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A LATE 19TH CENTURY CULTURED PEARL, CHALCEDONY AND ENAMEL PENDANT, CIRCA 1880Of quatrefoil design, centring a rectangular-shaped blue chalcedony, corners highlighted by foliate motifs, between red guilloché enamel scalloped quarters, within a twisted-wire frame highlighted with button-shaped and drilled cultured pearls, suspending a baroque-shaped cultured pearl, reverse applied with blue and red champlevé enamel spelling out ‘Ceciliæ, Cecilia, Tibiq and Raphel’, mounted in 18K gold, length 7.7cm During the 19th century, a growing fascination with the past sparked a revival of historical styles across Europe, most notably a resurgence of 15th- and 16th-century-inspired jewellery that celebrated the richness and artistry of the Renaissance. The opulence, vibrant colours, and ornate designs once favoured by the Tudor court and European aristocracy returned to prominence in the mid to late 1800s, in a period known as the Renaissance Revival. This movement was fuelled by jewellers who found inspiration in the exquisite pieces portrayed in Renaissance-era portraits, so much so that the term "Holbeinesque jewellery" emerged to describe these revivalist designs. The 19th century pendant in this auction can be closely compared to a pendant worn by Saint Cecilia in Raphael’s ‘La Sacra Conversazione’. Painted c.1514 by the young master Raphael, La Sacra Conversazione, also known as The Ecstasy of Saint Cecilia, was commissioned by the Bolognese noblewoman Elena Duglioli dall’Olio for the chapel dedicated to the saint in the church of San Giovanni in Monte, Bologna. The revival of this pendant’s design was led by the influential arts and crafts society Aemilia Ars, founded in Bologna in 1898 by Count Francesco Cavazza in collaboration with designer Rubbiani. The designs created by Rubbiani, including that of the St Cecilia pendant, were donated to the Museo della Tappezzeria in Bologna by the Cavazza family in 1994. Known for their patronage of Aemilia Ars, the Cavazza family played a key role in reintroducing historical artistic motifs to a contemporary audience. Marked with the annotation “Grandezza al vero” (actual size), the pendant came with a handwritten list from Rubbiani noting that it was copied from a Raphael painting and was later acquired by prominent figures such as Queen Margherita of Savoy, Queen Elena of Savoy, Princess Corsini, and the Princess of Essling. The design gained public attention when a pendant identical to the one featured in Raphael’s painting was displayed at the 1902 International Exhibition of Decorative Arts in Turin, highlighting its significance as an emblem of historical revivalism. While the design of the Saint Cecilia pendant was driven by Aemilia Ars and Rubbiani, the production is closely linked to the history of the Marchi family. Initially managed by Luigi Marchi alongside his son Raffaele Angelo from 1891 until Luigi’s retirement in 1894, the goldsmith firm was subsequently led by Raffaele Angelo alone, who was responsible for producing the Aemilia Ars pieces, including the St Cecilia pendant. Unlike some contemporaries who attempted to pass off their intricate reproductions as genuine Renaissance artifacts, the Marchi brothers were upfront about their work being modern creations inspired by historical designs. Over time, variations of the reproduced St. Cecilia have emerged, with differences in colour, materials, and detailing; including one version that sold at Christie’s in 1995 that featured a grey-green chalcedony at its centre. Another similar pendant held by the British Museum displays a deliberate colour reversal: where the original design presents a red central chalcedony, the museum’s version features a blue-stained stone, with the enamelled lobes of the quatrefoil rendered in red instead of blue. It is worth noting, across different examples of the reproduced pendant design, subtle differences can be seen in the inscriptions and decorative details; while the British Museum pendant is inscribed “RAPHAEL CAECILIAE CAECILIA TIBI:QV,” another version omits a letter in “Raphael,” streamlines “Caeciliae,” and leaves off the final “V,” along with variations in the reverse orientation and the thickness of the palmette motifs above the text. Condition Report: Areas of green tarnish commensurate with agePearls with some signs of wear, typical surface features visible and one pearl with some surface fractures to mother-of-pearl nacreMetal unmarked, tested by the jewellery department to be 18K goldNormal signs of wear commensurate with age, overall in good conditionTotal gross weight approx. 25g
Renaissance drawing in red chalk (sanguine) of figures around a lectern in classical drapery, School of Raphael, Italian High Renaissance, 16th–17th Century, with watermarkRenaissance tekening in rood krijt (sanguine) van figuren rond een lessenaar in klassieke draperie, School van Raphael, Italiaanse Hoogrenaissance, 16e–17e Eeuw, met watermerk28 x 19 cm
A Highly Decorative Carved Shell Cameo Brooch / Pendant, in the style of 'Hours of The Day and Night' after Raphael Sanzio d’Urbino, within framing stamped "K14", approximately 5cm x 3.5cm.The shell is in overall good condition, visible join in collet setting with 10x loupe and abrasions, kink to pin - possible replacement. 11grams in weight.
Collection of 80s onwards toys to include 30 x figures featuring The Real Ghostbusters (Egon Spengler, Ray Stantz, Peter Venkman, etc), Teenage Mutant Ninja Turtles TMNT (Michelangelo, Raphael and Leonardo), LJN Thundercats (Mumm-Ra and Cheetara), He-Man Masters Of The Universe MOTU (Beast Man, Roboto, Sy-Klone, etc), Pace Toys Earth Force Doctor Bronco, Transformers And Robots, etc, boxed Binatone TV Master TV Game and quantity of play worn Matchbox diecast models (2 Boxes)
SLAVERY -- "SLAVE TRADE. Lo! the poor Captive with distraction wild. Views his dear Partner torn from his embrace! A diff'rent Captain buys his Wife and Child. What time can from his Soul such ills erase?" Lond., 1791. Cont. handcoloured mezzotint by J.R. Smith after George Morland. 500 x 685 mm. Laid down on cardboard. (Lower captions partly touched up in black ink, margins a bit stained/soiled (partly due to previous framing), a bit browned).NOTE: In 1788, the popular English artist George Morland (1763-1804) produced an oil painting which he originally titled "The Affectionate Slaves" or "Execrable Human Traffic." The scene of an African man torn from his family by European slavers was engraved by John Raphael Smith for this 1791 print, produced in a large and popular edition, most of which were not colored. Along with the engraving of the slave ship Brookes, it provided an enduring visual image to help promote the abolitionist cause. - Dawe, 'Life of George Morland', p. 152; Frankau, 'John Raphael Smith: His Life and Works', 321. - Sold w.a.f., not subject to return.
Autographed LOT of ARSENAL 6 x 4 photos : A superb lot of photos depicting former Arsenal players from the 1960s - 1980s, all signed in permanent marker, to include ; JOHN HAWLEY, TERRY MANCINI, JOHN MATTHEWS (x2 different), RAPHAEL MEADE, JON SAMMELS, IAN URE and CHRIS WHYTE. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Autographed LOT of ARSENAL 8 x 6 photos : A superb lot of photos depicting former Arsenal players from the 1960s - 1990s, all signed in permanent marker, to include ; JOHN LUKIC, RAPHAEL MEADE (x 2 different), CHRIS WHYTE, FRANK STAPLETON, IAN URE and JOHN DEVINE. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Books – railwayana, miscellaneous, including: Whitehouse (Patrick) & Levy (A.), Model Trains; Whitehouse (Patrick) & St. John Thomas (David), The Great Days of the Country Railway; Garrett (Colin), The Golden Years of British Trams; Dale & Gray, Edwardian Inventions 1901-1905; James (Leslie) A Chronology of the Construction of Britain’s Railways; Shaw (I), Views of the Most Interesting Scenery on the line of the Liverpool and Manchester Railway, Oldham, Hugh Broadbent, 1980 facsimile of original, small 4to, maroon cloth, gilt vignette and titles, to front board, gilt titles to spine; Vaughan (Adrian), Signalman’s Reflections; The Railway Book for Young People 1891; Hadfield, Atmospheric Railways; Wilson & Day, Taken for a Ride; Bracegirdle (Cyril), Collecting Railway Antiques; a Long-playing record: Steam Specials of the Seventies; BR London Midland Operating Area Local Instructions 11/1953; Raphael Tuck & Sons., Our Trains, colour illus; Branch Line Index (7 issues), Channel Tunnel Study Group, Memorandum on the Proposals 11/ 1959, etc. (qty)
Little Peoples Annual, made for you by Father Tuck. Writers include A. L. Harris, Grace C. Floyd, E. Tracey, Archer Gurney Slade and Jessie Attwell. Artists include Florence Hardy, Pauline Dunstan, Stavert J. Cash, Louis Wain and Gordon Robinson. Edited by Captain Eric Vredenburg. Published by Raphael Tuck and Sons, publishers to their Majesties the King and Queen. Publishers highly coloured pictorial boards, titled in red and yellow. Circa. 1930s. 8 x10½ . 112 pages. Notable for their contribution as author Jessie Attwell and artist Louis Wain. Excellent condition, now RARE. Single vendor book auction. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99
A QUANTITY OF ASSORTED BOXED TOYS, Ideal Teenage Mutant Hero Turtles Raphael Mutations figure, No.65-221, appears complete with accessories and in very good condition, Tomy Palitoy 'Blip' Tennis Game, not tested, playworn condition, minor wear to battery box, boxed Stylophone Pocket Electronic Organ, not tested, playworn condition, battery box in fairly good condition, two boxed Corgi Classics military vehicles U.S.Army Diamond T Wrecker, No.55601 and British Army Centurion Mk.III Tank & Saladin Armoured Car set, No.69901, both appear complete and in very good condition, look to have hardly, if ever, been removed from boxes, both with limited edition certificate and Corgi figure, with a small quantity of Dolls House items, all boxes with damage and wear
UNITED KINGDOM. Elizabeth II, 1952-2022. CuproNickel 50 Pence, 1997. Royal Mint. Third crowned portrait of HM Elizabeth II facing right; RDM on truncation; ELIZABETH II D · G · REG · F · D · 1997. Design by Raphael Maklouf. / Seated Britannia holding trident and olive branch, Lion and Union flag beside her, '50' in exergue, 'FIFTY PENCE' above. Design by Christopher Ironside. Edge plain.Mint Error; large clip.Reference: S-H7 (was 4354)Diameter: 27 mm.Thickness: 1.78 mm.Weight: 8 g.Composition: CuproNickel.PLEASE NOTE: A 20.00% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
(After Raphael) 19th Century oil on canvas, ' The Madonna Della Seggiola ', housed in a large ornate C-scroll, maskhead and shell mounted carved wood gilt frame (a copy of the frame on the original), painting 73cm diameter, frame 140 x 117cmDoes have white splashes on it (possibly paint). Crazing to paint in some areas, overall good condition but does need a clean. No signs of overpainting or patch repairs
A large collection of collectible items, to include - Kidrobot X The Simpsons Day of The Dead Homer (T13YL006), Kidrobot X The Simpsons Homer Buddah (T12YL022), box previously opened, Reel Toys Teenage Mutant Ninja Turtles Michelangelo (966N041420), Reel Toys Teenage Mutant Ninja Turtles Leonardo (966N061720), Reel Toys Teenage Mutant Ninja Turtles Donatello (966N061720), Reel Toys Teenage Mutant Ninja Turtles Raphael (966N061720), Reel Toys Teenage Mutant Ninja Turtles Splinter (966N062320), Reel Toys Teenage Mutant Ninja Turtles Foot Soldier (966N062320), Reel Toys Teenage Mutant Ninja Turtles Foot Soldier (966N062320), Reel Toys Teenage Mutant Ninja Turtles Shredder (966N062320), Replica of Bionic Arm from Metal Gear Solid V: The Phantom Pain, unboxed, Welly Back To The Future Delorean Time Machine 1:24 Diecast Metal, Hasbro Ghostbusters Mini-Pufts Plasma Series, Hero Club Bat Spotlight 1:6 scale movie props, Dream Batman Spotlight collectible movie scene fitting, DC Comics Variants Play Arts No.1 Batman figure, Supermad Toys 1:6 Cat Custom Made Action Figure, Running Press Batman Bat-Signal, Art By Art Hela 1: scale Headsculpt, King Arts Ant-Man Posed Character FFS003, Hot Toys Avengers Endgame Nano Gauntlet, and a Hot Toys Avengers Endgame Infinity Gauntlet
Johannes Sadeler I.. Der schlafende Nox. 1582. Kupferstich auf Bütten. 22 x 17,5 cm. In der Platte signiert und datiert. Mit lateinischer Inschrift in der Platte. Punktuell unter Passepartout montiert. Selten. - Hollstein Dutch, 512. - Nach Thoed. Baern. Amsterodamus. - Vierte Platte aus einer Reihe mit den vier Tageszeiten. - Johann Sadeler I. war ein bedeutender flämischer Kupferstecher und Graphiker des 16. Jahrhunderts. Er war der ältere Bruder von Raphael Sadeler I. und der erste von mehreren Kupferstechern der Sadeler Familie. - Bis auf die Bildkante beschnitten. Leicht stockfleckig. Kleine Fehlstelle am unteren Rand und Einriss am oberen Rand. Prachtvoller Druck mit starken Kontrasten in kräftiger Farbe. Insgesamt sehr gut erhalten. The sleeping Nox. Copper engraving on laid paper. Signed and dated in the plate. With Latin inscription in the plate. Mounted in spots under passepartout. - Rare. - After Thoed. Baern. Amsterodamus. - Fourth plate from a series with the four times of day. - Johann Sadeler I was an important Flemish engraver and printmaker of the 16th century. He was the older brother of Raphael Sadeler I and the first of several engravers in the Sadeler family. - Trimmed to the edge of the image. Slight foxing. Small loss to lower margin and tear to upper margin. Splendid impression with strong contrasts in vibrant colour. Overall in very good condition.
Giovanni Volpato. (1733 Angarano - 1803 Rom). Die Loggien des Raphael im Vatikan. Pilastra nº X. Um 1775. Handkolorierter Kupferstich auf Velin. 102 x 40 cm. Unter Passepartout und hinter Glas gerahmt (ungeöffnet). Aus: 'Delle Loggie di Rafaele nel Vaticano', veröffentlicht um 1775-77 von Ludovicus Tesio Taurinensis. - Der italienische Kupferstecher Giovanni Volpato wurde im späten 18. Jahrhundert damit betraut, die Fresken der Loggien in Kupferstichen festzuhalten, um sie einem breiteren Publikum zugänglich zu machen. Seine Stiche gelten als äußerst präzise und kunstfertig, da sie die komplexen ornamentalen Details und figürlichen Darstellungen originalgetreu wiedergeben. Die Graphiken trugen erheblich zur Verbreitung und Bewunderung von Raffaels Kunst in Europa bei und machten die Meisterwerke des Vatikans auch außerhalb Italiens bekannt. Giovanni Volpatos Kupferstiche der Vatikan-Loggien bleiben bis heute ein bedeutendes Zeugnis seiner künstlerischen Präzision und seines Engagements für die Bewahrung der großen Meisterwerke der Kunstgeschichte. - Vereinzelte Braunflecken sowie partiell leicht gewellt. Insgesamt sehr gut. Prachtvoll colorierter, fein detaillierter Stich. Coloured copperplate engraving on wove paper. 102 x 40 cm. Framed under passepartout and behind glass (unopened). - From: 'Delle Loggie di Rafaele nel Vaticano', published around 1775-77 by Ludovicus Tesio Taurinensis. - In the late 18th century, the Italian engraver Giovanni Volpato was commissioned to capture the frescoes of the loggias in copperplate engravings in order to make them accessible to a wider audience. His engravings are considered to be extremely precise and skilful, as they faithfully reproduce the complex ornamental details and figurative depictions. The prints contributed significantly to the dissemination and admiration of Raphael's art in Europe and made the masterpieces of the Vatican known outside Italy. Giovanni Volpato's engravings of the Vatican loggias remain an important testimony to his artistic precision and his commitment to the preservation of the great masterpieces of art history. - Scattered brown stains and partially slightly wavy. Very good overall. Splendidly coloured, finely detailed engraving.
Harold Riley (British 1934-2023) "Madonna and Child" from Raphael Signed and dated '53, dedicated to Gerry + Kath, ink, watercolour and pastel.25 x 21cm (framed 40 x 35.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The original metal frame has some minor scuffs and scratches.
A rare 'Banda Neira' Naval General Service Medal awarded to Sailmaker's Mate R. Cheeseman, Royal Navy, who served aboard H.M.S. Caroline and with her participated in the impressive action of 18 October 1806, fought pirates in the Persian Gulf, took part in the heroic capture of Banda Neira under Captain Cole, was wounded by a musket ball to his left arm near Java, and later as Captain of the Afterguard served off the coast of Canada in the War of 1812Naval General Service 1793-1840, 1 clasp, Banda Neira (Robert Cheeseman.), light contact marks and a slight edge bruise, otherwise good very fineProvenance:Whitaker Collection, 1890.Glendining's, June 1986.Noonan's, July 2021.Robert Cheeseman is confirmed on the roll with entitlement to this medal and clasp for his service as Sailmaker's Mate aboard H.M.S. Caroline during the capture of Banda Neira. He is one of only 68 recipients of this clasp, and the sole Sailmaker's Mate.Cheeseman was born at Deptford, London circa 1783 and found work as a bricklayer prior to entering the Royal Navy on 23 March 1803, aged twenty. His first posting was aboard the 36-gun fifth-rate frigate H.M.S. Caroline, launched at Rotherhithe in 1795. Initially ranked as a Landsman upon his enlistment, Cheeseman must have been a capable sailor as he found steady promotion to positions of responsibility throughout his eleven years of service.Caroline was captained by Benjamin William Page when joined by Cheeseman, and set sail for the East Indies in May 1803 with secret orders to bring news of the start of the Napoleonic Wars. Whilst en route she captured a number of vessels, including the Dutch Haasje which had been carrying dispatches from Napoleon. Haasje was sent in to the remote island of St. Helena, which would of course later host the exiled French Emperor, bringing the news of war. She arrived in the East Indies on 6 September and spent the next several months escorting East India Company convoys and capturing French privateers. For Caroline's success in the capture of many enemy privateers, the grateful merchant communities of Madras and Bombay presented Captain Page with swords worth 500 guineas, no small sum with a value of over £60,000 today.At an unknown date Cheeseman was wounded by a musket ball to his left arm while serving in the South Seas in the Strait of Sunda, between the islands of Java and Sumatra. The circumstances surrounding this wound are unknown, but it was later noted in his pension register.East Indies and the Action of 18 October 1806Cheeseman had his first promotion to Ordinary Seaman on 1 January 1805, with command of Caroline transferred in April to Captain Peter Rainier - who was only twenty years old at the time of his appointment. It is worthy to also note that until mid-1805 James Johnson, later physician extraordinary to King William IV, was acting as the ship's surgeon and his time aboard her was essential in gathering material for his influential publications on tropical diseases.Caroline found great success during the Java Campaign of 1806-7, and with young Captain Rainier at her helm fought the action of 18 October 1806 against a Dutch squadron. While patrolling off the coast of Batavia Caroline captured a small Dutch brig, whose crew informed Rainier that the frigate Phoenix was under repair and vulnerable nearby. The captain resolved to bring her out, but while on approach was spotted by two small warships. Caroline then captured the 14-gun brig Zeerop without firing a single shot, while the other escaped by hugging the coast. Phoenix took the opportunity of the delay to sail to the well-defended Batavia harbour. Whilst in pursuit of Phoenix, Caroline sighted at anchor in the Batavia Roads the 36-gun frigate Maria Reijersbergen along with three smaller warships.Facing a force significantly stronger than Caroline and with the ability to call on the harbour gunboats for aid, the confident Rainier immediately made for Maria Reijersbergen. The gallant Captain himself takes up the story in his report to Rear-Admiral Sir Thomas Troubridge:'As I distinctly made out the frigate to be the largest ship in the road, I ran for her with springs on both cables [allowing her to easily turn at anchor]; the enemy commenced firing at us as soon as we were within gun-shot, which was not returned till we came as close as the wind would allow us, which was within half-pistol-shot, when we opened our fire. The action continued about half an hour, when the enemy hauled down her colours. On boarding, she proved to be the Dutch republican frigate Maria Reygersbergen, of 36 guns, 18-pounders on the main-deck, and 270 men, commanded by Captain Jager, second in command. The Maria was launched in 1800, and is a fast sailing ship. We had to encounter, besides the frigate, the William of 20 guns, Patriot 18, and Zeeplong 14, with several gun-boats; and there were thirty gunboats lying in shore, which did not attempt to come out. I beg leave to state, that when the action commenced we were short of complement, by men away in prizes, sick at hospitals, &c. 57 in number.'The British suffered only three killed and eighteen wounded, while the enemy sustained over fifty casualties. The shallow water did not allow her to safely attack the others but the enemy ships, as well as a further six merchant vessels, nevertheless ran themselves aground to escape capture by Caroline. Maria Reijersbergen was later brought into the service of the Royal Navy as H.M.S. Java.Cheeseman was advanced Able Seaman a couple of months after the engagement on 15 December. Caroline was next involved in an exciting exchange on 27 January 1807 after convoying near the Philippine Islands. Spotting a strange sail, she made chase and when within range the 16-gun ship raised Spanish colours and opened fire. Rainier opened fire in turn and forced her surrender after inflicting twenty-seven casualties. The mystery vessel's identity was revealed as St. Raphael sailing under the alias Pallas, carrying a valuable cargo which included £500,000 of bullion coin and 1,700 quintals of copper. In capturing this treasure ship Caroline suffered but seven men wounded.By June, Caroline joined the squadron of Rear-Admiral Edward Pellew. She was sent along with the frigate H.M.S. Psyche on a mission to find Dutch ships which escaped destruction at the Batavia Roads. The two captured a smaller enemy vessel near Surabaya in August, who revealed to the British that there were a number of Dutch ships of the line in a state of disrepair at the port of Griessie. After a reconnoitre of Griessie, Psyche and Caroline destroyed a number of merchant ships and shared in the capture of Dutch corvette Scipio, later brought into Royal Naval service as H.M.S. Samarang.In September, command of Caroline passed to Captain (later Rear-Admiral) Henry Hart who sailed her along with the rest of Pellew's squadron back to attack the ships at Griessie. During the attack, Caroline was for some time used as Pellew's flagship after the grounding of Culloden. Hart was charged with orchestrating the landing parties and he successfully coordinated the raid on Griessie and the destruction of the port's infrastructure. This action brought to an end the presence of an active Dutch navy in the East Indies. 25001 SALEROOM NOTICE:Lot is NOT subject to 5% Import Tax.
John Paddy Carstairs (British 1916 - 1970)La Plage, St Raphael signed and dated 'John Paddy Carstairs '53' (lower right)gouache33.5 x 49 cm, framed and glazed 51 x 65.5 cmProvenance: J. Leger & Son, Old Bond St, LondonColours are still bright. Some small foxing spots visible in places, and the glass would benefit from a clean. No obvious damage.
Mint Error - 1985 UK 2p on a foreign planchet. Obverse: Raphael Maklouf's portrait of Queen Elizabeth II, together with an inscription that reads 'ELIZABETH II D · G · REG · F · D · 1985' around. Reverse: Prince of Wales plumes with 'TWO PENCE' above and '2' below. Edge: plain. Composition: XRF tested as cupronickel alloy before grading, approximately 83% copper, 17% nickel. Grade: NGC Mint Error MS 64 (#6380785-005).
Isle Of Man, 1992 10p 'trial' coins with 'AA' die letters and no Pobjoy Mint mintmark (5). Obverses: Raphael Maklouf portrait of Queen Elizabeth II, the date (1992) below with rounded tails to 9s, 'ISLE OF MAN' and 'ELIZABETH II' around with triskelion stops, no 'PM' below the portrait. Reverse: triskelion with '10' to the left, 'QUOCUNQUE' above and 'JECERIS STABIT' below. Tiny 'AA' mintmark on top of right-most foot. Mintage: circa 200. Presentation: sealed in clear sleeve, one broken off but still sealed.
Teenage Mutant Ninja Turtles figures and figure sets x 10 including NECA Ninja Elite Series Leo & Mikey in Disguise, Michelangelo and Raphael, Action Vinyls 2016 Convention Exclusive Bebop & Rocksteady set, Mega Bloks Rocksteady Villain pack and large scale Raphael all within Good to Excellent sealed packaging, Teenage Mutant Inja Turtles vinyl figures x 2 (opened unused) and Giant Michelangelo figure, Near Mint (missing accessories), within Good opened box. SEE PICTURES. (10)
Queen Elizabeth II, Brilliant Uncirculated Five Pounds, 1997. Queen Elizabeth II, Brilliant Uncirculated Five Pounds, 1997, Obverse portrait by Raphael Maklouf R. St. George and dragon, edge milled, struck in 22 carat gold, weight 39.94g, diameter 36.02mm, in original green box of issue with numbered certificate, SE4.
1988 Royal Mint, Proof Britannia 1/10oz. 1988 Royal Mint, Proof Britannia 1/10oz, £10, weight 3.412g, diameter 16.50mm, struck in 24-carat gold, with obverse portrait by Raphael Maklouf, R. Britannia standing upon a rock in the sea, her right hand grasping a trident and her left hand resting on a shield and holding an olive branch, in original brown leather box of issue with numbered 2172 certificate, BGC1.
2002-2003 Elizabeth II Golden Jubilee Coin & Silver Set. This set contains 24 silver proof coins from 12 commonwealth countries. The silver proof golden jubilee set is stored within a velvet lined cherry wood presentation box and each coin is encapsulated for protection. 22 of the coins comprise of .925 sterling silver weighing 28.28 g. The remaining two from Australia with the denomination of one dollar weigh 31g and comprise of .999 fine silver, bringing the total silver content of the Golden Jubilee set to 637.69g. The set was designed by Raphael Maklouf and Ian Rank-Broadley. 20 of the 24 portraits are also embellished with 24 carat gold in further reference to the celebration of the Jubilee. The reverse side of each coin commemorates a significant moment from various tours made by Queen Elizabeth II. The set also includes an information booklet with photos of the Queen and an explanation of inspiration behind each engraving.
Playmates vintage Teenage Mutant Ninja Turtles action figures x nine including: (1) Don The Undercover Turtle; (2) April O'Neil; (3) Splinter, MISSING 1 ninja star; (4) Donatello; (5) Leonardo; (6) Michaelangelo; (7) Raphael; (8) Turtlecycle; (9) Cheapskate; complete (unless otherwise stated, no weapon racks); Good to Good Plus; (9).
VINTAGE CHILDRENS' 5 Titles: ROBINSON CRUSOE, THE CLEVER CATS ETC - A PICTURE-BOOK FOR THE NURSERY, London, Thomas Nelson and Sons, ND, decorative pictorial, gilt and black cloth, colour illustrations throughout; MRS H C CRADDOCK: JOSEPHINE KEEPS SCHOOL, London, Blackie and Son Limited, ND, FFEP torn, gutters loose; LEWIS CARROLL AND MABEL LUCIE ATTWELL (Illus): ALICE IN WONDERLAND, London, Raphael Tuck and Sons, ND, torn half title and very loose gutters; FRANCES HODGSON BURNETT: LITTLE LORD FAUNTLEROY, New York, Charles Scribner's Sons, 1888; LEWIS CARROLL: and D R SEXTON (Illus) ALICE IN WONDERLAND, London, Juvenile Productions Ltd, ND
GROUP OF FIVE FRENCH BINDINGSComprises VALERY, PAUL. Maitres et amis. Paris: 1927. One of 200 copies. Contemporary brown morocco with onlays by Canape and Corriez. Illustrated by Jacques Beltrand. Spine faded; together with JOLYOT DE CREBILLON, CLAUDE PROSPER. La Nuit et Le Moment. Paris: 1924. One of 230. Full red morocco by Canape. Erotic illustrations by Sylvain Sauvage; Les Quinze joyes de mariage. Paris, Jules Meynial, 1928. One of 150 copies. Contemporary brown morocco by Viau & Zonen. Illustrated by Maurice Lalau; RENARD, JULES. Poil de Carotte. Paris: 1911. One of 150 copies on Japon. Contemporary green morocco by René Aussord. Illustrated by Lobel-Riche; and LOUYS. PIERRE. Moeurs antiques. Paris: 1909. One of 485. Illustrations by Raphael Collin. Full red morocco with inlay by Flammarion and Vaillant. Some minor fading and light wear throughout, the fading severe on the spine of the Poil de Carotte.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
POE, EDGAR ALLAN and ALICE NEEL, illustratorThe Fall of the House of Usher. New York: The Limited Editions Club, 1985. One of 1500 copies signed by Alice Neel and Raphael Soyer, who has provided a two-page appreciation of the artist. Original goatskin-backed marbled boards, housed in the original folding cloth case. 15 1/2 x 11 inches; with two color lithographs and an original etching after Neel, 32 pp., with the LEC newsletter laid-in. The volume fine, the case with a few scuffs and light fading.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Children's illustrated, novels etc. CROMPTON (Richmal) six William novels in dust jackets, mostly 1938 reprint editions, including Just William (1937), William the Rebel, William the Outlaw, Sweet William, William the Dictator, William's Crowded Hours, in chipped and handled dust jackets; CAMPBELL (R) This Animal is Dangerous, 1st edition 1934, dust jacket; KINGSLEY (C) The Water Babies, illus. Mabel Lucie Attwell, Raphael Tuck no date, 8vo, dust jacket; FRIEND (O) The Round-Up, 1935; WODEHOUSE (P G) The Little Nugget, Methuen 1935, 17th edition, dust jacket; HAGGARD (H Rider) Allan Quartermain, H & S Yellow Jacket edition; BURNETT (F H) Little Lord Fauntleroy, F. Warne & Co 1906, cloth; others (34)Pooh Corner 2nd ed. 1928 (very torn wrapper) & 4th ed. 1933. Water Babies no date, Raphael Tuck Library edition, ill. by M. L. Atwell.
AFTER ANTON RAPHAEL MENGS SELF-PORTRAIT Watercolour and bodycolour Bears inscription 'Rafael Mengs / Pittore / Fatto di se stesso' (verso) 13 x 10cm (5 x 3¾ in.) Provenance: James Harris, 1st Earl of Malmesbury Sale, Christie's, London, 13 July 1984, lot 104 Literature: S. Roettgen, The Digital Catalogue Raisonné of Anton Raphael Mengs, 279/WK_05, as a copy After the painting in The Walker Art Gallery, Scotland Condition Report: The sheet has been laid down at the corners to a sheet of metal. The extreme edges with some wear commensurate with age. The left edge with some more substantial wear and small areas of loss. The lower edge with a small tear (approx. 2.5cm). The colours are generally good. There is some discolouration to the grey background area. Also with some spots of surface dirt, again this is mainly to the background areas. Some light craquelure scattered within the red pigment. Country of origin: Scotland (UK)Condition Report Disclaimer
Holinshed (Raphael). The First and Second volumes of Chronicles, comprising 1. The description and historie of England, 2. The description and historie of Ireland, 3. The description and historie of Scotland; First collected and published by Raphaell Holinshed, William Harrison,, and others: Now newlie augmented and continued (with manifold matters of singular note and and worthie memorie) to the year 1586, by John Hooker alias Vowell Gent. and others. With conuenient tables at the end of these volumes, 3 volumes bound in two, 2nd edition, London: Printed in Aldersgate street at the signe of the Starre, John Harrison, George Bishop, Rase Newberie, Henrie Denham and Thomas Woodcocke, 1587, numerous ornamental initials, head and tailpieces, black letter text in double columns, facsimile castrated leaves printed in the early eighteenth century to replace cancels pp. 421-4, 433-6, 443-50 in Histories of Scotland and pp. 1328-1331, 1419-1574 in Histories of England, first title trimmed to printed area and laid on later paper with early 19th-century ownership inscription of T M.(?) Taylor, the same signature appearing to the title of the History of England, first title in volume 2 replaced in facsimile, contemporary ownership inscription 'Liber Johannes Hippisley XLII' to top of dedication leaf in volume 2 plus 17th-century inscription to foot reading 'I borrowed his Book, M(?) Danvars' with repaired tear to foot of leaf with minor loss to inscription, verso of blank in 2nd volume with several lines of early 19th century annotations relating to a lunar phenomenon with list of witnesses, some early ownership inscriptions and pen trials to a few leaves including John Browne, Richard Clarke, Samueal C and others, p. 1088 (volume 2) with last 18 lines of text to second column excised and replaced with the same text from another copy, a few short closed tears, some light spotting to a few leaves, some leaves with minor repaired wormholes, bookplate of Hartland Library, Gloucestershire and library stamps to front pastedowns, 18th-century mottled calf, joints, head and tail of spine and corners refurbished, folio, together with a bound volume containing the 18th-century reprinting of the castrated leaves, some water staining and tide marks, last leaf with repaired margins, early 19th-century half Japanese vellum over marbled boards, repairs to lower joints, folio QTY: (3)NOTE:Provenance: James Hippisley, possibly Sir John Hippisley (-d.1655), of The Mews, Westminster; Bushey Park, Mdx. and Dover Castle, Kent.Lowndes, p1086; Pforzheimer 494; STC 13569.This work is considered the single most important chronicle written in English in the 16th century, perhaps best known as one of the primary sources for the plays of William Shakespeare who used it extensively for his works, including Richard III, Macbeth, King Lear and Cymbeline. 'It was the 2nd edition which Shakespeare employed as the source, soul or part of ten of his plays...' (Pforzheimer, 494).
Morant (Philip). The History and Antiquities of the County of Essex, 2 volumes, 1st edition, London: T. Osborne, J. Whiston, S. Baker, L. Davis, C. Reymers and B. White, 1768, folding engraved map frontispiece to first volume, 22 engraved plates (including 4 folding, without plate of Audley House, not called for in plate list), 10 folding maps and plans, some light browning and occasional spotting, contemporary speckled calf, maroon morocco labels, vertical crack to spine of volume 1, joints repaired with lower boards detached, folio, together with:Essex. A New and Complete History of Essex, from a late Survey; compared with the most celebrated historians ... by a Gentleman, 6 volumes, Chelmsford: Printed and sold by Lionel Hassall. Sold also by F. Newbery, in St. Paul's Church-yard, London, 1770-1772, engraved title pages to first two volumes, numerous engraved plates and maps including some folding (appears to lack 2 plates of 54 called for), engraved and letterpress titles with old ink stamp to verso and ink stamp to verso of final leaf in volume 1, armorial bookplate of Herbert Henry Raphael to upper pastedowns and cancelled library bookplate to front free endpapers with library ink stamps also to endpapers, late 19th/early 20th-century half calf, rebacked preserving spines, 8vo, plus Barrett (Charles Raymond Booth). Essex: Highways, Byways, and Waterways, London: Lawrence & Bullen, 1892, etched plates and illustrations to text, original cloth, 8voQTY: (9)
Pumpelly (Raphael). Report on the mining industries of the United States (exclusive of the precious metals): with special investigations into the iron resources of the Republic and into the cretaceous coals of the Northwest..., Washington: Government Printing Office, 1886, numerous graphs and maps, modern quarter calf, folio, together with:Trowbridge (Thomas). Statistical Reports on the Heath of the Navy for the years 1830-1836 (South America, West Indian and North American, Mediterranean and Peninsular Commands), London: House of Commons, 1840, bookplate of the Faculty of Physicians & Surgeons to front pastedown, half calf rebacked, folio, plus First Report of the Commissioners for inquiring into the state of large towns and populous districts, London: Williams Clowes and Sons, 1844, Royal College of Surgeons of England stamp to title, several folding plates and diagrams, modern cloth, folio, plusA Report of the proceedings of a court of inquiry into the existing state of the Corporation of Liverpool..., Liverpool: J. and J. Mawdsley, 1833, folding maps and plans, town clerk library stamp to margin of title, modern cloth, spine evenly faded, folio, plus 23 other report publications, folio QTY: (26)
Postcards, Greetings, a mix of approx. 450 greetings cards, mainly Birthday, Christmas, Easter, New Year, Valentines, with a few comic, and children (Attwell). Many embossed chromos of Santa (lots), angels, snow, snowmen, toadstools, gnomes, pigs, dogs, glamour, large letters, various animals, eggs, appliqué, hand painted etc. Sold with an unsigned Raphael Kirchner from 'Fleurs D'Hiver' series (gd) (mixed condition)
HOWARD (Marian) Those Fascinating Paper Dolls - An Illustrated Handbook for Collectors, Raphael Tuck Antique Paper Dolls, Nicholas and Alexander Paper Dolls, Early Victorian Costumes Paper Dolls, Polly Pratt Paper Dolls, Victorian Bride and Her Trousseau Paper Doll, Fashions of the Regency Period Paper Dolls, Great Empresses and Queens Paper Dolls, Edwardian & 1920's Fashion sticker book, Traditional Fashions sticker book, Victorian Women's Fashion Cut, clip art book,
Raphael Tuck, Sheila Young and others, Antique Paper Dolls, Betty Bonnet Paper Dolls, Lettie Lane Paper Dolls, Kate Greenaway Paper Dolls, Dolly Dingle Paper Dolls, Godey Costume Plates in Colour and Medieval Costumes Paper Dolls. Elizabethan Costume Paper Dolls, French Folk Costume Paper Dolls, More Lettie Lane Paper Dolls, Victorian Fashion Paper Dolls From Harpers Bazar 1867-1898, Antique Fashion Paper Dolls of the 1890's.

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