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Click here to subscribeGroup of Bursley ware Art Deco pottery designed by Charlotte Rhead, printed black marks, painted numerals, decorated with bands of green, ochre, yellow and brown leaves, within interlocking lozenge-pattern borders, comprising a footed bowl, 29cm diameter, a smaller flared bowl, a tall tapering jug impressed swan mark, whiplash handle, a square section pot and cover, a small two-handled circular footed dish and a small circular salt, all similarly decorated (6)
Collection of Crown Ducal and Bursley ware Art Deco pottery by Charlotte Rhead, various printed and painted marks, impressed numerals, comprising three jugs, an Albarello shaped vase, a squat globular vase and a two-handled shaped rectangular dish, all variously painted with bold pink, yellow and blue flowerheads amongst leafy green branches, a Queen Victoria Jubilee 1887 octagonal plate, printed black registration mark RD No.63164, a 1937 George VI and Queen Elizabeth coronation Burley ware plate and a Queen Victoria Diamond Jubilee 1897 plate printed with vignettes of royal residences centred by portrait of the Queen, unmarked (9)
Pair of Wood's pottery Arabesque pattern jugs by Charlotte Rhead, of tall tapering conical form with readed green ground handles, painted with bands of green, ochre and brown leaves within geometric foliate borders, 28cm high and a Bursley ware Albarello shaped vase, printed and impressed marks, painters pattern numerals (3)
Group of Bursley ware Art Deco pottery by Charlotte Rhead, printed and painted marks, decorated with bands of colourful tulips amongst foliage and orange/purple flowerheads, comprising a circular footed bowl, 29cm diameter, a tall tapering conical water jug, 27.5cm high, a pair of candlesticks, a square section pot and cover, a baluster jug and a table lamp (7)
LOUIS RHEAD (1857–1926) 'THE SNAKE QUEEN' pen and ink, signed lower right LOUIS RHEAD, framed 42.5cm x 33cm (frame size 65cm x 53.5cm) Louis Rhead was an English-born illustrator, author and graphic designer who emigrated to America at the age of twenty-four. With his father a highly respected gilder and ceramicist, Rhead spent much of his childhood attending his father’s art classes and working in the Staffordshire art potteries along with his siblings. Demonstrating an exceptional talent, his father sent him to Paris for three years to continue his studies, before returning to an art scholarship at the National Art Training School, now Royal College of Art in London. Shortly after graduation, Rhead was offered a position as Art Director for the U.S. publishing firm of D. Appleton in New York and emigrated to the US. In the 1890s Rhead rapidly gained popularity as a poster artist. His work made a regular appearance in Century Magazine and Harper’s Bazaar, and in 1895 he won a Gold Medal for Best American Poster Design at the first International Poster Show in Boston. By the early 1900s poster art was in decline and Rhead turned his attention to children’s book illustrations, producing designs for treasured classics such as The Swiss Family Robinson, Treasure Island, Kidnapped and Robin Hood.
FREDERICK RHEAD (1880–1942) FOR WILEMAN & CO GROUP OF FOLEY 'INTARSIO' WARES, CIRCA 1900 comprising a TEAPOT & COVER, 12cm high; a TWIN -HANDLED TAZZA, no. 3026, 13cm high; a VASE, with four handles, no. 3003, 21.5cm high; together with a TWIN-HANDLED VASE, no. 3387, 18.5cm high, each with printed and painted maker's marks (4)
A collection of teapots to include an Art Deco Thomas Forrester Phoenix Ware teapot, a Bursley Ware coffee pot by Charlotte Rhead, a Staffordshire Fine Ceramics bird teapot, an early Masons teapot, circa 1830, an unmarked large teapot, possibly Ridgway, pattern 1058 and a Coalport teapot and saucer (Qty). Condition is generally good and clean, some surface wear, odd damages may be present. Masons teapot with damages.
Charlotte Rhead for Bursley Ware Art Deco pottery charger and a Crown Ducal charger similar, printed factory marks, the first with pattern no. TL.37/R, tube-lined with bold stylised pink, purple, yellow and blue flowers about a central jade green roundel, 41.5 cm. diam. and the other decorated with flower-sprays within flower-shaped cartouche, on a reeded ground, 44.2cm diam. (2)
Two Art Deco pottery chargers by Charlotte Rhead for Bursley Ware, printed factory marks, the smaller pattern no. TL14/4 and the larger example pattern no. TL38, the large example tube-lined with berried leafy green branches issuing yellow fruits, 41cm diam., the other with flowers and foliage, 36.5cm diam. (2)
Charlotte Rhead for Crown Ducal Art Deco pottery charger, printed factory marks, decorated with stylised yellow, blue, pink and yellow flowerheads amongst leaves, within yellow rims, on pebble-moulded ground, 45.5cm diam. Condition Report No obvious chips, cracks or signs of restoration. Some spots of colour loss around rim and in places. Crazing in spots on the top. Couple of marks to bottom. Please see further images.
A GROUP OF EIGHT STUDIO POTTERY ITEMS to include a Guy Sydenham for Poole Pottery bulbous narrow necked vase, bearing the potter's 1966-1977 mark and an impressed Poole Pottery mark, height 20cm x diameter 28cm, an iridescent Bursley ware Charlotte Rhead table lamp base height 25cm (hairline crack to the top, crazing, could benefit from a clean) a Poole Pottery tapered traditional ware planter height 14.5cm x diameter 14cm, an oversized studio pottery candleholder with pierced forest/naturalistic designs height 30cm x 19.5cm, marked 'EB' (small chip to the rim, minor nibbles in areas), a small stoneware vase with and abstracted repeating band height 13cm (nibbles to the rim), a hand painted moulded Denby vase with abstracted flowers height 18.5cm (chips to the paintwork), a small Grail Pottery bulbous vase, and a tapered geometric vase with a turquoise interior, signed to the base, height 20cm (chip to the rim) (8) (Condition report: all items could benefit from a clean, itemised conditions above, overall appears in good condition)
Charlotte Rhead for Crown Ducal, a collection of five various wall plates or chargers, comprising one of each of the following patterns; 5802 Fruit Border, 4040 Persian Rose, 4100 Orange Chain, a Stitch pattern example and another of unknown pattern with a blue and green spotted border, all approximately 32cm diameter (5)
Charlotte Rhead, six assorted vases and jugs, to include a 3797 Hydrangea pattern vase, a jug decorated with a basket of flowers, a 5983 Ankara vase, a Woods Arabesque jug, a vase decorated with fruiting branches and another Crown Ducal vase decorated with a tree and marked 4994 to base (6) Tallest - 27cm
Crown Ducal, assorted bowls and plates, comprising a stitch pattern dish, a 5482 pattern bowl decorated with fruiting branches and a 4516 pattern large bowl, all by Charlotte Rhead, together with two Snow Glaze plates and a plate decorated with radiating petals and signed Bennet to the underside (6) Largest 25.5cm diameter
Charlotte Rhead for Crown Ducal, a collection of ceramics to include a 3321 Granada pattern bowl, a 6189 Mexican pattern footed bowl and a 1937 George VI coronation mug, together with a Charlotte Rhead for Burleigh Ware planter, a Harold Bennet Burleigh Ware bowl and a Crown Ducal small jug (6) Planter - 24cm wide x 8cm high
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