Melchor Pérez Holguín (Cochabamba, Bolivia, 1660 - Potosí, 1732)"The First Journey of Saint James the Greater to Hispania"Oil on canvas.99 x 124 cm. Beautiful painting of great historical and religious relevance, as it shows the first of James' journeys to Hispania, which left a lasting legacy in the region. This trip took place in the first century A.D. According to tradition, James was sent to Spain as one of Jesus' apostles to spread Christianity in the region. After the death of Christ, a passionate and impetuous James was part of the initial group of the early church in Jerusalem. In his evangelizing work he was awarded, according to medieval traditions, the Spanish peninsular territory, specifically the northwestern region, then known as Gallaecia. Some theories suggest that the current patron saint of Spain arrived in the northern lands via the uninhabited coast of Portugal. Others, however, trace his way through the Ebro valley and the Cantabrian Roman road. There are even those who claim that Santiago reached the peninsula by the current Cartagena, from where he started his journey to the western corner of the map.During his stay, it is believed that he performed numerous miracles and converted many people to Christianity.This journey of Santiago was of great importance for the history of Christianity in the Iberian Peninsula. His presence contributed to the expansion of Christianity in the region and laid the foundations for the subsequent evangelization of the peninsula.We say that this was James' first trip to Spain, since the second occurred centuries after his death. According to tradition, after his death in Jerusalem, his remains were taken to Hispania by his disciples. It is believed that they were buried in a place that would later become the city of Santiago de Compostela. That transfer of remains had a great impact on the region. His tomb became an important place of pilgrimage and attracted thousands of the faithful from all over Europe. The Camino de Santiago, a pilgrimage route that runs throughout the Iberian Peninsula, developed around his tomb and became one of the most important pilgrimage routes in the world.In an idyllic landscape, with rich and abundant vegetation, we can contemplate a pilgrimage path that circles the river -perhaps the Ebro River-, with a bridge crossing it. The pilgrims have serene faces, full of devotion, kindness and smiles, marked by the joy of the moment. They travel on horseback and on foot, and there is a group resting above, contemplating the temple they are approaching, surrounded by cypress trees. One stands out, James, also known in Spain as Santiago, mounted on an imposing black and white horse, the only one who, with his deep and penetrating gaze, looks directly at the viewer. The Saint stops or is stopped by another pilgrim, who rides his donkey, and both experience a spiritual and deep encounter, reflected in their faces and gestures. Their expressions are serene, with their hands intertwined. The one on the donkey kisses the hand of the saint with reverence and devotion, aware of the spiritual power of this miraculous encounter. Both the Apostle and he have their hats removed, as a sign of respect, humility and spiritual reverence.James' journey to Galicia symbolizes the spiritual connection between East and West, becoming a cultural and religious bridge that would mark the history of Spain. As for the artist, we believe this canvas was painted by Melchor Pérez Holguín, one of the most important painters of the colonial mestizo baroque, of what was called the Potosí School, which developed in the years 1700 - 1790. Tenebrism and the influence of Zurbarán were characteristic. Holguin’s work is dominated by the many commissions carried out for the Franciscans and the Dominicans.As Suzanne L. Stratton-Pruitt indicates, despite the fact that Holguín of course knew the Cuzcan art that was widespread and stylistically of great influence in Upper Peru, his work was very personal, and is somewhat removed from that style, although it adopts some common elements as the painting of Cuzco. Likewise, the serenity reflected in the faces of his characters is characteristic of Holguín, as we can see in the work we offer.
We found 3987 price guide item(s) matching your search
There are 3987 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
3987 item(s)/page
PACIFIC COAST ALBUM. Published by C.P. Heininger, (c. 1890). Leporello album w. 24 pp. w. illustr. Or. pictorial cl. -- THE STRANGER'S Complete Guide; or, Liverpool as it is; being a manual for the resident and visitor. New. ed. 1854. W. large-fold. map of Liverpool pasted in on paste down. 12°. Ocl. (W. libr. stamps). -- DRAKES'S ROAD BOOK of the grand junction railway, from Liverpool & Manchester to Birmingham. (N.d., c. 1830). W. large fold. map & 4 engr. advertising plates (1 fold.). Sm-8°. Ocl. (Front side and map loose, tear in map (but complete), w. libr. stamps). -- And 2 o. (5).
Genuine Tiger with Ford 289ci five bolt enginePrepared for classic rallies and campaigned with great successSupplied with FIVA ID card granted in 2010 and Certificate of AuthenticityRally ready example but still wonderful as a fast road carInspired by the AC Cobra, which was effectively the British AC Ace sportscar and powered by the large American Ford 4.2 litre, V8, the Sunbeam Tiger first saw the light of day in 1964. Based upon the Rootes Group, Sunbeam Alpine, the Tiger, with the Ford power plant slotted into the engine bay, became what is surely one of motoring's true 'wolf in sheep's clothing'. With stunning performance due not only to the mighty V8 but also thanks to the lightweight Alpine shell, Tigers are sought-after for collectors and enthusiasts.This handsome Sunbeam Tiger is finished in Mediterranean Blue with black trim, it was built by Jensen in 1965 and first registered in 1967. The car was purchased by the previous owner in December 2008 and was described as a near concours example. The previous owner then set about converting the Tiger into full historic rally specification with the emphasis on driveability and reliability. The car was then extensively campaigned throughout the UK and Europe in many prestigious events and, we are informed, it has never failed to finish a rally due to mechanical issues. Importantly, the car itself is a genuine Sunbeam Tiger with a Certificate of Authenticity from the STOA USA and STOC UK and is a well-known car in classic rally circles and to the STOC.Supplied with an astonishing history file from 1965 to the present day, it encapsulates almost every MoT test certificate. Also contained within the history file are the original bills of sale from 1972 and 2008, the green logbook dated 1967, the original stamped service book dated 1967, extensive paper and photographic history, receipts from the 1980s to 2008 prior to the rally conversion, extensive current paperwork and photographic history including all invoices and an engine rebuild from 2009 to 2019, a 2010 FIVA ID card which expired in 2020, current wiring diagram for all fuses and relays and finally the original owner's handbook and workshop manual.This example could, with relative ease, be returned to fast road specification with the benefit of sublime handling for a Tiger, long range fuel tank and exceptional performance. This a very exceptional Sunbeam Tiger in amazing condition and with perhaps the best history found on such a car, the history file is truly vast. The previous owner lavished in excess of £40,000 on the vehicle since 2008, and our vendor purchased the car in 2022, managing to attend many events and shows since then. It now represents a unique opportunity to own a very special car which would be equally as valuable for historic rallying as it would be presented as a fast road original Tiger.The extensive rally modifications carried out include:High-capacity aluminium radiatorUprated front anti roll barAutomatic electric fan with manual overrideTwin Facet fuel pumps with fuel filtersTwin coils under the bonnetUprated alternatorFull engine rebuild with modern USA sourced heads, pistons, rings etc.Rebuilt Koni adjustable shocksQuick steering rackDiscreetly installed variable electric power steering rackFly-off handbrakeHydraulic handbrake easily deactivated when rally regulations do not allow itLong range flat fuel tank for maximum boot storage capacity, approx 18 gallonsUprated springs front and rear poly bushedPanhard rod with poly bushed bearings14” alloy Minilite wheelsCompetition clutch from USACompetition front pads and rear brake shoesOriginal front calipers and rear drums to comply with rally regulationsFuel coolerHurst shifterSalisbury LSD with rebuilt lower ratio diff 3:54 (original 2:88 diff too high for quick auto test)Original four speed Ford top loader gearbox in excellent working orderCompetition seats with new 3” blue harnessesFull respray in correct Mediterranean BlueBolt in roll hoop painted in Mediterranean blue with many rally stickersNew hoodFire extinguisher with fitted cageBrantz BR32 rally timer with operating instructionsBrantz Internation Pro trip meter with operating instructionsFull sump guardCibie driving lamps with adjustable staysPeriod Lucas reversing light and two integral original fit Tiger reversing lights, all switched by engaging reverse gearStainless steel luggage rackMoto-Lita steering wheelAir hornsHigh performance water pumpSports exhaust that meets noise regulations, fully secured with chains and skid platesTowing eyes, front and rearHeat wrapped headersAnti tramp barsBalanced crankshaft and fly wheelTwo digital stopwatches dash mounted, plot light, alloy under dash navigators road book tray, various map pockets, centre armrest storage.Consigned by Fraser Smith GENUINE TIGER WITH FORD 289CI FIVE BOLT ENGINEPREPARED FOR CLASSIC RALLIES AND CAMPAIGNED WITH GREAT SUCCESSSUPPLIED WITH FIVA ID CARD GRANTED IN 2010 AND CERTIFICATE OF AUTHENTICITYRALLY READY EXAMPLE BUT STILL WONDERFUL AS A FAST ROAD CAR
Irish Travel: Campbell - A Philosophical Survey of the South of Ireland, in a Series of Letters to John Watckisnon M.D., Dublin 1778. First Edn., 6 engd. plts. (2 fold.), recent hf. mor.; Stark (A.G.) The South of Ireland in 1850, D. 185, First Edn., add. engd. title, text illus. cloth, dam.; The Travellers New Guide Through Ireland, Lond. 1819. Engd. frontis fold. map, 1 fold. map of Killarney, & many engd. road maps, cont. hf. mor. good. (3)
A Michelin road map metal sign, for England and Wales, 86cm x 62cm, a second Michelin road map sign for North England and Scotland, 86cm x 62cm, along with a Michelin 'Reception' sign, 56cm x 26cm, all signs applied with a Bibendum logo (Michelin man) (3)Condition reportMinor abrasions and scratches to the reception sign, please see additional images.Minor marks to the road maps, although no major faults or damage.
Robertson (Archibald) A Topographical Survey of the Great Road from London to Bath and Bristol, London: The Author, 1792, two volumes, 8vo, 19th Century half calf and marbled boards, title and volume labels, 65 plates, 10 fold-out maps and one single page map (2)A Gloucestershire book collector
Sea charts. 1798 A Chart of the Entrance of the Red Sea between the Coast of Arabia, ascertained by the Observations of Lieut. George Lewis in 1762; and the Opposite Coast of Africa with the Isle of Socotra. London: published by Laurie & Whittle, 12th Oct 1798. Engraved map, some offsetting, tape repairs to centrefold. Depicting directions for going into Mocha Road by Captain Richardson, carious inset plansincl. Plan of the Watering Place on the Island of Socotra. A rare maritime chart of the Red Sea.Measures approx. 93cm x 64cm.
Großbritannien - - Platte Grondt der Verbrannte Stadt London. 2. Hälfte 17. Jahrhundert. Kolorierte Radierung. 53 x 29 cm (63 x 39 cm). Ganzflächig aufgezogen auf Pappe und unter Passepartout montiert. Die kolorierte Karte des barocken Londons zeigt durch seine rot gefärbten Flächen im Stadtplan die großflächige Zerstörung der Stadt nach dem Großen Brand im September des Jahres 1666. Am unteren Rand der Karte zeigt ein Panorama die Stadt während des Feuers, welches bis zu 80 Prozent der Häuser innerhalb der Stadtmauern zerstörte. Die obere linke Ecke füllt ein Vorschlag für ein neues Straßennetz Londons. Da nach dem Brand ein großer Teil der Stadt nun brach lag, gab es einige Vorschläge für ein neues rechtwinkliges Straßennetz mit geplanten Schmuckplätzen. - Knickspuren, Randläsuren, minimal fleckig. Passepartout mit Einriss. Insgesamt gut erhaltene Karte in leuchtendem Kolorit. 2nd half of the 17th century. Coloured etching. Mounted over the entire surface on cardboard and mounted under passepartout. - The coloured map of Baroque London shows the extensive destruction of the city after the Great Fire in September 1666. At the lower edge of the map, a panorama shows the city during the fire, which destroyed up to 80 percent of the houses within the city walls. The top left-hand corner is filled with a proposal for a new road network in London. As a large part of the city now lay derelict after the fire, there were several proposals for a new rectangular street network with planned decorative squares. - Creases, marginal tears, minimally stained. Tear in passepartout. Overall well-preserved map in bright colouring.
A collection of early 19th Century books to include the history of Staffordshire c1834, 20th Century history of Burton-Upon-Trent, the history of the county of Derbyshire c1857, episodes of fiction c1870 stories from Froissart c1914, Herodotus c1881, the history of English Literature c1878 and East Lynne c1887 along with Blairs classical Atlas and vintage road map.
17th century John Ogilby printed ribbon map of the road from Oxford to Salisbury continued to poole in dorset verso, 22cm x 29cm. the condition is excellent and framed with glazed front and back to see both sides of the map which measures 22cm by 29cm. Provenance, private collection from a local Staffordshire rectory.
CARY (John) Cary's Survey of the High Roads from London, ... wherein every Gentleman's Seat, situate on, or seen from the road, (however distant) are laid down, with the name of the possessor...; London: J. Cary, 1st July 1799, engraved title (slightly finger stained), explanation page, folding hand coloured general map with London at the centre, coloured plan of London depicting the turnpike gates, and 80 strip maps (complete) on 40 sheets, all maps with contemporary hand-colouring, slight variable age or use staining, in 20th century brown morocco
Registration No: T409 TGC Chassis No: SCCJA111XXHC37459 MOT: T.B.ARecently subject to extensive recommissioning works and a professional detail after a long period of storageTwo former keepers with the current keeper since 2005Finished in Lotus Racing Green Metallic with Black upholsteryDue to be freshly MOT tested ahead of the sale following a period of inactivityIntroduced at the 1995 Frankfurt Motor Show, the Lotus Elise was a driver’s car par excellence. A paragon of lightness, agility and responsiveness, the newcomer utilised a bonded extruded aluminium chassis clad with fibreglass body panels. Mid-mounted and allied to five-speed manual transmission, its 1.8 litre K-Series engine produced a modest 118bhp and 122lbft of torque. However, with a kerb weight of just 725kg the two-seater was capable of 0-60mph in 5.8 seconds and over 120mph. Able to glide over a broken British B-road in typical Lotus fashion, the Elise did without power steering, ABS or traction control and was all the better for it.A higher powered version of the model known as the 111S was introduced in 1999. Its extra urge was supplied by the VVC (Variable Valve Control) version of the K Series engine, which endowed the Lotus with an additional 25bhp. Related changes included a closer ratio gearbox, lower final drive ratio, cross-drilled brakes, rear spoiler, six-spoke alloy wheels, headlamp covers, ‘chipcutter’ front grille, additional seat padding and alloy window winders.Supplied by HR Owen of London and registered on the 13th August 1999, this rare Elise Series 1 '111S' was specified in the attractive colour scheme of Lotus Racing Green Metallic over a Black interior and supplied with a now very rare luggage rack, matching hardtop and quick release steering wheel. Purchased by a Mr Quayle of Wimbledon, South West London initially, the Lotus was kept by him for only three years (and serviced by HR Owen throughout this period) before passing to the second registered keeper based in Cambridgeshire. The second owner kept on top of servicing and a number of bills remain on file from Lotus specialists GST Performance for his period of ownership. The third and current keeper acquired the two-seater in November 2005 and kept it well maintained until it was put into dry storage in 2013 when he had children, so a family car took the mantle of being the daily driver. It was before this period of storage that the little Green Lotus was treated to some tasteful performance upgrades which include a full Super Sprint exhaust system, larger throttle body and Typhoon air intake, which, with a re-map has significantly improved power output, however, the stock parts are supplied with the sale if this is preferred.The vendor acquired 'T409 TGC' from the current registered keeper some months ago as a project to recommission and has mechanically overhauled the car by performing a full service including cambelt & head gasket, fitting new EBC brake pads and upgraded brake lines, replacing the fuel pump and filter, the fitment of new semi-slick tyres and work to the gear linkages with the fitment of new Powerflex bushes to improve action. The original Bilstein shock absorbers were found to be in good order, however, a replacement pair of rears are included in the sale. The current displayed mileage is a mere 78,517 miles on the odometer (though this will increase as it will be driven to sale).Now offered for sale and described by the seller as being in 'very good condition' all round, we were pleased to see that this Elise presents as a particularly original example that has had minimal paintwork to improve it over the years (although some small stone chips remain) and with no obvious signs of bodyshell deterioration. A good history file is presented with the car, which includes the original book pack and a CD-Rom workshop manual, evidence of previous servicing work, old MOTs and UK V5C. The vendor expects to have a new MOT applied as part of the sale. For more information, please contact: Lucas Gomersall lucas.gomersall@handh.co.uk 07484 082430
Ogilby (John). Britannia: or the Kingdom of England and Dominion of Wales Actually Survey'd: with a Geographical and Historical Description of the Principal Roads; Explain'd by One Hundred Maps on Copper-Plates...London: Abel Swall and Robert Morden, 1698, second edition, folio, 100 uncoloured engraved double-page strip road maps, leaves probably re-guarded, preliminary text pages browned, title-page with two small repairs, maps with variable age-toning/browning, a few with marginal tears, one map with repaired vertical margins, some vertical creasing, later endpapers, contemporary panelled calf, rubbed, joints cracked.A relatively scarce complete copy of the second edition of Ogilby's landmark atlas.Provenance: The Property of Sir Brooke Boothby, ex Fonmon Castle.
Lambarde (William). A Perambulation of Kent: conteining the Description, Hystorie, and Customes of that Shire. Written in the yeere 1570 by William Lambarde of Lincolns Inne Gent., 2 parts in one, 3rd edition, corrected and enlarged, London: printed by R[ichard]. Hodgkinsonne, for D[aniel]. Pakeman, [1656], [16], 656, [24], 70 pp., title to second part with publication date to imprint, some light toning, endpapers with hinges repaired, front pastedown with label of Reader, Bookseller, Stationer & Binder of Cranbrook, contemporary sheep, neatly rebacked, board edges with some light wear, 8vo, together with:Fisher (Thomas). The Kentish Traveller's Companion: in a descriptive view of the Towns, Villages, remarkable Buildings, and Antiquities, situated on or near the road from London to Margate, Dover, and Canterbury, 4th edition, Canterbury: printed and sold by Simmons, Kirkby, and Jones, 1794, folding table frontispiece (torn with slight loss), 3 engraved strip road maps, some light dust-soiling and few marks, contemporary calf, rebacked, boards rubbed, 12mo, plus Cox (Thomas). Magna Britannia... Kent (portion only), London: printed by Eliz. Nutt; and sold by M. Nutt and J. Morphew, 1720, [2], 1071-1270 pp., later title, lacking map, armorial bookplate of Sir Thomas Neame to upper pastedown, endpapers with later brown cloth hinges, 20th-century half brown sheep over late 19th-century marbled boards, slim 4toQTY: (3)NOTE:1. ESTC R40445; Wing L216.
Sussex. Norden (John & Speed John), Sussex described and divided into Rapes with the situation of Chichester the cheife Citie thereof, and the armes of such Nobles as have bene dignified with the title of Earles since the conquest and other accidents therein observed, George Humble, 1st edition, 1611, uncoloured engraved map, inset town plan of Chichester, short split at the head of the central fold, repaired on verso, slight creasing, 385 x 510 mm, English text on verso, together with Bickham (George). A Map of Sussex, South of London..., 1751, uncoloured pictorial map on a 'birds-eye' projection, English text above and below the map, 255 x 155 mm, with another eight county and road maps of Sussex, including examples by or after Owen & Bowen, Moule and Van den Keere, some duplicates, various sizes and condition, and Perrot (A. M.). Middlesex, 1823, hand-coloured engraved map, 110 x 70 mmQTY: (11)
* Wales. A Collection of Five Maps, 17th century, including Blaeu (Johannes). Radnoria Comitatyus, Radnor Shire, Amsterdam: circa 1645, engraved map with contemporary outline colouring, decorative cartouche and mileage scale, 380 x 490 mm, mounted, framed and glazed, together with Saxton (Christopher & Kip W.). Radnor Comitatus quem Silvres olim Incoluerunt, Brecknoc Comitatus pars olim Silvrum & Merionith Comitatus olim pars Ordovicum [1607 - 37], three hand-coloured engraved maps, each with a strapwork cartouche and mileage scale, Merioneth with a small rust hole affecting the printed image, each approximately 265 x 320 mm, mounted, framed and glazed, plus Ogilby (John). The Continuation of the Road from Chester to Cardiff com. Glamorgan, circa 1690, hand-coloured engraved strip road map, three pin holes affecting the printed image, 340 x 430 mm, mounted, framed and glazedQTY: (5)
Pictorial Maps. Clark (Estra), Five City and County Maps: Historic York, published by Ben Johnson & Co. Ltd. 1947, with a later enlarged colour reproduction of the same map, A Map of Yorkshire, published by Leak & Thorp Ltd. 1949, Historic Canterbury, Waterlow & Sons Limited, 1952 [and] Historic Jersey, Ben Johnson & Co. Ltd, 1957, colour printed pictorial maps, two maps with old folds, various sizes, good condition, together with Dunlop Maps. A Dunlop Map of Central London with its Literary Associations, A Dunlop Map of Central Scotland showing Burns, Scott & Stephenson Country, A Dunlop Map of the West Country..., A Dunlop Map of Shakespeare Country, A Dunlop Map of the Lake District..., [and] A Dunlop Map of the North Country..., circa 1950, six colour printed pictorial maps, each with descriptive text, each approximately 230 x 215 mm, contained in the publisher's folding card portfolio, with Sayer (J. P.). Four Town Plans from the Strand Magazine: Bath, Norwich, Southwark [and] Old Charing Cross/Trafalgar Square, circa 1948, four colour printed pictorial maps, each approximately 190 x 260 mm, descriptive text and titles on verso, plus Whitbread (publishers). Eighteen 'Gastronomic' maps, circa 1950, colour printed pictorial maps, each approximately 210 x 140 mm, and Punch Magazine (publishers). Schweppsylvania, March 2nd 1955, colour printed pictorial map of the 'Forty-ninth State' with descriptive text below the map, sheet size 285 x 215 mm, with two pictorial postcard maps of 'Christmas Land' and 'Caricatour of San Francisco', each approximately 140 x 90 mm, and eight pictorial map advertisements designed for the Dunlop Rubber Company, each approximately 330 x 220 mm, and a pictorial postcard of 'The Road to the Isles', 150 x 100 mmQTY: (45)
An Intelligence Corps cap badge, a small blue folder containing a service sheet from a member of the East Surrey Regiment, a hand drawn map of a Coy outposts, a handwritten note ordering a retreat from Arleux Road with the utmost speed dated 1918, and a message map enemy trenches corrected to 11-5-18.
MAPS (etc.). An interesting group of mainly 'colonial' items (and mainly sub-continental) from early 20th C.: 'Afghanistan & North Western Frontier Province - Kabul, Peshawar District, Khyber and Tribal Territory'. 'The Hashimite Kingdom of Jordan', Road Map, 1956, Ordnance Survey. Then 'India and Adjacent Countries', 1929 (Ryder, Surveyor General of India). Also 'The North Atlantic Lane Routes'. And two oddments: 'The Illustrated News Coronation Number', 1937, and 'Notes for Visitors to Kashmir', 1934.
ATLAS. Leigh’s New Pocket Road-Book of England and Wales: Containing an Account of all the Direct and Cross-Roads. London: Leigh and Son, 1835. Fifth edition, 12mo (139 x 85mm.) Frontispiece of ‘Table of the Price of Posting’, additional decorative title, 55 engraved county maps, engraved folding map of England & Wales to rear with outline hand-colouring. (Toning, occasional marginal spotting, some tape repairs to folding map.) Original green morocco, gilt lettering to upper cover (rebacked with original spine laid-down, extremities rubbed).
Qty of interesting ephemera etc inc T S Eliot 1941 Burnt Norton & 1942 Little Gidding, Monkey comic by Michael Rosen, 1933 The dance of death by W H Auden, Stuart models, autograph book, framed Barnstaple to Truro road map etc t/w boxed Bell's battery operated Project-a-show (appears complete but will need a battery!)
A silver plated 'London maps' cigarette case. c.1935Of rectangular form, the front cover engraved with a road map of greater London from Boreham Wood to Biggin Hill and Ealing to Woolwich, the back with central London postal areas (such as WC1, EC2, N5, etc) against an engine turned ground, the inside engraved with a London Underground map and designed with two compartments for cigarettes, 9 x 13.9cm Footnotes: The approximate dating of this cigarette case is based on the tube map on the inside of the cover - no York Road' Station, between Caledonian Road and Kings Cross Stations, it was closed in 1932 - and the map has 'Mark Lane' station next to Monument which was renamed Tower Hill in 1946.
Registration No: JO 1170 Frame No: 1030 MOT: ExemptBuilt for, and ridden by, George Brough himself in the 1930 MCC Edinburgh TrialFeatured in publications and Brough recordsRestored by marque guru Tony Cripps in 1980Previously on loan to the National Motorcycle MuseumEarlier design high-level exhausts on each sideOne of the great ‘rider manufacturers’, George Brough was born in 1890 and began competing sixteen years later. His successes helped put his father’s motorcycle business – W.E. Brough – on the map. The latter introduced a new ‘flat tank’ twin-cylinder machine in 1913 which formed the basis of the marque’s offerings going forward. Living in and around Coventry and working for White & Poppe during the Great War, George Brough took the opportunity to buy, sell and assess no fewer than thirty-four British and American motorcycles. This research led him to believe that by assembling the best proprietary components available to his own design he could create something better. Hence the idea of the Brough Superior was born. The very first machine to bear the famous name debuted not at a motor show but on the 1919 MCC Land’s End Trial. Road registered with the Coventry number plate ‘HP 2122’ (which appeared on countless Brough Superiors thereafter), its build quality was as impressive as its performance. Operating from premises on Hadyn Road in Nottingham, George Brough aimed right at the very top end of the market. Handbuilt, his motorcycles were likened to the very best suits or shotguns being tailored to their owners’ physiques. The company’s first Super Sports model, the SS80, debuted in 1924 and was advertised as being capable of accelerating from 8mph to 80mph in top gear. However, it was the follow-up SS100 with its certified 100mph performance which truly captured the public’s imagination. Among the very fastest machines on either four- or two-wheels that money could buy (specially tuned versions were clocked at over 130mph), the flagship Brough Superior was as beautifully styled as it was exquisitely finished. Progressively developed, the SS100 could be had with a sprung Bentley & Draper frame from 1928 onwards and made the switch from JAP to Matchless V-Twin power eight years later. Only ever made in tiny numbers, the Brough Superior Club estimate that 383 SS100s were completed between 1924 and 1940 (281 JAP vs 102 Matchless). Ever the keen competitor, George Brough ensured that his most famous creation was contesting events (often in his hands) up until 1939. Such was his desire to win that when loaned a SS100 Combination for a re-enactment of the MCC Edinburgh Trial during the 1950s he reputedly stripped and rebuilt it before tackling the first stage!According to the Brough Superior Club, just 21 SS100s were produced in 1930 including this particular example - Frame No. 1030 - which was completed during May for none other than marque founder, George Brough, to ride during the upcoming MCC Edinburgh Trial. Held over June 6th -7th, the two-day event was open to motorcars and motorcycles alike and saw competitors race from London to Edinburgh and back again via a series of demanding road and trial stages (covering the best part of 1,000 miles). A keen participant, George Brough won the Trial in 1910, 1911 and 1912 aboard his father’s machines and knew the prestige it held among the buying public. Brough Superiors in both solo and combination guises were frequent entrants up until the outbreak of World War Two. As with any SS100, Frame No. 1030 was tailored to George Brough in terms of its handlebar layout and seating to ensure motorcycle and rider were as one. The rough nature of the trial sections could well explain why it was fitted with the older-style high set exhaust pipes. The rest of the bike was bang-up-to-date with a Bentley & Draper sprung frame, ‘super heavyweight’ Sturmey Archer three-speed gearbox, Castle front forks and doubtless a slightly ‘breathed on’ JAP 986cc V-Twin engine. Appearing on the Trial with the same Works registration number - ‘HP 2122’ - that had graced the first Brough Superior (and which George Brough appended to numerous machines over the years without always feeling the need to inform the relevant authorities), Frame No. 1030 was ridden with his trademark gusto. A wonderful image of the SS100 skirting a stone wall whilst being gunned uphill was captured by the photographer Bill Brunell and has appeared in numerous publications. Acquiring its current number plate ‘JO 1170’ in August 1930, Frame No. 1030 remained a fixture in and around the Works for the next few years. Part of a winning team in the Inter Club Trial, the SS100 was also snapped on a 1930s Continental Tour somewhere in the Mosel, Freiburg region. Interestingly, Frame 1030 was back at the factory when its own number plate ‘JO 1170’ was briefly appropriated by one of the Austin Seven-engined Brough Superior BS4 motorcycles indicating that its then owner was known to George Brough or at least had ties to the company. Surviving World War Two, the SS100 is known to have belonged to R.A. Bill by 1963. Resident in the Stratford-upon-Avon Motor Museum a decade or so later, it passed to Robert Brown during 1978. Restored by acknowledged marque guru Tony Cripps in 1980 and pleasingly retaining its original JAP engine, Frame 1030 passed through the hands of renowned dealer (and collector) Bryan Verrall before joining the National Motorcycle Museum’s collection where it has been proudly displayed ever since. A reluctant sale but in a very good cause, the Museum are hopeful that they will have ‘JO 1170’ running again by auction day. Any 1930 Brough Superior SS100 is a seriously rare and special motorcycle but to have the very Works-prepared machine which George Brough used to contest that year’s gruelling MCC Edinburgh Trial is something else again! For more information, please contact: Mike Davis mike.davis@handh.co.uk 07718 584217
Five Maps - John Owen and Emanuel Bowen, finely engraved antique map from the atlas "Britannia Depicta", THE SMALLER ISLANDS IN THE BRITISH OCEAN, first published by John Owen and Enmanuel Bowen, together with Owen and Bowen 'The Road from Oxford to Chichester', and three Channel Island maps. (5)
Davis (Richard) A New Map of the County of Oxford from an Actual Survey; on which are Delineated the Course of the Rivers and Roads, the Parks, Gentlemen's Seats, Heaths, Woods, Forests, Commons &c. &c., London: John Cary, 1797, key map of Oxfordshire with original hand colouring and inset b & w town plan of Oxford, seventeen map sheets (including title page) all with original hand colouring, each plate approximately 49cm x 67cm, rebound in a modern large folio (58cm x 41cm) in half calf with marbled boards and red morocco title label, new endpapers, pencil booksellers notation to front pastedown with pasted blind stamped bookplate and signature 'H. George Fordham, Odsey, 1918'A private collection. Previously Sir Herbert George Fordham (1854–1929), a writer on cartography whose Carto-Bibliography method of cataloguing maps was widely adopted. He attended University College, London. He was the benefactor of the Fordham collection housed by the Royal Geographical Society. He received a knighthood in 1908 and from 1920 was Deputy Lieutenant of Cambridgeshire. He donated rare maps and atlases to both the British Museum and to Cambridge University Library and he bequeathed 1300 volumes, including rare road books and itineraries, to the Royal Geographical Society. His house, 66 Odsey House, was built as a racing lodge close to Odsey racecourse by the Duke of Devonshire, and had been in the hands of the Fordham family since 1793This detailed and accurate map of Oxfordshire with its fine town plan of Oxford is Davis’s only contribution to English cartography, although he was a prolific surveyor of estates in and around Oxfordshire. Surveyed on a scale of 2 inches to 1 mile this map is widely regarded as an important land mark in large scale cartography. Brian Kentish. Large Scale County maps of England and Wales 1705-1832, no.45
LEWIS MORRIS (1701-1765) two engraved maps, published 1748, 'A Plan of Dulas Bay & Harbour in North of Anglesey', and 'Kemlyn Bay & Harbour in North of Anglesey', 18.5 x 24cms, with hand-coloured engraved map of the road from Beaumaris to Holyhead, 18.5 x 12cms (3)Provenance: private collection Ynys MônComments: all framed and glazed
SEVEN BOXES AND LOOSE CERAMICS, GLASSWARE, AND BOOKS, a selection of drinking glasses, vases, bowls and decanters, names include Dartington crystal and Edinburgh crystal, selection of table lamps included a vintage brass bankers lamp, (no lamps are tested), a framed road map titled 'Road from Wick to Thurso' plate 25 also in the back of the frame also covered with glass a map titled 'Road from Perth to Fort George' plate 26, a selection of framed prints various scenery, a pair of oriental urns decorated with the art of Chokin, small bud vases, cups and saucers etc. over one hundred titles mostly hardback format, subjects include planes, motorbikes, places etc. (7 boxes + loose), (sd/af)
A Boxed Pussers Rum Nelsons Ships Decanter, together with a Victorian photograph album (lacking contents), Geographia map of Lancashire and Yorkshire, Daily Express road book of Great Britain , together with M C Lamb (late 19th/early 20th Century)Figure on a country pathwaySigned and dated 1920, watercolour, 26cm by 36cm; together with a further watercolour by the same on a similar theme (qty)
John Ogilby (British 1600-1675), original strip road map 'The Road from St David's in Pembrokeshire to Holywell in Flint'. (Talybont). Later coloured. 36x46cm approx. In glazed Hogarth frame. together with Richard Blome (1641-1705), small original map of London, later coloured with coats of arms to the border. (2) (B.P. 21% + VAT). The Ogilby map has some discolouration to is lower parts and the Blome map has been cropped and stuck down. The Blome measures 17.5x28cm approx. and is stuck down as afore mentioned.
This is a copperplate engraving from Britannia, Volume the First: An Illustration of the Kingdom of England and Dominion of Wales, published by John Ogilby in 1675. It depicts the continuation of the road from London to Lands End, illustrating the major roads and important locations along the way. Ogilby’s work was revolutionary in providing detailed road maps for travelers, and this map represents one of the earliest British road atlases, a pioneering work in cartography. The map features a detailed depiction of the road from London to the southwestern tip of England, highlighting towns, landmarks, and distances in a unique manner. The use of mile markers, town names, and scenic views helps convey the importance of this travel route during the 17th century. Condition: Signs of wear, with some damage to the centre folds due to the age of the map. The engraving itself is clear and detailed, with some light creases and edge wear typical of maps of this period. Size of Image: 32 x 44 cm (approximately 12.5 x 17.3 inches). Keywords: John Ogilby, Britannia, road maps, British road atlas, cartography, historical maps, London to Lands End, 17th-century map, geography, British travel, English roads, vintage map, historical cartography, 1675, English maps.
This detailed map, drawn and engraved for Thomson's New General Atlas, depicts the West India Islands, including Grenada, Tobago, Curacao, and Trinidad. The map is rich in detail, showcasing roads, landscapes, and port views, providing a vivid insight into the geographical features and infrastructure of the islands during the early 19th century under British control at the end of the Napoleonic War. Cartographer: John Thomson Date: 1816-21. paper watermarked 1821. Published: Edinburgh Original colour. Condition Report: Signs of wear. Image Size: 52 x 59 cm (20.5 x 23.2 inches) Keywords: West India Islands, Grenada, Tobago, Curacao, Trinidad, Thomson’s New General Atlas, early 19th-century maps, uncoloured map, road networks, landscapes, port views, Caribbean maps, Edinburgh.
Sara Berman Fencer Pen Study II, 2024 Pen on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About b. 1975, London; lives and works in London. A dialogue between painting and textiles. Feeding into each other, joining at the seams, meeting in uncomfortable places. There is a bleed in my work; a contamination. I can attempt a sanitization, a cleaning up of the domestic detritus into a cupboard marked 'Practice' but the bleed is the point, the uncomfortable nooks of the female bodily experience. This is the issue. Pass me a tissue so I can clean it all up for you and put something on. Clothing as objects of confinement, of protection, of identity, of safety. Inside. Outside. Painting is a game of materiality. The visceral qualities of paint. Layered, built up, scraped back and bruised. Emerging from violence of its own making. Searching. It is important to start any search with a map of the road to nowhere. My map is The Harlequin. An outfit, a costume The perfect disguise. The perfect reveal. It all starts with her. The Harlequin as a Woman is No Joker. She is the Trickster Whore. The Witch, the Shrew, the Sorceress with the voice of a Harpy. Fear her with her big mouth, her bloody gash. But I digress, I transgress. Me and My Big Mouth. Education 1995-1999 Saint Martins School of Art and Design, London 2014-2016 MFA Slade School of Art, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Sara Berman Fencer Pen Study I, 2024 Pen on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About b. 1975, London; lives and works in London. A dialogue between painting and textiles. Feeding into each other, joining at the seams, meeting in uncomfortable places. There is a bleed in my work; a contamination. I can attempt a sanitization, a cleaning up of the domestic detritus into a cupboard marked 'Practice' but the bleed is the point, the uncomfortable nooks of the female bodily experience. This is the issue. Pass me a tissue so I can clean it all up for you and put something on. Clothing as objects of confinement, of protection, of identity, of safety. Inside. Outside. Painting is a game of materiality. The visceral qualities of paint. Layered, built up, scraped back and bruised. Emerging from violence of its own making. Searching. It is important to start any search with a map of the road to nowhere. My map is The Harlequin. An outfit, a costume The perfect disguise. The perfect reveal. It all starts with her. The Harlequin as a Woman is No Joker. She is the Trickster Whore. The Witch, the Shrew, the Sorceress with the voice of a Harpy. Fear her with her big mouth, her bloody gash. But I digress, I transgress. Me and My Big Mouth. Education 1995-1999 Saint Martins School of Art and Design, London 2014-2016 MFA Slade School of Art, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
India.- Siege of Delhi.- Anonymous (active 1850s) Map of Delhi and the Neighbourhood, inscribed 'For General B. V. [?]Darvingy/ With Mrs Hughes Kind regards' in the upper left, and further inscribed along the lower edge '...This map will enable you to follow the movements of our troops & understand the Newspaper accounts. 14th July 1857. The remainder of the [?] 86th Regt. marched past my house at 7 am to proceed, by rail, to [?] 10,000 insurgents on the road to B[om]bay!!', lithograph, on thin wove paper without watermarks, 330 x 480 mm (13 x 18 7/8 in), old folds and handling creases, light surface abrasion and finger-soiling, unframed, [1850s]
John Cary, Cary's New and Correct English Atlas, 1793John Cary, Cary's New and Correct English Atlas: Being a New Set of County Maps from Actual Surveys..., printed for John Cary, Engraver, Map and Print-seller, No.181 near Norfolk Street, Strand, published as the act directs Jan 1st 1793, large Quarto, full leather period boards, recent spine and binding replaced end papersJohn Cary (c. 1754–1835) was a prominent English cartographer, engraver, and globe-maker, celebrated for the precision and artistry of his maps. Renowned for his attention to detail, Cary played a significant role in elevating cartography to both an art form and a practical science. His surveys and innovative methods earned him commissions from various government bodies, including the Ordnance Survey, where he worked to establish accurate baselines for mapping.Cary's atlases, globes, and road maps became essential tools for travelers, geographers, and planners during the late 18th and early 19th centuries. His New and Correct English Atlas is considered a landmark in British cartography, influencing the way maps were designed and utilized. Cary’s commitment to accuracy and clarity set new standards for the field, ensuring his legacy as one of England’s finest mapmakers.Book Description: The 1793 edition of Cary's New and Correct English Atlas is a carefully revised and expanded version of the original 1787 publication. This second edition reflects John Cary’s dedication to precision and includes updated maps based on actual surveys. Featuring a complete set of English county maps, the atlas is accompanied by descriptive text, providing geographical, demographic, and historical insights for each county.The maps are finely engraved and hand-colored, showcasing Cary’s mastery in combining scientific accuracy with aesthetic appeal. The second edition incorporates corrections and enhancements to the original plates, reflecting the evolving understanding of England’s geography in the late 18th century. Cary’s clear and detailed cartographic style made this atlas an indispensable tool for planners, travelers, and scholars of the era.This 1793 edition offers a rare glimpse into Georgian England’s geography
Travel. Whymper (Edward), Scrambles Amongst The Alps in the Years 1860-69, first edition, London: John Murray, 1871, half-title, illustrated with 23 full-page plates and 5 folding maps as called for, in-text illustrations, some splits within the block but holding, original publisher's green cloth gilt over slightly bevelled boards, some wear, 4to; Cycling: Jefferson (Robert L.) & Evans (Harry, illustrator), Through a Continent on Wheels, only edition, London: Published by Simpkin, Marshall, Hamilton, Kent & Co., Ltd., Leicester: Printed by W. Watts, [1898], illustrated, pictorial and other adverts, original cloth over pictorial boards, 8vo; Wenyon (Charles), Across Siberia on the Great Post-Road, first edition, London: Charles H. Kelly, 1896, folding map, plates and in-text illustrations, lacking ffep, original publisher's cloth, 8vo; Dufferin and Ava (The Dowager Marchioness of), My Russian and Turkish Journals, first edition, London: John Murray, 1916, plates, original publisher's cloth, 8vo; Conway's Alps, 1905, plates, original cloth, 8vo, (5)
Registration – YJ63 CYEChassis No. – WBS6C92030DV74225M.O.T. – September 2025Odometer – 63,000When the BMW M6 Gran Coupe was launched in 2012 it vied with the i8 as BMW’s most expensive model. In Gran Coupe mode the M6 is a fire breathing “four door coupe” with unmatched luxury and cachet. ‘YJ63 CYE’ garnishes that already exquisite recipe with a Stage 1 map bringing power up to a mighty 681bhp (readout provided). Offered here with no reserve, ‘YJ63 CYE’ is complete with a full BMW service history, four new tyres and new pads and discs throughout. With around 63,000 miles covered to date ‘YJ63 CYE’s’ exhibits significantly below average use in the hands of five former keepers. Complete with a valid MOT until September 2025, this is your rare chance to own a rang topping BMW with a huge 681bhp on tap.With the M6 Gran Coupe BMW pulled off the seemingly impossible. As Evo noted at its launch in 2012, it looks both sleeker than an M5 and cooler than the M6 Coupe. Praise indeed! ‘YJ63 CYE’ certainly validates that view in its stealthy Singapore Grey metallic livery with carbon fibre roof panel and chunky quad exhausts. Furthermore, ‘YJ63 CYE’ sits purposefully on a set of 20-inch BMW 433M alloys with diamond cut faces and black accents. The sumptuously appointed and fastidiously engineered four seater cabin is finished in Opal White Merino leather with carbon fibre accents. Given this car’s status in the model line up and nearly £100,000 original ticket price, it features every refinement that 2013 could muster. These include four zone climate control, electrically controlled and heated seats with memory function, wide-screen BMW Professional audio and satellite navigation system and heads up display. The vendor reports the paint and bodywork as “good” and the interior as “excellent.”As with all models carrying the revered M-Sport prefix, it is ‘YJ63 CYE’s’ mechanical specification that is likely to set the purists’ hearts a-flutter, however. The heart of this beast is the S63 4.4-litre twin turbo V8 that was shared with the M5. Power is distributed via a seven-speed M Double Clutch Transmission with DRIVELOGIC. The advanced Active M differential shuffles torque across the rear axle to the prioritise the wheel with the most grip. Variable damper control optimises road dynamics in real time. In addition to all that, ‘YJ63 CYE’ enjoys a significant power boost courtesy of that Stage 1 map. No wonder the vendor confirms that “it goes like a rocket” and judges all mechanical systems as “excellent.”

-
3987 item(s)/page