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A crewel work style panel, 19th century, extensively worked with floral motifs within a floral and scroll border, hessian backing cloth, 122cm x 69cm, along with a one piece ivory coloured quilt, possibly Welsh, 19th century, quilted all over with spiral motifs, 194cm x 178cm, and a red and white striped quilt with white back cloth, 215cm x 155cm (3) (at fault)
This delightful Royal Doulton figurine titled The Patchwork Quilt (HN1984) captures a serene domestic scene of a young woman immersed in hand-stitching a colorful patchwork quilt. Dressed in a traditional cap and pastel green dress, she is seated in a deep red armchair, draped in a brilliantly glazed quilt composed of bold multicolored blocks. Crafted in fine bone china and hand-painted in 1945, this piece reflects the charm and craftsmanship of postwar British ceramics. Fully marked on the base and registered as design number 842490, it is a vivid tribute to both artistry and tradition.Artist: Leslie HarradineDimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
Early 19th century English paper pieceing patchwork quilt in hexagon and diamond design, paper templates remain in place but with varying amounts of damage. Paper evidence of handwriting practice, ledgers, orders, dates 1807, 1745/6 etc. Fabrics include pretty chintz and florals. A delightful social history items. 240cms x 270cms approximately. Additional photographs added - due to the fragility of the item, we don't want to cause any further damage to the paper pieces by hanging it or over handling it. There is damage to the paper pieces throughout (see additional photos) Doesn't appear to have damage to the patchwork pieces but there is some staining throughout (see additional photos) The design is lines of hexagons alternating with lines of small diamonds - there is no other pattern to the patchwork.
Antique Patchwork quilt made up from very small patches mainly printed cotton. Handstitched. 200cms x 240cms, approximately.Only attached to the blue around the borders (see additional photos)Marks in the blue in various places, moth holes in centre & a larger hole in the blue (see additional photos) - otherwise in very good condition.The patches are 1" square (3 cms) . The blue border is 14.5 cms.
Circa 1930s Welsh quilted panel, believed to be the work of a miner's wife, produced under the support scheme. NB: The Rural Industries Bureau Scheme to assist miners' wives in South Wales through a period of economic crisis. In 1928 the Scheme's aim was to establish home industries among the women of the stricken Welsh mining communities which could be developed for a wider market. Traditional quilting had been successfully used to the same ends in County Durham. A few quilters still worked in South Wales. When they were interviewed they explained that if they had better materials and a rate of pay that would allow them to spend more time on a quilt, they could produce something much better. The Bureau provided £30 for materials and wages and orders were given to the most promising quilters. The neediest women in the pit villages were provided with Durham quilts as samplers through the Women's Institute. Classes were organised in six centres in South Wales: Porth in the Rhondda, Aberdare, Blaina, Merthyr Tydfil, Abertridwr and Splott. The teacher for each class was a Welshwoman who had learned quilting the traditional way and knew the traditional Welsh patterns.The first commercial exhibition of their work was held at Miss Muriel Rose's The Little Gallery, off Sloane Street, London, in autumn 1928 and brought in many orders. Plus two Clydella baby gowns, handknitted baby shawl, cotton bed cover with appliqued shamrocks and some small mats.Welsh piece = approx 53cm x 62cm (see additional photos)Applique piece = approx 220cm x 230cm (see additional photos)The appliqué cover has faded in areas not consistently across the cover. See extra photos.
A late 19th century American, York County patchwork quilt, a similar pattern to Wild Goose Chase. Hand pieced and hand quilted, with label on reverse: York County Quilt documentation Project. G 53-2. The front worked in three printed cottons as repeating motifs, the reverse quilted with an all over printed spot motif cotton. 176cm x 212cm. Condition - some fading and slight damage to fabric, as expected with age and use.
An English 19th century silk ‘Tumbling Blocks’, hand sewn patchwork quilt, with central star motif and wide velvet border. Worked with multi coloured silks backed with black and blue silk, 170cm x 152cm. Condition - there are quite a few silk panels that need restoration, but most of the colours are still strong. The backing has a few marks which maybe removed with light sponging, possibly from water which has affected the colours of the front silks slightly, which could be replaced if desired. The velvet edge is restored too slightly.
A 1930’s American quilt from Vermont. Quilted in large patchwork ‘house’ motifs, repeating the same four colours in each motif against a plain white background. The reverse a plain white quilted cotton . The quilt hand pieced and hand quilted. 176cmx 240cm. Condition - no damage to quilting or patchwork, may need cleaning or laundering.
An English cotton hexagon hand made and hand pieced quilt, made from a large variety of printed dress fabrics from 19th century. The quilt edged with a wide stripped multi fabric border. The under side designed in wide stripes using red cotton paisley and plain pale yellow cotton. Made between 1880-1900. This quilt is a good study of scrap fabrics and quilting being used.207cm x 190cm. Condition - there are a few minor hexagonals that are slightly worn, with minor wear to one edge, to be expected for its age and particularly use.
An American quilt from Kentucky, circa 1900. Intricately hand quilted on a white ground, appliquéd with stylistic repeating floral motifs in strong red and green cottons, all hand pieced. This quilt is a fine example of needle turn appliqué. 207cm x 205cm. Condition - Quilting and fabrics strong and in tact. Some minor staining.
A handsome mid 19th century American ‘Basket’ hand pieced and hand quilted bed cover. An unlaundered Civil War quilt. The reverse side a printed quilted cotton. This quilt purchased in Virginia. 226cm x 168cm. Condition - the colours and quilting is strong, there are a few stains to be expected with age and use.
ROYAL CROWN DERBY IMARI THREE PIECE TEA SERVICE, pattern 1128, comprising an oval shape teapot, dated 1985/1986, height 18cm, oval covered sugar bowl with handles either side, dated 1985, height 9cm (slight scratch by the right handle), oval milk creamer, dated 1986, height 9cm (some wear to the quilt around the top) (3) (Condition Report: all three items are marked second quality and have UV postcode marked, all appear in good condition, see main description for itemised detail)
U.S.A., Olympic Games, Atlanta, 1996, a bronze Participant’s medal, unsigned [by M. Grear] for Reed & Barton, torch logo, rev. quilt of leaves, 60mm, 57.07g (cf. Noonans 264, 970). Handling mark on reverse, otherwise extremely fine; in green pouch and gilt-blocked card case of issue, labelled ‘William Bourlet’ £100-£150
A Bellicon trampoline, 125cms diameter, with cover and T bar; a collection of camping equipment, to include: stove and gas bottles; sleeping bags; dog beds; luggage; Snugpak pillows; a Special Forces Bivvi Bag; a Bobcat trail quilt; a Sahara Sailor shovel; a Stanley cup; a Wacaco Nanopress; a Ridgemonkey Connect Pan and Griddle set; and others; together with an OmniGym outdoor gym.
A Modern Patchwork Quilt comprising a stylish design incorporating silk ties in a star pattern overall, with a navy cotton reverse and grey silk trim, 198cm by 240cm Margaret Shah had a lifelong love of sewing, crafting everything from summer dresses to knitted items and tapestries. She began making patchwork quilts when her children were young, and each were given one when they went away to College/ University.Following a City & Guilds design course she studied during her retirement, Margaret’s patchwork quilts and hangings became more elaborate. She would buy silk ties from charity shops and the threads, sequins and beads on her annual visits to India.Margaret also enjoyed being a member of her local “Living Threads” textiles group and would make a new quilt or hanging for each of their exhibitions. She also taught her techniques at workshops and gave talks to WI groups around the Midlands.In her later years, Margarat remained a keen crafter, creating patchwork curtains and cushions for both exhibitions and family members up until her death in June 2021 following a short illness.
A Modern Patchwork Quilt comprising coloured squares incorporating silk ties, overstitched with gilt thread, with a white cotton reverse, 242cm by 225cm Margaret Shah had a lifelong love of sewing, crafting everything from summer dresses to knitted items and tapestries. She began making patchwork quilts when her children were young, and each were given one when they went away to College/ University.Following a City & Guilds design course she studied during her retirement, Margaret’s patchwork quilts and hangings became more elaborate. She would buy silk ties from charity shops and the threads, sequins and beads on her annual visits to India.Margaret also enjoyed being a member of her local “Living Threads” textiles group and would make a new quilt or hanging for each of their exhibitions. She also taught her techniques at workshops and gave talks to WI groups around the Midlands.In her later years, Margarat remained a keen crafter, creating patchwork curtains and cushions for both exhibitions and family members up until her death in June 2021 following a short illness.
A Modern Patchwork Quilt comprising coloured squares incorporating silk ties, overstitched with gilt thread, with a blue cotton reverse, 208cm by 208cm, Margaret Shah had a lifelong love of sewing, crafting everything from summer dresses to knitted items and tapestries. She began making patchwork quilts when her children were young, and each were given one when they went away to College/ University.Following a City & Guilds design course she studied during her retirement, Margaret’s patchwork quilts and hangings became more elaborate. She would buy silk ties from charity shops and the threads, sequins and beads on her annual visits to India.Margaret also enjoyed being a member of her local “Living Threads” textiles group and would make a new quilt or hanging for each of their exhibitions. She also taught her techniques at workshops and gave talks to WI groups around the Midlands.In her later years, Margarat remained a keen crafter, creating patchwork curtains and cushions for both exhibitions and family members up until her death in June 2021 following a short illness.

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5895 item(s)/page