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A massive Pilkington's Royal Lancastrian Pottery Lapis Ware vase by Gladys Rogers, thrown by E.T. Radford, shouldered form, glazed in shades of turquoise, yellow and blue on a matt grey ground, impressed, incised and painted marks, flat chip to base, 46cm. high ProvenanceThe Cornish Collection
A Pilkington's Royal Lancastrian vase by Richard Joyce, shouldered form, modelled in low relief with fish, glazed blue and turquoise on a grey ground, a taller Pilkington's Royal Lancastrian vase by Richard Joyce painted with fish, and another smaller by William Mycock, impressed factory marks, incised monogram, 20cm. high (3) ProvenanceThe Cornish Collection
A Pilkington's Lancastrian vase designed by Walter Crane painted by William S. Mycock, dated 1912, shape 2469, painted with a frieze of lion Passant, above heart shaped foliage and Tudor rose motif in bronze lustre on red and green lustre, impressed marks, painted artist ciphers and date code, painted Crane monogram, restored top rim, 12.5cm. high, 21cm. diam.LiteratureA J Cross Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 9 plate III for a comparable example illustrated.A Catalogue of the Lancastrian Pottery at Manchester City Art Galleries, catalogue number 186 for a comparable piece. This design, also known as the Lion Bowl, painted by Richard Joyce was exhibited at the Franco British Exhibition in 1908.
Edward Radford and William S Mycock and Gladys Rogers - Royal Lancastrian - Two vases, the first of rounded ovoid form, with all over mottled orange glazes and geometric burnt umber glazes, impressed factory mark, inscribed monogram E.T. R. for Edward Radford WSM monogram for William Mycock, together with a Gladys Roger Royal Lancastrian Lapis ware vase, of bottle form, shape number 2581, with all over light blue and violet glazes with stylised flowers, GR monogram to base, height 20cm. (2)
Mitzi Solomon Cunliffe - Pilkington's Royal Lancastrian - A freeform bowl, circa 1950, of asymmetrical form, eggshell black exterior, white rim and celadon interior, impressed marks to base, width 25cm, together with a C H Brannum Barum ware bright orange glazed jug, of shouldered form with high drawn ribbed moulded collar and side loop handle, impressed marks to base, height 17cm. (2) NB - Mitzi Solomon Cunliffe (1918-2006) was an American sculptor. She was most famous for designing the golden trophy in the shape of a theatrical mask that would go on to represent the British Academy of Film and Television Arts and be presented as the BAFTA award. She also designed textiles, ceramics and jewellery.
Edward Thomas Radford - Pilkington's Royal Lancastrian - A shape 202 vase, circa 1930, of ribbed globe form with rolled collar and graded ivory to celadon glaze, incised and impressed marks, height 16cm, together with a Royal Lancastrian shape no.3288 vase, height 17cm, and a shape no.8273 vase, both with graded ivory to celadon glaze. (3)
Pilkington's Royal Lancastrian - A shape no.3191 vase, circa 1930, of tall tapering shouldered form with mottled dusty pink glaze, impressed marks, height 27cm, together with a shape no. 2322 vase, of shouldered ovoid form, matt powder beige glaze, height 15cm, and a smaller compressed baluster vase, height 5.5cm. (3)
Pilkington's Royal Lancastrian - A shape no.381 twin handled vase, of compressed baluster form, mottled streaked ochre glaze, impressed marks, height 18cm, together with a shape 2995 vase, of baluster form with moulded stylised foliate band, ivory to ochre glaze, impressed marks, height 25cm.
Pilkington's Royal Lancastrian - A shape no.3311 powder jar and cover, of compressed shouldered form with deep celadon mottled glaze, impressed marks, diameter 15cm, together with a 3131 shape vase, baluster form on small circular foot, height 13cm, a wide rimmed bowl, circular form diameter 18cm, a shape no.2514 vase, height 9cm, and a small octagonal vase, shape no.245, height 6cm. (5)
Pilkington's Royal Lancastrian - A shape no.2932 vase, circa 1930, shouldered form with moulded foliate lappets and marbled pale blue glaze, impressed marks to base, height 17cm, together with a shape 2151 vase of compressed form with flared collar, pale blue mottled glaze, height 15cm, a singled handled vase, of cylinder ribbed form, impressed marks, height 18.5cm, and a rectangular pale blue glazed ashtray, three rests flanking square aperture, width 9cm. (4)
Edward Thomas Radford - Pilkington's Royal Lancastrian - A shape no.3183 vase, of compressed shouldered form, streaked tonal ochre glaze, impressed and inscribed marks, height 11cm, together with a wide rimmed Lapis ware posy bowl, shape no.3368, impressed and painted Radford mark, diameter 15.5cm and a shape no.2518 vase, height 9.5cm. (3)
Edward Thomas Radford - Pilkington's Royal Lancastrian - A 3183 shape vase, circa 1930, of compressed shouldered form with short drawn collar, graded emerald green to royal blue glaze, impressed marks to base, height 11.5cm, together with a similar glazed 3218 shape circular wall plate, impressed marks, diameter 29cm. (2)
WILLIAM S MYCOCK FOR PILKINGTON, A ROYAL LANCASTRIAN LUSTRE BOWL, dated 1921, the centre detailed with issuing flowers and bordered with the motto 'Virtus Est Vitium Fugere', the underside detailed with silver lustre against a green ground, the base inscribed with the motto's translation 'It is virtue to avoide (sic) vice', accompanied by a monogram and date, 36cm (d)Provenance: private collection Powys
Gladys Rodgers for Royal Lancastrian 'lapis ware' charger, impressed and painted artist's mark, a Mason's 'South Seas' pattern, Bordallo Pinheiro pink fish-shaped plates, marked to base, 29cm diameter, together with ceramic animal figurines including 'Merlin' Beneagles blended Scotch whisky, Keramos flamingo model, pair of green pigeons, elephant (1 tray)
Shelley Art Nouveau tapering oviform vase, black ground printed with heart-shaped foliate devices, a Newport Pottery Co Clarice Cliff Celtic Harvest pattern bowl, moulded in relief with pilasters of fruits, printed black marks, a Lancastrian pottery baluster vase, printed brown marks, mottled in blue/grey glazes, a Greys Pottery Gold Lustre polka dot part tea service for two, a Murano heart-shaped cased glass bowl in mottled pale pink and cream with blue and silver Lavorazione Arte Murano label, 37.5cm long, a Caprudoni glass paperweight, decorated with a horse in landscape, etched mark to base, a Waterford cut crystal quartz desk clock and a Royal Dux figure of a lady musician
Griffin (John D.). The Leeds Pottery 1770-1881, 2 volumes, Leeds Art Collections Fund, 2005, numerous colour illustrations, original green cloth in dustwrappers, folio, VG, together with The Don Pottery 1801-1893, Doncaster Museum Service, 2001, numerous colour and monochrome illustrations, original maroon cloth gilt in dustwrapper, 4to, plus others related: Liverpool Porcelain of the 18th Century by Bernard M. Watney, 1997, Liverpool Pottery of the 18th Century and its Makers by Knowles Boney, reprinted 1989, Pilkington's Royal Lancastrian Pottery and Tiles, by A. J. Cross, 1980, Don Pottery Pattern Book, 1807, reprinted 1983QTY: (7)
A Pilkington's Royal Lancastrian lustre pottery vase and cover, dated 1915, decorated by Richard Joyce, monogrammed, with a pattern of deer amidst leafy trees in a silvery/gold lustre against a shaded ruby to purple to blue ground, the shoulders with magenta ground band of lustre scrolls, the cover with overall lustre glaze, impressed marks to base with numerals '2920' and painted monogram and year mark, height 17cm.
WILLIAM S. MYCOCK (1872-1950) FOR PILKINGTON’S TILE & POTTERY CO. ROYAL LANCASTRIAN LUSTRE BOTTLE VASE, 1923 lustre-glazed earthenware, painted artist's monogram and date to the base, impressed makers mark stamped 2874 21cm high Literature: Cross, A. J., Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, 1980, pl. 50A, where a similar vase is illustrated
A rare and impressive Victorian Livery collar of the ‘Esses’ in 9 carat gold, 113g, unmarked, comprising sixteen stylised S’s linked in groups of four, separated by central crowned floral badge of the United Kingdom with heraldic symbols of England, Scotland and Ireland, combined with scroll inscribed ‘DIEU ET MON DROIT’, and three Beaufort portcullises, the central of these with push clip clasp, overall length 49cm, contained in its original domed velvet-lined case, 21cm diameter, the interior lid lined in white silk with maker’s details ‘J. W. BENNETT, GOLDSMITH & WATCHMAKER, 16, LLOYD SQUARE, W.C. MASONIC ORDERS EXECUTED.’, several minor test marks, the case with scuffs and signs of wear, otherwise generally good very fine £2,000-£3,000 --- The Lancastrian Collar of Esses was introduced in the late 1300s, but revived by Henry VII in 1845. As an important piece of the late-medieval livery system, the collar was a prestigious symbol of royal power. It would only be awarded to the rank of esquire and above. The ‘S’ has been widely research, possibly representing a combination of saintete (sanctity), sagesse (wisdom), and seigneurie (lordship). However, Soverayne, meaning Sovereign is the most supported, especially in relation to Henry IV. The Portcullis was the Badge of John Beaufort, Marquees of Dorset & Somerset, the son of John Gaunt, Duke of Lancaster and great-grandfather of Henry VII. Henry adopted the symbol and it was used by the first and second Tudor dynasties. Presently, the portcullis is crowned, officially making it a royal symbol and can be found in the Palace of Westminster. The design in which the central link or hanging badge depicts the Crowned Floral Badge is reminiscent of the Esses Collar of the Sergeant-at-Arms. The company of J. W. Bennett located in Lloyd Square was destroyed in the Second World War, along with all associated archives.
ROYAL LANCASTRIAN; a mottled orange vase with flared neck, height 29.2cm (af), together with twelve pieces of Poole pottery, including vases, a bowls, a jug, etc (13).Condition Report: - Royal Lancastrian vase with large crack running from the rim.- Please note that this lot is not suitable for our in-house postage service.We would recommend collecting this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on https://www.adampartridge.co.uk/services/transport/
Collection of green glazed ceramics Comprising a Pilkington Lancastrian small tapering green glazed vase, impressed marks and numbers '2338' to the base, 13.5cm high, a large Royal Lancastrian vase, with impressed marks to the base, 20cm high, a Poole Pottery vase, stamped 'Poole England' and incised numbered '402' to the base, 9.5cm high and a Chameleon ware vase, marked to the base, 9cm high (4) All with surface dust, dirt and signs of wear. The Pilkington vase with repair to the footrim/base. The bottom of the Poole vase looks as though it has been ground down. Marks to the base of the Chameleon ware vase have run, partially illegible. Otherwise seems ok.
WILLIAM S. MYCOCK FOR PILKINGTON, an earthenware vase of squat baluster form, painted in sombre blue and red lustres on an olive green ground with a band of scrolling foliage, monogrammed very indistinctly marked ENGLAND 6253, Royal Lancastrian, 192?, 7 1/4" high (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Small chip to foot rim just visible from outside, and 2 further small chips to inner footrim, small scratch to glaze near base, glaze lightly crazed.

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3885 item(s)/page