We found 29811 price guide item(s) matching your search

A modern Chinese double walled reticulated hexagonal baluster form vase, with pierced floral decoration enclosing blue and white painted second wall interior, with blue Qianlong mark to base, height 40cm.

A 19th century Chinese octagonal porcelain bowl/planter, each panel decorated with a lady in a different post, with Qianlong seal mark to base, diameter 22cm, height 7.5cm.Condition Report: Please note, there are two small hairline cracks in between the curvature of the rim of the bowl, which have previously been restored.

Chinesisches Porzellan-Cachepot mit Drachendekorbauchige Form mit weiter Öffnung, umlaufendes Drachen- und Wolkendekor in Blau-Weiß-Malerei, am Fuß und am Hals diverse Ornamentbordüren, am Boden Siegelmarke der Qianlong-Periode (1736-1795), mit geschnitztem Holzsockel, H (ohne Sockel) 12cm, D ca. 19cm

Chinesisches Porzallan-Koppchen mit ElefantendekorGlockenform auf eingezogenem Standring, schauseitig auf der Wandung Darstellung eines liegenden Elefanten in Blau-Weiß-Malerei, am Boden Siegelmarke der Qianlong-Periode (1736-1795), H 5cm, D 9cm

Two pieces of Chinese famille rose porcelain - 20th century, comprising a meiping form vase, painted with two phoenix amidst peony blooms in a garden, landscape, the reverse with two ducks and a butterfly amidst aquatic plants, above a stylised lappet band to the base, 29.5cm high; together with a famille rose punch bowl, painted and enamelled with flowers and butterflies below a primrose yelow and deep red ruyi band, 25.75cm diameter, printed Qianlong seal mark (but later).

Three pieces of Oriental pottery and porcelain - comprising a large Chinese blue and white porcelain bottle vase, painted with scrolling vines and peony blooms between lappet and stylised foliate borders, Qianlong four character mark but late 20th century, 42.5cm high; a Japanese Satsuma earthenware covered vase, 1920s-30s, black painted two character mark to base and edge of cover, stout baluster form with tripod beast mask feet, twin lion handles and dome cover with lion and ball finial, painted with a figural reserve with a noblewoman and her young attendant in an interior, 39cm high (chip to finial, small hairline to rim); and a late-20th century Chinese blue and white porcelain baluster jar and cover, painted with lotus flowers and vines, 26.25cm high.

A PAIR OF CHINESE FAMILLE ROSE BALUSTER VASES decorated with two central cartouches, one containing a basket of flowers and the other with an exotic bird aside rocky outcrop, with both underglaze blue and underglaze copper Qianlong marks (2)

A Chinese famille rose vase, Republic period (1912-1949), of tapering form, painted with Zhong Kui, the reverse inscribed, with a four-character Qianlong mark to base,13cm high, and another jar, of ovoid form, plain, 7.5cm high (2)Provenance: From the collection of Desmond Kirkpatrick (1932-2024).Condition ReportNo obvious faults.

A collection of Chinese water pots, Republic period, comprising:comprising: a famille rose vase and a water pot, painted with millefleurs, with a Qianlong mark to base,5 and 14cm high, and a coral-glazed water pot, inscribed in gilt, with a six-character Qianlong mark to base,10cm diameter (3)Condition ReportAll with some gilt losses.

A set of Chinese blue and white sweetmeat dishes, Qianlong (1736-1795), comprising an octagonal dish to the centre with eight lotus petal-shaped dishes, each painted with a landscape,overall 38cm diameter (9)Provenance: From the collection of Desmond Kirkpatrick (1932-2024).清乾隆 青花山水图攒盘Condition ReportAll with minute burst glaze bubbles to edges. Four side dishes chipped to rim.

A Chinese famille rose brush pot, 20th century, of cylindrical form, painted with figures admiring birds in a garden, with a four-character Qianlong mark to base,12.5cm highCondition ReportNo obvious faults.

A Chinese faux-marble enamelled porcelain saucer, Qianlong (1736-1795), of circular form, painted with swirling washes of sepia and grisaille in imitation of marble, the centre decorated with a melon, with a six-character Qianlong mark to base,12.8cm diameterProvenance: From the collection of Desmond Kirkpatrick (1932-2024).清乾隆 仿大理石纹碟 《大清乾隆年制》青花篆书款Condition ReportThe melon possibly added at a later stage.Chipped and cracked to rim.Minute chips to foot rim.

A pair of Chinese faux bois-enamelled porcelain vases, Republic period (1912-1949), each fan-shaped body painted with landscapes, with a six-character Qianlong mark in red to base,16.5cm high (2)Provenance: From the collection of Desmond Kirkpatrick (1932-2024).民国 粉彩仿木纹开光山水图瓶 《大清乾隆年制》矾红篆书款 一对Condition ReportNo obvious faults.

A Chinese sancai-glazed bowl, 20th century, painted with two dragons in green chasing a flaming pearl against a yellow ground, with a six-character Qianlong mark to base,17.4cm diameterCondition ReportSurface scratches.

A Chinese blue and white teapot, Qing dynasty (1644-1911), of cylindrical form, painted with figures on a boat, the reverse inscribed,16.5cm high, anda blue and white dish,Qianlong (1736-1795), of octagonal form, painted with two stylised chilong,15.2cm long (3)Provenance: From the collection of Desmond Kirkpatrick (1932-2024).清 青花山水图诗文茶壶 及 夔龙纹八方碟 一组两件Condition ReportDish - minute chips to rim.Teapot - chipped to cover and spout, cracked near both ends of handle.

A Chinese famille rose water pot, of lobed form on a faux marble stand, painted with landscapes in shaped panels, surrounded by scrolling lotus in gilt against a café-au-lait glaze, with a four-character Qianlong mark to base,6.8cm longCondition ReportNo obvious faults.

A Chinese clair-de-lune-glazed jar, 20th century, of ribbed baluster form, 8.5cm diameter, and a wucai stem cup,decorated with phoenixes, with a six-character Qianlong mark to foot,9.5cm diameter (2)Provenance: From the collection of Desmond Kirkpatrick (1932-2024).Condition ReportStem cup - a crack across bowl.

A Chinese copper-red and underglaze blue plate, Qianlong (1736-1795), of circular form, painted with peony, prunus and bamboo by a rock, 20.6cm diameterProvenance: The David and Sarah Battie Collection.清乾隆 青花釉里红洞石花卉纹盘Condition ReportSurface scratches. Chipped and cracked to rim in various locations.Minute chips to foot rim.

A Chinese blue and white gu vase, Qianlong (1736-1795), finely modelled with a trumpet neck above a central bulb and a bell-shaped foot, painted with dragons, chasing flaming pearls, amongst bats and clouds, with a six-character Qianlong mark within a rectangular cartouche to the neck, 23.5cm high Provenance: purchased from the Robert Edwards collection; exhibited at The Art Gallery, State University College, New York in December 1965. 清乾隆 青花赶珠云龙纹花觚 《大清乾隆年制》青花篆书款 Condition ReportNo obvious faults.

Two Chinese zisha stoneware teapots, 19th/20th century, comprising:one in the form of a finger citron, with a four-character maker's mark to base,23cm long, and the other, of ovoid form, decorated with a landscape in low relief with gilt, with a six-character Qianlong mark to base,12cm high (4)Condition ReportFinger citron - minute chips to edges.

A Chinese famille rose vase, Republic period (1912-1949), the pear-shaped body rising to a straight neck, painted with boys at play in a garden, inscribed, with a four-character Qianlong mark to base,11.5cm highProvenance: From the collection of Desmond Kirkpatrick (1932-2024).民国 粉彩诗题婴戏图瓶 Condition ReportNo obvious faults.

A Chinese polychrome brush pot, Qianlong mark, cylindrical form, painted with a Buddha type figure and boys in a garden landscape, a poetical verse above, 12.5cm high

Three Chinese famille rose relief moulded vases Qianlong seal marks but likely 19th century Of ovoid form with twin elephant head handles, each moulded in relief and painted in colours with the eighteen lohan, accompanied by a tiger and a dragon, against a black ground, the interior rims in turquoise. 21cm high (some faults) Footnote:The Eighteen Lohan (or Arhats) are enlightened disciples of the Buddha, venerated in Chinese Buddhism for their wisdom, spiritual discipline, and role in protecting the Dharma (Buddhist teachings). Originally fewer in number in Indian Buddhism, the group expanded to eighteen in Chinese tradition, each with a unique personality, appearance, and symbolic meaning.These figures are often portrayed in temple art, shown in dynamic poses or interacting with animals and mythical creatures. Among the most iconic is the Tiger Taming Lohan, symbolizing the conquest of base instincts and the power of compassion and self-mastery. Another notable figure is the Dragon Taming Lohan, representing the control of chaotic forces and hidden wisdom.The Lohans are not gods but enlightened beings who remain in the world until the future Buddha, Maitreya, appears. They serve as moral exemplars and spiritual guardians, offering protection and inspiration to practitioners. Their presence in Chinese Buddhist culture highlights the fusion of spiritual ideals with folklore, artistry, and moral teachings. Condition:One has damage to the rim but with some pieces/shards extant.  Both handle rings missing.One has minor signs of age only.One has restoration and repair to the rim and neck.

A large 20th century Chinese famille rose tianqiuping vase bearing six character Qianlong mark underneath in iron-red, standing on a carved wooden stand, height: approx. 50 cm

A 20th century Chinese Qianlong style Famille Rose bowl, decorated with flowers and foliage on a cobalt ground, four red character mark to base and raised on a wooden stand, w30.5cm

A pair of Chinese porcelain monochrome bowls, with gently mottled cobalt blue glaze to the outside, white glaze internally and inside foot rim, each bears underglaze Qianlong four character mark inside two blue rings, each 16.7 by 7.6cm high, together with a pair of 19th century Chinese porcelain baluster vases and covers, decorated in underglaze blue with prunus blossom against a cracked ice ground, each bears underglaze four character mark, 27cm high, an early 20th century bowl and cover, with enamelled scrolling floral decoration, against a blue ground, surrounding four circular reserves each painted with a good luck Chinese character, and two 20th century Japanese figurines. (7)

Chinese Qing Dynasty red cinnabar lacquered box. Qianlong Mark. 6x14x9.5cm.

A Chinese Qing Dynasty “Cicada” snuff box. Qianlong Mark.

A Chinese porcelain celadon glazed and silvered bowl, the shallow bowl decorated in white relief with peonies surrounding a central roundal depicting a four clawed dragon amidst clouds and lishui waves, blue Qianlong seal mark to the underside and red wax seal, 19.5cm wide with a Chinese clobbered porcelain bowl with European Rococo style mount, 27.5cm wide (at fault) (2)

Chinese porcelain hand enameled plate decorated with a central chrysanthemum and other flowers. Having makers character marks to verso reading Da Qing Qianlong Nian Zhi 'Thousand Flowers' shallow dish marked to base 47cm diameter Condition report:  I have inspected the porcelain charge plate, there are no obvious cracks or chips to the plate. When tapped with a finger it provides a good ring showing no signs of a hairline crack. The glazing from a visual inspection appears to be in very good condition.

A Chinese Pink Glass Snuff Bottle with Fish and Palace Motif.A translucent pink glass snuff bottle, delicately carved on one side with a central gateway above swirling waves, flanked by two koi fish and a prominent celestial fish in the clouds. The reverse features a pair of ducks beneath blooming peonies, symbolizing harmony and prosperity. Topped with a domed pink stopper and framed with a brass collar. The base bears a four-character Qianlong mark.H: Approximately 8cmProvenance: Private collection from a distinguished British gentleman.

 A sgraffiato ground ‘famille-rose’ saucer, late Qing dynasty, finely painted with butterflies and flower heads on the finely incised sgraffiato scrolling foliage ground, base with six character seal mark of Qianlong; 20cm; together with a small Canton ‘famille-rose bowl, 14.5cm

A Chinese export grisaille ‘ship’ bowl, Qianlong period, made for the Danish market, painted with a Danish trading ship in black to each side, with iron red Danish flags, black enamel borders, 22.8cm diameter, some faults, wood stand There are two splintered sections of porcelain which have been messily reglued inside the rim with an associated hairline crack extending down from the rim to the cavetto of the bowl, wear to the black enamel inside the bowl, remnants of sellotape to the base, otherwise in reasonable condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese export gilt and famille rose teapot, Yongzheng / Qianlong period, finely painted to each side with the figures of a family in an interior, a garden beyond, gilt scrollwork borders, lacking cover, 9cm, faults Typical minor glaze imperfections. A splinter chip visible to the spout tip with two smaller splinter chips in the same area. Two adjacent crescent shaped cracks to the foot rim are visible and have almost met to create a loss.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese blue and white arrow vase, Qianlong mark and of the period (1736-95) painted with a continuous band of scrolling leaves, between leaf lappeted borders, the neck painted with waves and a band of key work scrolls, six character seal mark to base, 19.2cm high, restoration to neck Good quality restoration at the join of the neck to the body, some occasional minor scratching to the glaze, there is a crack to the edge of the foot visible on the outside and inside edges of the foot, otherwise in reasonable condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese Guangzhou enamel snuff bottle, Qianlong mark, 19th century, decorated with three female heavenly immortals amid clouds, three character mark to base, 5.1cm high Typical minor manufacturing imperfections and minor wear to the enamel, in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese rouge de fer tea bowl and saucer and a similar cup, Qianlong period, the fluted tea bowl and saucer painted with chickens amid foliage, 13cm diameter, the octagonal cup with foliage and a bird in flight, hairline crack Some wear to the gilding, the octagonal cup has a hairline crack, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese export European subject ‘hunting’ punch bowl, Qianlong period, painted in famille rose enamels to the exterior with huntsmen on horses with hounds in landscapes, the interior with a huntsman and his hounds in a roundel, scrollwork borders, 28.2cm diameter, damage There are a number of hairline cracks extending from the rim down the bottom of the cavetto. A section of the rim has been broken into two pieces and re-glued with some splintering to the glaze around the immediate area, some wear to the gilding, otherwise in reasonable condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese export famille rose basket and stand, Qianlong period, each painted in European style with insects and flowers within a pierced ribbon border, basket 8cm high, stand diameter 21.5cm Gilt rubbed to rims of basket and heavily so on basket. Occasional fleabite to glaze on stand rim. Short hairline to one small area of pierced side of basket. A small firing fault to another area.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A near pair of Chinese famille rose ‘double pheasant’ coffee cups, early Qianlong period, each painted with two pheasants amid rock work and flowers, on hardwood stands, cups 7cm and 6.4cm Typical minor glaze imperfections, in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese blue and white bowl and cover, Qianlong period, unusually painted to the interior with The Three Friends of Winter - pine, bamboo and prunus together with a peony within a cross-hatched border, 25.5cm diameter Typical minor glaze imperfections including an over-glazed chip to the covers rim. One very small chip to the foot rim, otherwise good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese inscribed polychrome lacquer document box, Qianlong mark and inscription, incised and decorated with confronting dragons amid clouds on a gold ground, around a tablet shaped cartouche inscribed ‘Da Qing Qianlong nian zhi' above waves, the underside of the cover inscribed, 31cm x 22cm Grubbiness and craquelure to the lacquer all over, otherwise in reasonable condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A set of three Chinese blue and white meat dishes, Qianlong period, each painted with scholarly objects on a rockwork stand, in a garden setting, Fitzhugh style borders, 45cm - 45.5cm wide Two of the dishes have typical small glaze losses/splinter chips to the edge, occasional scratching to the glaze, typical minor glaze imperfections, otherwise in good condition with no restoration or cracks detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese famille rose ‘Liu Hai’ bottle vase, Qianlong six character seal mark but Republic period, finely painted with the figure of Liu Hai in four different poses, in a landscape with pine, rocks and bamboo, his three legged toad below, iron red six character seal mark to underside, 26cm highProvenance - bought from Guangzhou Antique shop, mid 20th century, with applied Guandong Province Cultural Relics Bureau wax seal Wear to the gilding on the rim, otherwise in good condition with no restoration, chips or cracks detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese famille rose ’ducks’ plate, Qianlong period painted to the centre with ducks amid rocks and peonies, the border with peonies and other flowers within diaper bands, 22.7cm diameter Typical minor glaze imperfections, good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese enamelled porcelain ‘Hundred Butterfly’ vase, Qianlong mark, Republic period, painted with numerous butterflies in flight, blue enamel four character mark to base, 27.2cm highProvenance - Purchased by the vendor’s parents while living in Hong Kong from 1974–76. Free from chips, cracks or hairlines. Small glaze imperfection foot. Enamel decoration without scratches or wear. Some fading to hardwood stand.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese export famille rose coffee pot, Qianlong period, the tapering cylindrical body decorated with an interlaced monogram amid floral sprays, applied with a bifurcated handle, the domed cover with pomegranate finial, 24.5cm high Slight wear to the gilding and enamels, there is an over glazed firing imperfection to the rim, otherwise typical minor firing cracks to the sprigging around the handles, in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese enamelled porcelain ‘Li Tieguai’ brushpot, bitong, Republic period, painted in iron red and black enamels with the characterful figure of the immortal Li Tieguai, holding lingzhi fungus, leaning against a giant gourd, his iron crutch and sandals strewn on the ground, the figures of a crane and a boy stoking a stove, apocryphal Qianlong mark, 14.6cm high, foot chip, wood standProvenance - Purchased by the vendor’s parents while living in Hong Kong from 1974–76. Some light wear to the enamels. There’s a 7mm x 10mm splinter chip to the edge of the foot to the right of the figure of Li Tieguai, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese Guan type brushwasher, Qianlong mark but later, of quatrelobed form, each side moulded in relief with an animal mask ring handle, covered in a thick crackle glaze, brown dressing to the edge of the foot, six character underglaze blue mark, 10.5cm high No restoration, chips or cracks detected. In good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese famille rose ‘mandarin’ ogee shaped teapot, Qianlong period, painted with a gentleman seated in a classical chair attended by two ladies, with two children playing in a garden setting, bird and flower borders, 22cm across, wear to gilding There is work to the gilding on the handle, spout, and borders, typical minor glaze imperfections otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

An unusual Chinese famille rose miniature coffee cup and a lotus bud shaped jar, Qianlong period, the cup painted with flowers rockwork and a tree, 4.5cm high, the jar in the form of a lotus bud, lacking cover, 5.2cm high (2) Typical minor glaze imperfections, in good condition. Cover lacking to jarPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese inscribed enamelled porcelain ‘Winter landscape’ vase, Qianlong four character mark but Republic period, finely painted in grey and ochre enamels with a fisherman in a winter river landscape scene, with four column inscription verso with various artists seals, four character blue enamel seal mark into the underside, old retailers label, 16cm highProvenance - bought from Guangzhou Antique shop, mid 20th century, with applied Guandong Province Cultural Relics Bureau wax seal.This is a copy of a Qianlong mark and period vase in the National Palace Museum, Taipei collection number 002918N000000000 The applied wax seal in the photographs is now detached. In good condition with no restoration, chips or cracks detected. Some minor grubbiness and marksPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

An unusual Chinese blue and white trefoil shaped double walled vase, Qianlong period, exterior reticulated with three ‘dragon’ roundels, and painted with lotus flowers and scrolling tendrils, 9.5cm high, polishing to rim, glaze heavily scratched Typical minor glaze imperfections. There is polishing to the rim and some heavy scratching to the glazing in places, otherwise in reasonable conditionPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese famille rose ‘cockerel’ beaker vase, Qianlong period, painted with two cockerels amid rockwork and peonies, diaper pattern banded borders, 21.3cm high Minor wear to the enamel colours, typical minor glaze imperfections. There is a short glaze crack to the interior of the vase below the rim, which does not go all the way through, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Two Chinese semi-eggshell porcelain hexagonal saucers and a similar cup, Yongzheng/Qianlong period, one saucer painted with two quail, insects rockwork and flowers, 10.6cm wide, together with a similar cup, the second saucer with fighting cockerels a jardiniere of flowers on a stand, and a basket of fruit, 13cm wide (3), faults The two quail saucer has wear to the gilding on the rim, the matching associated cup has a hairline crack and the cockerel saucer has a section of the rim broken and re-glued in several placesPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese famille rose ‘chickens’ octagonal plate, Qianlong period, painted with a hen and chicks amid rockwork and flowers, the border with flowers and diaper, 21.5cm wide, hairline crack Typical minor glaze imperfections and some occasional fritting to the edge, wear to gilding and there is a hairline crack to the broad rimPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese export enamelled porcelain model of a seated spaniel, Qianlong period, wearing a collar with bell around its neck, its fur picked out in brown with white patches, 17cm high, ear and tail repaired The spaniel‘s right ear has been broken and re-glued with some splinter losses around the immediate area. The spaniels tail has been broken fairly cleanly and messily reglued. Typical minor glaze imperfections and minor scuffing to the enamels, otherwise in reasonable condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A good Chinese archaistic bronze tripod wine cup, jue, dated Qianlong 3rd year, corresponding to 1738, crisply cast under the spout with an inscription reading ‘Qianlong sannian zhongdong jidan zhi’ (made on the first day of the eleventh month in the third year of Qianlong), overall 21.1cm high, on a reticulated archaistic zitan stand Typical minor glazing imperfections and occasional pitting to the surface, a well cast good example of this type.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A RARE CHINESE EXPORT PORCELAIN ARMORIAL MUG FROM THE QIANLONG PERIOD, FOR THE WORSHIPFUL COMPANY OF SHIPWRIGHTS, CIRCA 1795painted with the arms of The Worshipful Company of Shipwrights and the initials MN, further decorated with blue floral sprigs and blue and gilt borders -- 5¼in. (13.5cm.)The Worshipful Company of Shipwrights.

A CHINESE EXPORT PORCELAIN ARMORIAL PART TEA SERVICE FOR THE WORSHIPFUL COMPANY OF SHIPWRIGHTS FROM THE QIANLONG PERIOD, CIRCA 1790painted with the arms of The Worshipful Company of Shipwrights above the gilt initials JMH, with gilt and cobalt blue rims, comprising teapot and cover, a shaped oval teapot stand, coffee pot (cracked) with associated cover, three tea bowls, two small cups and three saucers (one chipped), the coffee pot -- 9½in. (24cm.) high(11)The Worshipful Company of Shipwrights.