakomawashi Fukusaku, 26 x 36 cm, and the other, by Keisai Eisen (1790 - 1848), A beauty reading a letter, 68 x 23 cm, framed and glazed (2)From the contents of Brook House, Ongar, the former home of Gillian Raffles (1930-2021) an art dealer and owner of the Mercury Gallery in Cork Street, London in 1964. She exhibited and promoted the work of young figurative British artists and dealt in sculpture, paintings, and works of art by 20th Century British and European artists.Condition ReportDid not examine out of the frames. Both with staining and foxing marks. Paper cockled. Colours faded. Some small holes on the Kunisada print.
PRINTS, mainly London: Six coloured lithographs: The Coronation of Queen Victoria, 1838; Pollock’s scene in 'Jack the giant killer'; a London street party; Ladies fancy fair & bazaar; view of the portico of St. Martin’s church, 1842; Streets of London Quadrilles, 1873; & a music sheet cover; Plus: 9 others (2 not coloured). Rev. Dr. Zachary Pearce, An autograph letter, Signed, together with an engraved portrait; John Julius Angerstein: Engraved portrait with an autograph invitation; Plus: Walter Paget: A drawing 'A wash in Trafalgar, 16-7-07', with label; etc. (20)
A large collection of Japanese post cards, bookmarks and printed books, early 20th century, including: a large collection of coloured woodblock prints postcards and coloured bookmarks themed with figures in kimono, a group of printed books in miscellaneous topics (qty)Provenance: Arthur Probsthain bookshop.Condition ReportPostcards and bookmarks - creasing marks to corners, staining and dirt marks in various locations. Colours faded. Book - in poor condition, a/f.
After David Shepherd (1931-2017): two signed, limited edition colour prints, comprising - 1. 'Mrs. P and the Kids', no. 741/1500, 17.5 x 25cm 2. 'Eggs, Sixpence a Dozen', no. 741/1500, 17.5 x 25cm both blind stamped, signed and numbered in pencil, in grey washed wooden frames with gilt sight edge
A mixed lot of six prints: 1. after Mark R. Myers, signed and dated in pencil, 'Nelson Joins The Victory' (1983) and 'The Mary Rose off Southsea Castle' (1982); 17 x 20½ in (43 x 52 cm), framed and glazed. 2. after J.L. Agalse 'The Last Journey on the Road', modern reproduction print, 13 x 17 in. (33 x 43 cm), framed and glazed. 3. three smaller prints in mounts to include a hand-coloured engraving, 'Harrowing with Oxen'
Two prints, comprising - 1. Neil Bousfield, RE (British, contemporary), 'Eccles Sunrise', colour etching, signed, numbered 34/40 and inscribed in pencil to lower margin, 11.9 x 19.2cm, antiqued gilt bevelled frame (32 x 38.5cm) 2. After Valerie Davide (1938-2017), Portrait of a dog, lithograph, 9.5 x 13cm, painted frame (32 x 32cm)
Nine 19th and 20th century prints - including a 19th century hand coloured engraved map of Gloucestershire, titled 'Glocester Sh.', 24.25 x 19.1cm, grey and gilt frame; a pair of hand coloured bookplate engravings after A. Cooper, 'Fox Breaking Cover' and 'Spaniel and Pheasant'; a limited edition signed and numbered colour print of a fox and terrier after Mick Cawston; a reproduction tinted print of 'Cheltenham General Hospital' after D. J. Humphries; and four others.
After David Shepherd (1931-2017): three signed, limited edition colour prints, comprising - 1. 'Muscovy Ducks', no. 810/850, 21.5 x 39.3cm 2. 'Ziggy', no. 340/1500, 14.5 x 14.5cm 3. 'When I Grow Up I Want to be a Cart Horse', no. 340/1500, 14.5 x 14.5cm all blind stamped, signed and numbered in pencil, in wooden frames
After David Shepherd (1931-2017): three signed, limited edition colour prints, horse subjects, comprising - 1. 'Shoeing Time', no. 750/1200, 22.6 x 40.6cm 2. 'Shelties', no. 143/1200, 22.8 x 40.5cm 3. 'High Noon', no. 68/850, 22.8 x 40.5cm all blind stamped, signed and numbered in pencil, in wooden frames
Four pieces, comprising - 1. Andrew Watson Turnbull (1874-1957), 'Fir and mountain top (Loch Long)', etching, signed and inscribed in pencil, 6¾ x 9¾in (17.1 x 24.8cm), gilt frame 2. William S. Laidlaw, The Laughing Cavalier, after Frans Hals, signed in pencil, 9¾ x 6 7/8in (24.8 x 17.5cm), gilt frame 3. Two 18th century botanical prints of red roses after Annica Bricogne, in Hogarth frames, overall 28.75 x 21.3cm
*LIN JAMMET (1958-2017) 'Horse of Gold' 1995, signed in pencil bottom right, edition 28/50, coloured screen print, 112cm x 91cmNote: The son of Elisabeth Frink and architect Michel Jammet, Lin Jammet started printmaking in the 1970s under Julian Trevelyan who was close friends with his mother.In the 1980s Jammet worked in freelance and editorial illustration. In 1993, he returned to printmaking, producing a series of Lithographs with Curwen Chilford Prints and later a body of screen prints and etchings with Gresham Studio near Cambridge. Inspirations include both Napoleonic wars as well as landscape around Corbès, in the foothills of the Cévennes in the south of France where he grew up.
A group of paintings and prints on Chinese subjects, including six Western prints of Chinese ports, ten late Qing prints of theatres and punishments on rice paper, and a group of Western prints depicting Oriental figures (qty.)Provenance: Arthur Probsthain bookshop, London.Condition ReportAll with tears, staining, foxing and dirt marks. Losses in various locations, damages consistent with age. Pith paper paitnings in poor and fragile condition, a/f.
A large group of Japanese prints, including a group of woodblock prints, and a collection of illustrations taken from a printed book (qty.)Provenance: Arthur Probsthain bookshop, London.Condition ReportIllustrations from printed books - all with foxing, staining or dirt marks. All woodblock prints in poor condition with creasing and folding, staining and foxing, or holes and tears. Colours faded, a/f.
An album of Indian paintings on mica, late 19th century, comprising nineteen paintings depicting various tradesmen, men on horseback, camels, and figures in carriages, largest 9.5 x 13cm,together with a collection of nine black and white photographic prints, 19th century, including landscape views of colonial Singapore, a group of Indian labourers in colonial Singapore, rivers, and the Bunnag family, with annotations (qty.)Provenance: Arthur Probsthain bookshop, London.Condition ReportThe edges of the book frayed, the binding also with some damage, however still remains sturdy, some of the mica pictures with foxing. The photographs with some minor tears, and some over exposure. See additional images.

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