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This five-piece collection of Royal Doulton character jugs features a charming variety of historical and whimsical faces. Included are: Veteran Motorist D6637, issued in 1968 and celebrating the spirit of early motoring; Bacchus D6505, introduced in 1960 and representing the Roman god of wine with grape and vine detailing; and Michael Doulton D6808, a tribute jug issued in 1988 honoring the Royal Doulton ambassador. Each jug bears the Royal Doulton backstamp.Dimensions: Tallest item measures 4.25"HCountry of Origin: EnglandCondition: Age related wear.

Albin Camillo Müller (German, 1871-1941), a cast bronze Secessionist mantel clock, c.1905-10, with a brass and enamelled dial with Roman numerals, striking the half hours on a gong, the case of arched form with cast panels, the supports terminating on 'claws' on the chamfered plinth, the pendulum enamelled with a bird, the underside with a cast medallion and inscribed in the cast '1415', 26.5cm wide 18cm deep55.5cm highFor a similar clock, see the Museum Künstlerkolonie in Darmstadt. Albin Camillo Müller was a German architect and designer active in Darmstadt. In 1906, he was appointed to the Darmstadt Artists' Colony, where he became the lead architect after Joseph Maria Olbrich's death. In 1907, he was appointed a professor, and from 1907 to 1911, he taught Applied Arts. In 1918, along with Kasimir Edschmid, Albin Müller was appointed the President of the newly created Art Council in Darmstadt.Condition ReportWear, rubbing and scuffing to the case. Screw heads worn.

[7.02g] - an 18ct yellow gold pendant depicting Fortuna the Roman Goddess of Luck, Italian hallmarked 750 and XRF confirmed, 31mm in diameter

Qty of assorted antique and later coins and tokens, 18th century later and a Roman example, a number of cupro-nickel commemorative crowns, 2kg gross

[4.63g] - an unusual 9ct gold Specsavers advertising tie pin, marked 9ct and XRF confirmed, with base metal pin, made by Roman Tavast, 26mm wide

Étienne André Philippe de Prétot (French, 1710-1787): Pair of 18th century hand-coloured maps of France based on the 'Roman Era', in glazed frames, 58cm x 48cm

A.D. Mougin of Montbeliard & Paris - a highly decorative ormolu clock adorned with gilded cherubs and birds, with green onyx body and white enamelled-porcelain dial with Roman & Arabic numerals, mid-late 19th century, with key and pendulum, 55cm H

An antique French style mantel clock by Lenzkirch of Germany, Kingwood case with gilt metal or ormalu mount, white enamel dial with Roman and Arabic numerals, key and pendulm, 32cm H

Gucci - a vintage gold plated quartz wrist watch, the gold coloured rectangular plain dial with Roman numerals to the bezel, fitted to a link gold plated bracelet with double deployment clasp, case marked 4200M, boxed with original paperwork from 1986, extra links and clasp, 24mm wide

Hammered silver coins - four hammered silver coins and half coins to inc Henry III silver penny with good details, William I of Scotland (Lion) cut silver penny etc, all XRF confirmed as silver, and five assorted copper coins all believed to be Roman, mostly copper and lead but one with 18% silver [9 coins]

This ancient-style glass vessel features a delicately rounded body, flared neck, and a single applied loop handle. Crafted in translucent glass with natural iridescence, the surface displays aged patina and encrustation consistent with burial or long-term exposure. Applied decorative threading wraps the neck below the lip, adding classical character. Measuring approximately 9.25"H, this piece evokes the utilitarian artistry of Roman or Byzantine-period glass. The base shows pontil scarring and weathered inclusions, enhancing its archaeological appeal.Dimensions: See DescriptionCondition: Age related wear.

This delicate ring features an oval-cut opal set in 10K yellow gold, marked 10K HK along with partial Roman lettering. The opal displays vibrant flashes of green, pink, and blue under light, characteristic of natural opals, and is accented by a small round diamond to the side. The bypass-style design gently curves around the opal, giving the ring graceful movement and understated sparkle. A charming vintage piece with soft iridescence and classic appeal. Approx Total Weight: 1.22g includes stones.Dimensions: Ring size approx. 7.5Condition: Age related wear.

This elegant Seth Thomas anniversary clock, model number 0793-000, showcases a polished gold-tone glass case with beveled edges and etched floral side panels. The clock features a gold dial with raised white Roman numeral plaques, ornate black hands, and the classic Seth Thomas signature. Inside, a rotating pendulum with four brass spheres adds visual charm. The underside bears an incised stamp reading Kieninger & Obergfell Made in Germany, confirming its German manufacture for Talley Industries. A refined timepiece that merges traditional mechanics with sophisticated display. Measures approximately 8.25"L x 10"H.Dimensions: See DescriptionCountry of Origin: GermanyCondition: Age related wear. Functionality not guaranteed.

An attractive mixed group of eight iconic Wedgwood Jasperware pieces in the brand's signature blue matte bisque stoneware with applied white neoclassical relief. This collection includes: Two matching flared tumblers, each featuring classical figures in pastoral settings. Five assorted trays/dishes, including round, shell, and trefoil forms, decorated with Greco-Roman scenes, British heraldry, and floral wreath borders. One dish featuring a Star of David with Hebrew inscription - a rare Judaica-themed production. All items bear impressed WEDGWOOD - MADE IN ENGLAND markings and appear to date mid-to-late 20th century. Largest piece 4"H.Issued: 20th century Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear. Scuff marks.

Italian sculptural group titled The Wrestlers. Powerful representation inspired by the ancient Greco Roman Lysippus, the renowned 4th century BCE sculptor of classical antiquity. Rendered with extraordinary anatomical realism and dynamic tension, the composition depicts two male athletes locked in an intense moment of physical struggle, showcasing a masterful study of musculature, motion, and human form. The original marble group is traditionally thought to reflect the stylistic influence of Lysippus, official sculptor to Alexander the Great and a transformative figure in Greek art who broke from the static proportions of Polykleitos, a well known sculptor before Lysippos, in favor of more slender, naturalistic forms. Lysippus introduced a new canon of bodily proportions and expressive movement, pioneering a dynamic aesthetic that profoundly influenced later Hellenistic and Roman sculpture. This contemporary cast, mounted on a textured naturalistic base and finished in a rich golden bronze patina. Weight: 64lbs. Dimensions: 20"W x 17.5"HCondition: Age related wear.

This intricately sculpted Royal Doulton character jug from the Star-Crossed Lovers Collection portrays the legendary figures of Antony and Cleopatra in a back-to-back design. Issued in 1984 and modeled by Michael Abberley, this boldly hand-painted ceramic piece features Cleopatra adorned with a golden headdress and cobra detail, while Antony is rendered in Roman military attire with SPQR insignia. The handle intertwines a sword and Egyptian motifs, symbolizing the cultural and romantic duality of the pair. Marked on the base and signed by the artist, this jug stands 7"H and is part of a worldwide limited edition.Dimensions: See DescriptionEdition Number: 2339 of 9500Country of Origin: EnglandCondition: Age related wear.

This vivid 6.5-inch tall Art Deco-style glass vase from Czechoslovakia showcases exceptional craftsmanship and eye-catching design. Handblown in a rich orange hue, the piece features an elegant classical female figure and geometric banding executed in applied silver overlay - a sophisticated and labor-intensive decorative technique. The overlay wraps around the body with precise detail, including a border of stylized arches and a Greco-Roman figure in flowing robes. Signed "Czecho Slovakia" on the base, the vase reflects the artistic traditions of early to mid-20th century Central European glassmaking. The contrast between the saturated orange ground and cool silver highlights creates a dynamic and visually appealing silhouette. Minor wear to the silver overlay is noted, consistent with age.Issued: 20th centuryDimensions: 6.5"HCountry of Origin: CzechoslovakiaCondition: Age related wear.

A mounted Schatz Royal Mariner brass bulkhead clock - the white enamel dial set out in Roman numerals and striking a bell mounted above, 35 x 22cm.

A Constantine II Roman coin.

A silver case pocket watch - the white enamel dial set out with Roman numerals.

A silver framed alarm clock by Asprey - London 1986, square with a bead border, the white dial set out with Roman numerals, together with another similar continental clock set out in Arabic numerals. (2)

A vintage 9ct gold cased ladies fob watch - in the Art Deco style and set with rubies, the case hangs from a suspension clasp, with a silvered case set out in Roman numerals, in a fitted retail box.

An early 20th century brass bulkhead clock - the cream painted dial set out with Roman numerals, 24cm diameter.

A small quantity of Roman and reproduction Roman coinage.

Gibbon (Edward) The History of The Decline and Fall of The Roman Empire, London 1848, calf, leather bound and other volumes (2 boxes)

Adam (Alexander), Roman Antiquities and assorted other bindings (10)Sold with all faults not subject to return. For condition see images

ASTERIX CONQUERS AMERICA (1994) - Asterix, Obelix and Multi-Character Original Production Cel and Pan Original Layout Drawing Setup - A richly detailed pan layout setup from the animated feature Asterix Conquers America (aka Asterix In America), expertly composed using seven original hand-painted production cels over a large-format pan background drawing.Asterix Conquers America was the first Asterix film produced entirely outside France and marked an ambitious expansion of the franchise. With its distinctive style, international tone, and strong visual storytelling, it brought the iconic Gauls to a new generation.While this specific arrangement does not appear "as is" in the film, each cel and layout element was created for the production and has been thoughtfully assembled by the studio to showcase the visual dynamism and character design that define the feature. The studio officially released this piece as part of the Asterix Art Program, curated to preserve the series' legacy and offer collectors a rare look into the production process.Set in a Native American village deep in the New World, the artwork brings together an ensemble of key characters: the defiant Asterix stands mid-conversation alongside the wise druid Getafix (Panoramix), recently kidnapped and flung across the ocean by Roman forces. To their side, the young tribal girl, while a wary villager and medicine man, and the elaborately dressed village chief observe from either end, the ever-faithful Obelix acting as both mediator and muscle in the scene.The pencil layout background stretches across, laying out the ceremonial grounds and tipi village in a sweeping perspective. These layouts were integral to shot planning, camera movement, and cel positioning. The scale, clarity, and theatrical composition make this setup an ideal display piece, a scene that captures the drama and charm of the film's aesthetic. Multiple production reference numbers are handwritten along the bottom edge of the cels, and several annotations are written on the drawing. The official studio stamp is present on the bottom right corner of the layout, authenticating its origin. A special offering for fans of the franchise and for collectors who value the immediacy, scale, and storytelling power of original animation art. Dimensions: 31 cm x 109 cm (12.25" x 43")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: Ω

PINK FLOYD - Framed "See Emily Play" EMI Promo Banner and Live At Pompeii UK Quad, 1967 and 1972 - Two promotional posters for the legendary British progressive rock group Pink Floyd. The first in a scarce EMI promotional banner for Pink Floyd's second single, "See Emily Play" (1967), featuring artwork created by original frontman Syd Barrett. The second poster is a UK Quad for the band's live performance at the ancient Roman Amphitheatre in Pompeii, which was filmed in October 1971, with no audience save the film crew.Both pieces are presented framed and unrestored. "See Emily Play" has a single vertical fold, some handling wear and some tiny nicks and tears around the border. The UK Quad has some handling and fold line wear. Dimensions (See Emily Play - framed): 39 cm x 63 cm x 4 cm (15.25" x 24.75" x 1.5"); (Quad - framed) : 78 cm x 103 cm x 5 cm (30.75" x 40.5" x 2")Condition: Very Fine+Please note that the condition report for this lot has been conducted without removing the posters from the frames.Artists: Syd Barrett, Unknown ArtistVAT Status: M

‡ ATTRIBUTED TO DOMENICO ZAMPIERI, KNOWN AS DOMENICHINO (ITALIAN 1581-1641)LANDSCAPE WITH A HERMIT Oil on canvas 41 x 54cm (16 x 21¼ in.) Provenance: Everhard Jabach, Paris, no. 582, by 1696 Manor House Antiques, The Square, Stow-on-the-Wold, Gloucestershire, March 1973 There acquired by Richard L. FeigenLiterature: Vicomte de Grouchy, Everhard Jabach, collectionneur parisien (1965) in Memories de la Societe de l'Histoire de Paris et de l'lle de France. XXI, 1984, p.278, no. 582 G. Gent, Lost Domenichino is Found and Bought for $392, New York Times, 19 June 1973, p.32 L. Salerno, Pittori di paesaggio del seicento a Roma, vol. I, Rome, 1976, I. pp. 81,120, cat. no. 19.3 R. E. Spear, Domenichino, New Haven, 1982, vol. I, p.317 (as a copy after Pietro Paolo Bonzi) L. Salerno, Review of Domenichino by Richard Spear, in 'Storia dell arte', L. 1984, p.88 A. Brejon de Lavergnee, L'inventaire Le Brun de 1683; La collection des tableaux de Louis XIV, Paris, 1987, p. 297 (as a copy after Domenichino) C. Whitfield, Les paysage du Domenichio et de Viola in Monuments et memories, LXIX, 1988, p.106, no. 92 (as Grimaldi?) R. E. Spear, Domenichino addenda, in Burlington Magazine CXXXI, 1989, p.11. no.44 (as a copy after Pietro Paolo Bonzi) S. Loire, Ecole italianne XV/le siecle. I. Bologne. Musee du Louvre. Department des Peintures, Paris, 1996. pp.214. 216 (as a copy after Domenichino)Exhibited: Amherst, Massachusetts, Mead Art Museum, Major Themes in Roman Baroque Art from Regional Collections, 1974, no.83 New Haven, Yale University Art Gallery, Italian Paintings from the Richard L. Feigen Collection, 28 May - 12 September 2010, no. 45 (as Domenichino)The present work is known in three versions; the lot offered here, a reduced painting in the Louvre (30 x 37cm), and a third larger example (47 x 59cm) in the Galleria Doria-Pamphilj, Rome. The latter example is now generally attributed to Domenichino's follower Pietro Paolo Bonzi. Whilst the present work has been put forward as the prime version by Luigi Salerno and others (see literature), Stephane Loire and Dennis Mahon both argued that the Louvre version is the original. Condition Report: Canvas appears to have a wax relining and presents a subtle craquelure. In addition, there are a few slight superficial scratches in the varnish in the tree in the upper right corner and the lower left corner UV light reveals and evenly applied varnish a few retouches in the lower section of the waterfall as well as meticulous restoration in the sky with two patches of approx 4cm in width. In addition, there are a few small meticulous restorations in the foliage of the tree to the right. Finally, there is extensive restoration to the right border such restoration if of crosses the whole right border and is of about 4cm in width.Condition Report Disclaimer

JAMES ROSENQUIST (AMERICAN 1933-2017) HOLY ROMAN EMPIRE THROUGH CHECKPOINT CHARLIE Mixed media with collage and masking tape Signed, variously inscribed and dated 1994 (to masking tape) 31 x 103.5cm (12 x 40½ in.) Condition Report: Unexamined out of glazed frame. The collaged sheets are slightly undulating throughout and some areas of masking tape have lifted as a result of age. The tape has also discoloured. There is a small tear to the extreme right hand edge of the collage. Some of the paint appears to have been deliberately painted onto the reverse side of the perspex and some tape also adhered directly onto the reverse of the perspex. The work is in generally good original condition. Condition Report Disclaimer

‡ HERMAN VAN SWANEVELT (DUTCH 1603- 1655) POLYPHEMUS AND GALATEA; THE JUDGMENT OF PARIS Oil on canvas, a pair The former signed and dated 'HVS (in ligature) WANEVELT. / ... 1643' (lower left); the latter signed 'H SWANEVELT. FA. VEN' (lower right) Each 61 x 75cm (24 x 29½ in.) (2) Provenance: Collezione Alfa, no. 69, 70 (according to label on verso) P.&D. Colnaghi & Co. Ltd. (according to label on verso) Herner Wengraf, until at least 1974 From whom acquired by Richard L. Feigen Literature: A. Sutherland Harris, Landscape Paintings in Rome 1595-1675, New York, 1985, pp. 29-30 A.C. Steland, Herman van Swanevelt (um 1603-1655) Gemälde und Zeichnungen, Petersberg, 2010, vol. I, nos. G 1 36 A and B, pp. 145, vol. II, reproduced pp. 442 and 443, figs. G 100 and G 101 Having worked for some of the most influential patrons of his time-including Pope Urban VIII Barberini, Cardinal-Duc de Richelieu, and King Louis XIV-Herman van Swanevelt was a highly sought-after artist. He was particularly admired for his naturalistic observation of landscape and his masterful treatment of light, capturing the shifting moods of the day and atmospheric variations.His stay in Rome from around 1629 to 1641 was crucial to his development. Influenced by painters like Claude Lorrain, Swanevelt refined his approach to light and composition, and began incorporating mythological themes into idyllic natural settings.This pair of mythological landscapes likely dates to the late Roman period, around the time of his commissions for the King of Spain. The classical figures with elongated limbs and idealized faces, along with the misty, light-filled vistas, closely resemble elements in Landscape with Hermit Preaching, painted for the Buen Retiro (1639-1641) and now in the Museo del Prado, Madrid (inv. no. P005121).Each painting illustrates a mythological love story ending in tragedy. In The Triumph of Galatea, Ovid recounts how the nymph Galatea escapes the cyclops Polyphemus in favour of her lover Acis, whom Polyphemus later kills in a jealous rage. The Judgment of Paris tells of Paris awarding the golden apple to Aphrodite, who promises him Helen of Sparta-an act that ultimately triggers the Trojan War. Condition Report: Polyphemus and Galatea CR: The canvas has been relined and presents a subtle craquelure across the surface. UV light reveals a thin vertical restoration passing thought the whole left border, as well as a horizontal one of about 8 cm to the upper border. Extensive professional retouching is scattered in the section of the sky, and in the lower left corner, in the dark parts of the water. The Judgment of Paris: The canvas has been relined, and presents superficial abrasions to the varnish in the left border. UV light reveals scattered retouching in the sky, as well as scattered restoration to the foliage, and trees, some of which of about 3 cm in width. Additionally, there are various meticulous dotted retouches in the figures in the foreground, most notably the second figure from the left. Condition Report Disclaimer

A cased wall clock, with brass decoration, circular silvered dial bearing Roman numerals, eight day movement, 63cm high.

This Waterford Crystal carriage clock features a striking arched silhouette with diamond-cut detailing, topped by a classic round gold-tone quartz face with Roman numerals. The heavy, multi-faceted lead crystal body exemplifies Waterford's renowned craftsmanship and clarity. The piece bears the etched Waterford hallmark along the base and includes its original branded box, adding to its collectability and presentation appeal. A radiant accent piece perfect for mantel or desk, merging elegant design with timekeeping functionality.Issued: 20th centuryDimensions: 7.25"HCountry of Origin: IrelandCondition: Age related wear.

A German clock in a Rococo Revival style wood case with painted floral motifs and ornate brass mounts. The case features a crackle cream finish with hand-painted floral bouquets and curvaceous contours framed in cast brass applique. The round clock face is decorated with raised porcelain-style Roman numerals and an embossed brass center medallion. The 8 day mechanical movement is stamped "Franz Hermle, Germany, 151-080" and includes its original pendulum and winding key. A rear-access hinged panel reveals the well-preserved movement with chime mechanism. Made in Italy stamped. Franz Hermle impressed to the movement. Dimensions: 5.75"L x 11.75"W x 22.75"HCondition: Age related wear.

Collection of mudlarking or detecting finds, antiquities, metalwares and ceramics, Roman and later, including two Roman alloy figures of a goat and a cockerel with portable antiquities report

Group of antiquities, including an Egyptian Ushabti, 21cm long, and two Roman oil lamps

Tiffany & Co 14ct gold and diamond ladies' quartz wristwatch, the rectangular white enamel dial with Roman numeral markers and a diamond set bezel, 21mm x 18mm, on an internal 14ct gold panther link bracelet, in Tiffany & Co boxWeight 28.7 grams.Back of case marked '14K' and Swiss hallmark (squirrel). Bracelet marked '585' 'Swiss made'. The watch is not currently running, presumably needs a new battery but we can not offer any guarantee. The enamel dial is perfect and clean. Diamonds clean and bright, case and bracelet in good condition commensurate with age, length approximately 16cm. The box is in poor condition.

Ladies' Rolex Oyster Perpetual DateJust 18ct yellow gold chronometer wristwatch, model 279178, serial number 6ND92691, the brushed gold dial with applied diamond stars and diamond Roman numeral hour markers, quick-set date, screw down crown, case 28mm diameter, on 18ct gold president bracelet with deployment clasp.The watch is in very good condition commensurate with age. The watch is currently running, winds smoothly, quick-set date and hands adjust correctly. Any service history or replacement parts are unknown. The serial number suggests that the year of manufacture is probably within the last 15 years. It is very clean and has no obvious scratches or damage. The glass is perfect. The bracelet looks to be in excellent condition with very little signs of wear. Approximately 14.5-15cm diameter/wrist. No box or paperwork present. The watch is being sold by the executors of a local estate and offered without reserve. Appears to be a very clean watch. Total weight approximately 108.7 grams

Roman and mediaeval artefacts, with worked flints and other antiquities

A Copeland China plate, finely painted by Samuel Alcock with a young woman in Roman Dress, circa 1895, 22.5cm diameter

Collection of antique jewellery, including rings, bangles, pins, Roman and later

Roman gold child’s or toe ring, with green stone or glass cabochon, 17mm diameter

Fine quality late 19th/early 20th century Swiss 18ct gold minute-repeating half-hunter pocket watch with button-wind movement striking the hours, quarters and minutes, the white enamel dial with subsidiary seconds, the front of the case with blue enamel Roman numerals and engine turned decoration in 55mm gold case, the cuvet cover signed S. Katz Geneve.The watch winds smoothly and is currently running. The repeating movement works, it strikes the correct quarters and minutes but strikes an hour slow. The hands adjust correctly. The white enamel dial is perfect. The watch is a substantial watch, heavy gauge. The engine turned decoration shows wear commensurate with age. Weighs approximately 151.5 grams. The box is in good condition commensurate with age, the silk lined interior is not signed.

Grand Tour serpentine marble model of a Roman Bath, raised on lion paw feet, 28cm longHas been broken into several pieces and restored, some small associated losses

After the Antique, a reconstituted stone figure of a Roman Emperor, 168cm high Condition ReportDamage to the javelin. Chipping to the exterior surface. Knocks to the extremities.

Philipp Hass & Son-German 8-day Art deco mahogany mantle clock, in a waisted case with inlay to the edge and front and a shaped top, enamel dial with Roman numerals and spade hands within a glazed spun brass bezel, two train rack striking movement sounding the hours on a gong, with pendulum.Dimensions: Height: 32cm  Length/Width: 25cm  Depth/Diameter: 13cm

Antiquities; Greco-Roman dark glazed zoomorphic oil lamp, together with two Hellenistic terracotta oil lamps

Antiquities; two late Roman Christian terracotta oil lamps 4th century AD, decorated with beading and cross motif, H5cm, L11cm

Antiquities; collection of terracotta oil lamps, including Roman and Hellenistic examples

German- 19th century 8-day spring driven wall clock in a mahogany case with turned finials and pendants, architectural pediment and an ogee fluted base, with turned full length pilasters to the glazed case door displaying a gridiron pendulum and two-part dial with Roman numerals and gothic steel hands, twin train movement striking the hours on a gong.Dimensions: Height: 140cm  Length/Width: 46cm  Depth/Diameter: 22cm

Misc items including Days Gone tin plate brewery set (boxed), a resin Roman chess set and board, assorted plastic dolls house furniture

This exquisite set includes a Waterford Crystal clock and a matching rectangular tray, both beautifully crafted with the brand's iconic intricate cut designs and fine crystal clarity. The clock, marked Waterford Crystal, features a white dial with Roman numerals and is encased in a heavy, cut crystal surround. The rectangular tray features a captivating starburst pattern in the center, framed by deep cuts and a textured border, and has two side handles that further enhance its elegance and functionality. Both pieces are etched with the Waterford mark, underscoring their authenticity and exceptional craftsmanship. Issued: 20th centuryDimensions: Largest: 14"LCountry of Origin: IrelandCondition: Age related wear. Clock has not been tested.

This elegant Waterford Crystal desk clock features a gracefully cut pedestal design with signature diamond and vertical crisscross patterns, showcasing the brand's renowned craftsmanship. The clock insert is encircled by a polished gold-tone bezel, complementing the clear brilliance of the crystal. The face bears Roman numerals and is marked "Waterford Crystal Quartz," with the movement noted as Japanese. A refined addition to any desk, vanity, or mantle, it embodies timeless luxury and precision in design.Dimensions: 6"HCountry of Origin: IrelandCondition: Age related wear.

George III silver and silver-gilt repousse pair cased verge fusee pocket watch by J Johnson, London, No. 1479, pierced and engraved balance cock decorated with a classical urn, white enamel dial with Roman hours and outer Arabic minute ring, the outer case depicting a central classical scene, with scroll borders, inner case engraved with initials I.W, makers mark RPCS, London 1788Condition Report:Movement currently functioning, dial with hairline cracks around 9-10 o'clock and a few scratches, no glass, inner case closes tight, wear to gilt and light dents, pendant possibly been re-attached, hands moving, outer case tested silver (no hallmarks), heavy rubbing, wear, dents and probably restoration (visible to inside of case), outer case diameter = 50mm

Early 20th century silver open face keyless lever chronograph pocket watch, examined by J.W. Benson, no. 1969, white enamel dial with Roman hours and outer Arabic minute ring, subsidiary seconds and 30 minute recording dial, back case with monogrammed initials CWR, Swiss hallmarksCondition Report:Movement functioning, push start stop button operating, centre seconds re-sets to 12 o'clock position, dial good, hands moving / setting, front half hunter glass with scratches, back case with sharp dent to edge - does not close tight, case diameter = 52mm

Roman coins (2)

Vinyl / Autograph - The Damned The Shadow Of Love 12" signed on inner sleeve by Rat Scabies, Dave Vanian, Paul Shepley, Bryn Merrick, Roman Jugg.

T. Travis- mid-18th century 8-day oak longcase clock, with a flat pediment, broad cornice and frieze beneath, square hood door, with a long trunk and conforming break arch topped door, on a square plinth raised on aa bracket shaped skirt, brass dial with cast spandrels, matted centre, seconds dial, date aperture and steel hands, chapter with Roman numerals, five minute Arabic's and minute track,dial pinned to a rack striking four pillar movement, striking the hours on a bell. With weights, key and pendulum.Dimensions: Height: 203cm  Length/Width: 42cm  Depth/Diameter: 23cm

William Hepton of Northallerton - mid 18th century eight day longcase clock, with a flat pediment and break arch hood door beneath, profusely carved oak case with a break arch topped trunk door and a rectangular plinth with moulded and carved panels, break arch brass dial with makers name to the arch engraved on a silvered boss, cast spandrels and a plain dial centre with seconds dial, date aperture and steel hands, silvered chapter with Roman numerals and five minute Arabic's, dial pinned to a rack striking movement striking the hours on a bell.With pendulum, weights and key. Dimensions: Height: 205cm  Length/Width: 38cm  Depth/Diameter: 25cm

A. CONSTAD OF SALISBURY: A 9CT GOLD OPEN FACE POCKET WATCHwith keyless wind movement, the white enamel dial with black Roman numerals, subsidiary seconds dial and gold hands, the case c.45mm, (c.77.6g)